2022 Oscar Predictions: The State of the Best Director Race

Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:

As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.

I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.

The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.

However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.

I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.

As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.

If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.

Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.

This race can and will evolve over the next couple of months. Here’s the state of the race right now:

Best Director

Predicted Nominees:

1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Daniels, Everything Everywhere All at Once (PR: 3) (E)

4. Sarah Polley, Women Talking (PR: 4) (E)

5. Todd Field, Tár (PR: 5) (E)

Other Possibilities:

6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)

7. Park Chan-wook, Decision to Leave (PR: 6) (-1)

8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)

9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)

10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)

Best Picture is up next, folks! Stay tuned…

2022 Oscar Predictions: The State of the Supporting Actor Race

With two months to go for 2022 releases to make their mark with awards voters, it’s a opportune time to assess the six major Oscar races. That would be Picture, Director, and the four acting derbies.

It begins with Supporting Actor. Over the past couple of years, this has been the category that’s confounded me the most during this juncture in the calendar.

That was a different story three years ago. In late October of 2019, I correctly identified 4 out of the eventual 5 nominees. This included winner Brad Pitt for Once Upon a Time in Hollywood as well as Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other nominee – Joe Pesci for The Irishman – was in my #6 spot.

For the unpredictable year that was 2020 (due to constantly shifting release dates because of COVID), I only named 2 of the 5 hopefuls two months out – Sacha Baron Cohen for The Trial of the Chicago 7 and Leslie Odom Jr. for One Night in Miami. I still had eventual victor Daniel Kaluuya (Judas and the Black Messiah) projected for lead actor until the studio announced him for supporting.

In 2021, I made a point to say that the Supporting Actor derby was wide open in late October. And that was evidenced in my only identifying 1 of the eventual Supporting Actor quintet in the Halloween time frame – Ciaran Hinds in Belfast. I had Troy Kotsur (CODA), who would take the gold statue, in 10th place. Bradley Cooper (Licorice Pizza) was in first place and he missed out. Kodi Smit-McPhee (The Power of the Dog), who made the cut, was in 8th place. His costar Jesse Plemons and J.K. Simmons (Being the Ricardos) weren’t listed at all.

Which brings us to 2022 and at this spooky time of year, I would say this competition is up in the air with no obvious frontrunner. 12 months ago, however, I couldn’t have imagined I’d kick off the speculation with this sentence…

The Supporting Actor discussion starts with Ke Huy Quan.

The 51-year-old actor belongs in the mid 80s cinematic Hall of Fame with his turns as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His return to acting in Everything Everywhere All at Once has been met with raves. It’s also undeniable that his win would be a heckuva Academy narrative nearly 40 years after his iconic child performances. I’ve had him listed in first place for weeks and that remains.

In four of the last five years, we’ve witnessed double nominees in Supporting Actor. Last year it was the aforementioned Smit-McPhee and Plemons for The Power of the Dog. In 2020, we had the winner Daniel Kaluuya in Judas and the Black Messiah and his costar Lakeith Stanfield. 2019’s Irishman double duo was Pacino and Pesci. Five years ago, it was Sam Rockwell (who won) and Woody Harrelson for Three Billboards Outside Ebbing, Missouri.

Martin McDonagh directed Billboards and his follow-up is The Banshees of Inisherin. Brendan Gleeson has sat in the #2 position for several prediction posts in a row. He’s a threat to take the prize. I believe his costar Barry Keoghan may also get in.

Banshees is not the only viable option for double nominees. Ke Huy Quan’s Doom maker Steven Spielberg has The Fabelmans. Before it screened at the Toronto Film Festival, we wondered whether Paul Dano or Seth Rogen (or both) would be the likely nominee(s). Post screening, scene (just one scene) stealer Judd Hirsch bubbled up while Rogen’s viability dwindled. Dano’s work is understated and certainly not as flashy as Hirsch’s brief turn. That leads me to put Hirsch in with Dano on the outside looking in. I’ll admit it’s a coin flip.

Damien Chazelle’s Babylon screens for critics in two weeks. There’s a trio of possibilities with Brad Pitt, Jovan Adepo, and Tobey Maguire. I’ve had Pitt in my 5 previously. It’s fair to speculate whether his recent tabloid headlines could hinder him. We’ll know more once reviews roll in.

Ben Whishaw in Women Talking is a trendy selection and for good reason. I’m not completely sold as voters could opt to focus only on his female cast members Claire Foy and Jessie Buckley (and maybe others) in Supporting Actress. Yet it feels wrong to keep him out right now.

You have to go back to 2013 to find the last time the five contenders all came from Best Picture nominees. I’m not wild about the fact that my projections currently do. There’s a few names that could get in from movies I’m not putting in BP list. We have Eddie Redmayne in The Good Nurse, Brian Tyree Henry for Causeway, Jeremy Strong or Anthony Hopkins in Armageddon Time, Mark Rylance in Bones and All, Micheal Ward in Empire of Light, Don Cheadle in White Noise, and Tom Hanks in Elvis. Of that group, I’m starting to flirt with the idea of Rylance being the guy. He scored an upset win here with Bridge of Spies in 2015 over Sylvester Stallone in Creed and Bones has its ardent admirers. I wouldn’t discount the Redmayne pick as he’s a Best Actor winner in 2014 for The Theory of Everything who was nominated again the following year with The Danish Girl. If Elvis manages a BP nod (not out of the question), this would increase the inclusion of Hanks. I do have Triangle of Sadness in my BP ten and that could mean a third nomination for Woody Harrelson.

Bottom line: I feel pretty confident about Ke Huy Quan and Brendan Gleeson. Everything everywhere else is up in the air.

With that said, here’s my state of the race:

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (Previous Ranking: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Ben Whishaw, Women Talking (PR: 4) (+1)

4. Judd Hirsch, The Fabelmans (PR: 6) (+2)

5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Paul Dano, The Fabelmans (PR: 3) (-3)

7. Brad Pitt, Babylon (PR: 7) (E)

8. Mark Rylance, Bones and All (PR: Not Ranked)

9. Woody Harrelson, Triangle of Sadness (PR: 8) (-1)

10. Eddie Redmayne, The Good Nurse (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, Causeway

Tom Hanks, Elvis

My deep dive with the Supporting Actress field is next!

2022 Oscar Predictions: October 16th Edition

On the bright side for Netflix, I have Guillermo del Toro’s Pinocchio at #1 in Animated Feature where it’s been perched all along. That would mean the streamer could nab its first victory ever in that race.

Now the bad news as my current Best Picture nominees leaves Netflix on the cutting room floor. In 2018, Roma was the first hopeful in the big dance. It was expected to win, but lost to Green Book. 2019 brought double nominees with The Irishman and Marriage Story. Same in 2020 with Mank and The Trial of the Chicago 7. And there were two contenders again last year in Don’t Look Up and The Power of the Dog (a frontrunner until CODA fever emerged).

I had All Quiet on the Western Front in the mix 11 days ago. Yet I’ve had a nagging feeling that another blockbuster not named Top Gun: Maverick will get in. So for the first time, Elvis is in the top ten. That moneymaker spot could also be filled with Glass Onion: A Knives Out Mystery (from Netflix), Avatar: The Way of Water, or Black Panther: Wakanda Forever. Think could also be called the “Second Sequel” slot, I suppose.

Don’t be surprised if Netflix eventually gets back in. Quiet, the aforementioned Onion, Bardo, and Pinocchio are all viable (maybe even White Noise). For now, my BP hopefuls would mean a disappointing nomination morning for the streamer.

She Said received mostly positive notices when it was unveiled Thursday at the New York Film Festival. It could absolutely be a BP contender, but I’m got it just on the outside and feel more comfortable forecasting it as a lone screenplay nominee (I don’t love the current 76% RT meter for it). You’ll note I don’t have any of the cast in my top tens. Perhaps the eventual announcement of category placements could change that.

In other developments:

    • I’ve decided to move Babylon‘s Margot Robbie back in Best Actress instead of supporting (can we please get that placement announcement??). It means she’s back in and Olivia Colman (Empire of Light) is out.
    • Bill Nighy’s work in Living returns to Actor five with Diego Calva (Babylon) sliding into sixth position.
    • With Robbie returning to lead, Dolly De Leon (Triangle of Sadness) is elevated to fifth in Supporting Actress.
    • My Supporting Actor dual nominee projections of Brendan Gleeson and Barry Keoghan for The Banshees of Inisherin shifts to Paul Dano and Judd Hirsch for The Fabelmans. That means Hirsch rises while Keoghan falls.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Rank: 1) (E)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 4) (+1)

4. Women Talking (PR: 3) (-1)

5. The Banshees of Inisherin (PR: 5) (E)

6. Tar (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Elvis (PR: 13) (+4)

10. Triangle of Sadness (PR: 9) (-1)

Other Possibilities: 

11. All Quiet on the Western Front (PR: 10) (-1)

12. She Said (PR: Not Ranked)

13. Avatar: The Way of Water (PR: 12) (-1)

14. Decision to Leave (PR: 11) (-3)

15. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

Dropped Out:

Till

The Woman King 

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 1) (E)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Sarah Polley, Women Talking (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Todd Field, Tar (PR: 5) (E)

Other Possibilities:

6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)

7. Edward Berger, All Quiet on the Western Front (PR: 6) (-1)

8. Park Chan-wook, Decision to Leave (PR: 7) (-1)

9. James Cameron, Avatar: The Way of Water (PR: 9) (E)

10. Ruben Ostlund, Triangle of Sadness (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tar (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (+1)

3. Danielle Deadwyler, Till (PR: 2) (-1)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: Not Ranked) – moved from Supporting

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 5) (-1)

7. Viola Davis, The Woman King (PR: 6) (-1)

8. Ana de Armas, Blonde (PR: 8) (E)

9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)

10. Jennifer Lawrence, Causeway (PR: 9) (-1)

Dropped Out:

Carey Mulligan, She Said

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale (PR: 1) (E)

2. Austin Butler, Elvis (PR: 2) (E)

3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)

4. Hugh Jackman, The Son (PR: 4) (E)

5. Bill Nighy, Living (PR: 6) (+1)

Other Possibilities:

6. Diego Calva, Babylon (PR: 5) (-1)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Song Kang-ho, Broker (PR: 9) (+1)

9. Adam Driver, White Noise (PR: 8) (-1)

10. Jeremy Pope, The Inspection (PR: Not Ranked)

Dropped Out:

Will Smith, Emancipation 

Best Supporting Actress

Predicted Nominees:

1. Claire Foy, Women Talking (PR: 1) (E)

2. Jessie Buckley, Women Talking (PR: 2) (E)

3. Kerry Condon, The Banshees of Inisherin (PR: 4) (+1)

4. Hong Chau, The Whale (PR: 5) (+1)

5. Dolly De Leon, Triangle of Sadness (PR: 7) (+2)

Other Possibilities: 

6. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (E)

7. Nina Hoss, Tar (PR: 8) (+1)

8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 9) (+1)

9. Thuso Mbedu, The Woman King (PR: 10) (+1)

10. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)

Dropped Out:

Margot Robbie, Babylon (moved to Best Actress)

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Paul Dano, The Fabelmans (PR: 3) (E)

4. Ben Whishaw, Women Talking (PR: 4) (E)

5. Judd Hirsch, The Fabelmans (PR: 7) (+2)

Other Possibilities: 

6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)

7. Brad Pitt, Babylon (PR: 6) (-1)

8. Woody Harrelson, Triangle of Sadness (PR: 9) (+1)

9. Tom Hanks, Elvis (PR: Not Ranked)

10. Brian Tyree Henry, Causeway (PR: Not Ranked)

Dropped Out:

Jeremy Strong, Armageddon Time

Micheal Ward, Empire of Light 

Best Original Screenplay

Predicted Nominees:

1. The Fabelmans (PR: 2) (+1)

2. Everything Everywhere All at Once (PR: 1) (-1)

3. The Banshees of Inisherin (PR: 3) (E)

4. Triangle of Sadness (PR: 4) (E)

5. Tar (PR: 5) (E)

Other Possibilities:

6. Babylon (PR: 6) (E)

7. Decision to Leave (PR: 7) (E)

8. Armageddon Time (PR: 8) (E)

9. Empire of Light (PR: 9) (E)

10. The Menu (PR: Not Ranked)

Dropped Out:

Broker 

Best Adapted Screenplay

Predicted Nominees:

1. Women Talking (PR: 1) (E)

2. The Whale (PR: 2) (E)

3. She Said (PR: 5) (+2)

4. Glass Onion: A Knives Out Mystery (PR: 3) (-1)

5. White Noise (PR: 4) (-1)

Other Possibilities:

6. Living (PR: 6) (E)

7. Till (PR: 10) (+3)

8. Bones and All (PR: 7) (-1)

9. Top Gun: Maverick (PR: 8) (-1)

10. The Son (PR: Not Ranked)

Dropped Out:

All Quiet on the Western Front 

Best Animated Feature

Predicted Nominees:

1. Guillermo del Toro’s Pinocchio (PR: 1) (E)

2. Turning Red (PR: 2) (E)

3. Strange World (PR: 3) (E)

4. Wendell and Wild (PR: 5) (+1)

5. Marcel the Shell with Shoes On (PR: 4) (-1)

Other Possibilities: 

6. The Bad Guys (PR: 8) (+2)

7. The Sea Beast (PR: 6) (-1)

8. My Father’s Dragon (PR: 7) (-1)

9. Minions: The Rise of Gru (PR: 9) (E)

10. Lightyear (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. All Quiet on the Western Front (PR: 1) (E)

2. Decision to Leave (PR: 2) (E)

3. Close (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. Saint Omer (PR: 4) (-1)

Other Possibilities:

6. Klondike (PR: 8) (+2)

7. Holy Spider (PR: 6) (-1)

8. Alcarras (PR: 9) (+1)

9. Argentina, 1985 (PR: 7) (-2)

10. Corsage (PR: 10) (E)

Best Documentary Feature

Predicted Nominees:

1. All the Beauty and the Bloodshed (PR: 2) (+1)

2. Descendant (PR: 1) (-1)

3. Navalny (PR: 3) (E)

4. All That Breathes (PR: 4) (E)

5. Fire of Love (PR: 6) (+1)

Other Possibilities:

6. The Territory (PR: 5) (-1)

7. Good Night Oppy (PR: 7) (E)

8. Moonage Daydream (PR: 9) (+1)

9. Last Flight Home (PR: 8) (-1)

10. Aftershock (PR: Not Ranked)

Dropped Out:

Sr. 

Best Cinematography

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Empire of Light (PR: 2) (E)

3. The Fabelmans (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. All Quiet on the Western Front (PR: 4) (-1)

Other Possibilities: 

6. Avatar: The Way of Water (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Banshees of Inisherin (PR: 8) (E)

9. Everything Everywhere All at Once (PR: 9) (E)

10. Emancipation (PR: Not Ranked)

Dropped Out:

The Batman

Best Costume Design 

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 2) (E)

3. Black Panther: Wakanda Forever (PR: 3) (E)

4. Mrs. Harris Goes to Paris (PR: 5) (+1)

5. Corsage (PR: 7) (+2)

Other Possibilities:

6. The Woman King (PR: 5) (-1)

7. The Fabelmans (PR: 6) (-1)

8. Living (PR: 9) (+1)

9. Everything Everywhere All at Once (PR: 8) (-1)

10. Blonde (PR: Not Ranked)

Dropped Out:

Amsterdam

Best Film Editing 

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. The Fabelmans (PR: 4) (+1)

4. Babylon (PR: 3) (-1)

5. Women Talking (PR: 8) (+3)

Other Possibilities: 

6. Elvis (PR: 6) (E)

7. Tar (PR: 9) (+2)

8. All Quiet on the Western Front (PR: 5) (-3)

9. Avatar: The Way of Water (PR: 7) (-2)

10. Bardo (PR: Not Ranked)

Dropped Out:

Decision to Leave

Best Makeup and Hairstyling

Predicted Nominees:

1. The Whale (PR: 1) (E)

2. Elvis (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. The Batman (PR: 5) (+1)

5. Everything Everywhere All at Once (PR: 4) (-1)

Other Possibilities:

6. Black Panther: Wakanda Forever (PR: 6) (E)

7. The Woman King (PR: 10) (+3)

8. (PR: 8) (E)

9. Blonde (PR: Not Ranked)

10. Three Thousand Years of Longing (PR: Not Ranked)

Dropped Out:

Amsterdam

Corsage

Best Original Score

Predicted Nominees:

1. The Fabelmans (PR: 1) (E)

2. Babylon (PR: 2) (E)

3. Empire of Light (PR: 3) (E)

4. Tar (PR: 6) (+2)

5. The Banshees of Inisherin (PR: 5) (E)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: Not Ranked)

7. Women Talking (PR: 4) (-3)

8. Bardo (PR: 10) (+2)

9. All Quiet on the Western Front (PR: 7) (-2)

10. Avatar: The Way of Water (PR: 8) (-2)

Dropped Out:

Top Gun: Maverick 

Best Original Song

Predicted Nominees:

1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)

2. “Nobody Like U” from Turning Red (PR: 2) (E)

3. “Naatu Naatu” from RRR (PR: 4) (+1)

4. “Applause” from Tell It Like a Woman (PR: 3) (-1)

5. “Stand Up” from Till (PR: Not Ranked)

Other Possibilities:

6. “Carolina” from Where the Crawdads Sing (PR: 5) (-1)

7. “This is a Life” from Everything Everywhere All at Once (PR: 8) (+1)

8. “New Body Rhumba” from White Noise (PR: 7) (-1)

9. “On My Way” from Marry Me (PR: 6) (-3)

10. “Love Is Not Love” from Bros (PR: Not Ranked)

Dropped Out:

“I Ain’t Worried” from Top Gun: Maverick

“Heartbeat” from Lyle, Lyle, Crocodile 

Best Production Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 4) (+2)

3. Avatar: The Way of Water (PR: 2) (-1)

4. Black Panther: Wakanda Forever (PR: 3) (-1)

5. Bardo (PR: 7) (+2)

Other Possibilities:

6. The Fabelmans (PR: 5) (-1)

7. Everything Everything All at Once (PR: 8) (+1)

8. Empire of Light (PR: 6) (-2)

9. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

10. The Batman (PR: 10) (E)

Dropped Out:

All Quiet on the Western Front

Best Sound

Predicted Nominees:

1. Top Gun: Maverick (PR: 1) (E)

2. Avatar: The Way of Water (PR: 2) (E)

3. Elvis (PR: 3) (E)

4. Babylon (PR: 4) (E)

5. All Quiet on the Western Front (PR: 5) (E)

Other Possibilities:

6. The Batman (PR: 6) (E)

7. Black Panther: Wakanda Forever (PR: 7) (E)

8. Nope (PR: 9) (+1)

9. The Fabelmans (PR: Not Ranked)

10. Bardo (PR: Not Ranked)

Dropped Out:

Everything Everywhere All at Once

Thirteen Lives

Best Visual Effects

Predicted Nominees:

1. Avatar: The Way of Water (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. Everything Everywhere All at Once (PR: 3) (E)

4. Doctor Strange in the Multiverse of Madness (PR: 5) (+1)

5. The Batman (PR: 6) (+1)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: 4) (-2)

7. Black Panther: Wakanda Forever (PR: 8) (+1)

8. RRR (PR: 7) (-1)

9. Good Night Oppy (PR: 9) (E)

10. All Quiet on the Western Front (PR: Not Ranked)

Dropped Out:

Nope 

That equates to these movies getting these numbers of nominations:

10 Nominations

Babylon

9 Nominations

The Fabelmans

8 Nominations

Everything Everywhere All at Once

7 Nominations

Women Talking

6 Nominations

The Banshees of Inisherin, Elvis

5 Nominations

Tar, Top Gun: Maverick, The Whale

3 Nominations

All Quiet on the Western Front, Avatar: The Way of Water, Bardo, Triangle of Sadness 

2 Nominations

The Batman, Black Panther: Wakanda Forever, Empire of Light, Till, Turning Red

1 Nomination

All That Breathes, All the Beauty and the Bloodshed, Close, Corsage, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Wendell and Wild, White Noise

Oscars 2021: The Case of Jesse Plemons

My Case Of posts arrive at the third Supporting Actor contender and it’s Jesse Plemons in The Power of the Dog. The first two write-ups can be found here:

Oscars 2021: The Case of Ciaran Hinds

Oscars 2021: The Case of Troy Kotsur

The Case for Jesse Plemons:

Having appeared in acclaimed TV and cinematic works including Breaking Bad and Fargo on the small screen and The Master, The Irishman, and Judas and the Black Messiah on the big one, Plemons scores his first Academy nod. Dog led all nominees with 13 and that includes Kirsten Dunst (the actor’s real life love interest).

The Case Against Jesse Plemons:

It also includes his costar Kodi Smit-McPhee, who’s nominated in the same category and won the Golden Globe. Despite a BAFTA mention, Plemons didn’t make the SAG, Globe, or Critics Choice shortlists. Smit-McPhee and Troy Kotsur (CODA) are looked at as the potential victors. Woody Harrelson in 2017 lost to his costar Sam Rockwell in Three Billboards Outside Ebbing, Missouri as did Lakeith Stranfield last year to Daniel Kaluuya for the aforementioned Judas. Plemons could play that role this time around.

Previous Nominations: 

None

The Verdict:

Plemons might be back again next year with Martin Scorsese’s Killers of the Flower Moon. Don’t look for an Oscar delivery here.

My Case Of posts will continue with Ryusuke Hamaguchi’s direction of Drive My Car

Oscars 2021: The Case of Jane Campion

The third entry in my Case Of posts for the Best Director nominees belongs to Jane Campion for The Power of the Dog. If you missed the first two, you can find them here:

Oscars 2021: The Case of Paul Thomas Anderson

Oscars 2021: The Case of Kenneth Branagh

The Case for Jane Campion:

After a 12 year absence from filmmaking, New Zealand’s Campion made an acclaimed return with the Netflix drama. It led all movies in terms of nods with an even better than anticipated 13. Already the winner of the Golden Globe, Campion has been the frontrunner ever since Dog‘s release. She would become just the third female to take this race after Kathryn Bigelow with 2009’s The Hurt Locker and Chloe Zhao for last year’s Nomadland. 

The Case Against Jane Campion:

If Dog is simply all nominations and very few wins (similar to The Irishman from two years ago), we could see plenty of upsets and that would include Campion losing here.

Previous Nominations: 1 (for directing only)

The Piano (1993)

The Verdict:

In 1993, Campion was probably runner-up in this category to Steven Spielberg for Schindler’s List. Even though Spielberg is up against her again with West Side Story, Campion comes into this ceremony as the sturdy favorite. Even if Power doesn’t take Best Picture, I’d still likely be forecasting Campion in this competition and in Adapted Screenplay. That would add Oscars two and three to her mantle after an Original Screenplay victory for The Piano. 

My Case Of posts will continue with the third Best Actress hopeful – Penelope Cruz in Parallel Mothers

2021 Oscar Predictions: The State of the Best Picture Race

I’m closing out my deep dives of the major Oscar races with the granddaddy of them all – Best Picture. If you missed my posts covering Best Director and the four acting categories, you can find them here:

2021 Oscar Predictions: The State of the Best Director Race

2021 Oscar Predictions: The State of the Best Actress Race

2021 Oscar Predictions: The State of the Best Actor Race

2021 Oscar Predictions: The State of the Supporting Actress Race

2021 Oscar Predictions: The State of the Supporting Actor Race

Unlike the previous several years where the Picture nominees could fluctuate between 5-10 (though 8 and 9 were the magic numbers), 2021 brings fluidity with a set 10 films being honored (I’d like to thank the Academy for that).

As I’ve done with the others, let’s take a look back at how I was performing in the early November time frame from 2019 and 2020. Two years ago, I had 8 of the eventual 9 movies pegged: winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The other – Joker – was mentioned in Other Possibilities.

2020 was trickier at this stage, but I identified 5 of the 8 hopefuls: winner Nomadland along with The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named as a possibility while I didn’t have Promising Young Woman or Sound of Metal yet in the 15 selections.

For 2021 – I feel confident that four already screened entries will make the dance. We begin with Kenneth Branagh’s Belfast, the 1960s set coming-of-age drama that could be looked at as the soft frontrunner. It’s been listed at #1 in my estimates for several weeks.

Belfast displaced The Power of the Dog from Jane Campion in that spot, but I still see the Netflix title having no trouble securing its placement among the contenders.

King Richard should find its way as the inspirational sports flick that will have audiences on its side. Furthermore, Will Smith appears in position to possibly win Best Actor. You have to go back to Jeff Bridges (Crazy Heart) twelve years ago where the Oscar winning actor didn’t see his movie recognized in Picture.

Then there’s Dune. The sci-fi epic from Denis Villeneuve got the box office and critical kudos it needed to storm the competition. The filmmaker could make a victory play for his direction while the picture itself seems destined for a nod here and tech wins elsewhere.

In past years, the bulk of nominees in Picture were screened at festivals. In 2021, that dynamic could shift as there’s a slew of unscreened material that seems like Oscar bait. That list includes Guillermo del Toro’s Nightmare Alley, Paul Thomas Anderson’s Licorice Pizza, Steven Spielberg’s West Side Story, Ridley Scott’s House of Gucci, Lin-Manuel Miranda’s Tick, Tick… Boom!, and Adam McKay’s Don’t Look Up. 

The first four of the six are ones I’ve had in my ten for a bit and I’m not changing it today. That said, this could be altered quickly once their official reviews are up (and that will be soon). Some prognosticators are more confident with Don’t Look Up. I’ll believe it when I see it.

With the pics that have been seen, Pablo Larrain’s Spencer is sure looking like it will garner Kristen Stewart her first ever nod with a solid chance at a victory. I do believe the Princess Diana tale will manage to make the cut, but it could go either way.

This also holds true for Joel Coen’s The Tragedy of Macbeth, which should also manage some tech recognition and for its lead Denzel Washington and maybe Frances McDormand.

I will admit that it seems strange to leave off any titles that screened early at Sundance. After all, last year there were 3 pics from the fest (The Father, Minari, Promising Young Woman) that got in. There’s a trio that could do the same in 2021 and they’re all listed in Other Possibilities: CODA, Flee, and Mass. Of that group, Flee (which I do have predicted in Animated Feature, Documentary Feature, and International Feature Film) may have the strongest chance.

Foreign flicks could factor in and they include A Hero, The Hand of God, Parallel Mothers, and The Worst Person in the World. I wouldn’t completely discount Netflix hopefuls such as The Lost Daughter and Passing. 

Then there’s high profile fare where the luster has been lost either to mixed reviews or poor box office. That list includes Wes Anderson’s The French Dispatch, Ridley Scott’s The Last Duel, and certainly Chloe Zhao’s Eternals. 

The bottom line is this – in 2021, with two months left to go in the calendar, there’s a lot yet to be determined. Here’s my take for now:

Best Picture

Predicted Nominees:

1. Belfast (Previous Ranking: 1)

2. The Power of the Dog (PR: 2)

3. King Richard (PR: 3)

4. Dune (PR: 4)

5. Licorice Pizza (PR: 6)

6. Nightmare Alley (PR: 5)

7. West Side Story (PR: 7)

8. House of Gucci (PR: 8)

9. Spencer (PR: 9)

10. The Tragedy of Macbeth (PR: 10)

Other Possibilities:

11. Flee (PR: 13)

12. Don’t Look Up (PR: 11)

13. Mass (PR: 12)

14. Tick, Tick… Boom! (PR: 15)

15. CODA (PR: 14)

And that wraps the detailed looks, folks! Next weekend I’ll be back with updated estimates…

2021 Oscar Predictions: The State of the Best Director Race

After four posts focusing on the acting races at the 2021 Oscars, it’s time to turn to Best Director. If you missed those entries on the lead and supporting performer derbies, you can find them here:

2021 Oscar Predictions: The State of the Best Actress Race

2021 Oscar Predictions: The State of the Best Actor Race

2021 Oscar Predictions: The State of the Supporting Actress Race

2021 Oscar Predictions: The State of the Supporting Actor Race

With the directing category, I do believe there’s three filmmakers that have likely punched their ticket to a nomination. Before we get there, let’s take a look at how my projections panned out at the same early November time frame in 2019 and 2020.

Two years back, I correctly identified four of the five contenders: winner Bong Joon-ho (Parasite) as well as Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was mentioned in Other Possibilities. 2020 was more unpredictable with two months left to go and that resulted in only two directors being accurately named: Chloe Zhao (Nomadland), who took the gold, and David Fincher (Mank). Lee Isaac Chung (Minari) was in Other Possibilities while neither Emerald Fennell (Promising Young Woman) or surprise nominee Thomas Vinterberg (Another Round) were yet listed in my top ten.

Back to 2021 and the three individuals who I believe stand probable shots at making the cut. They are Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Denis Villeneuve (Dune).

It was 28 years ago that Campion was nominated for The Piano. If it hadn’t been for Oscar juggernaut Schindler’s List, she likely would’ve been making a speech. Upon its premiere in Venice, Campion took the Silver Lion (equivalent to this competition) for Dog. I don’t see her being left off the ballot.

Belfast is the current frontrunner for Best Picture and it’s hard to envision  writer/director Branagh not making it in. If so, it would be his first nod in directing since Henry V some 32 years back.

Dune is being heralded for its technical wizardry and it should pick up numerous down the line wins and nominations. Five years after his behind the camera work was recognized for Arrival, Villeneuve should be a factor again.

Interestingly, I don’t feel there’s a clear favorite to win. There are plausible scenarios for any member of this trio to emerge victorious. Campion, Branagh, and Villeneuve constitute my top 3 (in that order), but it’s more of a 1a, 1b, and 1c at press time.

As for the other two slots, there’s a few contenders stemming from unseen product. There’s big names in that bunch: Guillermo del Toro (Nightmare Alley, who won four years ago for The Shape of Water), Paul Thomas Anderson (Licorice Pizza, a two-time nominee for There Will Be Blood and Phantom Thread), Ridley Scott (for House of Gucci and not The Last Duel), Adam McKay (Don’t Look Up, previously nominated for The Big Short), Lin-Manuel Miranda (Tick, Tick… Boom!), and Steven Spielberg (West Side Story,  a two-time winner for Schindler’s List and Saving Private Ryan).

Any of these gentlemen could bubble up to the surface once their pictures are screened. I’m sticking with the two I’ve had in my five recently: del Toro and Anderson.

King Richard has a chance to win Best Picture, but I’m skeptical its maker Reinaldo Marcus Green makes it here. The sports drama seems destined to be recognized more for its performances, but if the Academy really falls for it, Green could be theoretically be swept in. That holds true for Joel Coen (The Tragedy of Macbeth) and Pablo Larrain (Spencer) as well.

Lastly, Thomas Vinterberg’s nod in 2020 for Another Round came out of nowhere. While it was pegged to take International Feature Film (which it did), Round was not nominated in Best Picture. There’s a slew of directors who could fill the “surprise” slot this time around (many from foreign features): Pedro Almodovar (Parallel Mothers), Julia Ducournau (Titane), Asghar Farhari (A Hero), Paolo Sorrentino (The Hand of God), Joachim Trier (The Worst Person in the World). I wouldn’t completely count out Rebecca Hall for Passing. Yet none of these upset selections are in my top ten.

The one that is: Jonas Poher Rasmussen for festival darling Flee. While I don’t have it nabbing a Best Pic nom at the moment, I do foresee the Danish doc contending in Animated Feature, Documentary Feature, and International Feature Film. That kind of attention could cause the voters to include him.

Here’s how those rankings look at the start of November:

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (Previous Ranking: 1)

2. Kenneth Branagh, Belfast (PR: 2)

3. Denis Villeneuve, Dune (PR: 3)

4. Guillermo del Toro, Nightmare Alley (PR: 4)

5. Paul Thomas Anderson, Licorice Pizza (PR: 5)

Other Possibilities:

6. Pablo Larrain, Spencer (PR: 6)

7. Steven Spielberg, West Side Story (PR: 7)

8. Jonas Poher Rasmussen, Flee (PR: Not Ranked)

9. Reinaldo Marcus Green, King Richard (PR: 9)

10. Ridley Scott, House of Gucci (PR: Not Ranked)

Dropped Out:

Joel Coen, The Tragedy of Macbeth

Julia Ducournau, Titane

Best Picture is next!

2021 Oscar Predictions: The State of the Supporting Actor Race

Starting on the blog today, I’m taking a deeper dive into the four acting derbies at the Oscars as well as Picture and Director. It begins with Supporting Actor.

If I could use a couple words to describe this particular race – “very open” immediately comes to mind. With just two months left in the calendar year, I would go as far to say that not I’m not 100% certain on any performer discussed below making the final five. That’s rare.

Before I delve into the many hopefuls, let’s take a look at where my projections were at in 2019 and 2020 during the same time frame. Two years ago, I had already correctly pegged four of the five eventual nominees: winner Brad Pitt (Once Upon a Time Hollywood), Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), and Al Pacino (The Irishman). The other contender was Joe Pesci (also for The Irishman) and I had him listed at #6 in Other Possibilities. In hindsight, Supporting Actor was well on its way to being established with two months remaining in 2019.

Not so much for 2020. Last year was more difficult than perhaps any before it in figuring out who’d make the cut (much of that uncertainty was due to COVID and the constantly shifting release schedule). On November 1, 2020 – my forecasted five contenders yielded just two of the eventual nominees: Sacha Baron Cohen in The Trial of the Chicago 7 and Leslie Odom, Jr. for One Night in Miami. I still had the winner (Daniel Kaluuya in Judas and the Black Messiah) listed for the lead Actor competition. Both Lakeith Stanfield (Judas) and Paul Raci (Sound of Metal) were not yet mentioned in Other Possibilities.

With that context, we arrive in 2021. And I would say this year looks more like the previous one as opposed to 2019. There has been one constant since I began projecting the race back in the summer: Bradley Cooper for Licorice Pizza (known as Soggy Bottom just a couple of months ago). I’ve had him listed at #1 the whole way and it’s a prediction based mostly on gut since no one has seen the picture (that’ll change shortly). Cooper is a four-time acting nominee (Silver Linings Playbook, American Hustle, American Sniper, A Star is Born). He’s yet to take the gold. Pizza looks like it should be a juicy role for him. On the other hand, we do not yet known just how big (or small) his role is. When reviews come out, he could solidify himself as the frontrunner or drop out altogether. There’s also the possibility that one of the other supporting players (Sean Penn or Benny Safdie) could rise. For now, I’m still hangin’ with Mr. Cooper until the word-of-mouth tells me otherwise.

Shifting gears – here’s a fun fact. In three out of the last four years, we’ve seen two actors from the same movie recognized here. In 2017, it was Sam Rockwell (who won) and Woody Harrelson in Three Billboards Outside Ebbing, Missouri. For 2019 – you had Pacino and Pesci in The Irishman. Last year, it was the victorious Kaluuya and Stanfield for Judas.

Could that happen again? Absolutely and the best chance for that right now appears to be Belfast. A strong contender to win Best Picture, we could also see Jamie Dornan and Ciaran Hinds punch their tickets here. I wouldn’t be at all surprised to see it happen. Dornan seems likelier to make it in, but Hinds is getting plenty of laudatory chatter as well.

There are other scenarios to make it four out of five years and some lie with pictures still not screened. Don’t Look Up has Jonah Hill, Rob Morgan, and Mark Rylance. Willem Dafoe and David Strathairn are viable for Nightmare Alley. And then there’s Jared Leto and Al Pacino in House of Gucci. The latest trailer features the latter more than the former. That disrupts the consensus that Leto has a better shot. I’m still going with Leto above Pacino, but when Gucci screens that dynamic may shift.

The double nominee situations don’t end there. Yet they both have actors that I believe have a significantly better chance than the other. For Mass, Jason Isaacs has been in my five while Reed Birney hasn’t made the top ten in some time. After The Power of the Dog was unveiled on the festival circuit, the narrative unexpectedly shifted to Kodi Smit-McPhee having a clearer path than Jesse Plemons. The Tragedy of Macbeth buzz solidified Corey Hawkins over Brendan Gleeson (though I’m skeptical either get in).

Now is a good time to point out that it’s been ten years since a Supporting Actor winner didn’t come from a Best Picture nominee (Christopher Plummer in Beginners). That’s why I find it a stretch that Ben Affleck (The Tender Bar), Idris Elba (The Harder They Fall), or Troy Kotsur (CODA) will be making trips to the podium. They could still get in, but their paths are tougher and they will all need heavy critics awards love to make the dance. There’s been some mentions for Jeffrey Wright in The French Dispatch, but (somewhat surprisingly) no Wes Anderson directed performance has been Academy nominated and I don’t see this being the first.

One actor where an exception could occur is Richard Jenkins in The Humans. I doubt it will land a Pic nod, but Jenkins is drawing raves for his work. Twice nominated before for The Visitor and The Shape of Water, I could see the veteran becoming a threat to win if Cooper falls.

Others worthy of mention include Jon Bernthal in King Richard. The attention could be so focused on Will Smith (who appears to be in the driver’s seat to take Actor) that his supporting cast fails to get in (that logic also applies to Supporting Actress hopeful Aunjanue Ellis). It’s also totally feasible that Richard is so popular with the Academy that it sweeps them all in. Andrew Garfield picked up solid notices for The Eyes of Tammy Faye. He might stand a better shot in lead for the upcoming and yet to be screened Tick, Tick… Boom! Timothy Spall for Spencer is doable, but Kristen Stewart is just as likely to be the sole nominee (and maybe the winner in Actress). The work of David Alvarez (West Side Story) and Javier Bardem (Being the Ricardos) has yet to be seen and is worth keeping an eye on.

So how does that all shake out? Truth be told, the five predicted performers listed below could look quite different a couple months from now. Here’s my best guesstimate for the moment:

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Licorice Pizza (Previous Ranking: 1)

2. Richard Jenkins, The Humans (PR: 3)

3. Jamie Dornan, Belfast (PR: 2)

4. Jared Leto, House of Gucci (PR: 5)

5. Ciaran Hinds, Belfast (PR: 8)

Other Possibilities:

6. Jason Isaacs, Mass (PR: 4)

7. Jon Bernthal, King Richard (PR: 6)

8. Kodi Smit-McPhee, The Power of the Dog (PR: 7)

9. Al Pacino, House of Gucci (PR: Not Ranked)

10. Troy Kotsur, CODA (PR: 10)

Dropped Out:

Ben Affleck, The Tender Bar

I’ll have my analysis on the current state of Supporting Actress up next!

The War with Grandpa Box Office Prediction

My box office predictions have been in a dormancy stage as chains struggle to obtain new product in these COVID times. It picks up again next weekend with the release of The War with Grandpa as uncertainty continues with the financial viability for theatrical releases.

This comedy starring Robert De Niro has had a checkered history even before the virus. Shot in 2017, it was originally scheduled for a 2018 debut. However, its original distributor was The Weinstein Company and the release was shelved due to the high profile legal troubles of its founder. 101 Studios eventually picked it up and here we are.

Tim Hill directs and he’s mostly known for kid friendly and animated fare such as Alvin and the Chipmunks and this year’s The SpongeBob Movie: Sponge on the Run. Costars include Uma Thurman, Christopher Walken, Rob Riggle, Oakes Fegley, Cheech Marin, and Jane Seymour.

When Tenet underperformed stateside in July, it set off a wave of delays. That includes just this week as No Time to Die experienced another push (this time to Easter 2021). Simply put, audiences have yet to develop a comfort level with a return to multiplexes.

Don’t look for Grandpa to change that. The film’s trailer was greeted with some eye rolling as this looks like a return to De Niro comedic mediocrity (just months after a more acclaimed turn in The Irishman). The Coronavirus questions persist: how many venues will this actually play in? This is even more of an issue now that Regal Cinemas has announced the closure of over 500 theaters. Amidst all of this, I believe Grandpa will struggle to hit $2 million for a quiet start.

The War with Grandpa opening weekend prediction: $1.9 million

https://www.youtube.com/watch?v=EohVvIWg-Oc

Early 2020 Oscar Predictions: Best Picture

My earliest Oscar prediction posts for the 2020 season culminates today with the grand prize… Best Picture! And on a more personal note, this particular writeup marks my 3000th entry on this movie blog of mine. Thanks to all the readers over the past few years!

As I have explained in the acting and directing race estimates, this year has been a challenging one for these initial projections. The COVID-19 pandemic has thrown many release dates into uncertainty and that looks to continue for some time. That’s why I’m not yet putting Wes Anderson’s The French Dispatch in the mix, for instance. Additionally, many of the fall festivals that showcase awards hopefuls have been downsized or canceled altogether. That said, the ones that are moving forward will do so in the coming weeks (so expect plenty of Oscar Watch posts in the near future).

Unlike the five other races already discussed, I’m putting 25 contenders in the Picture race (the others had 15). As you may know, the number of nominees in this category can fluctuate between five and ten. The magic number has been 9 for most years, including 2019. On a side note, the Academy has announced that, beginning next year, the number will move to a finite 10. I am currently going with 8 for the volume of 2020 nominees, but that could certainly change as the weeks roll along.

If you missed my aforementioned predictions on the other major competitions, you can find them right here:

Early 2020 Oscar Predictions: Best Director

Early 2020 Oscar Predictions: Best Actress

Early 2020 Oscar Predictions: Best Actor

Early 2020 Oscar Predictions: Best Supporting Actress

Early 2020 Oscar Predictions: Best Supporting Actor

Last year, the initial Best Picture forecast in August yielded six out of the nine eventual nominees. These were the winner Parasite, The Irishman, Little Women, Marriage Story, 1917, and Once Upon a Time in Hollywood. In my other possibilities, I identified the three other nominees: Ford v Ferrari, Jojo Rabbit, and Joker.

Finally, a note on how these Oscar prognostications will move forward. Beginning on Thursday, August 27, I will begin weekly columns where I will rank and forecast the six major categories. In October, that weekly column will expand to all categories covering feature films. That will continue all the way through the announcement of nominations next year.

Let’s get at it!

EARLY OSCAR PREDICTIONS: BEST PICTURE

Ammonite

Da 5 Bloods

Dune

Mank

Ma Rainey’s Black Bottom

Nomadland

Tenet

The Trial of the Chicago 7

Other Possibilities:

C’Mon C’Mon

The Father

First Cow

French Exit

Hillbilly Elegy

I’m Thinking of Ending Things

Judas and the Black Messiah

The Midnight Sky

Minari

Mulan

News of the World

Next Goal Wins

On the Rocks

Respect

Soul

Stillwater

West Side Story

And that does it, folks! Two weeks from now… the ranked estimates begin…