Tag: The Weeknd

May 23-26 Box Office Predictions

Blogger’s Update (05/21/25): I am upping my Lilo & Stitch estimate considerably from $118.6 million from Friday to Sunday and $143.7 million from Friday to Monday to $159.7 million for the three-day and $196.6 million for the four-day. That would easily be a new Memorial Day weekend record.

Hollywood hopes moviegoers make it their mission to go to the movies over the long weekend as Disney’s Lilo & Stitch looks to rule the charts with Mission: Impossible – The Final Reckoning placing second. There’s also The Last Rodeo from faith-based Angel Studios debuting and Tim Robinson and Paul Rudd’s dark comedy Friendship expanding wide. My detailed prediction posts on the quartet can be accessed here:

Lilo & Stitch Box Office Prediction
Mission: Impossible – The Final Reckoning Box Office Prediction
The Last Rodeo Box Office Prediction
Friendship Box Office Prediction

Nostalgia and the Mouse House’s marketing muscle should propel Lilo & Stitch to more impressive heights than, say, Snow White from earlier this year. I have the live-action version of the 2002 animated tale reaching just under $120 million for the Friday to Sunday portion of Memorial Day weekend and just over $140 million for the four-day.

Tom Cruise should easily achieve runner-up status with the eighth and (final?) pic in his nearly 30-year-old franchise. I am estimating that The Final Reckoning will somewhat capitalize on its finale status with a three-day near $60 million (edging predecessor Dead Reckoning) and north of $70 million counting Monday.

The Last Rodeo could place sixth while I have Friendship in 7th place. Either has the chance to over perform, but I doubt it considering the amount of competition.

As for holdovers, Final Destination Bloodlines got off to a terrific start (more on that below), but should experience the hefty decline that usually greets horror titles. Holdovers The New Avengers, Sinners, and Minecraft should see minimal declines as is custom over this particular holiday.

And with that, here’s my top 8 take and keep in mind that grosses for returning flicks are a Friday to Monday forecast:

1. Lilo & Stitch

Predicted Gross: $196.6 million (Friday to Monday); $159.7 million (Friday to Sunday)

2. Mission: Impossible – The Final Reckoning

Predicted Gross: $80.8 million (Friday to Monday); $64.4 million (Friday to Sunday)

3. Final Destination Bloodlines

Predicted Gross: $24.9 million

4. Sinners

Predicted Gross: $14.5 million

5. The New Avengers

Predicted Gross: $14 million

6. The Last Rodeo

Predicted Gross: $7.8 million (Friday to Monday); $6.4 million (Friday to Sunday)

7. Friendship

Predicted Gross: $5.1 million (Friday to Monday); $4.2 million (Friday to Sunday)

8. A Minecraft Movie

Predicted Gross: $4.9 million

Box Office Results (May 16-18)

As mentioned, Final Destination Bloodlines logged a far better than anticipated gross with $51.6 million. That’s easily the best premiere in the 25-year-old franchise and should kickstart plenty more Destination‘s to come. It surpassed my $42.2 million prediction and represents another success story for WB behind A Minecraft Movie and Sinners.

The New Avengers/Thunderbolts* fell to second after two weeks on top with $16.6 million, a tad shy of my $18.1 million prediction. The MCU adventure sits at $155 million after three weeks.

Sinners was third with $15.2 million (I said $15.9 million) as it has now bitten off $240 million in its five weeks.

A Minecraft Movie was fourth with $5.9 million compared to my $5.2 million call as the mega blockbuster has made $416 million after seven weeks.

The Accountant 2 rounded out the top five with $4.7 million, on target with my $4.6 million number. The sequel’s total is $58 million in four weeks.

Finally, critically drubbed Hurry Up Tomorrow starring The Weeknd stumbled in sixth with $3.3 million and that’s under my $4.5 million projection.

And that does it for now, folks! Until next time…

May 16-18 Box Office Predictions

Blogger’s Update (05/14): Two days before its premiere, I am doing a significant upgrade on Final Destinaition from $35.2 million to $44.2 million

Final Destination Bloodlines looks to inject some life into multiplexes with the franchise returning after 14 dormant years. We also have music superstar Abel Tesfaye (better known as The Weeknd) headlining the musical thriller Hurry Up Tomorrow. My detailed prediction posts on the newcomers can be accessed here:

Final Destination Bloodlines Box Office Prediction
Hurry Up Tomorrow Box Office Prediction

Bloodlines should be another winner for Warner Bros after the massive success of A Minecraft Movie and Sinners (the studio might account for 60 percent of the high 5 this weekend). I have the sixth entry in the series achieving the strongest start yet in the mid 30s.

As for Hurry Up Tomorrow (which also costars Jenna Ortega and Barry Keoghan), it’s tricky to figure how many of The Weeknd’s fans will turn out this week(e)nd. Buzz seems quiet and it could fall anywhere between fourth and sixth place.

The New Avengers (recently known as Thunderbolts*) should drop to the runner-up slot after two weeks on top. The MCU adventure may see a dip in the low to mid 40s. Sinners looks to place third while Minecraft and The Accountant 2 could duke it out for 4th (depending on where Tomorrow falls).

Here’s how I see the top 6 shaking out:

1. Final Destination Bloodlines

Predicted Gross: $42.2 million

2. The New Avengers

Predicted Gross: $18.1 million

3. Sinners

Predicted Gross: $15.9 million

4. A Minecraft Movie

Predicted Gross: $5.2 million

5. The Accountant 2

Predicted Gross: $4.6 million

6. Hurry Up Tomorrow

Predicted Gross: $4.5 million

Box Office Results (May 9-11)

The New Avengers had a rather typical MCU slide at 56% with $32.3 million in its second outing. That’s on pace with my $33.8 million call. The decline is a bit more than Shang-Chi and the Legend of the Ten Rings with 54% but not as steep as the 62% that befell Eternals.

Sinners held firm in second with $22.1 million, a tad shy of my $24 million prediction. Ryan Coogler’s latest has bitten off $215 million after four weeks.

A Minecraft Movie was third with $7.6 million (I said $8.9 million) as the blockbuster stands at a mighty $408 million in its six weeks of play.

The Accountant 2 held better than I assumed in weekend #3 with $6.7 million compared to my $4.6 million estimate. Ben Affleck’s sequel is up to $51 million.

Finally, I didn’t do a projection for micro-budgeted slasher flick Clown in a Cornfield. Yet it managed to be fifth with $3.6 million on over 2000 screens.

And that does it for now, folks! Until next time…

Hurry Up Tomorrow Box Office Prediction

Lionsgate hopes that fans of The Weeknd turn out next weekend when Hurry Up Tomorrow drops May 16th. A companion piece to the singer’s sixth studio album released in late January, It Comes at Night and Waves director is behind the camera and co-wrote the screenplay with Abel Tesfaye (best known by the aforementioned stage name). Jenna Ortega and Barry Keoghan join the performer in the cast.

The musical thriller is unlikely to be The Weeknd’s Purple Rain though figuring how much of his fanbase will turn out is tricky. With a reported production budget of $20 million, it’ll hope to at least get to higher single digits at the start. I suspect many will save their money and watch on streaming.

Hurry Up Tomorrow opening weeknd (*) prediction: $4.5 million

For my Final Destination Bloodlines prediction, click here:

Final Destination Bloodlines Box Office Prediction

2022 Oscar Shortlists Reaction

Shortlists covering seven of the feature film races at the Oscars were unveiled this afternoon. We now know the 15 pictures that will contend for Best Original Score, Original Song, International Feature Film, and Documentary Feature. Additionally, we have our 10 finalists for Makeup and Hairstyling, Sound, and Visual Effects.

I’ll go over each competition below, but I went 62 for 90 in my overall picks. It was a good day for Black Panther: Wakanda Forever and All Quiet on the Western Front. They got in everywhere they reasonably could have.

With The Batman and Everything Everywhere All at Once, it was a mixed announcement as both made the cut for some and not others where they were expected to. The documentary Good Night Oppy had perhaps the worst day. It was widely anticipated to get in for Documentary and (to a lesser degree) Visual Effects and made neither.

Let’s break it down! **Selections that I correctly called are in bold

Best Original Score

Nominees:

All Quiet on the Western Front

Avatar: The Way of Water

Babylon

The Banshees of Inisherin

Black Panther: Wakanda Forever

Devotion

Don’t Worry Darling

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Guillermo del Toro’s Pinocchio

Nope

She Said

The Woman King

Women Talking

HOW I DID: 9/15

The most notable omissions here are Empire of Light and The Batman while Devotion in particular wasn’t expected to be included. I also incorrectly named Bardo, Living, RRR, and White Noise. My top 5 from my projections 3 days ago (Women Talking, Babylon, The Fabelmans, Guillermo del Toro’s Pinocchio, The Banshees of Inisherin) remain.

Best Original Song

“Applause” from Tell It Like a Woman

“Carolina” from Where the Crawdads Sing

“Ciao Papa” from Guillermo del Toro’s Pinocchio

“Dust and Ash” from The Voice of Dust and Ash

“Good Afternoon” from Spirited

“Hold My Hand” from Top Gun: Maverick

“Lift Me Up” from Black Panther: Wakanda Forever

“My Mind & Me” from Selena Gomez: My Mind & Me

“Naatu” from RRR

“New Body Rhumba” from White Noise

“Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water

“Stand Up” from Till

“This Is a Life” from Everything Everywhere All at Once

“Til You’re Home” from A Man Called Otto

“Time” from Amsterdam

HOW I DID: 10/15

As expected, there’s some heavy hitters in the mix with Lady Gaga, Rihanna, Taylor Swift, The Weeknd, and Selena Gomez (who I didn’t predict). The highest profile omission is Billie Eilish for “Nobody Like U” in Turning Red. My other misses were “Keep Rising” from The Woman King, “On My Way (Marry Me)” from Marry Me (a miss for Jennifer Lopez), and “Ready As I’ll Ever Be” from The Return of Tanya Tucker – Featuring Brandi Carlile.

Best International Feature Film

All Quiet on the Western Front (Germany)

Argentina, 1985 (Argentina)

Bardo (Mexico)

The Blue Caftan (Morocco)

Cairo Conspiracy (Sweden)

Close (Belgium)

Corsage (Austria)

Decision to Leave (South Korea)

EO (Poland)

Holy Spider (Denmark)

Joyland (Pakistan)

Last Film Show (India)

The Quiet Girl (Ireland)

Return to Seoul (Cambodia)

Saint Omer (France)

HOW I DID: 13/15

My best showing as I incorrectly had Spain’s Alcarras and Mars One from Brazil. India saved a little face with Last Film Show getting in. They didn’t select RRR and it could have won. There are really no major surprises here.

Best Documentary Feature

All That Breathes

All the Beauty and the Bloodshed

Bad Axe

Children of the Mist

Descendant

Fire of Love

Hallelujah: Leonardo Cohen, a Journey, a Song

Hidden Letters

A House Made of Splinters

The Janes

Last Flight Home

Moonage Daydream

Navalny

Retrograde

The Territory

HOW I DID: 10/15

I took a swing by not including The Territory and it got in. As for the aforementioned Good Night Oppy and Sr., they were anticipated to be here and are not. My other whiffs were Gabby Giffords Won’t Back Down, Riotsville, U.S.A., and Wildcat. My high five from December 18th – All That Breathes, Navalny, Fire of Love, All the Beauty and the Bloodshed, Descendant – remain.

Best Makeup and Hairstyling

All Quiet on the Western Front

Amsterdam

Babylon

The Batman

Black Panther: Wakanda Forever

Blonde

Crimes of the Future

Elvis

Emancipation

The Whale

HOW I DID: 7/10

Here’s a race where Everything Everywhere isn’t to be found. I also went with Three Thousand Years of Longing and The Woman King. Once again my top five from the weekend is in. The Crimes of the Future nod is truly unexpected.

Best Sound

All Quiet on the Western Front

Avatar: The Way of Water

Babylon

The Batman

Black Panther: Wakanda Forever

Elvis

Everything Everywhere All at Once

Guillermo del Toro’s Pinocchio

Moonage Daydream

Top Gun: Maverick

HOW I DID: 7/10

Once again my quintet of picks from 3 days ago are safe. Nope is a significant omission as is RRR (Thirteen Lives is my other miss). The unexpected addition of the Bowie doc Moonage Daydream is being praised.

Best Visual Effects

All Quiet on the Western Front

Avatar: The Way of Water

The Batman

Black Panther: Wakanda Forever

Doctor Strange in the Multiverse of Madness

Fantastic Beasts: The Secrets of Dumbledore

Jurassic World: Dominion

Nope

Thirteen Lives

Top Gun: Maverick

HOW I DID: 6/10

Here’s where my predicted five will undoubtedly be altered when I make my update. I had Everything Everywhere and RRR at 3rd and 4th, respectively. They are gone. I also incorrectly called Good Night Oppy and Thor: Love and Thunder. This means Avatar (which should win), Maverick, and Multiverse are the trio remaining that I projected. In my view, this bodes well for Panther getting in. The fifth slot is far trickier to estimate at the moment.

And that does it for now, folks! I’ll have updated predictions in all races up before Christmas!

Oscar Predictions – Avatar: The Way of Water

Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.

Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.

In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.

Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.

Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.

You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.

Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…

Uncut Gems Movie Review

When the brothers Safdie (Ben and Josh) made Good Time in 2017, the thriller centering on low-life crime figures contained segments that showed the duo was capable of creating something special. Clearly influenced by similar grimy pics in the 1970s, that film gave Robert Pattinson a role that drew him far away from a sullen romantic vampire and is primarily responsible for his current career trajectory. However, I found Good Time better in spots than as a cohesive whole. Their follow-up is Uncut Gems and it’s the “something special” that was hinted at in their predecessor.

In many ways, it stays in the Good Time lane. The setting is again the Big Apple. The characters are again a level of bottom dwelling criminals who aren’t exactly top level at their professions. And like Pattinson, Gems allows a very famous actor to try something different. Here it’s Adam Sandler as Howard Ratner, who owns a diamond store and is a degenerate gambler. In Howard’s universe, there’s not a problem that he can’t seem to make worse.

His family life is in a constant state of chaos as his wife (Idina Menzel) is ready to freeze him out and his brother-in-law (Eric Bogosian) is a loan shark that Howard owes money to. Then there’s his girlfriend Julie (Julia Fox, in her feature debut) who works for him and is a consistent source of stress. Demany (Lakeith Stanfield) is his business associate charged with bringing in celebrities and high rollers to the store. He finds one in Boston Celtics superstar Kevin Garnett, who plays himself and does so memorably.

When Howard gets his hands on a rare Ethiopian opal, it sets off a series of frenzied events. Garnett is obsessed with purchasing the rarity while Howard looks to cash in with it at auction. The hoped for financial windfall means he can pay his off his considerable debts. Yet Howard just cannot help himself as one scheme simply leads to the next one, including betting on his NBA client for large sums of money.

Like Good Time, the pacing here is relentless. For over two hours, the screenplay and direction immerse us in Howard’s out of control daily existence. It’s exhilarating and Sandler deserves a lot of the credit. These days, it’s rare to see the performer in anything other than middling to less than middling Netflix comedies. Seeing him rise to the challenge in more dramatic material shouldn’t come as a huge surprise as we saw it in Paul Thomas Anderson’s Punch-Drunk Love nearly two decades ago. It’s just been a while. Howard is onscreen nearly the entire running time and for good reason. You can’t take your eyes off him.

The lead’s remarkable work is accentuated by his supporting cast. This especially applies to the women in his life as both Menzel and Fox are given notable scenes reacting to Howard’s never-ending foibles. By the time the credits roll, one could argue Uncut Gems has the happiest ending it could have if you really ponder it. This is a tale of addiction in a highly stylized setting where Howard just can’t become the winner he pines to be. His turmoil is interrupted by brief glimpses of happiness and we witness a couple of great ones. In the era that the Safdies are paying homage, Al Pacino or Robert De Niro might have played Howard. Sandler gets the job here and knocks it out the park. It’s something special.

**** (out of four)

Uncut Gems Box Office Prediction

Veering far away from the Netflix comedies like Murder Mystery that he’s become known for over the past few years, Adam Sandler headlines the critically heralded crime thriller Uncut Gems and it expands nationwide on Christmas, The pic comes from directors Ben and Josh Safdie and the supporting cast includes future NBA hall of famer Kevin Garnett, Idina Menzel, Lakeith Stanfield, Julia Fox, pop star The Weeknd, and Eric Bogosian.

Since its initial screenings at the Telluride Film Festival in late August, Gems has shone brightly with reviewers. It stands at 93% on Rotten Tomatoes and Sandler has picked up early awards precursors and could be in the running for an Oscar nomination. How will this translate to box office dollars? For the past two weeks, the film has been in limited release in five venues and performed well with $1 million in its coffers.

Whether or not Gems translates widely to mainstream viewers across the country is a trickier question. Even with Sandler’s involvement, this may cater more towards the art house circuit as opposed to audiences looking for holiday options. I’ll project that this hits mid single digits from Friday to Sunday and low double digits for the extended five-day rollout.

Uncut Gems opening weekend prediction: $5.7 million (Friday to Sunday); $11 million (Wednesday to Sunday)

For my Little Women prediction, click here:

https://toddmthatcher.com/2019/12/17/little-women-box-office-prediction/

For my Spies in Disguise prediction, click here:

https://toddmthatcher.com/2019/12/17/spies-in-disguise-box-office-prediction/