As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. A mostly unknown chap that goes by Leonardo DiCaprio is our second contender in Best Actor for One Battle After Another. If you missed my post on Timothée Chalamet as Marty Supreme, you can peruse it here:
1993 – Supporting Actor (What’s Eating Gilbert Grape) – lost to Tommy Lee Jones for The Fugitive; 2004 – Actor (The Aviator) – lost to Jamie Foxx for Ray; 2006 – Actor (Blood Diamond) – lost to Forest Whitaker from The Last King of Scotland; 2013 – Actor (The Wolf of Wall Street) – lost to Matthew McConaughey from Dallas Buyers Club); 2015 – Actor (The Revenant) – WON); 2019 – Actor (Once Upon a Time in Hollywood) – lost to Joaquin Phoenix from Joker
The Case for Leonardo DiCaprio:
Arguably being the biggest movie star on the planet helps. It doesn’t hurt that Battle is the frontrunner or easily co-frontrunner for Best Picture. As former revolutionary turned forgetful dad Bob Ferguson, DiCaprio has racked up all the precursors nominations including the Globes, Critics Choice, BAFTA, and SAG Actor.
The Case Against Leonardo DiCaprio:
He is up against arguably the biggest movie star on the planet Timothée Chalamet and his work as Marty Supreme has already won him the Globe and Critics Choice prize. Leo’s overdue narrative ended ten years ago with his Revenant victory.
The Verdict:
A SAG Actor or BAFTA trophy would be needed for DiCaprio to pose any real threat to a Chalamet sweep. He might be #2 among the Best Actor five, but there’s some considerable distance between 1st and 2nd.
My Case Of posts will continue with the second nominee in Supporting Actress and that’s Inga Ibsdotter Lilleass in Sentimental Value…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fourth entry in Best Actor and that’s Ralph Fiennes in Edward Berger’s Conclave. If you missed my posts covering the first three thespians, they’re linked at the bottom.
Previous Acting Oscar Nominations:
Best Supporting Actor (1993, Schindler’s List) – lost to Tommy Lee Jones (The Fugitive)
Best Actor (1996, The English Patient) – lost to Geoffrey Rush (Shine)
The Case for Ralph Fiennes:
For his third nomination and first in nearly 30 years, his work as Cardinal Thomas Lawrence in the papal thriller earned Fiennes lead actor nods at the Globes, BAFTA, SAG, and Critics Choice. The Academy could consider this a lifetime achievement prize after three decades of well-received performances in pics both large and small.
The Case Against Ralph Fiennes:
Adrien Brody (The Brutalist) has swept the season thus far with Timothée Chalamet (A Complete Unknown) generally seen as the runner-up. Conclave took Best Film at BAFTA and if Fiennes couldn’t emerge there, it’s tough to see him winning anywhere.
The Verdict:
I wouldn’t look for Fiennes to be the selection and the third time won’t be the charm.
My Case Of posts will continue with our fourth hopeful in Supporting Actress and that’s Conclave costar Isabella Rossellini…
My latest Shoulda Been Oscar Contenders post completes a trio of supporting actors that warranted attention in 1993. That was an already impressive year in that category with Tommy Lee Jones winning for The Fugitive. The other nominees: Leonardo DiCaprio (What’s Eating Gilbert Grape), Ralph Fiennes (Schindler’s List), John Malkovich (In the Line of Fire), and Pete Postlethwaite (In the Name of the Father). The other performers mentioned in previous write-ups were Val Kilmer for Tombstone and Sean Penn in Carlito’s Way.
My final contestant is Denzel Washington in Jonathan Demme’s Philadelphia. The AIDS drama, of course, gave Tom Hanks his first Best Actor win of two in a row (taking the prize the next year for Forrest Gump). There was little doubt at that time that Hanks would walk away with the gold and his acceptance speech remains an Oscar highlight.
That makes it even more confounding that his costar didn’t get more chatter. Washington was already a victor in supporting four years earlier for Glory. In 1992, he nabbed a Best Actor nod for Malcolm X. He would take Best Actor eight years later for Training Day and has been nominated three times since. However, the legendary actor’s role as Hanks’s reluctant attorney was critical to the success of the film and in many ways equaled the performance of the lead.
Keep an eye out for future posts of hopefuls that didn’t make the cut on the blog soon!
Continuing with my new series covering performances that could have warranted some Oscar attention, I move to my second post in the Supporting Actor race of 1993. The first one centered on Val Kilmer as Doc Holiday in Tombstone. As a reminder, the actual five nominees were a strong grouping with Tommy Lee Jones emerging victorious for The Fugitive. The other nominees: Leonardo DiCaprio in What’s Eating Gilbert Grape, Ralph Fiennes for Schindler’s List, John Malkovich for In the Line of Fire, and Pete Postlethwaite for In the Name of the Father.
Another notable performance for that derby: Sean Penn in Brian De Palma’s Carlito’s Way. Almost unrecognizable as a sleazy coked up lawyer with an unforgettable hairdo, Penn managed to steal scenes from Al Pacino’s title character. Had his work been included here, it would have marked his first nod. Two years later, he achieved that with Dead Man Walking. Four more nominations (all in Best Actor) would follow with two victories in 2003’s Mystic River and 2008’s Milk as well as 1999’s Sweet and Lowdown and 2001’s I Am Sam.
Yet his rare supporting turn alongside Pacino would have been fine with me for a sixth mention – even with the solid competition nearly three decades ago.
My Should Been Contenders posts will continue with another sturdy supporting turn from 1993…
1993 was an exceptionally strong year in the Supporting Actor category with five worthy nominees in the mix: Leonardo DiCaprio in What’s Eating Gilbert Grape, Ralph Fiennes for Schindler’s List, Tommy Lee Jones in The Fugitive, John Malkovich for In the Line of Fire, and Pete Postlethwaite for In the Name of the Father. Jones would ultimately walk away with the prize.
However, there are three other performances that come to mind in that particular year and they will be showcased in my next Shoulda Been Contender posts. It starts with Val Kilmer as Doc Holliday in Tombstone. Nearly 30 years later, you may not remember that there were two competing Wyatt Earp pics happening. Lawrence Kasdan’s Wyatt Earp with Kevin Costner and Dennis Quaid was the 1994 summer release that was a potential Oscar contender and blockbuster. It turned out to be neither. Tombstone, released in December 1993, wasn’t so eagerly anticipated.
Yet audiences liked what they saw when it debuted. It was a rock solid action western with Kurt Russell in the commanding lead as Earp. It become a high earner and remains an enduring favorite with moviegoers. As good as the picture is, Kilmer’s work was great with endless quotable lines and character quirks. Having already made a name for himself in Top Gun, Willow, and his uncanny impression of Jim Morrison in The Doors, Kilmer’s Holliday may still stand as his most memorable role. And that deserves mention in a year full of notable supporting turns.
As mentioned, I’m not finished with this category in 1993. Stay tuned…
Earlier this week (on Tuesday), Batman Forever celebrated its 25th anniversary of release. For those who may not recall, this was when Joel Schumacher took over the franchise from Tim Burton and Val Kilmer replaced Michael Keaton as the Caped Crusader. Tommy Lee Jones (coming off an Oscar for The Fugitive) and Jim Carrey (the hottest comedic star in America after the one-two-three punch of Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber) costarred as villains Two-Face and The Riddler, respectively. Nicole Kidman was in the mix as Bruce Wayne/Batman’s love interest and Chris O’Donnell was introduced as Robin. Sounds like a recipe for a box office bonanza right? Indeed it was.
In mid June 1995, Forever scored the best opening weekend of all time and was the first feature to make over $50 million in its first three days. The $52.7 million tally topped the previous record holder from two summers before (a little something called Jurassic Park). Forever would hold the title for two years before being toppled by… The Lost World: Jurassic Park.
The all-time premiere record has since changed 11 times, including in 2008 with another Batflick The Dark Knight at $158 million. The current holder is Avengers: Endgame at $357 million. And that right there shows how much times have changed. In a quarter century, the first frame of Endgame made 7x that of Forever. Higher ticket prices are certainly a factor. Yet in 25 years, Val Kilmer’s grapples with Jim Carrey went from a highest ever start to now 225th. By the way, 224th place belongs to… The Lego Batman Movie! And now, Forever lags behind such forgettable material as The Nun, The Karate Kid remake, Valentine’s Day, and DC’s own hugely disappointing Green Lantern.
Speaking of disappointing, I’m certainly of the opinion that Forever was just that as far as quality. It’s not nearly as bad at what followed with Schumacher’s sequel Batman & Robin. However, it was a big letdown from what Burton accomplished before and what Christopher Nolan achieved a decade later with the start of The Dark Knight trilogy. What remains is an interesting snapshot in time when a $50 million debut was new territory and it took the Bat Signal (even a rather mediocre one) to get there.
Continuing with my series showcasing the voluminous amount of Oscar nominees and winners that have appeared in the 25 Marvel Cinematic Universe pictures (including the upcoming Black Widow and The Eternals), we arrive at Best Supporting Actor.
If you missed my previous posts covering the lead performers in Actor and Actress, you can find them here:
Supporting Actor, of the four acting categories, contains the most nominees at 36. However, there are only 4 wins represented. As a reminder, the MCU has given us 110 total nominees and 20 golden recipients.
Let’s start with the four gentlemen who made a trip to the podium:
Sam Rockwell, who costarred in Iron Man 2, took gold in 2017 for Three Billboards Outside Ebbing Missouri
Tommy Lee Jones, who appeared in Captain America: First Avenger, emerged victorious in 1993 for The Fugitive
Benicio del Toro, who memorably appeared in Guardians of the Galaxy, won in 2000 for Traffic
J.K. Simmons, who popped up in Spider-Man: Far From Home reprising his role as J. Jonah Jameson from the original Spidey trilogy, won in 2014 for Whiplash
And now the 29 additional performers who received nods:
Tony Stark himself, Robert Downey Jr., received a nomination in 2008 for Tropic Thunder
Jeff Bridges, the Iron Man villain, is a four-time nominee for 1971’s The Last Picture Show, 1974’s Thunderbolt and Lightfoot, 2000’s The Contender, and Hell or High Water in 2016
Samuel L. Jackson, who has played Nick Fury in numerous MCU entries, got a nod in 1994 for Pulp Fiction
Edward Norton, who was the Hulk before Mark Ruffalo, is a two-time nominee for 1996’s Primal Fear and 2014’s Birdman
Tim Roth, bad guy in Norton’s The Incredible Hulk, for 1995’s Rob Roy
William Hurt, whose MCU appearances also began in The Incredible Hulk, for 2005’s A History of Violence
Sam Rockwell was nominated a year after his Billboards win in 2018 for Vice
Anthony Hopkins, Thor’s dad, for 1997’s Amistad and last year’s The Two Popes
Stanley Tucci, also of Captain America: First Avenger, in 2010 for The Lovely Bones
Mark Ruffalo is a three-time nominee: 2010’s The Kids Are All Right, 2014’s Foxcatcher, and in 2015 for Spotlight
Jeremy Renner, aka Hawkeye, in 2010’s The Town
Ben Kingsley, from Iron Man 3, is a two-time mention for 1991’s Bugsy and 2001’s Sexy Beast
Benicio del Toro also received a nomination for 2003’s 21 Grams
Bradley Cooper, Rocket from Guardians of the Galaxy, for 2013’s American Hustle
Djimon Hounsou, who first appeared in Guardians, for both 2003’s In America and 2006’s Blood Diamond
John C. Reilly, another Guardians performer, for 2002’s Chicago
Josh Brolin, aka Thanos, for 2008’s Milk
Sylvester Stallone, who appeared in the Guardians sequel, for 2015’s Creed
Matt Damon, who had a cameo in Thor: Ragnarok, for Invictus in 2009
Jude Law, from Captain Marvel, received a nomination 20 years earlier for The Talented Mr. Ripley
Jake Gyllenhaal, villain for Spider-Man: Far From Home, for 2005’s Brokeback Mountain
And that does it for now, folks! I’ll have Supporting Actress up in short order…
Continuing on with my look back at the major categories from 1990 to the present at the Oscars, we arrive at Best Supporting Actor! If you missed my post regarding Supporting Actress, you can find it right here:
As I did with that blog entry, I’m picking the top 3 least surprising winners (performers who essentially sailed right through awards season) and the 3 biggest upsets in each race. I am also selecting the strongest and weakest fields overall.
As a primer, here are the 28 actors whose support earned them a golden statue:
1990 – Joe Pesci, GoodFellas
1991 – Jack Palance, City Slickers
1992 – Gene Hackman, Unforgiven
1993 – Tommy Lee Jones, The Fugitive
1994 – Martin Landau, Ed Wood
1995 – Kevin Spacey, The Usual Suspects
1996 – Cuba Gooding Jr., Jerry Maguire
1997 – Robin Williams, Good Will Hunting
1998 – James Coburn, Affliction
1999 – Michael Caine, The Cider House Rules
2000 – Benicio del Toro, Traffic
2001 – Jim Broadbent, Iris
2002 – Chris Cooper, Adaptation
2003 – Tim Robbins, Mystic River
2004 – Morgan Freeman, Million Dollar Baby
2005 – George Clooney, Syriana
2006 – Alan Arkin, Little Miss Sunshine
2007 – Javier Bardem, No Country for Old Men
2008 – Heath Ledger, The Dark Knight
2009 – Christoph Waltz, Inglourious Basterds
2010 – Christian Bale, The Fighter
2011 – Christopher Plummer, Beginners
2012 – Christoph Waltz, Django Unchained
2013 – Jared Leto, Dallas Buyers Club
2014 – J.K. Simmons, Whiplash
2015 – Mark Rylance, Bridge of Spies
2016 – Mahershala Ali, Moonlight
2017 – Sam Rockwell, Three Billboards Outside Ebbing, Missouri
There are plenty to choose from as far least surprising winners, but here’s my top ones:
3. Gene Hackman, Unforgiven
Clint Eastwood’s Western picked up a slew of awards on Oscar night and Hackman’s inclusion in that race was never really in doubt. It was his second statue after winning Best Actor 21 years previously for The French Connection.
2. Heath Ledger, The Dark Knight
It was director Christopher Nolan giving numerous awards speeches on behalf of the late Ledger, as his work playing the iconic villain swept all precursors as well. This remains not only the only win in the omnipresent superhero genre in the 21st century, but the only nomination.
1. Javier Bardem, No Country for Old Men
Like Ledger, Bardem created a bad guy for the ages in the Coen Brothers Oscar-winning picture. He picked up all the precursors as well for his role.
And now the upsets!
3. James Coburn, Affliction
There was clearly no front-runner in 1998 as a different actor was honored in each preceding awards show. Ed Harris took the Golden Globe for The Truman Show, Billy Bob Thornton (A Simple Plan) was victorious at the Critics Choice Awards, Robert Duvall’s role in A Civil Action was honored at SAG, and Geoffrey Rush (Elizabeth) was the BAFTA recipient. Surely one of them would win the Oscar, but it instead went to Mr. Coburn.
2. Mark Rylance, Bridge of Spies
In 2015, the general consensus was that Sylvester Stallone would punch out the competition in his signature role for Creed. That would have been quite a feat after Rocky took Best Picture in 1976 – nearly four decades prior. Yet it didn’t materialize when Rylance made the trip to the podium.
1. Alan Arkin, Little Miss Sunshine
Along the same lines, Eddie Murphy was the strong favorite for his rare dramatic work in Dreamgirls. With Jennifer Hudson as a sure thing for Supporting Actress (which did happen), the musical looked safe for a supporting sweep. The Academy surprisingly went another route by honoring Arkin.
And now to the fields overall and choosing a strongest and weakest. For the least impressive of the bunch, I’m going with 2011. Here were the nominees:
Christopher Plummer, Beginners (winner)
Kenneth Branagh, My Week with Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Max Von Sydow, Extremely Loud and Incredibly Close
When it comes to best overall field, I chose 1993. This is the year that Tommy Lee Jones got the gold in The Fugitive. That’s a rare acting win for an action flick. It was deserved in my view and the other four nominees were very strong as well. They were:
Leonardo DiCaprio, What’s Eating Gilbert Grape
Ralph Fiennes, Schindler’s List
John Malkovich, In the Line of Fire
Pete Postlethwaite, In the Name of the Father
Furthermore, I could keep going with other deserving actors that year, including Val Kilmer in Tombstone and Sean Penn for Carlito’s Way.
The next trip down memory lane will be Best Actress and it will be up soon!
The Academy of Motion Picture Arts and Sciences dropped a rather big bombshell today with some announced changes to their Oscar telecast. First off, they’re claiming the show will now be just three hours (I’ll believe it when I see it). Additionally, some categories (I imagine numerous tech ones) will be announced live during commercial breaks and then edited into the show later. This probably won’t make the individuals in those races happy, but it should speed up the program.
However, the most noticeable and interesting change is the addition of a new category (something the Academy rarely does). The addition is described as “Outstanding Achievement in Popular Film”. No other details have been provided, but this would appear to be an attempt by the Academy to include blockbusters that haven’t made the cut in Best Picture.
So what does that mean? What is the criteria? That was not announced today and it will be fascinating to see what such criteria is. Could it be a particular gross… say over $100 million domestically? Could it be the number of the theaters a movie is released in? Time will tell and hopefully these details will be revealed shortly. It isn’t even immediately clear that these changes will all be in effect for the 2019 telecast, but I imagine they will be.
Even though nothing is totally clear at press time, that won’t stop me from speculating and asking, “What if this category had been in effect in previous years?”
Before that, let’s start with this year. If there is a Best Popular Film category in 2018, that greatly increases the chances of Marvel’s Black Panther and horror smash A Quiet Place getting nods. There’s also Mission: Impossible – Fallout (the most acclaimed entry in the franchise) or perhaps Avengers: Infinity War. Pixar will certainly see Incredibles 2 nominated in Best Animated Feature, but it could make a play here as well. And we still have fall releases like Mary Poppins Returns and A Star Is Born out there.
There will be plenty of speculation as to whether Black Panther will be the first superhero pic to nab a Best Picture nomination. There is little doubt it would be recognized in this new category.
It’s been discussed on this blog previously about the 2008 Oscars which omitted The Dark Knight in the Best Picture derby. That development was likely responsible for the Academy changing its rule of five nominated films to anywhere between five and ten. Yet it would appear the Academy still isn’t satisfied with major hits being included.
Let’s consider last year. Of the nine Best Picture nominees, only two grossed over $100 million – Get Out and Dunkirk. If the Popular Film category had existed a year ago, I imagine both features would have achieved double nominations. Assuming this new category contains five nominees (something not revealed yet), what would the other three have been? There’s plenty of blockbusters to choose from: Beauty and the Beast, Wonder Woman, It, Logan, Coco, The Greatest Showman, War for the Planet of the Apes, Wonder, and Baby Driver.
Here’s my best guess of what a Best Popular Film slate would have looked like in 2017:
Dunkirk, Get Out, Logan, War for the Planet of the Apes, Wonder Woman
And I’m thinking Get Out would have won.
In 2016, you might have seen Deadpool and The Jungle Book as Popular picks.
In 2015, there could have been room for Star Wars: The Force Awakens and Straight Outta Compton.
2014? Perhaps Guardians of the Galaxy and Gone Girl.
Heck, let’s go way back. Would Jurassic Park have won Best Popular Film in 1993? I don’t think so. I bet it would have gone to The Fugitive, which nabbed an actual Best Picture nomination.
Of course, there would have been years where Best Picture and Best Popular Film match. 1994 with Forrest Gump. 1997’s Titanic. 2000’s Gladiator. Lord of the Rings: The Return of the King in 2003.
Back to today. I would say this new category seems tailor-made for Black Panther. Does that mean its chances for a Best Picture nod are now diminished because voters figure it runs away with this? Perhaps. And that’s why I’m not too wild about this change at the moment. This has the potential to look like a desperate play by the Academy. At the least, it’s an acknowledgment that audience favorites and Academy favorites don’t often match.
That said, let’s see what the criteria is and I’ll judge from there. It’s a new era at the Oscars… one where Bumblebee stands a shot (however remote) at Oscar glory!
In 2009, the Academy underwent a change in the number of Best Picture nominees honored each year. The rule change allowed a fluctuation of five to ten nominees per year, as opposed to a finite five (all other categories stayed at that number).
As has been discussed on this blog, many felt the change was triggered by 2008’s The Dark Knight, the critically acclaimed comic book pic that was also highest earner of the year. It failed to a garner a Best Picture nod and the thinking was that it was time for more popular options to make it into the mix.
Since the change, the magic number has been nine nominated pictures in most years. This got me thinking: what if that rule had been in effect during prior years? What movies that failed to get a nomination would have certainly made it?
That brings us here. I have gone back to 1990 through 2008 and I’m listing two films from each year that I am confident would have made the shortlist. In selecting each title, here were some of the key indicators. If a Director was nominated for his work and the film failed to get nominated, that probably means it would have been included. Additionally, the screenplay races are a decent predictor of some titles that might have made the magic nine (or eight or ten). For reference sake, I am including the five movies that did get nominated.
So here goes! Two features from 1990-2008 that coulda and likely woulda been contenders…
1990
The Actual Nominees: Dances with Wolves (Winner), Awakenings, Ghost, The Godfather Part III, GoodFellas
The Two Coulda Been Contenders: The Grifters, Reversal of Fortune
1991
The Actual Nominees: The Silence of the Lambs (W), Beauty and the Beast, Bugsy, JFK, The Prince of Tides
The Two Coulda Been Contenders: Boyz N The Hood, Thelma & Louise
1992
The Actual Nominees: Unforgiven (W), The Crying Game, A Few Good Men, Howards End, Scent of a Woman
The Two Coulda Been Contenders: Malcolm X, The Player
1993
The Actual Nominees: Schindler’s List (W), The Fugitive, In the Name of the Father, The Piano, The Remains of the Day
The Two Coulda Been Contenders: Philadelphia, Short Cuts
1994
The Actual Nominees: Forrest Gump (W), Four Weddings and a Funeral, Pulp Fiction, Quiz Show, The Shawshank Redemption
The Two Coulda Been Contenders: Bullets Over Broadway, Three Colors: Red
1995
The Actual Nominees: Braveheart (W), Apollo 13, Babe, Il Postino, Sense and Sensibility
The Two Coulda Been Contenders: Dead Man Walking, Leaving Las Vegas
1996
The Actual Nominees: The English Patient (W), Fargo, Jerry Maguire, Secrets & Lies, Shine
The Two Coulda Been Contenders: The People Vs. Larry Flynt, Sling Blade
1997
The Actual Nominees: Titanic (W), As Good as It Gets, The Full Monty, Good Will Huinting, L.A. Confidential
The Two Coulda Been Contenders: Boogie Nights, The Sweet Hereafter
1998
The Actual Nominees: Shakespeare in Love (W), Elizabeth, Life is Beautiful, Saving Private Ryan, The Thin Red Line
The Two Coulda Been Contenders: Gods and Monsters, The Truman Show
1999
The Actual Nominees: American Beauty (W), The Cider House Rules, The Green Mile, The Insider, The Sixth Sense
The Two Coulda Been Contenders: Being John Malkovich, Topsy-Turvy
2000
The Actual Nominees: Gladiator (W), Chocolat, Crouching Tiger, Hidden Dragon, Erin Brockovich, Traffic
The Two Coulda Been Contenders: Almost Famous, Billy Elliot
2001
The Actual Nominees: A Beautiful Mind (W), Gosford Park, In the Bedroom, Lord of the Rings: The Fellowship of the Ring, Moulin Rouge!
The Two Coulda Been Contenders: Black Hawk Down, Mulholland Drive
2002
The Actual Nominees: Chicago (W), Gangs of New York, The Hours, Lord of the Rings: The Two Towers, The Pianist
The Two Coulda Been Contenders: Far from Heaven, Talk to Her
2003
The Actual Nominees: Lord of the Rings: The Return of the King (W), Lost in Translation, Master and Commander: The Far Side of the World, Mystic River, Seabiscuit
The Two Coulda Been Contenders: City of God, In America
2004
The Actual Nominees: Million Dollar Baby (W), The Aviator, Finding Neverland, Ray, Sideways
The Two Coulda Been Contenders: Hotel Rwanda, Vera Drake
2005
The Actual Nominees: Crash (W), Brokeback Mountain, Capote, Good Night and Good Luck, Munich
The Two Coulda Been Contenders: Syriana, Walk the Line
2006
The Actual Nominees: The Departed (W), Babel, Letters from Iwo Jima, Little Miss Sunshine, The Queen
The Two Coulda Been Contenders: Pan’s Labyrinth, United 93
2007
The Actual Nominees: No Country for Old Men (W), Atonement, Juno, Michael Clayton, There Will Be Blood
The Two Coulda Been Contenders: Away from Her, The Diving Bell and the Butterfly
2008
The Actual Nominees: Slumdog Millionaire (W), The Curious Case of Benjamin Button, Frost/Nixon, Milk, The Reader
The Two Coulda Been Contenders: The Dark Knight, Doubt
And there you have it! There will be a part II to this post. What if the rule change had never occurred? From 2009 until the present, what would have been the five nominated Pictures if only that number was allowed. Stay tuned…
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