None of the five follow-ups to Steven Spielberg’s 1993 classic Jurassic Park generated much awards attention. Will that change with the sixth? Jurassic World Rebirth hits theaters on Wednesday with Gareth Edwards handling directorial duties and Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo starring.
The original over three decades ago won all 3 Oscars it was up for – Visual Effects, Sound Editing, and Sound Mixing (back when the sound races were separated). 1997 sequel The Lost World: Jurassic Park landed a sole VE nom, but lost to Titanic. The next four entries – Jurassic Park III, Jurassic World, Jurassic World: Fallen Kingdom, Jurassic World: Dominion – garnered a total of zero Academy mentions.
Reviews for Rebirth are mixed to negative. While certainly stronger than Dominion‘s 29% Rotten Tomatoes rating and 38 Metacritic, the 56% RT and 53 Meta are nothing to roar about. Edwards has seen two pics in his filmography contend in Visual Effects – 2016’s Rogue One: A Star Wars Story and 2023’s The Creator. I doubt his first dino adventure will bring the series back into that category for the first time this century. My Oscar Prediction posts will continue…
As summer has officially kicked off, we are getting clarifications on some of the potential fall contenders for the Oscars. For example, the musical biopic about The Boss is titled Springsteen: Deliver Me from Nowhere and not just Deliver Me from Nowhere. Kathryn Bigelow’s first directorial feature in close to a decade is titled A House of Dynamite. Both will be out in October.
While the autumn releases reveal their names and dates, this summer’s offerings are revealing whether they’re awards players. In the case of Danny Boyle’s 28 Years Later, it might mean a Makeup & Hairstyling nod while not contending in BP. As for Joseph Kosinski’s F1: The Movie (out Friday), it could pick up a few tech nods. While BP is likely a long shot, it is worth mentioning as a top 25 possibility (for now). Disney/Pixar’s Elio will not be their third movie to vie for BP though an Animated Feature mention should be on the table. We will know soon whether Jurassic World Rebirth could be the first franchise entry since 1997’s The Lost World: Jurassic Park to grab a Visual Effects nomination.
I’m sticking with the six major categories for my projections though the screenplay races may be included in my next round in two weeks. There’s a lot among these races that has not changed, but there are some alterations to be discussed.
The trailer for Springsteen: Deliver Me from Nowhere actually left me less convinced of its viability in some competitions. It could be just be a so-so (IMO) preview for the biopic. However, I’m dropping it from BP in favor of Palme d’Or winner It Was Just an Accident. In Director, Accident maker Jafar Panahi replaces Frankenstein‘s Guillermo del Toro. Springsteen actors Jeremy Allen White and Jeremy Strong are still among my five picks in Actor and Supporting Actor, respectively. In Supporting Actress, I’ve elevated Elle Fanning (Sentimental Value) over One Battle After Another‘s Teyana Taylor.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Sinners (Previous Ranking: 1) (Even)
2. Sentimental Value (PR: 2) (E)
3. After the Hunt (PR: 3) (E)
4. Marty Supreme (PR: 4) (E)
5. Wicked: For Good (PR: 5) (E)
6. Jay Kelly (PR: 6) (E)
7. Hamnet (PR: 7) (E)
8. Frankenstein (PR: 8) (E)
9. Avatar: Fire and Ash (PR: 9) (E)
10. It Was Just an Accident (PR: 13) (+3)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Bugonia (PR: 12) (E)
13. Springsteen: Deliver Me from Nowhere (PR: 10) (-3)
14. The Life of Chuck (PR: 14) (E)
15. The Rivals of Amziah King (PR: 15) (E)
16. The Secret Agent (PR: 16) (E)
17. Die, My Love (PR: 18) (+1)
18. The Ballad of a Small Player (PR: 17) (-1)
19. No Other Choice (PR: 20) (+1)
20. Rental Family (PR: 22) (+2)
21. A House of Dynamite (PR: Not Ranked)
22. Is This Thing On? (PR: Not Ranked)
23. Ann Lee (PR: 21) (-2)
24. F1: The Movie (PR: 19) (-5)
25. The Smashing Machine (PR: 25) (E)
Dropped Out:
Sound of Falling
Nouvelle Vague
Best Director
Predicted Nominees:
1. Ryan Coogler, Sinners (PR: 1) (E)
2. Joachim Trier, Sentimental Value (PR: 2) (E)
3. Josh Safdie, Marty Supreme (PR: 3) (E)
4. Luca Guadagnino, After the Hunt (PR: 5) (+1)
5. Jafar Panahi, It Was Just an Accident (PR: 8) (+3)
Other Possibilities:
6. Guillermo del Toro, Frankenstein (PR: 4) (-2)
7. Chloé Zhao, Hamnet (PR: 6) (-1)
8. Jon M. Chu, Wicked: For Good (PR: 10) (+2)
9. Paul Thomas Anderson, One Battle After Another (PR: 7) (-2)
10. Yorgos Lanthimos, Bugonia (PR: 9) (-1)
11. Noah Baumbach, Jay Kelly (PR: 11) (E)
12. Andrew Patterson, The Rivals of Amziah King (PR: 14) (+2)
13. Kieber Mendonça Filho, The Secret Agent (PR: 13) (E)
14. James Cameron, Avatar: Fire and Ash (PR: 15) (+1)
15. Scott Cooper, Springsteen: Deliver Me from Nowhere (PR: 12) (-3)
Best Actress
1. Renate Reinsve, Sentimental Value (PR: 1) (E)
2. Julia Roberts, After the Hunt (PR: 2) (E)
3. Cynthia Erivo, Wicked: For Good (PR: 3) (E)
4. Jessie Buckley, Hamnet (PR: 4) (E)
5. Jennifer Lawrence, Die, My Love (PR: 5) (E)
Other Possibilities:
6. Amanda Seyfried, Ann Lee (PR: 6) (E)
7. Rose Byrne, If I Had Legs I’d Kick You (PR: 8) (+1)
8. Emma Stone, Bugonia (PR: 7) (-1)
9. Tessa Thompson, Hedda (PR: 9) (E)
10. Emma Mackey, Ella McCay (PR: 10) (E)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Amy Adams, At the Sea (PR: 14) (+2)
13. Lucy Liu, Rosemead (PR: 13) (E)
14. June Squibb, Eleanor the Great (PR: 12) (-2)
15. Anne Hathaway, Mother Mary (PR: Not Ranked)
Dropped Out:
Eva Victor, Sorry, Baby
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. George Clooney, Jay Kelly (PR: 3) (+1)
3. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 2) (-1)
4. Wagner Moura, The Secret Agent (PR: 5) (+1)
5. Michael B. Jordan, Sinners (PR: 4) (-1)
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)
7. Matthew McConaughey, The Rivals of Amziah King (PR: 8) (+1)
8. Jesse Plemons, Bugonia (PR: 7) (-1)
9. Colin Farrell, The Ballad of a Small Player (PR: 11) (+2)
10. Oscar Isaac, Frankenstein (PR: 10) (E)
11. Daniel Day-Lewis, Anemone (PR: 11) (E)
12. Dwayne Johnson, The Smashing Machine (PR: 12) (E)
13. Brendan Fraser, Rental Family (PR: 15) (+2)
14. Will Arnett, Is This Thing On? (PR: Not Ranked)
15. Matthew McConaughey, The Lost Bus (PR: Not Ranked)
Dropped Out:
Denzel Washington, Highest 2 Lowest
Willem Dafoe, Late Fame
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good (PR: 1) (E)
2. Ayo Edebiri, After the Hunt (PR: 2) (E)
3. Gwyneth Paltrow, Marty Supreme (PR: 3) (E)
4. Elle Fanning, Sentimental Value (PR: 6) (+2)
5. Angelina LookingGlass, The Rivals of Amziah King (PR: 5) (E)
Other Possibilities:
6. Jennifer Lopez, Kiss of the Spider Woman (PR: 8) (+2)
7. Laura Dern, Jay Kelly (PR: 7) (E)
8. Inga Ibsdotter Lilleass, Sentimental Value (PR: 9) (+1)
9. Teyana Taylor, One Battle After Another (PR: 4) (-5)
10. Regina Hall, One Battle After Another (PR: 10) (E)
11. Emily Blunt, The Smashing Machine (PR: 11) (E)
12. Hailee Steinfeld, Sinners (PR: 12) (E)
13. Wunmi Mosaku, Sinners (PR: 15) (+2)
14. America Ferrera, The Lost Bus (PR: Not Ranked)
15. Mari Yamamoto, Rental Family (PR: 14) (-1)
Dropped Out:
Emily Watson, Hamnet
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly (PR: 1) (E)
2. Stellan Skarsgård, Sentimental Value (PR: 2) (E)
3. Andrew Garfield, After the Hunt (PR: 3) (E)
4. Delroy Lindo, Sinners (PR: 5) (+1)
5. Jeremy Strong, Springsteen: Deliver Me from Nowhere (PR: 4) (-1)
Other Possibilities:
6. Sean Penn, One Battle After Another (PR: 6) (E)
7. Paul Mescal, Hamnet (PR: 7) (E)
8. Robert Pattinson, Die, My Love (PR: 11) (+3)
9. Jonathan Bailey, Wicked: For Good (PR: 10) (+1)
10. Miles Caton, Sinners (PR: 8) (-2)
11. Mark Hamill, The Life of Chuck (PR: 9) (-2)
12. Bradley Cooper, Is This Thing On? (PR: Not Ranked)
13. Jacob Elordi, Frankenstein (PR: 13) (E)
14. Stephen Graham, Springsteen: Deliver Me from Nowhere (PR: 12) (-2)
When it comes to the nearly three decades old Jurassic franchise, only the first two (the ones directed by Steven Spielberg) have attracted Oscar attention. The 1993 classic received three nods for Sound Mixing, Sound Editing (those races have since combined), and Visual Effects. It won all three. The 1997 follow-up The Lost World: Jurassic Park managed a Visual Effects mention but lost to Titanic.
The dinosaurs have failed to make Academy ballots for 2001’s Jurassic Park III and the initial entries in the current trilogy – 2015’s Jurassic World and 2018’s Jurassic World: Fallen Kingdom.
Dominion is the closing chapter that reunites prominent cast members from both trilogies. It’s out Friday and the review embargo is extinct. The result? Only a 40% Rotten Tomatoes which serves as a series worst (predecessor Kingdom previously had the low point at 47%).
So while those creatures might still look cool, I don’t see any chance of a Visual Effects nomination or any others. My Oscar Prediction posts will continue…
***And a final update for Top Gun: Maverick as my prediction rises again to $113.4 million for the three-day and $138 million for the four-day. That it gives it the #2 all-time Memorial Day for both frames.
***Blogger’s Update (05/25): Significantly up-ticking my estimate once again. Now projecting a three-day of $103.7M (good for second biggest Memorial Day Friday to Sunday) and $124.4M for the four-day (third largest all-time). Sky is increasing the limit…
**Blogger’s Update (05/24): Estimate updated from a three and four-day projection, respectively, of $75.6M and $98.8M to $86.6M and $104.9M. That now gives Maverick the #7 largest Memorial Day weekend three-day and #6 four-day
It could be a record breaking memorable weekend for Tom Cruise as Top Gun: Maverick finally lands in theaters. The long gestating sequel arrives 36 years after the original made Cruise a superstar. The wait was only supposed to be 33-34 years, but production delays and COVID postponements altered the plan.
Joseph Kosinki, who previously directed the lead in 2013’s Oblivion, directs. Costars include Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Ed Harris, Monica Barbaro, and Val Kilmer reprising his role as Iceman. Critics have certainly indicated this is worth the wait. Budgeted at a reported $150 million, reviews are impressive with a 97% Rotten Tomatoes score. There’s even Oscar buzz as it will surely be a contender in Sound and Song (with Lady Gaga crooning “Hold My Hand”).
Paramount is hopeful that Maverick will take the breath and money away from moviegoers over the Memorial Day frame. The loud buzz generated by critics should make this soar even higher than previously anticipated.
In doing so, we could see Tom cruise to a personal best opening. Somewhat surprisingly, his all-time largest opening is War of the Worlds at $64 million for the traditional Friday to Sunday period. Mission: Impossible – Fallout (the last flick to feature Cruise four years ago) is close behind at $61 million.
Maverick will, of course, have a four-day tally. That’s familiar territory for Cruise as the first three Mission: Impossible tales premiered over Memorial Day with the second one doing $70 million from Friday to Monday. However, it opened on the Wednesday before to bring its gross to $91 million.
First things first. I do believe Tom’s latest sequel will achieve his highest three day take ever. I also suspect there will be some projections for Maverick that will be too high. A four-day take of over $100 million is absolutely doable (and my prediction could rise in the coming days), but I’m skeptical. That’s uncharted territory for Mr. Cruise. A Friday to Sunday haul in the mid 70s seems likelier. If that happens, it should achieve mid 90s for the whole frame. That would give it the ninth best Memorial 3 day start – in between Solo: A Star Wars Story ($84 million) and The Lost World: Jurassic Park ($72 million). It would rise a spot to 8th for the four-day between the same two features at $103 million and $90 million, respectively. And that would be a memorable start indeed.
Top Gun: Maverick opening weekend prediction: $113.4 million (Friday to Sunday); $138 million (Friday to Monday)
Earlier this week (on Tuesday), Batman Forever celebrated its 25th anniversary of release. For those who may not recall, this was when Joel Schumacher took over the franchise from Tim Burton and Val Kilmer replaced Michael Keaton as the Caped Crusader. Tommy Lee Jones (coming off an Oscar for The Fugitive) and Jim Carrey (the hottest comedic star in America after the one-two-three punch of Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber) costarred as villains Two-Face and The Riddler, respectively. Nicole Kidman was in the mix as Bruce Wayne/Batman’s love interest and Chris O’Donnell was introduced as Robin. Sounds like a recipe for a box office bonanza right? Indeed it was.
In mid June 1995, Forever scored the best opening weekend of all time and was the first feature to make over $50 million in its first three days. The $52.7 million tally topped the previous record holder from two summers before (a little something called Jurassic Park). Forever would hold the title for two years before being toppled by… The Lost World: Jurassic Park.
The all-time premiere record has since changed 11 times, including in 2008 with another Batflick The Dark Knight at $158 million. The current holder is Avengers: Endgame at $357 million. And that right there shows how much times have changed. In a quarter century, the first frame of Endgame made 7x that of Forever. Higher ticket prices are certainly a factor. Yet in 25 years, Val Kilmer’s grapples with Jim Carrey went from a highest ever start to now 225th. By the way, 224th place belongs to… The Lego Batman Movie! And now, Forever lags behind such forgettable material as The Nun, The Karate Kid remake, Valentine’s Day, and DC’s own hugely disappointing Green Lantern.
Speaking of disappointing, I’m certainly of the opinion that Forever was just that as far as quality. It’s not nearly as bad at what followed with Schumacher’s sequel Batman & Robin. However, it was a big letdown from what Burton accomplished before and what Christopher Nolan achieved a decade later with the start of The Dark Knight trilogy. What remains is an interesting snapshot in time when a $50 million debut was new territory and it took the Bat Signal (even a rather mediocre one) to get there.
The central theme of the Jurassic franchise is whether the scientific re-creation of dinosaurs for profit is enough reason to justify their existence. Of course, the real reason these movies exist is so we can gaze upon glorious CG creatures that took our breath away 25 years ago in Steven Spielberg’s JurassicPark. Three years ago, Colin Trevorrow gave us JurassicWorld. It did just enough to tap into our nostalgia for the original while keeping another central theme prominent in all series entries – the humans are less interesting than their prehistoric counterparts.
In the inevitable sequel JurassicWorld: FallenKingdom, we have a newer problem in that the dinosaurs are becoming increasingly less fascinating. When we left that theme park in 2015, it was in tatters due to the havoc wrought by its main attractions. We’re informed that the dinos still roam the deserted Isla Nublar and there’s a political debate as to what to do with them. That conversation is accelerated as a volcano is about to erupt on the island and incinerate everything. As audience members, let’s just choose to forget that even if the park had become successful and free of T-Rex breakouts, it would’ve only existed for three years because of that volcano. We don’t watch Jurassic pics for logic, after all.
The impending meltdown gets the attention of Claire (Bryce Dallas Howard), the park’s former operations manager, who’s now an advocate for the dinosaurs survival. Her nephews from JurassicWorld aren’t seen or mentioned. Perhaps they were smart enough to want nothing to do with all this. She’s recruited by Ben Lockwood (James Cromwell), the ailing former partner of the late John Hammond, to gather up Isla Nublar’s famous residents. Claire recruits her ex-flame and dino whisperer Owen (Chris Pratt) to join her, along with a ragtag group of assistants and military types led by mercenary and hunter Ted Levine. It turns out Lockwood’s assistant (Rafe Spall, a rather bland villain) might have conjured up other ideas for the creatures true purposes. Oh and Lockwood has a granddaughter Maisie (Isabella Sermon). Kids in Jurassic flicks are mandatory. She’s got a spotty British accent and an eventual revelation about her character that is downright bonkers.
Our return to Jurassic World does allow for a couple imaginative action sequences that are well choreographed and filmed by franchise newcomer J.A. Bayona (Trevorrow isn’t behind the camera but has co-writing credit). In the second half, the pic moves to a more insulated setting. This section is less satisfying. While Bayona and company get a wee bit of credit for trying something different, the execution falters.
That’s the real issue here. 25 summers ago, the visuals of JurassicPark were brand new and stunning. The technology, while still state of the art, isn’t fresh anymore. Human characters here aren’t compelling either. The dynamic between Pratt and Howard is as dull as before. Jeff Goldblum turns up as Dr. Malcolm for the first time since 1997’s TheLostWorld, but his presence is brief and forgettable. What wowed us a quarter century ago is now a listless undertaking occasionally punctuated by genuine excitement. Put another way, JurassicWorld: FallenKingdom has a tough time justifying its existence.
Blogger’s Note (06/15): I am revising my prediction down from $155.4 million to $140.4 million
Arriving three years after its predecessor set a series of box office records, JurassicWorld: FallenKingdom looks to flex its dino might next weekend. The fifth picture in the massive franchise that just turned 25 years old, Kingdom is the sequel to JurassicWorld and brings back Chris Pratt, Bryce Dallas Howard, and Jeff Goldblum (for the first time since 1997’s TheLostWorld). New cast members include Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, and Ted Levine. J.A. Bayona takes over directorial duties from Colin Trevorrow.
The history of this franchise setting opening weekend milestones is significant. Steven Spielberg’s original in 1993 had the largest debut ever at $47 million a quarter century ago. TheLostWorld would achieve the same honor four years later with $72 million. And, of course, JurassicWorld stunned prognosticators in 2015 with $208 million out of the gate, which stood as the greatest premiere until StarWars: TheForceAwakens topped it six months later.
FallenKingdom will not and is not expected to break records. JurassicWorld seemed to have its stars aligned for a spectacular opening. It had been nearly a decade and a half since the previous installment and the nostalgia factor was off the charts. Mostly positive reviews didn’t hurt and Mr. Pratt was coming off a star making role in GuardiansoftheGalaxy.
Critical reaction is mixed. The sequel currently sits at 59% on Rotten Tomatoes (World got to 71%). The film is already out in a number of foreign markets and it earned $151 million worldwide over the weekend (a bit above expectations).
The stateside tracking for Kingdom is between $130-$150 million. My general feeling is that this franchise has continually exceeded expectations and may do so here, albeit not by much. JurassicWorld was a phenomenon while this is looked at as another summer sequel. It just happens to be one with a huge fan base who love returning to see these CG creatures.
JurassicWorld: FallenKingdom opening weekend prediction: $140.4 million
A quarter century ago on this day, Steven Spielberg’s Jurassic Park was unleashed in theaters and it was indeed a game changer. For those not old enough to remember its release, it’s a bit difficult to describe just how groundbreaking its visuals were at that time in the early 1990s. The idea that realistic dinosaurs could roam the silver screen didn’t seem possible. However, Spielberg’s wizardry and the geniuses at Industrial Light & Magic proved us all wrong.
The scene above had audiences expressing the same reaction as Sam Neill, Laura Dern, and Jeff Goldblum. Mouths open. Jaws dropped. As we have learned in the 25 years since, amazing visuals aren’t enough to make a film great. That said, if any picture could claim greatness due to its effects, this is the one.
Yet Jurassic Park was special for more reasons than just that. Based on Michael Crichton’s bestseller, the cinematic adaptation tapped into a childhood fascination with Earth’s first dwellers that struck a chord. The concept seems so simple now: mix Steven Spielberg with dinosaurs and what could possibly go wrong? That recipe worked rather flawlessly, but let’s take some stock here.
Just a year and a half earlier, Mr. Spielberg made Hook. And when you think of that concept – America’s most commercially successful director taking on the Peter Pan story? What could possibly go wrong? Well, plenty did. Hook has its vocal defenders, but I fall into the camp of deeming it a major disappointment (particularly on subsequent viewings).
Jurassic arrived at a time where it was feasible to question Spielberg’s magic touch. Those queries went away with the first look at the dino creations and the suspenseful and masterfully directed picture that followed.
In terms of box office numbers, some may not know this franchise opener’s relationship to Batman, but there is one. Jurassic Park opened with $47 million dollars. At the time, that stood at the largest domestic debut in history by beating out the $45 million made the summer before by Batman Returns.
In 1995, it would be Batman Forever that would top the Jurassic record with $52 million.
Two summers after that, Jurassic follow-up The Lost World would snatch the record back with $72 million.
The original Jurassic now stands as the 247th largest opening and was surpassed by all three sequels that followed (and will certainly also be topped by next Friday’s Jurassic World: Fallen Kingdom).
The original’s total domestic gross ended up being $357 million. A 2013 3-D re-release for its 20th anniversary added another $45 million to bring the overall haul to $402 million. And that is second only to Jurassic World from 2015 ($652 million).
The Lost World topped out at $229 million with Jurassic Park III at $181 million. When we adjust for inflation, Park tops World by a margin of $839 million to $724 million.
Looking back at 1993, it’s safe to say no director had a single better year in film history than Spielberg before or since. Not only did Jurassic Park set a new standard for visual effects and break every box office record, but he released another picture at the end of the year. That would be Schindler’s List. The Holocaust drama was nominated for twelve Oscars and won seven, including Best Picture and Spielberg’s first statue for directing (he’d win again five years later for Saving Private Ryan).
So as we await the fifth installment of this franchise, it felt worthy to take a moment and acknowledge the seismic happening that occurred 25 years ago today. The unleashing of the dinosaurs. The advent of visual effects in a way we’d never experienced. A year unparalleled for a filmmaker. Welcome to Jurassic Park… 25 years later.
A quarter century after Steven Spielberg’s JurassicPark thrilled audiences with its eye-popping visuals, the fifth entry in the franchise arrives domestically two weeks from Friday. However, JurassicWorld: FallenKingdom is out tomorrow in the United Kingdom, so critical reaction is present. The verdict? Mixed. Kingdom currently sits at 65% on Rotten Tomatoes (predecessor JurassicWorld ended up with 71%).
No Oscar prognosticator looked at this as Best Picture material. This series is all about the potential for technical recognition. The 1993 original was nominated for and won three gold statues: Sound Editing, Sound Mixing, and Visual Effects. For those around at the time, Park was an undeniable marvel with said visuals and the sounds of the dinosaurs wreaking havoc. The 1997 sequel managed one nod for Visual Effects and lost to a little something called Titanic.
2001’s JurassicParkIII, no surprise, was ignored by the Academy. On the other hand, it may surprise you to learn that 2015’s World also came up empty with voters. The pic did set box office records at the time, but couldn’t even manage Visual Effects or Sound recognition.
The answer as to why could be simple. In this particular franchise, there’s really little room for improvement when it comes to its technical capabilities. JurassicPark set a high bar in Isla Nublar for the CG dinos and their sounds. The Academy has moved onto other impressive tech work for other pictures.
Bottom line: If JurassicWorld couldn’t manage down the line nods, don’t expect any for Kingdom.
Put on your nostalgia goggles (or maybe the sunglasses that make you forget stuff if Will Smith and Tommy Lee Jones flash a light at you) because I’m recounting the summer of 1997 on the blog today!
This has become a seasonal tradition around here and I gave you the top 10 summer hits of 1987 and more earlier this week. If you missed that post, you can find it here:
This time around, we’re going back 20 years when Nicolas Cage accounted for 25% of the top 8 moneymakers and Batman crashed and burned.
We’ll begin with the top ten and then get to some other notable pics and flops:
10. Hercules
Domestic Gross: $99 million
Disney’s ‘toon couldn’t reach the century mark and that was considered a disappointment after early and mid 90s smashes like Beauty and the Beast, Aladdin, and The Lion King.
9. Contact
Domestic Gross: $100 million
Robert Zemeckis’s follow-up to Forrest Gump (which ruled summer 1994) was a well-regarded science fiction drama with Jodie Foster and an emerging Matthew McConaughey.
8. Con Air
Domestic Gross: $101 million
This action thriller from the Bruckheimer factory is our first to feature Mr. Nicolas Cage (who was coming off a recent Oscar win), along with an all-star cast including John Cusack, John Malkovich, Steve Buscemi, and Ving Rhames.
7. George of the Jungle
Domestic Gross: $105 million
Disney probably didn’t anticipate this remake of the cartoon starring Brendan Fraser would manage to out perform Hercules, but that it did.
6. Batman and Robin
Domestic Gross: $107 million
This may have placed sixth for the summer, but Batman and Robin came in well below its three predecessors and director Joel Schumacher and new Caped Crusader George Clooney have been apologizing about it for the last 20 years. We’re still trying to block out those Arnold/Mr. Freeze bad puns.
5. Face/Off
Domestic Gross: $112 million
Mr. Cage teamed up for Mr. John Travolta for John Woo’s entertainingly over-the-top sci-fi and action mash-up.
4. My Best Friend’s Wedding
Domestic Gross: $127 million
Julia Roberts made a return to box office dominance in this rom com which featured stolen scenes from costar Rupert Everett.
3. Air Force One
Domestic Gross: $172 million
“Get off my plane!” became one of the season’s catchphrases with Harrison Ford as the butt kicking POTUS battling Russian terrorist Gary Oldman in the skies.
2. The Lost World: Jurassic Park
Domestic Gross: $229 million
Steven Spielberg’s eagerly anticipated follow-up to 1993’s Jurassic Park kicked off with the biggest opening weekend of all time (at that time). However, in the end, it couldn’t manage to top the gross of its predecessor. If you’d polled probably any box office analyst at the beginning of the year, they likely would have said it’d be #1 for the summer. Yet that honor ended up belonging to…
1. Men in Black
Domestic Gross: $250 million
A franchise was born and Will Smith made it two summers in a row with the top grossing picture (the previous year being Independence Day) with Barry Sonnenfeld’s megahit sci-fi action comedy.
And now for some other notable pics:
The Fifth Element
Domestic Gross: $63 million
Audiences and critics didn’t quite know what to make of Luc Besson’s visual feast featuring Bruce Willis, Gary Oldman, and Chris Tucker. Sound familiar? Same thing is happening 20 years later with Besson’s Valerian and the City of a Thousand Planets.
Austin Powers: International Man of Mystery
Domestic Gross: $53 million
The Mike Myers 007 spoof performed well, but it wasn’t until home video that Powers turned into a genuine phenomenon spawning countless catchphrases. Its sequel two summers later would earn more in its opening weekend that part 1 did in its domestic total.
The Full Monty
Domestic Gross: $45 million
This British import about unconventional male strippers was the summer’s true sleeper and went on to earn a host of Oscar nominations, including Best Picture. Monty would earn over $250 million worldwide compared to its tiny $3.5 million budget.
After appearing in a string of high-octane action flicks, Sylvester Stallone changed it up with this crime drama featuring an impressive supporting cast that included Robert De Niro, Ray Liotta, and Harvey Keitel.
And now for some of the season’s large belly flops:
Speed 2: Cruise Control
Domestic Gross: $48 million
Keanu Reeves didn’t want to touch it, but Sandra Bullock came back for this ridiculed sequel where Jason Patric was the new lead. Considered by many to be one of the worst follow-ups of all time.
Out to Sea
Domestic Gross: $29 million
Jack Lemmon and Walter Matthau created comedic gold with The Fortune Cookie and The Odd Couple and reunited years later to box office fortune with the Grumpy Old Men movies. This one? Not so much.
Father’s Day
Domestic Gross: $28 million
Ivan Reitman directing Robin Williams and Billy Crystal in a high-profile comedy? Sounds like a good recipe, but the product was mediocre at best and audiences didn’t turn out.
Excess Baggage
Domestic Gross: $14 million
Two summers earlier, Alicia Silverstone had broken out with Clueless. The summer of 1997 was a breakdown. In addition to appearing as Batgirl in the already discussed Batman and Robin, this action comedy with Benicio del Toro bombed big time.
Steel
Domestic Gross: $1.7 million
People may have wanted to watch Shaquille O’Neal on the basketball court, but they had zero interest in watching him as the title superhero in this disaster.
And that does it for now, folks, but I’ll be back soon recounting 2007!
All My Life... I Wanted To Be A Blogster 