Tag: The Lost World: Jurassic Park

98th Academy Awards Nominations Reaction

After months of forecasting and scores of individual posts on the movies vying for the attention of Oscar voters, nominations for the 98th Academy Awards were unveiled this morning. The ceremony airs March 15th with Conan O’Brien returning to host.

There is an undeniable headline in that Sinners shattered the record for most noms ever with 16. The previous holders of that title were a three-way tie between All About Eve, Titanic, and La La Land at 14 apiece. Even without a new race (Casting), Ryan Coogler’s vampire tale still would have broken the record. It is a remarkable achievement that could change the narrative in Best Picture (and others).

A secondary headline? The complete shutout of Wicked: For Good. Its predecessor from just a year ago landed 10 nominations. No one had it goose egging. I had it marked for four mentions and at one time weeks ago, I think I had it landing 10.

Overall I went 87 out of 110 in my feature-length projections (or 79%). Documentary Feature, as it has before, was the bane of my prognosticating existence while Visual Effects also tripped me up.

Some quick fun facts: Stellan Skarsgård is (somehow) the first Supporting Actor contender from a foreign film. The BP nod for One Battle After Another gives Leonardo DiCaprio his 12th BP hopeful. That ties with a record with his This Boy’s Life and Killers of the Flower Moon costar Robert De Niro.

In a second, we’ll walk through each race with some initial thoughts and how I did. First – a reminder that my Case Of posts will be arriving on the blog in short order. As readers may recall, I do individual posts on each Best Picture contender and the 25 hopefuls in Director and the four acting derbies. With each write-up, I give the case for their victory and against it along with a verdict. Those posts will start with the 10 BP nominees and then alternate alphabetically between the directing and acting personnel.

Best Picture

Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams

How I Did: 9/10

F1, my 2nd runner-up, makes the cut over It Was Just an Accident. My Case Of posts will delve deeper, but I do believe Sinners is now a strong possibility to win in a showdown with fellow Warner Bros release One Battle After Another.

Best Director

Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)

How I Did: 4/5

Runner-up Trier is in over Jafar Panahi (It Was Just an Accident). Like BP, this should be between PTA (Battle) and Coogler (Sinners). The former probably has an edge even if Sinners manages the BP victory.

Best Actress

Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)

How I Did: 4/5

Hudson lands her second nomination 25 years after her supporting nod for Almost Famous. I went with Chase Infiniti for Battle. Buckley is the frontrunner.

Best Actor

Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)

How I Did: 5/5 (!)

The expected quintet materializes with Chalamet hoping the third time is the charm.

Best Supporting Actress

Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)

How I Did: 4/5

Taylor might be the favorite. However, if Sinners takes BP, I wouldn’t sleep on Mosaku. And I’m saying that having not predicted her though she was my runner-up. I had Marty Supreme‘s Odessa A’Zion in her place. There’s Madigan to consider as well as the Sentimental actresses should vote split.

Best Supporting Actor

Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)

How I Did: 4/5

Lindo is in over Paul Mescal as Hamnet had a couple high profile omissions. Penn may be the only one without a convincing win narrative and this could come down to the wire.

Best Original Screenplay

Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners

How I Did: 4/5

Moon, which I didn’t list as either of my runner-ups, is in over The Secret Agent. Value is viable though Sinners is the safer bet.

Best Adapted Screenplay

Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams

How I Did: 5/5 (!)

The five Adapted works from BP are in. A pretty easy call for Battle.

Best International Feature Film

It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab

How I Did: 4/5

Second runner-up Rajab instead of No Other Choice, which was blanked. This is a fascinating category as Agent vs. Value could be the showdown.

Best Animated Feature

Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2

How I Did: 5/5 (!)

This has been the anticipated lineup for several weeks with KPop in the pole position.

Best Documentary Feature

The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor

How I Did: 1/5 (ugh)

The Doc race strikes again and hurts my numbers. I only had Neighbor (the frontrunner… I guess) correctly named as I went with Apocalypse in the Tropics, Cover-Up, My Undesirable Friends: Part I – Last Air in Moscow, and 2000 Meters to Andrivka.

Best Casting

Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners

How I Did: 4/5

Hamnet (my runner-up) instead of Frankenstein. This should also come down to Battle v. Sinners and I’m leaning toward the latter.

Best Cinematography

Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams

How I Did: 4/5

Marty Supreme (my runner-up) instead of Hamnet (another notable miss). A broken record as this is also between Battle and Sinners.

Best Costume Design

Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners

How I Did: 4/5

A genuine shocker with Avatar in. Its two predecessors didn’t even make this category. I had Wicked: For Good instead (get used to hearing that). Frankenstein is out front, but a Sinners over performance could happen.

Best Film Editing

F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners

How I Did: 4/5

Value instead of Hamnet. Once again, Battle or Sinners.

Best Makeup and Hairstyling

Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister

How I Did: 4/5

2nd runner-up Stepsister is in contention over Wicked. Frankenstein shouldn’t have any trouble here.

Best Original Score

Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners

How I Did: 4/5

Bugonia, which I didn’t list in the runners-up, over Sirāt. This is likely to be a Sinners prize.

Best Original Song

“Dear Me” from Diane Warren: Relentless, “Golden” from KPop Demon Hunters, “I Lied to You” from Sinners, “Sweet Dreams of Joy” from Viva Verdi!, “Train Dreams” from Train Dreams

How I Did: 4/5

The Verdi! is very much an unexpected inclusion. I had “Salt Then Sour Then Sweet” from Come See Me in the Good Light. I’ll also note neither shortlisted Wicked track made it. Unless the Academy decides to finally honor Diane Warren in a competitive race or a Sinners sweep happens, KPop should be golden.

Best Production Design

Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners

How I Did: 4/5

Runner-Up Battle over (you got it) Wicked. Another potential W for Frankenstein.

Best Sound

F1, Frankenstein, One Battle After Another, Sinners, Sirāt

How I Did: 4/5

Runner-up Frankenstein instead of Avatar. This could be between F1 and Sinners with Sirāt as an upset possibility.

Best Visual Effects

Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners

How I Did: 2/5 (ugh)

Like Documentary, the VE voters can be unpredictable and they went with Jurassic (first nod in the franchise since 1997’s The Lost World), Bus, and Sinners (getting that historic 16th mention) over Frankenstein, Superman, and (say it with me!) Wicked. The winner isn’t hard to project as Avatar looks to go 3 for 3.

Besides the aforementioned Wicked and No Other Choice, two other notable pics that you won’t find among the nominees are Jay Kelly and The Testament of Ann Lee.

Here is how the nominations did shake out:

16 Nominations (!)

Sinners

13 Nominations

One Battle After Another

9 Nominations

Frankenstein, Marty Supreme, Sentimental Value

8 Nominations

Hamnet

4 Nominations

Bugonia, F1, The Secret Agent, Train Dreams

2 Nominations

Avatar: Fire and Ash, Blue Moon, It Was Just an Accident, KPop Demon Hunters, Sirāt

1 Nomination

The Alabama Solution, Arco, Come See Me in the Good Light, Cutting Through Rocks, Diane Warren: Relentless, Elio, If I Had Legs I’d Kick You, Jurassic World Rebirth, Kokuho, Little Amélie or the Character of Rain, The Lost Bus, Mr. Nobody Against Putin, The Perfect Neighbor, The Smashing Machine, Song Sung Blue, The Ugly Stepsister, Viva Verdi!, The Voice of Hind Rajab, Weapons, Zootopia 2

Keep an eye out for the Case Of posts as we march toward final predictions in March!

Oscar Predictions: Jurassic World Rebirth

None of the five follow-ups to Steven Spielberg’s 1993 classic Jurassic Park generated much awards attention. Will that change with the sixth? Jurassic World Rebirth hits theaters on Wednesday with Gareth Edwards handling directorial duties and Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo starring.

The original over three decades ago won all 3 Oscars it was up for – Visual Effects, Sound Editing, and Sound Mixing (back when the sound races were separated). 1997 sequel The Lost World: Jurassic Park landed a sole VE nom, but lost to Titanic. The next four entries – Jurassic Park III, Jurassic World, Jurassic World: Fallen Kingdom, Jurassic World: Dominion – garnered a total of zero Academy mentions.

Reviews for Rebirth are mixed to negative. While certainly stronger than Dominion‘s 29% Rotten Tomatoes rating and 38 Metacritic, the 56% RT and 53 Meta are nothing to roar about. Edwards has seen two pics in his filmography contend in Visual Effects – 2016’s Rogue One: A Star Wars Story and 2023’s The Creator. I doubt his first dino adventure will bring the series back into that category for the first time this century. My Oscar Prediction posts will continue…

98th Academy Awards Predictions: June 22nd Edition

As summer has officially kicked off, we are getting clarifications on some of the potential fall contenders for the Oscars. For example, the musical biopic about The Boss is titled Springsteen: Deliver Me from Nowhere and not just Deliver Me from Nowhere. Kathryn Bigelow’s first directorial feature in close to a decade is titled A House of Dynamite. Both will be out in October.

While the autumn releases reveal their names and dates, this summer’s offerings are revealing whether they’re awards players. In the case of Danny Boyle’s 28 Years Later, it might mean a Makeup & Hairstyling nod while not contending in BP. As for Joseph Kosinski’s F1: The Movie (out Friday), it could pick up a few tech nods. While BP is likely a long shot, it is worth mentioning as a top 25 possibility (for now). Disney/Pixar’s Elio will not be their third movie to vie for BP though an Animated Feature mention should be on the table. We will know soon whether Jurassic World Rebirth could be the first franchise entry since 1997’s The Lost World: Jurassic Park to grab a Visual Effects nomination.

I’m sticking with the six major categories for my projections though the screenplay races may be included in my next round in two weeks. There’s a lot among these races that has not changed, but there are some alterations to be discussed.

The trailer for Springsteen: Deliver Me from Nowhere actually left me less convinced of its viability in some competitions. It could be just be a so-so (IMO) preview for the biopic. However, I’m dropping it from BP in favor of Palme d’Or winner It Was Just an Accident. In Director, Accident maker Jafar Panahi replaces Frankenstein‘s Guillermo del Toro. Springsteen actors Jeremy Allen White and Jeremy Strong are still among my five picks in Actor and Supporting Actor, respectively. In Supporting Actress, I’ve elevated Elle Fanning (Sentimental Value) over One Battle After Another‘s Teyana Taylor.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Sinners (Previous Ranking: 1) (Even)

2. Sentimental Value (PR: 2) (E)

3. After the Hunt (PR: 3) (E)

4. Marty Supreme (PR: 4) (E)

5. Wicked: For Good (PR: 5) (E)

6. Jay Kelly (PR: 6) (E)

7. Hamnet (PR: 7) (E)

8. Frankenstein (PR: 8) (E)

9. Avatar: Fire and Ash (PR: 9) (E)

10. It Was Just an Accident (PR: 13) (+3)

Other Possibilities:

11. One Battle After Another (PR: 11) (E)

12. Bugonia (PR: 12) (E)

13. Springsteen: Deliver Me from Nowhere (PR: 10) (-3)

14. The Life of Chuck (PR: 14) (E)

15. The Rivals of Amziah King (PR: 15) (E)

16. The Secret Agent (PR: 16) (E)

17. Die, My Love (PR: 18) (+1)

18. The Ballad of a Small Player (PR: 17) (-1)

19. No Other Choice (PR: 20) (+1)

20. Rental Family (PR: 22) (+2)

21. A House of Dynamite (PR: Not Ranked)

22. Is This Thing On? (PR: Not Ranked)

23. Ann Lee (PR: 21) (-2)

24. F1: The Movie (PR: 19) (-5)

25. The Smashing Machine (PR: 25) (E)

Dropped Out:

Sound of Falling

Nouvelle Vague

Best Director

Predicted Nominees:

1. Ryan Coogler, Sinners (PR: 1) (E)

2. Joachim Trier, Sentimental Value (PR: 2) (E)

3. Josh Safdie, Marty Supreme (PR: 3) (E)

4. Luca Guadagnino, After the Hunt (PR: 5) (+1)

5. Jafar Panahi, It Was Just an Accident (PR: 8) (+3)

Other Possibilities:

6. Guillermo del Toro, Frankenstein (PR: 4) (-2)

7. Chloé Zhao, Hamnet (PR: 6) (-1)

8. Jon M. Chu, Wicked: For Good (PR: 10) (+2)

9. Paul Thomas Anderson, One Battle After Another (PR: 7) (-2)

10. Yorgos Lanthimos, Bugonia (PR: 9) (-1)

11. Noah Baumbach, Jay Kelly (PR: 11) (E)

12. Andrew Patterson, The Rivals of Amziah King (PR: 14) (+2)

13. Kieber Mendonça Filho, The Secret Agent (PR: 13) (E)

14. James Cameron, Avatar: Fire and Ash (PR: 15) (+1)

15. Scott Cooper, Springsteen: Deliver Me from Nowhere (PR: 12) (-3)

Best Actress

1. Renate Reinsve, Sentimental Value (PR: 1) (E)

2. Julia Roberts, After the Hunt (PR: 2) (E)

3. Cynthia Erivo, Wicked: For Good (PR: 3) (E)

4. Jessie Buckley, Hamnet (PR: 4) (E)

5. Jennifer Lawrence, Die, My Love (PR: 5) (E)

Other Possibilities:

6. Amanda Seyfried, Ann Lee (PR: 6) (E)

7. Rose Byrne, If I Had Legs I’d Kick You (PR: 8) (+1)

8. Emma Stone, Bugonia (PR: 7) (-1)

9. Tessa Thompson, Hedda (PR: 9) (E)

10. Emma Mackey, Ella McCay (PR: 10) (E)

11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)

12. Amy Adams, At the Sea (PR: 14) (+2)

13. Lucy Liu, Rosemead (PR: 13) (E)

14. June Squibb, Eleanor the Great (PR: 12) (-2)

15. Anne Hathaway, Mother Mary (PR: Not Ranked)

Dropped Out:

Eva Victor, Sorry, Baby

Best Actor

Predicted Nominees:

1. Timothée Chalamet, Marty Supreme (PR: 1) (E)

2. George Clooney, Jay Kelly (PR: 3) (+1)

3. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 2) (-1)

4. Wagner Moura, The Secret Agent (PR: 5) (+1)

5. Michael B. Jordan, Sinners (PR: 4) (-1)

Other Possibilities:

6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)

7. Matthew McConaughey, The Rivals of Amziah King (PR: 8) (+1)

8. Jesse Plemons, Bugonia (PR: 7) (-1)

9. Colin Farrell, The Ballad of a Small Player (PR: 11) (+2)

10. Oscar Isaac, Frankenstein (PR: 10) (E)

11. Daniel Day-Lewis, Anemone (PR: 11) (E)

12. Dwayne Johnson, The Smashing Machine (PR: 12) (E)

13. Brendan Fraser, Rental Family (PR: 15) (+2)

14. Will Arnett, Is This Thing On? (PR: Not Ranked)

15. Matthew McConaughey, The Lost Bus (PR: Not Ranked)

Dropped Out:

Denzel Washington, Highest 2 Lowest

Willem Dafoe, Late Fame

Best Supporting Actress

Predicted Nominees:

1. Ariana Grande, Wicked: For Good (PR: 1) (E)

2. Ayo Edebiri, After the Hunt (PR: 2) (E)

3. Gwyneth Paltrow, Marty Supreme (PR: 3) (E)

4. Elle Fanning, Sentimental Value (PR: 6) (+2)

5. Angelina LookingGlass, The Rivals of Amziah King (PR: 5) (E)

Other Possibilities:

6. Jennifer Lopez, Kiss of the Spider Woman (PR: 8) (+2)

7. Laura Dern, Jay Kelly (PR: 7) (E)

8. Inga Ibsdotter Lilleass, Sentimental Value (PR: 9) (+1)

9. Teyana Taylor, One Battle After Another (PR: 4) (-5)

10. Regina Hall, One Battle After Another (PR: 10) (E)

11. Emily Blunt, The Smashing Machine (PR: 11) (E)

12. Hailee Steinfeld, Sinners (PR: 12) (E)

13. Wunmi Mosaku, Sinners (PR: 15) (+2)

14. America Ferrera, The Lost Bus (PR: Not Ranked)

15. Mari Yamamoto, Rental Family (PR: 14) (-1)

Dropped Out:

Emily Watson, Hamnet

Best Supporting Actor

Predicted Nominees:

1. Adam Sandler, Jay Kelly (PR: 1) (E)

2. Stellan Skarsgård, Sentimental Value (PR: 2) (E)

3. Andrew Garfield, After the Hunt (PR: 3) (E)

4. Delroy Lindo, Sinners (PR: 5) (+1)

5. Jeremy Strong, Springsteen: Deliver Me from Nowhere (PR: 4) (-1)

Other Possibilities:

6. Sean Penn, One Battle After Another (PR: 6) (E)

7. Paul Mescal, Hamnet (PR: 7) (E)

8. Robert Pattinson, Die, My Love (PR: 11) (+3)

9. Jonathan Bailey, Wicked: For Good (PR: 10) (+1)

10. Miles Caton, Sinners (PR: 8) (-2)

11. Mark Hamill, The Life of Chuck (PR: 9) (-2)

12. Bradley Cooper, Is This Thing On? (PR: Not Ranked)

13. Jacob Elordi, Frankenstein (PR: 13) (E)

14. Stephen Graham, Springsteen: Deliver Me from Nowhere (PR: 12) (-2)

15. Akira Emoto, Rental Family (PR: Not Ranked)

Dropped Out:

Jeffrey Wright, Highest 2 Lowest

Benicio del Toro, One Battle After Another

Oscar Predictions – Jurassic World: Dominion

When it comes to the nearly three decades old Jurassic franchise, only the first two (the ones directed by Steven Spielberg) have attracted Oscar attention. The 1993 classic received three nods for Sound Mixing, Sound Editing (those races have since combined), and Visual Effects. It won all three. The 1997 follow-up The Lost World: Jurassic Park managed a Visual Effects mention but lost to Titanic. 

The dinosaurs have failed to make Academy ballots for 2001’s Jurassic Park III and the initial entries in the current trilogy – 2015’s Jurassic World and 2018’s Jurassic World: Fallen Kingdom. 

Dominion is the closing chapter that reunites prominent cast members from both trilogies. It’s out Friday and the review embargo is extinct. The result? Only a 40% Rotten Tomatoes which serves as a series worst (predecessor Kingdom previously had the low point at 47%).

So while those creatures might still look cool, I don’t see any chance of a Visual Effects nomination or any others. My Oscar Prediction posts will continue…

Top Gun: Maverick Box Office Prediction

***And a final update for Top Gun: Maverick as my prediction rises again to $113.4 million for the three-day and $138 million for the four-day. That it gives it the #2 all-time Memorial Day for both frames.

***Blogger’s Update (05/25): Significantly up-ticking my estimate once again. Now projecting a three-day of $103.7M (good for second biggest Memorial Day Friday to Sunday) and $124.4M for the four-day (third largest all-time). Sky is increasing the limit…

**Blogger’s Update (05/24): Estimate updated from a three and four-day projection, respectively, of $75.6M and $98.8M to $86.6M and $104.9M. That now gives Maverick the #7 largest Memorial Day weekend three-day and #6 four-day

It could be a record breaking memorable weekend for Tom Cruise as Top Gun: Maverick finally lands in theaters. The long gestating sequel arrives 36 years after the original made Cruise a superstar. The wait was only supposed to be 33-34 years, but production delays and COVID postponements altered the plan.

Joseph Kosinki, who previously directed the lead in 2013’s Oblivion, directs. Costars include Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Ed Harris, Monica Barbaro, and Val Kilmer reprising his role as Iceman. Critics have certainly indicated this is worth the wait. Budgeted at a reported $150 million, reviews are impressive with a 97% Rotten Tomatoes score. There’s even Oscar buzz as it will surely be a contender in Sound and Song (with Lady Gaga crooning “Hold My Hand”).

Paramount is hopeful that Maverick will take the breath and money away from moviegoers over the Memorial Day frame. The loud buzz generated by critics should make this soar even higher than previously anticipated.

In doing so, we could see Tom cruise to a personal best opening. Somewhat surprisingly, his all-time largest opening is War of the Worlds at $64 million for the traditional Friday to Sunday period. Mission: Impossible – Fallout (the last flick to feature Cruise four years ago) is close behind at $61 million.

Maverick will, of course, have a four-day tally. That’s familiar territory for Cruise as the first three Mission: Impossible tales premiered over Memorial Day with the second one doing $70 million from Friday to Monday. However, it opened on the Wednesday before to bring its gross to $91 million.

First things first. I do believe Tom’s latest sequel will achieve his highest three day take ever. I also suspect there will be some projections for Maverick that will be too high. A four-day take of over $100 million is absolutely doable (and my prediction could rise in the coming days), but I’m skeptical. That’s uncharted territory for Mr. Cruise. A Friday to Sunday haul in the mid 70s seems likelier. If that happens, it should achieve mid 90s for the whole frame. That would give it the ninth best Memorial 3 day start – in between Solo: A Star Wars Story ($84 million) and The Lost World: Jurassic Park ($72 million). It would rise a spot to 8th for the four-day between the same two features at $103 million and $90 million, respectively. And that would be a memorable start indeed.

Top Gun: Maverick opening weekend prediction: $113.4 million (Friday to Sunday); $138 million (Friday to Monday)

For my The Bob’s Burgers Movie, click here:

The Bob’s Burgers Movie Box Office Prediction

Batman Forever Ago: A Quarter Century Box Office Report

Earlier this week (on Tuesday), Batman Forever celebrated its 25th anniversary of release. For those who may not recall, this was when Joel Schumacher took over the franchise from Tim Burton and Val Kilmer replaced Michael Keaton as the Caped Crusader. Tommy Lee Jones (coming off an Oscar for The Fugitive) and Jim Carrey (the hottest comedic star in America after the one-two-three punch of Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber) costarred as villains Two-Face and The Riddler, respectively. Nicole Kidman was in the mix as Bruce Wayne/Batman’s love interest and Chris O’Donnell was introduced as Robin. Sounds like a recipe for a box office bonanza right? Indeed it was.

In mid June 1995, Forever scored the best opening weekend of all time and was the first feature to make over $50 million in its first three days. The $52.7 million tally topped the previous record holder from two summers before (a little something called Jurassic Park). Forever would hold the title for two years before being toppled by… The Lost World: Jurassic Park. 

The all-time premiere record has since changed 11 times, including in 2008 with another Batflick The Dark Knight at $158 million. The current holder is Avengers: Endgame at $357 million. And that right there shows how much times have changed. In a quarter century, the first frame of Endgame made 7x that of Forever. Higher ticket prices are certainly a factor. Yet in 25 years, Val Kilmer’s grapples with Jim Carrey went from a highest ever start to now 225th. By the way, 224th place belongs to… The Lego Batman Movie! And now, Forever lags behind such forgettable material as The Nun, The Karate Kid remake, Valentine’s Day, and DC’s own hugely disappointing Green Lantern.

Speaking of disappointing, I’m certainly of the opinion that Forever was just that as far as quality. It’s not nearly as bad at what followed with Schumacher’s sequel Batman & Robin. However, it was a big letdown from what Burton accomplished before and what Christopher Nolan achieved a decade later with the start of The Dark Knight trilogy. What remains is an interesting snapshot in time when a $50 million debut was new territory and it took the Bat Signal (even a rather mediocre one) to get there.

Jurassic World: Fallen Kingdom Movie Review

The central theme of the Jurassic franchise is whether the scientific re-creation of dinosaurs for profit is enough reason to justify their existence. Of course, the real reason these movies exist is so we can gaze upon glorious CG creatures that took our breath away 25 years ago in Steven Spielberg’s Jurassic Park. Three years ago, Colin Trevorrow gave us Jurassic World. It did just enough to tap into our nostalgia for the original while keeping another central theme prominent in all series entries – the humans are less interesting than their prehistoric counterparts.

In the inevitable sequel Jurassic World: Fallen Kingdom, we have a newer problem in that the dinosaurs are becoming increasingly less fascinating. When we left that theme park in 2015, it was in tatters due to the havoc wrought by its main attractions. We’re informed that the dinos still roam the deserted Isla Nublar and there’s a political debate as to what to do with them. That conversation is accelerated as a volcano is about to erupt on the island and incinerate everything. As audience members, let’s just choose to forget that even if the park had become successful and free of T-Rex breakouts, it would’ve only existed for three years because of that volcano. We don’t watch Jurassic pics for logic, after all.

The impending meltdown gets the attention of Claire (Bryce Dallas Howard), the park’s former operations manager, who’s now an advocate for the dinosaurs survival. Her nephews from Jurassic World aren’t seen or mentioned. Perhaps they were smart enough to want nothing to do with all this. She’s recruited by Ben Lockwood (James Cromwell), the ailing former partner of the late John Hammond, to gather up Isla Nublar’s famous residents. Claire recruits her ex-flame and dino whisperer Owen (Chris Pratt) to join her, along with a ragtag group of assistants and military types led by mercenary and hunter Ted Levine. It turns out Lockwood’s assistant (Rafe Spall, a rather bland villain) might have conjured up other ideas for the creatures true purposes. Oh and Lockwood has a granddaughter Maisie (Isabella Sermon). Kids in Jurassic flicks are mandatory. She’s got a spotty British accent and an eventual revelation about her character that is downright bonkers.

Our return to Jurassic World does allow for a couple imaginative action sequences that are well choreographed and filmed by franchise newcomer J.A. Bayona (Trevorrow isn’t behind the camera but has co-writing credit). In the second half, the pic moves to a more insulated setting. This section is less satisfying. While Bayona and company get a wee bit of credit for trying something different, the execution falters.

That’s the real issue here. 25 summers ago, the visuals of Jurassic Park were brand new and stunning. The technology, while still state of the art, isn’t fresh anymore. Human characters here aren’t compelling either. The dynamic between Pratt and Howard is as dull as before. Jeff Goldblum turns up as Dr. Malcolm for the first time since 1997’s The Lost World, but his presence is brief and forgettable. What wowed us a quarter century ago is now a listless undertaking occasionally punctuated by genuine excitement. Put another way, Jurassic World: Fallen Kingdom has a tough time justifying its existence.

** (out of four)

Jurassic World: Fallen Kingdom Box Office Prediction

Blogger’s Note (06/15): I am revising my prediction down from $155.4 million to $140.4 million

Arriving three years after its predecessor set a series of box office records, Jurassic World: Fallen Kingdom looks to flex its dino might next weekend. The fifth picture in the massive franchise that just turned 25 years old, Kingdom is the sequel to Jurassic World and brings back Chris Pratt, Bryce Dallas Howard, and Jeff Goldblum (for the first time since 1997’s The Lost World). New cast members include Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, and Ted Levine. J.A. Bayona takes over directorial duties from Colin Trevorrow.

The history of this franchise setting opening weekend milestones is significant. Steven Spielberg’s original in 1993 had the largest debut ever at $47 million a quarter century ago. The Lost World would achieve the same honor four years later with $72 million. And, of course, Jurassic World stunned prognosticators in 2015 with $208 million out of the gate, which stood as the greatest premiere until Star Wars: The Force Awakens topped it six months later.

Fallen Kingdom will not and is not expected to break records. Jurassic World seemed to have its stars aligned for a spectacular opening. It had been nearly a decade and a half since the previous installment and the nostalgia factor was off the charts. Mostly positive reviews didn’t hurt and Mr. Pratt was coming off a star making role in Guardians of the Galaxy.

Critical reaction is mixed. The sequel currently sits at 59% on Rotten Tomatoes (World got to 71%). The film is already out in a number of foreign markets and it earned $151 million worldwide over the weekend (a bit above expectations).

The stateside tracking for Kingdom is between $130-$150 million. My general feeling is that this franchise has continually exceeded expectations and may do so here, albeit not by much. Jurassic World was a phenomenon while this is looked at as another summer sequel. It just happens to be one with a huge fan base who love returning to see these CG creatures.

Jurassic World: Fallen Kingdom opening weekend prediction: $140.4 million

Jurassic Park Turns 25: A Look Back

A quarter century ago on this day, Steven Spielberg’s Jurassic Park was unleashed in theaters and it was indeed a game changer. For those not old enough to remember its release, it’s a bit difficult to describe just how groundbreaking its visuals were at that time in the early 1990s. The idea that realistic dinosaurs could roam the silver screen didn’t seem possible. However, Spielberg’s wizardry and the geniuses at Industrial Light & Magic proved us all wrong.

The scene above had audiences expressing the same reaction as Sam Neill, Laura Dern, and Jeff Goldblum. Mouths open. Jaws dropped. As we have learned in the 25 years since, amazing visuals aren’t enough to make a film great. That said, if any picture could claim greatness due to its effects, this is the one.

Yet Jurassic Park was special for more reasons than just that. Based on Michael Crichton’s bestseller, the cinematic adaptation tapped into a childhood fascination with Earth’s first dwellers that struck a chord. The concept seems so simple now: mix Steven Spielberg with dinosaurs and what could possibly go wrong? That recipe worked rather flawlessly, but let’s take some stock here.

Just a year and a half earlier, Mr. Spielberg made Hook. And when you think of that concept – America’s most commercially successful director taking on the Peter Pan story? What could possibly go wrong? Well, plenty did. Hook has its vocal defenders, but I fall into the camp of deeming it a major disappointment (particularly on subsequent viewings).

Jurassic arrived at a time where it was feasible to question Spielberg’s magic touch. Those queries went away with the first look at the dino creations and the suspenseful and masterfully directed picture that followed.

In terms of box office numbers, some may not know this franchise opener’s relationship to Batman, but there is one. Jurassic Park opened with $47 million dollars. At the time, that stood at the largest domestic debut in history by beating out the $45 million made the summer before by Batman Returns. 

In 1995, it would be Batman Forever that would top the Jurassic record with $52 million.

Two summers after that, Jurassic follow-up The Lost World would snatch the record back with $72 million.

The original Jurassic now stands as the 247th largest opening and was surpassed by all three sequels that followed (and will certainly also be topped by next Friday’s Jurassic World: Fallen Kingdom).

The original’s total domestic gross ended up being $357 million. A 2013 3-D re-release for its 20th anniversary added another $45 million to bring the overall haul to $402 million. And that is second only to Jurassic World from 2015 ($652 million).

The Lost World topped out at $229 million with Jurassic Park III at $181 million. When we adjust for inflation, Park tops World by a margin of $839 million to $724 million.

Looking back at 1993, it’s safe to say no director had a single better year in film history than Spielberg before or since. Not only did Jurassic Park set a new standard for visual effects and break every box office record, but he released another picture at the end of the year. That would be Schindler’s List. The Holocaust drama was nominated for twelve Oscars and won seven, including Best Picture and Spielberg’s first statue for directing (he’d win again five years later for Saving Private Ryan).

So as we await the fifth installment of this franchise, it felt worthy to take a moment and acknowledge the seismic happening that occurred 25 years ago today. The unleashing of the dinosaurs. The advent of visual effects in a way we’d never experienced. A year unparalleled for a filmmaker. Welcome to Jurassic Park… 25 years later.

Oscar Watch – Jurassic World: Fallen Kingdom

A quarter century after Steven Spielberg’s Jurassic Park thrilled audiences with its eye-popping visuals, the fifth entry in the franchise arrives domestically two weeks from Friday. However, Jurassic World: Fallen Kingdom is out tomorrow in the United Kingdom, so critical reaction is present. The verdict? Mixed. Kingdom currently sits at 65% on Rotten Tomatoes (predecessor Jurassic World ended up with 71%).

No Oscar prognosticator looked at this as Best Picture material. This series is all about the potential for technical recognition. The 1993 original was nominated for and won three gold statues: Sound Editing, Sound Mixing, and Visual Effects. For those around at the time, Park was an undeniable marvel with said visuals and the sounds of the dinosaurs wreaking havoc. The 1997 sequel managed one nod for Visual Effects and lost to a little something called Titanic.

2001’s Jurassic Park III, no surprise, was ignored by the Academy. On the other hand, it may surprise you to learn that 2015’s World also came up empty with voters. The pic did set box office records at the time, but couldn’t even manage Visual Effects or Sound recognition.

The answer as to why could be simple. In this particular franchise, there’s really little room for improvement when it comes to its technical capabilities. Jurassic Park set a high bar in Isla Nublar  for the CG dinos and their sounds. The Academy has moved onto other impressive tech work for other pictures.

Bottom line: If Jurassic World couldn’t manage down the line nods, don’t expect any for Kingdom.

My Oscar Watch posts will continue…