Tag: Tony Goldwyn

Oscar Predictions: Ezra

Actor Tony Goldwyn goes behind the camera for Ezra which hits theaters Friday after screening at the Toronto Film Festival last fall. Bobby Cannavale headlines the family dramedy alongside Robert De Niro, Rose Byrne, William Fitzgerald, Vera Farmiga, Whoopi Goldberg, Rainn Wilson, and Goldwyn himself.

The project was met with muted buzz during its north of the border unveiling in September. Bleecker Street eventually picked up the distribution rights for what should be an unceremonious opening. The Rotten Tomatoes score is a so-so 65%. While some reviews are good, in order for it to get awards attention… well, it needs to be better than Ezra. My Oscar Prediction posts will continue…

Plane Box Office Prediction

Plane lands in theaters on January 13th as Lionsgate hopes it takes off with action fans over the long MLK weekend. From French filmmaker Jean-François Richet, Gerard Butler stars as a pilot stranded in dangerous territory. Costars include Mike Colter, Yoson An, and Tony Goldwyn. The screenplay was sold as The Plane until the powers that be jettisoned that silly “the”.

Our simplistically titled pic comes with a reported $50 million price tag. That’s not huge, but it will likely struggle to make it back (at least on the domestic front). The mid-January frame has seen its share of medium size budgeted genre fare. Potential comps include 2013’s The Last Stand with its $7.2 million start, Sleepless from 2017 at $9.7 million, and 2018’s Proud Mary with $11.7 million. There’s also The Commuter from five years back with $15.7 million and that’s probably an unreachable ceiling.

We also have Butler comps to ponder. In 2018, Den of Thieves also debuted in January to $15.2 million while Hunter Killer managed just $6.6 million that autumn. 2021’s Copshop was a dud with $2.3 million out of the gate, but it arrived during the COVID slowdown.

Due to the holiday, we’re estimating a four-day take. My hunch is that many moviegoers will standby to view it at home. It could manage double digits though I’ll say it falls below that figure and closer to Killer than Thieves.

Plane opening weekend prediction: $7.2 million (Friday to Monday estimate)

For my A Man Called Otto prediction, click here:

A Man Called Otto Box Office Prediction

For my House Party prediction, click here:

House Party Box Office Prediction

King Richard Box Office Prediction

**Blogger’s Note (11/18): On the eve of its premiere, I’m revising my King Richard estimate down from $11.2M to $9.2M

Will Smith may be primed for his first Oscar win in King Richard, which is served up for audiences on November 19th in theaters and HBO Max. The sports drama casts its lead as Richard Williams, father of tennis superstars Venus and Serena. Reinaldo Marcus Green directs with a supporting cast featuring Aunjanue Ellis, Saniyya Sidney, Demi Singleton, Tony Goldwyn, and Jon Bernthal.

Following its September premiere at Telluride, awards buzz started immediately and it currently sits at 91% on Rotten Tomatoes. With a new autobiography out this week, Smith has been highly visible as Richard is set for release.

Adult themed dramas have struggled mightily during the COVID era and the pic’s availability on HBO’s streamer could certainly eat into the grosses. However, with the Oscar chatter going, I do think this could top the $10 million estimate that’s out there (though probably not by much). It should also manage to play well over subsequent weekends.

King Richard opening weekend prediction: $9.2 million

For my Ghostbusters: Afterlife prediction, click here:

Ghostbusters: Afterlife Box Office Prediction

King Richard Review

What does love mean in tennis? In King Richard, it means much more than zero as the film recounts the dogged determination of Richard Williams (Will Smith) to guide daughters Venus and Serena to their dominantly winning ways. It’s an unlikely journey – two Compton kids who eschewed the normal route to athletic excellence. Part of that was their circumstances, but another was their father’s refusal to court familiar paths in their eventual superstardom.

Directed in unfussy fashion by Reinaldo Marcus Green, the film starts approximately three decades ago when Richard’s short shorts were slightly more in style. He works days and nights in SoCal supporting five kids alongside his equally stalwart wife Brandy (Aunjanue Ellis). Constantly referencing his 78 page plan for success for Venus and Serena, Richard’s reaction to rejection (which he gets plenty of) is to look at it as another door opening. His relentless nature for his daughters training and their achievement in the classroom is to shield them from the dangers that exist right outside the front door. The Williams clan lives in a bubble of Richard and Brandy’s own making and one that clearly yielded now universally known results.

In any biopic, there’s picking and choosing of the focused upon details. The screenplay, from Zach Baylin, prefers to center on the positive. The King’s flaws, including hinted at infidelity and a penchant for self promotion, are kept on the periphery. Richard’s public persona is given a makeover here. Given the paradigm shifting accomplishments of his pupils, it’s one worth taking in.

That’s not to say the outsized personality of the title character isn’t occasionally played for humor. When Richard and the family (and his contract stipulates the whole family) arrive in Florida for the prodigies to be trained by Rick Macci (a gloriously mustachioed Jon Bernthal), he eyes a fancy golf cart that he knows he’ll be commandeering. Flash forward to a couple years later and it’s his. This is a subtle and small example of how Richard seems to will situations into existence. The more significant examples deal with the jackpot at the end of the rainbow that everyone knows is coming. It’s about to rain for his kids and Richard opens infuriating umbrellas for negotiators on the other side of the table.

King Richard succeeds in presenting an uplifting tale of persistence. There’s no shortage of lump in throat moments. Some of that comes from Smith’s top notch embodiment of his obsessive character. Plenty of it is also provided by Saniyya Sidney as Venus and Demi Singleton as Serena. It’s a credit to the script and their performances that I found myself desperately wanting them to overcome their obstacles and therefore forgetting that I know they do. As Brandi (who eventually divorced Richard though that isn’t mentioned), Ellis is equally impressive. Her key moments come in quick and frank bursts that will surely score with audiences.

One could quibble with accuracies or the ignoring of certain facts, but Smith and company have hit the mark in stirring an emotional story centered on the benefits of hard work. What does love mean in King Richard? More than just tennis.

***1/2 (out of four)

Oscar Predictions: King Richard

My previous Oscar Predictions post was for the Princess Diana biopic Spencer. I explained that it’s risky to make bold pronouncements at this juncture of the awards season. Yet the buzz from Venice strongly suggests that Kristen Stewart is going to nab a Best Actress nod for her work.

At Telluride, the same feeling holds true for King Richard from director Reinaldo Marcus Green. Hitting theaters and HBO Max on November 19, the title character is Richard Williams. He’s best known as the father of tennis superstars Venus and Serena. Portraying him is Will Smith and he’s going for nomination #3 after 2001’s Ali and 2006’s The Pursuit of Happyness. 

So here we go again. The early reaction for Richard makes me comfortable enough to declare that Smith will get that third recognition. And he could win. Reviews also single out Aunjanue Ellis as Richard’s wife Brandy. An Emmy winner for When They See Us, I will likely include her in Supporting Actress when my estimates are updated on Monday.

As for the movie itself, it could certainly follow in the sports drama footsteps of previous Best Picture nominees like The Blind Side and Moneyball. I wouldn’t count on it, but it’s certainly a possibility as this sounds like a major crowdpleaser. There’s also an original song that plays over the credits from Beyonce (“Be Alive”) and I wouldn’t bet against her.

Bottom line: Will Smith has put himself in position to be the Fresh Prince of the Best Actor derby. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Watch – Mark Felt: The Man Who Brought Down the White House

It’s been nearly 25 years since Liam Neeson received his one and only Oscar nomination for playing Oskar Schindler in 1993’s Schindler’s List. He’s had acclaimed roles since then (2004’s Kinsey being a notable one). To younger moviegoers, he may just be known as the brooding action hero from the Taken franchise and others. Yet Mark Felt: The Man Who Brought Down the White House had prognosticators like me take notice when it screened at the Toronto Film Festival.

The film casts Neeson as the title character, the real-life FBI man who was revealed decades later to be Deep Throat. Felt provided the invaluable intel that resulted in President Nixon’s resignation. Peter Landesman directs with a supporting cast that includes Diane Lane, Tony Goldwyn, Bruce Greenwood, Ike Barinholtz, and Michael C. Hall.

While reviews for Neeson’s work here have been solid, reaction to the picture itself has been rather lackluster. It stands at just 44% on Rotten Tomatoes. In other words, Neeson is the only possibility at all for Academy chatter. That appears to be a long shot.  The film fest season of the past couple weeks has provided a couple names with better chances like Denzel Washington in Roman J. Israel, Esq. and Jake Gyllenhaal in Stronger. That’s in addition to the assured nomination of Gary Oldman in Darkest Hour, not to mention plenty of other contenders whose movies haven’t screened.

My Oscar Watch posts will continue…

The Belko Experiment Box Office Prediction

Next weekend, the horror thriller The Belko Experiment debuts in theaters and it will attempt to serve as counter programming to Disney’s likely box office behemoth Beauty and the Beast. That could be an uphill battle.

Belko comes from director Greg McLean, who last helmed 2016’s underwhelming performer The Darkness. Its screenwriter is of more note – James Gunn, who directed Guardians of the Galaxy and its upcoming May sequel. The pic is set in Bogota, Columbia with a group of employees pitted against one another in a violent social experiment. Stars include John Gallagher Jr., Tony Goldwyn, Adria Arjona, John C. McGinley, and Michael Rooker.

This debuted last fall at the Toronto Film Festival to so-so buzz and it currently sits at 57% on Rotten Tomatoes. The marketing campaign has been rather soft and it’s only slated to open on about 1200 screens.

Add that up and I believe Belko will debut poorly and fade quickly.

The Belko Experiment opening weekend prediction: $3.2 million

For my Beauty and the Beast prediction, click here:

https://toddmthatcher.com/2017/03/08/beauty-and-the-beast-box-office-prediction/

Divergent Movie Review

Divergent exists because of The Hunger Games. While it may be based on its own series of popular YA novels (which were probably also “inspired” by the Games books), it’s the success of Jennifer Lawrence and company that made this possible. Imitation isn’t always so bad if you can find a somewhat interesting way to do it. Yet for the most part, despite a solid effort from the actors involved, Divergent often feels dull, way too familiar, and poorly paced.

In a dystopian future (of course), the city of Chicago now looks like District 12 and society is divided into five needlessly complicated factions where at age 16, citizens must choose where they wish to belong. There’s a faction for smart people and brave people and selfless people and so on. As we open, Beatrice (Shailene Woodley) is about to take her test to find out where she belongs, as is her brother Caleb (Ansel Elgort). You take the test to show where to go, but have free will to join another group. You can also be considered divergent, which means you don’t fit into any faction. The powers that be don’t like the free will thinking of that subgroup and kill them. Beatrice turns out to be just that and must hide it from everyone. She joins Dauntless (the brave law enforcement team) to the surprise of her parents (Tony Goldwyn and Ashley Judd), who are involved in the government ruling selfless faction. Brother Caleb joins the smart people group. Katniss volunteers in place of her little sis… oh, wrong movie.

If this all sounds more complicated than it needs to be, you would be correct. Soon enough, though, we’re in known territory with training sequences that take Tris (she shortens Beatrice) on a physical and mental journey. There’s also several shades of Inception in the proceedings, as part of the training involves dream like worlds and reading minds.

One of Tris’s Dauntless superiors is Four (Theo James) and he becomes her love interest who may have some easily predicted secrets of his own. There’s also Woodley’s Spectacular Now boyfriend Miles Teller as a weasel of a faction member. This is in addition to Shailene’s romantic counterpart Elgort as her brother. So while there’s no love triangle, our lead actress’s filmography makes things kinda awkward.

Kate Winslet leads the smart people faction, who have evil designs on taking over the government themselves. This puts Tris in the position of needing to protect her family while furiously protecting her true divergent nature.

The plus side of Divergent is really with Woodley. She’s a fine actress and she provides a better performance than the material. Same goes for James and most of the other personnel. That’s pretty much where the compliments stop. Some of the action is OK, but Divergent is just so routine. The look and feel borrow way too heavily from the aforementioned other franchise. They even cast Hunger Games costar Lenny’s daughter Zoe Kravitz as Tris’s BFF (best faction friend).

There is an admittedly nifty sequence where Tris simulates flying, albeit in a different way than her costar Winslet did in that movie about a boat and an iceberg. Divergent tries too hard to emulate The King of the YA Adapted Films and hits its own metaphorical ‘berg.

** (out of four)

http://youtu.be/336qJITnDi0