Based on the first trailer five months ago, I didn’t know what to make of Paul Thomas Anderson’s One Battle After Another. I had it parked in 11th (just on the outside looking in) in Best Picture for weeks. A few days ago, early word-of-mouth emerged that it was something special and today’s lapsing of the review embargo accentuates the buzz. Out September 26th, Battle has established itself as a major awards player. Leonardo DiCaprio headlines a cast including Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor and Chase Infiniti in her first big screen role.
A mix of different genres including action, comedy and thriller fused with political commentary, Battle stands at a noteworthy 96% on Rotten Tomatoes with 97 on Metacritic. It is highly possible this will be the best reviewed picture of 2025. When I updated my predictions four days ago, I ranked this 1st in Best Picture, Director and Adapted Screenplay. Nothing I see today changes that dynamic. Instead it enhances it. This would mark Anderson’s fourth BP nominee with the others being 2007’s There Will Be Blood, 2017’s Phantom Thread and 2021’s Licorice Pizza (he was nominated for his direction with all three as well). Anderson would be up for his sixth screenwriting prize after Boogie Nights, Magnolia, Blood, Inherent Vice and Pizza. He has yet to take home gold and that may be about to change.
Nominations down the line in Casting, Cinematography, Editing, Original Score (by Jonny Greenwood) and perhaps Sound could be in the mix. Warner Bros is going to have their hands full campaigning for this and Sinners in multiple races against one another. The studio may end up racking up a host of victories between the two.
Moving to the ensemble, DiCaprio will be vying for his seventh at bat (his sole win came for 2015’s The Revenant). His placement in lead Actor is not guaranteed. Simply put, plenty of voters may take him for granted. He wasn’t nominated for his two titles that won BP (Titanic and The Departed). Nevertheless the film’s momentum may get him in the quintet.
For months, prognosticators have wondered whether Hall, Taylor or Infiniti will be the smart play in Supporting Actress. Reaction suggests Taylor is the most likely to make the cut, but that Infiniti could do so as well.
Mr. Penn (a two-time Best Actor recipient for 2003’s Mystic River and 2008’s Milk) looks to nab his inaugural Supporting Actor mention and sixth nom overall. It would be his first since Milk seventeen years ago.
Bottom line: it could be said that Sinners, Hamnet and Sentimental Value all have win narratives for the biggest prize of all. Now we certainly have Another. My Oscar Prediction posts will continue…
We are officially past the midway point of 2025 and that’s cause to expand my Oscar predictions to all feature length categories for the 98th Academy Awards!
I would agree with most prognosticators that there’s only one already released film that is guaranteed a slot among the BP nominees – Ryan Coogler’s Sinners. I would also say Joachim Trier’s Sentimental Value, which screened at Cannes and took the Grand Prix (second place), has punched its ticket. As for the Palme d’Or winner It Was Just an Accident, I have it clinging to a BP nod.
Obviously many of the BP hopefuls will elevate or diminish their statuses when festival season kicks off in approximately two months via Toronto, Telluride, and Venice. There is one significant change in my BP selections. For several weeks, I’ve had Paul Thomas Anderson’s One Battle After Another and Bugonia from Yorgos Lanthimos on the outside looking in. These are two of the higher profile features awaiting their unveiling. I doubt both miss the cut and I went back and forth on which one to include. I’ve gone with Bugonia and that puts Avatar: Fire and Ash on the outside looking in. The Bugonia bump also puts Jesse Plemons in my Best Actor quintet with Wagner Moura (The Secret Agent) dropping.
Today’s post gives my first ever preview of the Academy’s new race: Best Casting. As with some other categories, I have Sinners currently leading the way. In fact, my projections have the vampire saga racking up 14 nods. That would tie it with All About Eve, Titanic, and La La Land for the most mentions of any picture in Oscar history.
As in past years, I’m keeping my BP mentions at 25 possibilities with directing, the four acting derbies, and the two screenplay competitions at 15 hopefuls. For all others, I’m giving you 10 contenders. These numbers will dwindle as the categories take shape down the line.
Here’s my first look at all 21 feature length races!
Best Picture
Predicted Nominees:
1. Sinners (Previous Ranking: 1) (Even)
2. Sentimental Value (PR: 2) (E)
3. After the Hunt (PR: 3) (E)
4. Marty Supreme (PR: 4) (E)
5. Jay Kelly (PR: 6) (+1)
6. Wicked: For Good (PR: 5) (-1)
7. Hamnet (PR: 7) (E)
8. Bugonia (PR: 12) (+4)
9. Frankenstein (PR: 8) (-1)
10. It Was Just an Accident (PR: 10) (E)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Avatar: Fire and Ash (PR: 9) (-3)
13. Springsteen: Deliver Me fromNowhere (PR: 13) (E)
14. The Rivals of Amziah King (PR: 15) (+1)
15. The Secret Agent (PR: 16) (+1)
16. The Ballad of a Small Player (PR: 18) (+2)
17. F1 (PR: 24) (+7)
18. A House of Dynamite (PR: 21) (+3)
19. No Other Choice (PR: 19) (E)
20. Rental Family (PR: 20) (E)
21. Die, My Love (PR: 17) (-4)
22. Ann Lee (PR: 23) (+1)
23. The Life of Chuck (PR: 14) (-9)
24. Is This Thing On? (PR: 22) (+2)
25. Kiss of the Spider Woman (PR: Not Ranked)
Dropped Out:
The Smashing Machine
Best Director
Predicted Nominees:
1. Ryan Coogler, Sinners (PR: 1) (E)
2. Joachim Trier, Sentimental Value (PR: 2) (E)
3. Josh Safdie, Marty Supreme (PR: 3) (E)
4. Luca Guadagnino, After the Hunt (PR: 4) (E)
5. Jafar Panahi, It Was Just an Accident (PR: 5) (E)
Other Possibilities:
6. Yorgos Lanthimos, Bugonia (PR: 10) (+4)
7. Guillermo del Toro, Frankenstein (PR: 6) (-1)
8. Noah Baumbach, Jay Kelly (PR: 11) (+3)
9. Paul Thomas Anderson, One Battle After Another (PR: 9) (E)
10. Jon M. Chu, Wicked: For Good (PR: 8) (-2)
11. Chloé Zhao, Hamnet (PR: 7) (-4)
12. Kieber Mendonça Filho, The Secret Agent (PR: 13) (+1)
13. Andrew Patterson, The Rivals of Amziah King (PR: 12) (-1)
14. Edward Berger, The Ballad of a Small Player (PR: Not Ranked)
15. Park Chan-wook, No Other Choice (PR: Not Ranked)
Dropped Out:
James Cameron, Avatar: Fire and Ash
Scott Cooper, Springsteen: Deliver Me from Nowhere
Best Actress
Predicted Nominees:
1. Renate Reinsve, Sentimental Value (PR: 1) (E)
2. Julia Roberts, After the Hunt (PR: 2) (E)
3. Cynthia Erivo, Wicked: For Good (PR: 3) (E)
4. Jessie Buckley, Hamnet (PR: 4) (E)
5. Jennifer Lawrence, Die, My Love (PR: 5) (E)
Other Possibilities:
6. Emma Stone, Bugonia (PR: 8) (+2)
7. Amanda Seyfried, Ann Lee (PR: 6) (-1)
8. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (-1)
9. Tessa Thompson, Hedda (PR: 9) (E)
10. Emma Mackey, Ella McCay (PR: 10) (E)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. June Squibb, Eleanor the Great (PR: 14) (+2)
13. Sydney Sweeney, Untitled Christy Martin Biopic (PR: Not Ranked)
14. Lucy Liu, Rosemead (PR: 13) (-1)
15. Amy Adams, At the Sea (PR: 12) (-3)
Dropped Out:
Anne Hathaway, Mother Mary
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. George Clooney, Jay Kelly (PR: 2) (E)
3. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 3) (E)
4. Jesse Plemons, Bugonia (PR: 8) (+4)
5. Michael B. Jordan, Sinners (PR: 5) (E)
Other Possibilities:
6. Wagner Moura, The Secret Agent (PR: 4) (-2)
7. Leonardo DiCaprio, One Battle After Another (PR: 6) (-1)
8. Matthew McConaughey, The Rivals of Amziah King (PR: 7) (-1)
9. Daniel Day-Lewis, Anemone (PR: 11) (+2)
10. Colin Farrell, The Ballad of a Small Player (PR: 9) (-1)
11. Oscar Isaac, Frankenstein (PR: 10) (-1)
12. Dwayne Johnson, The Smashing Machine (PR: 12) (E)
13. Willem Dafoe, Late Fame (PR: Not Ranked)
14. Brendan Fraser, Rental Family (PR: 13) (-1)
15. Will Arnett, Is This Thing On? (PR: 14) (-1)
Dropped Out:
Matthew McConaughey, The Lost Bus
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good (PR: 1) (E)
2. Ayo Edebiri, After the Hunt (PR: 2) (E)
3. Elle Fanning, Sentimental Value (PR: 4) (+1)
4. Gwyneth Paltrow, Marty Supreme (PR: 3) (-1)
5. Angelina LookingGlass, The Rivals of Amziah King (PR: 5) (E)
Other Possibilities:
6. Laura Dern, Jay Kelly (PR: 7) (+1)
7. Jennifer Lopez, Kiss of the Spider Woman (PR: 6) (-1)
8. Inga Ibsdotter Lilleass, Sentimental Value (PR: 8) (E)
9. Teyana Taylor, One Battle After Another (PR: 9) (E)
10. Regina Hall, One Battle After Another (PR: 10) (E)
11. Emily Blunt, The Smashing Machine (PR: 11) (E)
12. Hailee Steinfeld, Sinners (PR: 12) (E)
13. Thomasin McKenzie, Ann Lee (PR: Not Ranked)
14. Wumni Mosaku, Sinners (PR: 13) (-1)
15. Glenn Close, Wake Up Dead Man: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
America Ferrera, The Lost Bus
Mari Yamamoto, Rental Family
Best Supporting Actor
Predicted Nominees:
1. Stellan Skarsgård, Sentimental Value (PR: 2) (+1)
2. Andrew Garfield, After the Hunt (PR: 3) (+1)
3. Adam Sandler, Jay Kelly (PR: 1) (-2)
4. Delroy Lindo, Sinners (PR: 4) (E)
5. Jeremy Strong, Springsteen: Deliver Me from Nowhere (PR: 5) (E)
Other Possibilities:
6. Paul Mescal, Hamnet (PR: 7) (+1)
7. Sean Penn, One Battle After Another (PR: 6) (-1)
8. Jonathan Bailey, Wicked: For Good (PR: 9) (+1)
9. Jacob Elordi, Frankenstein (PR: 13) (+4)
10. Stephen Graham, Springsteen: Deliver Me from Nowhere (PR: 14) (+4)
11. Robert Pattinson, Die, My Love (PR: 8) (-3)
12. Miles Caton, Sinners (PR: 10) (-2)
13. Bradley Cooper, Is This Thing On? (PR: 12) (-1)
14. Mark Hamill, The Life of Chuck (PR: 11) (-3)
15. Benicio del Toro, One Battle After Another (PR: Not Ranked)
Dropped Out:
Akira Emoto, Rental Family
Best Original Screenplay
Predicted Nominees:
1. Sentimental Value
2. After the Hunt
3. Jay Kelly
4. Sinners
5. Marty Supreme
Other Possibilities:
6. It Was Just an Accident
7. Sorry, Baby
8. The Rivals of Amziah King
9. The Secret Agent
10. Ann Lee
11. Rental Family
12. Ella McCay
13. Is This Thing On?
14. Nouvelle Vague
15. A House of Dynamite
Best Adapted Screenplay
Predicted Nominees:
1. Hamnet
2. Bugonia
3. Wake Up Dead Man: A Knives Out Mystery
4. One Battle After Another
5. No Other Choice
Other Possibilities:
6. Frankenstein
7. Wicked: For Good
8. The Life of Chuck
9. Springsteen: Deliver Me from Nowhere
10. Train Dreams
11. Die, My Love
12. Late Fame
13. Highest 2 Lowest
14. Hedda
15. The Smashing Machine
Best International Feature Film
Predicted Nominees:
1. Sentimental Value
2. It Was Just an Accident
3. The Secret Agent
4. No Other Choice
5. The President’s Cake
Other Possibilities:
6. Sirát
7. Sound of Falling
8. Left-Handed Girl
9. Nouvelle Vague
10. The Love That Remains
Best Animated Feature
Predicted Nominees:
1. Zootopia 2
2. Arco
3. Elio
4. Scarlet
5. In Your Dreams
Other Possibilities:
6. Animal Farm
7. A Magnificent Life
8. Little Amélie or The Character of Rain
9. KPop Demon Hunters
10. Ne Zha 2
Best Documentary Feature
Predicted Nominees:
1. The Perfect Neighbor
2. Seeds
3. 2000 Meters to Andriivka
4. Cutting Through Rocks
5. Deaf President Now!
Other Possibilities:
6. Mr. Nobody Against Putin
7. Apocalypse in the Tropics
8. Orwell 2 + 2 = 5
9. The Six Billion Dollar Man
10. The Librarians
Best Casting
Predicted Nominees:
1. Sinners
2. After the Hunt
3. Wicked: For Good
4. Sentimental Value
5. Wake Up Dead Man: A Knives Out Mystery
Other Possibilities:
6. Jay Kelly
7. Marty Supreme
8. The Rivals of Amziah King
9. Kiss of the Spider Woman
10. Springsteen: Deliver Me from Nowhere
Best Cinematography
Predicted Nominees:
1. Sinners
2. Frankenstein
3. Bugonia
4. Marty Supreme
5. The Rivals of Amziah King
Other Possibilities:
6. F1
7. Sentimental Value
8. Nouvelle Vague
9. Avatar: Fire and Ash
10. Wicked: For Good
Best Costume Design
Predicted Nominees:
1. Wicked: For Good
2. Frankenstein
3. Sinners
4. Kiss of the Spider Woman
5. Hamnet
Other Possibilities:
6. Ann Lee
7. Springsteen: Deliver Me from Nowhere
8. Mother Mary
9. Snow White
10. One Battle After Another
Best Film Editing
Predicted Nominees:
1. Sinners
2. Marty Supreme
3. Sentimental Value
4. Bugonia
5. F1
Other Possibilities:
6. After the Hunt
7. Wicked: For Good
8. One Battle After Another
9. Springsteen: Deliver Me from Nowhere
10. The Rivals of Amziah King
Best Makeup & Hairstyling
Predicted Nominees:
1. Frankenstein
2. Wicked: For Good
3. Sinners
4. The Smashing Machine
5. Kiss of the Spider Woman
Other Possibilities:
6. 28 Years Later
7. Bugonia
8. Untitled Christy Martin Biopic
9. Springsteen: Deliver Me from Nowhere
10. Wolf Man
Best Original Score
Predicted Nominees:
1. Sinners
2. Bugonia
3. After the Hunt
4. Frankenstein
5. Wicked: For Good
Other Possibilities:
6. One Battle After Another
7. F1
8. Sentimental Value
9. The Rivals of Amziah King
10. Marty Supreme
Best Original Song
Predicted Nominees:
1. TBD from Wicked: For Good
2. “I Lied to You” from Sinners
3. “Dear Me” from Diane Warren: Relentless
4. TBD from Springsteen: Deliver Me from Nowhere
5. TBD from Zootopia 2
Other Possibilities:
6. TBD from Wicked: For Good (second song)
7. “Relentless” from Diane Warren: Relentless
8. “Waiting on a Wish” from Snow White
9. “Steve’s Lava Chicken” from A Minecraft Movie
10. TBD from Mother Mary
Best Production Design
Predicted Nominees:
1. Wicked: For Good
2. Frankenstein
3. Sinners
4. Avatar: Fire and Ash
5. Kiss of the Spider Woman
Other Possibilities:
6. Bugonia
7. One Battle After Another
8. Marty Supreme
9. The Phoenician Scheme
10. Ann Lee
Best Sound
Predicted Nominees:
1. F1
2. Sinners
3. Wicked: For Good
4. Avatar: Fire and Ash
5. Warfare
Other Possibilities:
6. Springsteen: Deliver Me from Nowhere
7. Mission: Impossible – The Final Reckoning
8. Kiss of the Spider Woman
9. Frankenstein
10. Superman
Best Visual Effects
Predicted Nominees:
1. Avatar: Fire and Ash
2. Wicked: For Good
3. Superman
4. Frankenstein
5. The Fantastic Four: First Steps
Other Possibilities:
6. Mission: Impossible – The Final Reckoning
7. F1
8. How to Train Your Dragon
9. Tron: Ares
10. Sinners
Here’s my initial take on how many nominations the various pictures will receive:
14 Nominations
Sinners
11 Nominations
Wicked: For Good
9 Nominations
Sentimental Value
8 Nominations
After the Hunt
7 Nominations
Frankenstein, Marty Supreme
6 Nominatons
Bugonia
4 Nominations
Hamnet, Jay Kelly
3 Nominations
Avatar: Fire and Ash, It Was Just an Accident, Kiss of the Spider Woman, Springsteen: Deliver Me from Nowhere
2 Nominatons
F1, No Other Choice, The Rivals of Amziah King, Wake Up Dead Man: A Knives Out Mystery, Zootopia 2
1 Nomination
2000 Meters to Andrivka, Arco, Cutting Through Rocks, Deaf President Now!, Diane Warren: Relentless, Die, My Love, Elio, The Fantastic Four: First Steps, In Your Dreams, One Battle After Another, The Perfect Neighbor, The President’s Cake, Scarlet, The Secret Agent, Seeds, The Smashing Machine, Superman, Warfare
None of the five follow-ups to Steven Spielberg’s 1993 classic Jurassic Park generated much awards attention. Will that change with the sixth? Jurassic World Rebirth hits theaters on Wednesday with Gareth Edwards handling directorial duties and Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo starring.
The original over three decades ago won all 3 Oscars it was up for – Visual Effects, Sound Editing, and Sound Mixing (back when the sound races were separated). 1997 sequel The Lost World: Jurassic Park landed a sole VE nom, but lost to Titanic. The next four entries – Jurassic Park III, Jurassic World, Jurassic World: Fallen Kingdom, Jurassic World: Dominion – garnered a total of zero Academy mentions.
Reviews for Rebirth are mixed to negative. While certainly stronger than Dominion‘s 29% Rotten Tomatoes rating and 38 Metacritic, the 56% RT and 53 Meta are nothing to roar about. Edwards has seen two pics in his filmography contend in Visual Effects – 2016’s Rogue One: A Star Wars Story and 2023’s The Creator. I doubt his first dino adventure will bring the series back into that category for the first time this century. My Oscar Prediction posts will continue…
On rare occasions, the need arises to update my Oscar prognosis on a particular picture if warranted. When I penned my post for Ryan Coogler’s Sinners on April 13th, I didn’t discount its awards potential. I wrote of its solid chances in down-the-line competitions including Ludwig Goransson’s lauded score and the sound and production design.
However, I also wrote this:
So could Sinners score above-the-line mentions? I think it’s possible, but I wouldn’t predict it at the moment. Best Picture, Director, and Original Screenplay could materialize depending on how competition shakes out in the months ahead.
I don’t need to wait until the months ahead to revise my remarks. Sinners has taken the box office by storm in addition to its critical acclaim. When my initial write-up was published nearly three weeks ago, the vampire drama stood at 100% on RT. It barely lost any steam with 98% at press time, a 97% audience score and 84 on Metacritic.
On the financial front, Coogler’s latest has taken in $123 million domestically after less than two weeks and it should reach $250 million or higher. Sinners has become part of the cultural zeitgeist and that’s a recipe for a strong showing this awards season.
So what’s the best case scenario for this? The ceiling has undeniably gotten higher. I now believe that Sinners will be nominated for Best Picture with Director and Original Screenplay as major possibilities. In addition to the aforementioned Score, Production Design, and Sound, there are other below the line categories where it could pop up. That includes the new Casting race, Original Song (where the track “I Lied to You” from cast member Miles Caton might stand the best shot), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, and Visual Effects. Regarding that new casting competition, I’m confident this will be in a sturdy position to vie for Best Ensemble at the SAG Awards next year.
I didn’t discuss the actors involved in mid-April because I wasn’t seriously considering their inclusion. That has changed. Michael B. Jordan could factor into the Best Actor race. In Supporting Actress, it could be Hailee Steinfeld or Wunmi Mosaku (with the former probably having an edge to nab her second nod after 2010’s True Grit). For Supporting Actor, there’s Delroy Lindo, Caton, or Jack O’Connell. Some of this may come down to who Warner Bros mounts campaigns for. The narrative for Lindo might be tempting. Five years ago, he probably narrowly missed the cut for Spike Lee’s Da 5 Bloods. He’s a well-respected veteran actor who’s never been nominated and the Academy could look to rectify that.
Back to that best case scenario. If all went perfectly, that would be 16 nominations and the record stands at 14 (shared by Titanic, All About Eve, and La La Land). Do I think that’ll happen? No. Would 12 or 13 nods surprise me? No.
Some prognosticators may think it’s too early to think anything has secured one of the ten BP slots. And there’s always the matter of a horror movie making the cut. Yet Get Out and The Substance brought the genre into the big dance in the past decade. As for the timeline, it was rather clear that Dune: Part Two was going to be a Warner Bros hopeful at this juncture in 2024 and that turned out to be accurate. Another counterargument is that WB will focus on Paul Thomas Anderson’s One Battle After Another. Time will tell on that one, but there’s no reason the studio can’t have two contenders and I’m skeptical (based on the trailer) that Battle is a surefire play over Sinners.
Three weeks ago I wasn’t predicting Sinners for BP and beyond “at the moment”. That moment arrived quickly for me to reconsider. My Oscar Prediction posts will continue…
Channing Tatum sashays back into multiplexes in his star making role with threequel Magic Mike’s Last Dance while Titanic re-releases on the occasion of its 25th anniversary. You can peruse my detailed prediction posts on them here:
In what could be considered an upset, I have Titanic edging Mike for the top spot. Here’s why. There are reports that the latter is only releasing on approximately 1500 screens. If that holds true, it would significantly impact its earning power. When I assumed Mr. Tatum would arrive in the typical 3000 venues, I had it making just under $18 million. I now have it notably under that projection.
That may clear the way for the Titanic re-release to be #1 (giving James Cameron the first place picture in eight out of the past nine weekends). Valentine’s Day audiences and the nostalgia factor could get it there.
As for holdovers, M. Night Shyamalan’s Knock at the Cabin definitely came in at the lower end of its anticipated range (more on that below). I believe it could plummet from first to fifth with 80 for Brady and Avatar: The Way of Water each slipping only one spot. Cabin might even fall outside of the high five depending on the eighth frame dip for Puss in Boots: The Last Wish.
Here’s how I see the top 6 playing out:
1. Titanic 25th Anniversary
Predicted Gross: $11.6 million
2. Magic Mike’s Last Dance
Predicted Gross: $10.7 million
3. 80 for Brady
Predicted Gross: $8.1 million
4. Avatar: The Way of Water
Predicted Gross: $7.5 million
5. Knock at the Cabin
Predicted Gross: $5.9 million
6. Puss in Boots: The Last Wish
Predicted Gross: $5.6 million
Box Office Results (February 3-5)
As mentioned, Knock at the Cabin had a fairly soft entry on the charts with $14.1 million. While it managed to knock Avatar from its seven-week reign on the throne, it fell far under my $23.6 million forecast. The glass half full? It cost a meager $20 million to make. The glass half empty? With a C Cinemascore grade, I foresee a sophomore plummet close to 60%. In the summer of 2021, Shyamalan’s predecessor Old managed to top Cabin with just under $17 million. Simply put, this should’ve done more considering it had less competition and better reviews.
80 for Brady had a respectable start in second with $12.7 million. Released a day after Tom Brady announced his retirement (again), the legend packed octogenarian comedy couldn’t match my $15.5 million take. It will hope for smallish declines in the weekends ahead.
Avatar: The Way of Water was third with $11.3 million, in line with my $11.8 million prediction. After its eighth outing, the gargantuan tally grew to $636 million.
Fourth place belonged to Puss in Boots: The Last Wish with $7.8 million (I said $8.9 million) for an impressive $151 million after seven weeks.
I incorrectly had the concert pic BTS: Yet to Come in Cinemas outside of the top five with no projection. It was fifth with $5.1 million.
A Man Called Otto was sixth with $4.3 million compared to my $4.8 million. The gross is a solid $53 million.
Finally, while I’m in predictin’ mode – Eagles 38, Chiefs 24. That’s all for now, folks! Until next time…
On February 10th, we will see if audiences are ready to go back to Titanic. The James Cameron romance pic/disaster flick is being re-released on the occasion of its 25th anniversary. This is just as Avatar: The Way of Water wraps up its seven-week #1 domestic stand with $2 billion+ worldwide run at multiplexes.
The movie that made Leonardo DiCaprio and Kate Winslet icons currently stands as the 8th largest stateside earner in history. At the time of its release, it vaulted to first place. With $659 million overall (and that includes some previous re-releases), it could jump a spot over Avengers: Infinity War ($678 million). Worldwide it is #3 ($2.2 billion) with Water ($2.1 billion) hot on its heels. And, yes, Cameron does now have three of the four all-time global grossers with Avatar ($2.8 billion) atop that chart.
Speaking of the original Avatar, it was put back in theaters last September a few months before the sequel was unleashed. It made $10.5 million in its first frame of re-issuance. I could see Titanic matching or maybe slightly exceeding that figure.
Titanic 25th Anniversary opening weekend prediction: $11.6 million
For my Magic Mike’s Last Dance prediction, click here:
**Blogger’s Update (02/03): There are reports that the film is only releasing on around 1500 screens. Therefore I am revising my estimate down significantly from $17.7M to $10.7M. If the theater count changes, I will update accordingly.
A decade after they turned a meagerly budgeted $7 million dramedy into a $100M+ hit, Magic Mike’s Last Dance is the third iteration (or gyration) of Steven Soderbergh and Channing Tatum’s franchise. The former returns to direct after sitting out 2015’s sequel Magic Mike XXL after helming the 2012 original. The latter is back in the role that turned him into a superstar. His costars from the first two are MIA, but Salma Hayek Pinault, Ayub Khan Din, and Caitlin Gerard join the fun.
After being absent onscreen for several years, Tatum returned to multiplexes in 2022 with his directorial debut Dog ($61 million domestic gross) and The Lost City alongside Sandra Bullock ($105 million stateside). Last Dance was originally slated for an HBO Max premiere before Warner Bros opted for the theatrical output.
It’s worth noting that Magic Mike XXL couldn’t match part 1. The 2012 model made $113 million. XXL generated half of that with $66 million. The diminishing returns could continue unless female moviegoers are feeling especially nostalgic. That’s possible, but I’m skeptical. Some of that demographic may opt for the Titanic re-release instead. Low teens is probably the floor and I don’t believe this surpasses $20 million out of the gate.
Magic Mike’s Last Dance opening weekend prediction: $10.7 million
For my Titanic 25th Anniversary prediction, click here:
**Blogger’s Update (02/01): I am adding a title to the top 5 that I previously didn’t have on Monday when I did my initial projections. The Chosen: Season 3 Finale is playing on over 2000 screens. As you may recall, the season premiere grossed nearly $9 million in December out of the gate. I’ll say the finale generates a little more than that and could challenge Avatar for the 3 spot. Changes are reflected below.
The seven-week reign of Avatar: The Way of Water at #1 should end in its 8th outing as February dawns at the box office. M. Night Shyamalan’s latest thriller Knock at the Cabin and the octogenarian comedy 80 for Brady debut and look to place 1-2. My detailed prediction posts on them can be found here:
Beginning with 2017’s Split, Shyamalan experienced a career resurgence that could carry Cabin (generating solid word-of-mouth) to a low to mid 20s start. Getting close to $30 million is not out of the question. That number should be enough to top the charts.
80 for Brady looks to appeal to a female audience and older viewers. A Man Called Otto recently showed the demographic is ready for a return at multiplexes. With a robust marketing campaign and the involvement of Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno, I could absolutely see it over performing. My current mid teens forecast is worth keeping an eye on before Thursday (meaning it could rise).
As mentioned, Avatar: The Way of Water (while remaining above $10M) should finally relinquish its stranglehold in first.Fellow holdovers Puss in Boots: The Last Wish and A Man Called Otto should round out the top five and here’s how I see it looking:
1. Knock at the Cabin
Predicted Gross: $23.6 million
2. 80 for Brady
Predicted Gross: $15.5 million
3. Avatar: The Way of Water
Predicted Gross: $11.8 million
4. The Chosen: Season 3 Finale
Predicted Gross: $11 million
5. Puss in Boots: The Last Wish
Predicted Gross: $8.9 million
6. A Man Called Otto
Predicted Gross: $4.8 million
Box Office Results(January 27-29)
Avatar: The Way of Water cruised to a seventh frame atop the charts with $15.9 million (ahead of my $14.3 million take). The domestic haul is $620 million, but the story of the weekend is that it surpassed Star Wars: The Force Awakens to become the fourth largest worldwide grosser in history. That means James Cameron now has three of the top four (with Avatar and Titanic also in the mix).
Puss in Boots: The Last Wish was runner-up with $10.4 million, surpassing my $9.2 million prediction. In six weeks, the animated sequel has amassed $140 million.
The surprise of the weekend was Pathaan, a Hindu language action spectacle that I incorrectly had outside the top five. It was third with $6.8 million and $9.4 million since its Wednesday bow. The PTA of nearly $10k was easily the highest on the charts.
A Man Called Otto was fourth with $6.6 million (in line with my $6 million projection) for $45 million overall.
M3GAN rounded out the top five with $6.2 million (I said $5.8 million) as the campy horror tale is approaching nine figures at $82 million.
Finally, Missing was sixth in its sophomore weekend with $5.6 million, a tad above my $5.1 million call. The ten-day total is $17 million (doubling its reported $7 million budget).
After a domestic debut that unquestionably fell on the lower end of expectations, Avatar: The Way of Water hopes for a strong sophomore outing and smoother sailing throughout the season. It will remain in first while three newcomers should populate the 2-4 slots.
They are DreamWorks Animation’s sequel Puss in Boots: The Last Wish, musical biopic Whitney Houston: I Wanna Dance with Somebody, and Damien Chazelle’s once upon a time in Hollywood dramedy Babylon with Margot Robbie and Brad Pitt. My detailed prediction posts on the trio can be accessed here:
The box office range of Yuletide releases can be tied to how the dates work out on the calendar. Christmas Eve is Saturday and it can be limited as potential moviegoers are preparing the big day. On the other hand, Christmas itself can be potent. Bottom line: it’s important to remember that weekdays at this time of year can be just as booming as weekends as people are taking time off.
Boots gets a jump on Wednesday while Babylon and Somebody drop Friday. Sporting impressive reviews, Puss is poised to be the runner-up to Water. The three-day might fall in the high teens to low 20s range with close to $30 million for the five-day.
Third place is going to one of the other openers. I’m forecasting that a solid African-American and female turnout could give the Whitney flick the edge. I expect Somebody to double digits while Babylon falls just under. The five spot should be close between holdovers Black Panther: Wakanda Forever and Violent Night.
Now we return to Avatar. There’s more chatter below on the lesser than anticipated start. Yet it’s also fair to say that future weekends will ultimately determine whether it’s a success or not. The A Cinemascore grade (same as part 1) should help. I’ll say a mid to high 40s decline happens over Christmas while the leveling off might be far less pronounced in the 3rd frame and beyond.
Here’s how I’m seeing the top 6 playing out:
1 . Avatar: The Way of Water
Predicted Gross: $73.4 million
2. Puss in Boots: The Last Wish
Predicted Gross: $18.3 million (Friday to Sunday); $28.5 million (Wednesday to Sunday)
3. Whitney Houston: I Wanna Dance with Somebody
Predicted Gross: $11.5 million
4. Babylon
Predicted Gross: $8.7 million
5. Violent Night
Predicted Gross: $3.3 million
6. Black Panther: Wakanda Forever
Predicted Gross: $3.2 million
Box Office Results (December 16-18)
The general consensus was that Avatar: The Way of Water, the long awaited sequel to James Cameron’s largest worldwide earner in history, would amass a stateside start of around $175 million. I projected $173.1 million. That didn’t happen. Water made $134.1 million and that’s the fifth highest debut of 2022 (a hair ahead of The Batman). As mentioned, success will not be judged here it if manages to develop sturdy legs in the next several weeks (as the filmmaker’s predecessors Titanic and Avatar certainly did). For now the jury is out while the expected mark wasn’t achieved domestically out of the gate. On a global basis – it brought in another $300 million. The $435 million tally is second only to May’s Doctor Strange in the Multiverse of Madness.
Unsurprisingly nothing else wanted to open opposite Avatar as the rest of the chart was stuffed with holdovers. Black Panther: Wakanda Forever, after five weeks on top, was second with $5.3 million. On pace with my $5.5 million call, the six-week total is $418 million.
Violent Night was right behind in third with $5 million, on target with my $4.9 million projection. The three-week gross is $35 million.
Disney dud Strange World was fourth with $2.2 million, a smidge below my $2.6 million take for a dull $33 million overall.
The Menu completed the top five at $1.6 million (I said $1.9 million) for $32 million it its coffers.
Hollywood looks to be awoken from its box office slumber when Avatar: The Way of Water surfaces on December 16th. After plenty of delays in the release date, James Cameron’s sequel to his 2009 record breaking phenomenon comes with a reported budget in the neighborhood of $400 million. Clocking in at 3 hours and 12 minutes, the 3D sci-fi epic is the only newcomer on the pre-Christmas weekend and it should dominate the marketplace. Sam Worthington, Zoe Saldana, Stephen Lang, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, and Matt Gerald reprise their roles from part 1. Joining the Pandora universe for the first time are Kate Winslet, Cliff Curtis, Edie Falco, Jermaine Clement, and Brandon Cowell. Sigourney Weaver appears in a different part from 13 years ago.
It’s dangerous to underestimate Cameron. This is only his third feature in a quarter century. 1997’s Titanic withstood shaky buzz during its filming and became the highest grossing film of all time. That record stood for 12 years until it was broken by (you guessed it) Avatar, which also had troubling word-of-mouth until it didn’t. With $785 million domestically (which includes a September re-release which did impressive business), Avatar still ranks fourth all-time stateside behind Star Wars: The Force Awakens, Avengers: Endgame, and Spider-Man: No Way Home. The international tally is $2.1 billion and that ranks as #1.
There are legitimate questions as to the sequel’s potency. 13 years is a long time between entries. Are younger viewers excited for a trip back to the planet with all the blue people? Disney and 20th Century Studios need this to make a splash as a third Avatar arrives in two years with fourth and fifth (and possibly more) editions planned.
One number is easy to know. The Way of Water will have no problem dwarfing the $77 million that Avatar made for its debut before it became the must-see picture for months. It was #1 for 7 weeks. The sequel is expected to take in double that figure with $160 million generally being considered the floor. The ceiling could be $200 million (and perhaps higher) though its length could hinder that possibility. There’s also some older moviegoers who may not feel the need to rush out opening weekend to view it.
I believe $175-185 million is likely for the Sully family as they land in theaters once again. My projection gives it the 14th biggest domestic premiere of all time between Iron Man 3 and Harry Potter and the Deathly Hallows Part 2. That’s also the 3rd largest opening haul of 2022 behind Doctor Strange in the Multiverse of Madness and Black Panther: WakandaForever.
Avatar: The Way of Water opening weekend prediction: $173.1 million
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