Tag: The Departed

Oscar Predictions: One Battle After Another

Based on the first trailer five months ago, I didn’t know what to make of Paul Thomas Anderson’s One Battle After Another. I had it parked in 11th (just on the outside looking in) in Best Picture for weeks. A few days ago, early word-of-mouth emerged that it was something special and today’s lapsing of the review embargo accentuates the buzz. Out September 26th, Battle has established itself as a major awards player. Leonardo DiCaprio headlines a cast including Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor and Chase Infiniti in her first big screen role.

A mix of different genres including action, comedy and thriller fused with political commentary, Battle stands at a noteworthy 96% on Rotten Tomatoes with 97 on Metacritic. It is highly possible this will be the best reviewed picture of 2025. When I updated my predictions four days ago, I ranked this 1st in Best Picture, Director and Adapted Screenplay. Nothing I see today changes that dynamic. Instead it enhances it. This would mark Anderson’s fourth BP nominee with the others being 2007’s There Will Be Blood, 2017’s Phantom Thread and 2021’s Licorice Pizza (he was nominated for his direction with all three as well). Anderson would be up for his sixth screenwriting prize after Boogie Nights, Magnolia, Blood, Inherent Vice and Pizza. He has yet to take home gold and that may be about to change.

Nominations down the line in Casting, Cinematography, Editing, Original Score (by Jonny Greenwood) and perhaps Sound could be in the mix. Warner Bros is going to have their hands full campaigning for this and Sinners in multiple races against one another. The studio may end up racking up a host of victories between the two.

Moving to the ensemble, DiCaprio will be vying for his seventh at bat (his sole win came for 2015’s The Revenant). His placement in lead Actor is not guaranteed. Simply put, plenty of voters may take him for granted. He wasn’t nominated for his two titles that won BP (Titanic and The Departed). Nevertheless the film’s momentum may get him in the quintet.

For months, prognosticators have wondered whether Hall, Taylor or Infiniti will be the smart play in Supporting Actress. Reaction suggests Taylor is the most likely to make the cut, but that Infiniti could do so as well.

Mr. Penn (a two-time Best Actor recipient for 2003’s Mystic River and 2008’s Milk) looks to nab his inaugural Supporting Actor mention and sixth nom overall. It would be his first since Milk seventeen years ago.

Bottom line: it could be said that Sinners, Hamnet and Sentimental Value all have win narratives for the biggest prize of all. Now we certainly have Another. My Oscar Prediction posts will continue…

The NBR Gets Wicked

The National Board of Review often marches to the beat of its own awards drum when it comes to selecting their annual pictures and performers. In 2014, only four of their eleven top movies ended up generating an Academy nomination for Best Picture. In the past decade, there’s been one other year with just four and three years where it was five and two where it was six. There’s three other years where it’s seven and that’s as high as it gets. In most years, NBR names a Best Film with ten other favorite movies listed alphabetically. During that time period, here’s just a sampling of NBR top films that probably never came close to an Oscar BP nod: Fury, The LEGO Movie, Hail, Caesar!, Patriots Day, Baby Driver, Downsizing, Waves, The Forty-Year-Old Version, Red Rocket, and Ferrari.

I give all that context because there were some unexpected selections in their list today… but not really given their history. Jon M. Chu’s Wicked is Best Film. That one is anticipated to generate an Academy BP slot. This particular group often goes with blockbuster material like Wicked for their winner. Recent examples include Mad Max: Fury Road in 2015 (guess we should’ve seen that Furiosa nod coming) and Top Gun: Maverick in 2022.

Some others… not so much. The other ten are as follows: Anora, Babygirl, A Complete Unknown, Conclave, Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, and Sing Sing. Only half of those features (Wicked, Anora, Conclave, A Real Pain, Sing Sing) are currently in my Oscar BP ten. Babygirl, Furiosa, Juror #2, and Queer likely stand little chance at the big dance while A Complete Unknown and Gladiator II have better shots.

There are some notable omissions from the list like The Brutalist, Emilia Pérez, and Dune: Part Two. That said, recent BP victors The Shape of Water, Parasite, and CODA were nowhere to be found with NBR.

The Wicked love continued in Director with Jon M. Chu being named. You have to go all the way to Martin Scorsese and 2006’s The Departed for the last NBR/Oscar match.

Nicole Kidman is your Best Actress for Babygirl and Daniel Craig is Best Actor for Queer. Both are considered bubble candidates for Oscar (I currently have Craig in and Kidman out). I will note that 8 of the last 10 NBR Actress winners have achieved an Academy spot. In Actor, it’s also 8.

Kieran Culkin racked up another Supporting Actor prize (right after the New York Film Critics Circle) for A Real Pain and Elle Fanning is Supporting Actress (a bit of an out of nowhere pick) for A Complete Unknown. The previous 10 Supporting Actor victors for NBR received Oscar attention as Culkin is expected to. For Supporting Actress, it’s 8.

In other NBR news for categories that correlate to the Academy Awards, Hard Truths and Sing Sing are your respective Original and Adapted Screenplay recipients. Flow snatched another Animated Feature trophy while The Seed of the Sacred Fig is their #1 International Feature. The Documentary prize went to Sugarcane with Nosferatu triumphant in Cinematography.

Keep an eye on this blog for all precursor Oscar chatter!

Oscars: The Case of Martin Scorsese for Killers of the Flower Moon

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our fourth filmmaker in Best Director and that’s Martin Scorsese in Killers of the Flower Moon. Let’s get to it!

Previous Directing Oscar Nominations:

Raging Bull (1980); The Last Temptation of Christ (1988); GoodFellas (1990); Gangs of New York (2002); The Aviator (2004); The Departed (2006, WON); Hugo (2011); The Wolf of Wall Street (2013); The Irishman (2019)

The Case for Martin Scorsese:

Being one of the most celebrated directors in the history of the medium helps. For this epic historical drama, Scorsese nabs a 10th nod for his behind the camera work (moving ahead of Steven Spielberg’s 9). That’s second only to William Wyler’s 12. DGA, Globe, and Critics Choice mentions preceded this.

The Case Against Martin Scorsese:

It’s Christopher Nolan’s year as Oppenheimer glides to a BP crowning. That should easily correlate to this race. Scorsese also missed the BAFTA cut.

The Verdict:

The stats will be 1 for 10 for Marty when it comes to victories as Nolan is taking this.

My Case Of posts will continue with Emma Stone in Poor Things…

Oscars: The Case of Killers of the Flower Moon

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered our first four pics with American Fiction, Anatomy of a Fall, Barbie, and The Holdovers. They are linked at the bottom of the post. Martin Scorsese’s Killers of the Flower Moon is up next for your consideration. Let’s get into it.

The Case for Killers of the Flower Moon:

Ranking third in number of nominations with 10 (behind Oppenheimer and Poor Things), Scorsese’s sprawling epic has earned BP mentions at BAFTA, Critics Choice, the Globes, and for its Ensemble at SAG. The other nominations are for Scorsese in Director, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. The legendary filmmaker achieves his 10th movie up for the big prize with 2006’s The Departed being the sole victor. Perhaps voters will feel it’s time to honor his work again.

The Case Against Killers of the Flower Moon:

The precursors certainly haven’t treated this as any sort of career achievement prize. Oppenheimer took the highest honors at Critics Choice and the Globes. Additionally, Moon experienced some loud snubs with Leonardo DiCaprio in Actor and especially Adapted Screenplay.

The Verdict:

Once seen as a serious threat for the gold, Killers might be lucky to win anything. The best chance lies with Gladstone. Everything else is a long shot.

My Case Of posts will continue with Maestro…

Oscars: The Case of American Fiction
Oscars: The Case of Anatomy of a Fall
Oscars: The Case of Barbie
Oscars: The Case of The Holdovers

Best Picture 2006: The Expanded Ten


Earlier this year, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. I’ve already covered 2007 and 2008 and you can peruse my posts on them here:

Best Picture 2007: The Expanded Ten
Best Picture 2008: The Expanded Ten

We begin with the obvious. There’s a quintet of titles that would’ve made the dance because they already did. Martin Scorsese’s The Departed was the first title from the legendary filmmaker to win BP and he also won his only statue for direction. It additionally took home Adapted Screenplay and Film Editing and nabbed Mark Wahlberg a Supporting Actor nod.

The other four contenders were Babel from Alejandro Gonzalez Inarritu, picking up 7 nominations with its sole victory in Original Score. Clint Eastwood’s Letters from Iwo Jima got in for BP, Director, Original Screenplay, and won for Sound Editing. Little Miss Sunshine had two trophies for Supporting Actor (Alan Arkin) and Original Screenplay. Helen Mirren’s podium trip in Actress for Stephen Frears’s The Queen was the only win in its six mentions.

So what else? Bill Condon’s Dreamgirls managed to underperform on nominations morning and still lead with 8 overall nods. Jennifer Hudson took Supporting Actress and it was honored for its Sound Mixing. Despite it not garnering BP, Director, or a screenplay mention, I think it gets in with an expanded ten.

Same goes for Blood Diamond which went 0 for 5 but scored key noms in Actor (Leonardo DiCaprio), Supporting Actor (Djimon Hounsou), and Film Editing.

Todd Field’s Little Children got BP love at Critics Choice and the Globes with Oscar nods for Actress (Kate Winslet), Supporting Actor (Jackie Earle Haley), and Adapted Screenplay. The acclaim probably puts it in.

Paul Greengrass made the final five for his direction of United 93, which also had a Film Editing mention. It makes my cut as well.

As for the 10th slot, options abound. Al Gore’s environmental documentary An Inconvenient Truth was a box office success (especially for the genre) and went 2/2 in its nominations in Documentary Feature and Original Song. I almost picked it to make the ten. Notes on a Scandal received four mentions for its leads Cate Blanchett and Judi Dench and its adapted screenplay and score. You could easily put it in the mix and I wouldn’t argue. Children of Men from Alfonso Cuaron received three noms in Adapted Screenplay, Cinematography, and Film Editing. Clint Eastwood had another WWII epic with Flags of Our Fathers which was up in both sound races. And Borat was a buzzy phenomenon which received an Adapted Screenplay nomination.

Yet I’m going with Pan’s Labyrinth as my final selection. Even though it lost the Foreign Language Film race to Germany’s The Lives of Others, Guillermo del Toro’s creation was up in six races and won three – Art Direction, Cinematography, and Makeup.

That means my expanded ten consists of:

Babel

Blood Diamond

The Departed

Dreamgirls

Letters from Iwo Jima

Little Children

Little Miss Sunshine

Pan’s Labyrinth

The Queen

United 93

I’ll have 2005 up for your reading pleasure soon!

Oscar Predictions: Killers of the Flower Moon

All 206 minutes of Martin Scorsese’s Killers of the Flower Moon have been breathlessly awaited by pundits ahead of its Cannes premiere. That occurred today some five months before its domestic release. The crime western reunites the legendary filmmaker with his two most famous and frequent collaborators Leonardo DiCaprio and Robert De Niro in this adaptation of David Grann’s 2017 non-fiction novel. Lily Gladstone (in what’s long been pegged as a role with awards potential) costars alongside Jesse Plemons, Brendan Fraser, and John Lithgow.

On paper, Killers has looked like a surefire contender for Oscar glory ever since it was announced. Scorsese has seen five of his past eight films nominated for Best Picture: The Aviator, The Departed (which won), Hugo, The Wolf of Wall Street, and The Irishman. As mentioned, the 1920s set tale of murders among the Osage Nation comes with a runtime that just exceeds its reported $200 million budget. Apple TV footed the bill, but it will see a theatrical bow prior to any streaming release.

Some of the early critical reaction does gripe about the length (same went for Scorsese’s predecessor The Irishman). Yet most reviews indicate this will be the gold player that we assumed. That last Marty movie scored 10 nods. This could match it or even exceed it. Picture, Director, Adapted Screenplay (by the director and Eric Roth), Cinematography, Costume Design, Film Editing, Original Score, Production Design, and Sound are all feasible. The early Rotten Tomatoes meter sits at 100%.

As for the acting derbies, Leonardo DiCaprio is drawing raves and should be in line for his seventh acting nom (his sole win being 2015’s The Revenant). There was some question as to whether Gladstone would contend in lead or supporting. The buzz indicates the latter is more likely and it appears she’s a shoo-in for inclusion. I had her at #1 in my ranked predictions a few days ago and that may not change. A bigger question was Supporting Actor. It sounds like the role Jesse Plemons plays is relatively small (popping up in the third act). He could still sneak in (as he did in 2021 for The Power of the Dog). The studio’s campaigners could opt to throw their full attention to De Niro. The 79-year-old new dad looks to grab his eighth nod and first since 2012’s Silver Linings Playbook. You can pencil him in with DiCaprio and Gladstone.

Can you find the nominees in this picture? There could be plenty for Killers of the Flower Moon. My Oscar Prediction posts will continue…

Oscar Predictions: Marlowe

Liam Neeson has a reprieve from interchangeable action flicks this weekend with Marlowe. The neo-noir crime pic reunites the lead (playing the title character detective created by Raymond Chandler) with his Michael Collins director Neil Jordan (Oscar winner for his screenplay for The Crying Game 30 years ago). William Monahan, himself an Academy recipient for his The Departed script, handles writing duties. The supporting cast includes Diane Kruger, Jessica Lange, Adewale Akinnuoye-Agbaje, Alan Cumming, Danny Huston, and Colm Meaney.

Despite the pedigree, Marlowe isn’t turning up many positive reviews. The Rotten Tomatoes score is an underwhelming 24% and early box office returns are meager. Set in 1939 L.A., it was feasible that categories such as Production Design or Costume Design would be in the mix. However, based on initial reactions, this should be long forgotten come nominations time. My Oscar Predictions posts will continue…

AFI Top Ten Predictions 2022

The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.

Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.

So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.

It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out, Star Wars: The Force Awakens, and Straight Outta Compton.

Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.

We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.

I’ll have a recap up tomorrow with commentary and how I did!

AFI Top Predictions

Avatar: The Way of Water

Babylon

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Guillermo del Toro’s Pinocchio

Top Gun: Maverick

The Woman King

Women Talking

The NBR Flies With Maverick

The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.

For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.

The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.

The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).

Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.

Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.

Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).

Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.

Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.

From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.

All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.

2022 Oscar Predictions: July 31st Edition

As July comes to a close, Oscar prognosticators received several bits of fascinating news this past week. The first was the lineup of the Venice Film Festival as well as the bulk of titles that will play in Toronto. That wild season (which also includes Telluride) is a mere month away. We will see a huge number of awards hopefuls being screened with long awaited buzz finally becoming clear.

Yet the biggest news is the (as yet unconfirmed) rumor that Martin Scorsese’s Killers of the Flower Moon will not come out until 2023. Variety and Deadline essentially reported it as fact. I struggled all day with whether to include Killers in my updated predictions (I faced the same choices a couple of weeks ago with Rustin). My final decision was to drop it. If Killers ends up back on the 2022 calendar, Variety and Deadline have some explaining to do…

Another development is that Ron Howard’s Thirteen Lives was released. While reviews were certainly decent, I don’t think they’re strong enough that it will be a true BP contender. It’s at #25 on my list.

The Killers announcement obviously means major changes in most of my lineups. Cannes fest winner Triangle of Sadness replaces it in my 10 BP picks while Sarah Polley (Women Talking) is in for Scorsese in Director. Adam Driver in the Venice opener White Noise replaces Leonardo DiCaprio in Actor. Hong Chau (The Whale) is now in Supporting Actress with Lily Gladstone out. And with Jesse Plemons dropping in Supporting Actor, that leaves room for Triangle‘s Woody Harrelson. Finally, She Said rises in Adapted Screenplay.

That’s not all, folks! There’s a new #1 in Best Picture! I’ve had Damien Chazelle’s Babylon ranked #1 from the beginning… until now. In order to find a BP winner that didn’t play at either Venice or Telluride or Toronto or Sundance or Cannes, you have to go all the way back to (ironically) Martin Scorsese’s The Departed. That was 16 years ago. Babylon could still sneak into Telluride. Yet I’m skeptical it will. This factoid alone is enough for me to vault Steven Spielberg’s The Fabelmans (premiering at Toronto) to the top spot.

I’m not finished yet with the #1 changes. The Son is now first in Adapted Screenplay since Killers has moved. And Ke Huy Quan rises to the pole position in Supporting Actor over Paul Dano from The Fabelmans. 

Another alteration – Empire of Light falls out of Original Screenplay with The Banshees of Inisherin in as my likely lone screenplay nominee.

That’s a lot of movement in one week and you can peruse it all below!

Best Picture 

Predicted Nominees:

1. The Fabelmans (Previous Ranking: 2) (+1)

2. Babylon (PR: 1) (-1)

3. Everything Everywhere All at Once (PR: 4) (+1)

4. Bardo (PR: 6) (+2)

5. Women Talking (PR: 5) (E)

6. The Son (PR: 7) (+1)

7. Empire of Light (PR: 8) (+1)

8. The Whale (PR: 9) (+1)

9. Top Gun: Maverick (PR: 10) (+1)

10. Triangle of Sadness (PR: 15) (+5)

Other Possibilities:

11. She Said (PR: 11) (E)

12. White Noise (PR: 12) (E)

13. Tar (PR: 13) (E)

14. Avatar: The Way of Water (PR: 14) (E)

15. Elvis (PR: 16) (+1)

16. Decision to Leave (PR: 19) (+3)

17. Broker (PR: 18) (+1)

18. The Banshees of Inisherin (PR: 20) (+2)

19. Till (PR: 17) (-2)

20. Bones and All (PR: Not Ranked)

21. Amsterdam (PR: 23) (+2)

22. Black Panther: Wakanda Forever (PR: 24) (+2)

23. The Greatest Beer Run Ever (PR: 25) (+2)

24. The Woman King (PR: 21) (-3)

25. Thirteen Lives (PR: 22) (-3)

Dropped Out:

Killers of the Flower Moon 

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 2) (E)

3. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (+2)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Sarah Polley, Women Talking (PR: 6) (+1)

Other Possibilities: 

6. Sam Mendes, Empire of Light (PR: 7) (+1)

7. Ruben Ostlund, Triangle of Sadness (PR: 11) (+4)

8. Florian Zeller, The Son (PR: 8) (E)

9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)

10. Darren Aronofsky, The Whale (PR: 9) (-1)

11. Park Chan-wook, Decision to Leave (PR: 12) (+1)

12. Noah Baumbach, White Noise (PR: 13) (+1)

13. Todd Field, Tar (PR: 14) (+1)

14. Hirokazu Kore-eda, Broker (PR: Not Ranked)

15. Maria Schrader, She Said (PR: Not Ranked)

Dropped Out:

Martin Scorsese, Killers of the Flower Moon

Chinoye Chukwu, Till

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Olivia Colman, Empire of Light (PR: 3) (E)

4. Cate Blanchett, Tar (PR: 5) (+1)

5. Danielle Deadwyler, Till (PR: 4) (-1)

Other Possibilities:

6. Regina King, Shirley (PR: 6) (E)

7. Ana de Armas, Blonde (PR: 9) (+2)

8. Viola Davis, The Woman King (PR: 7) (-1)

9. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (-1)

10. Carey Mulligan, She Said (PR: 10) (E)

11. Jessica Chastain, The Good Nurse (PR: 13) (+2)

12. Helen Mirren, Golda (PR: 11) (-1)

13. Jennifer Lawrence, Causeway (PR: 15) (+2)

14. Florence Pugh, Don’t Worry Darling (PR: 14) (E)

15. Emma Corrin, Lady Chatterley’s Lover (PR: Not Ranked)

Dropped Out:

Frances McDormand, Women Talking 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Austin Butler, Elvis (PR: 4) (+1)

4. Daniel Gimenez Cacho, Bardo (PR: 5) (+1)

5. Adam Driver, White Noise (PR: 6) (+1)

Other Possibilities:

6. Song Kang-ho, Broker (PR: 7) (+1)

7. Diego Calva, Babylon (PR: 8) (+1)

8. Colin Farrell, The Banshees of Inisherin (PR: 9) (+1)

9. Bill Nighy, Living (PR: 10) (+1)

10. Tom Cruise, Top Gun: Maverick (PR: 11) (+1)

11. Timothee Chalamet, Bones and All (PR: Not Ranked)

12. Gabriel LaBelle, The Fabelmans (PR: 12) (E)

13. Paul Mescal, Aftersun (PR: 15) (+2)

14. Christian Bale, The Pale Blue Eye (PR: 14) (E)

15. Viggo Mortensen, Thirteen Lives (PR: 13) (-2)

Dropped Out:

Leonardo DiCaprio, Killers of the Flower Moon

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Vanessa Kirby, The Son (PR: 4) (+2)

3. Jessie Buckley, Women Talking (PR: 3) (E)

4. Hong Chau, The Whale (PR: 6) (+2)

5. Zoe Kazan, She Said (PR: 5) (E)

Other Possibilities:

6. Laura Dern, The Son (PR: 7) (+1)

7. Stephanie Hsu, Everything Everywhere All at Once (PR: 8) (+1)

8. Griselda Sicillani, Bardo (PR: 13) (+5)

9. Jean Smart, Babylon (PR: 9) (E)

10. Sadie Sink, The Whale (PR: 10) (E)

11. Patricia Clarkson, She Said (PR: 11) (E)

12. Nina Hoss, Tar (PR: 12) (E)

13. Dakota Johnson, Cha Cha Real Smooth (PR: Not Ranked)

14. Angela Bassett, Black Panther: Wakanda Forever (PR: 15) (+1)

15. Samantha Morton, She Said (PR: Not Ranked)

Dropped Out:

Lily Gladstone, Killers of the Flower Moon

Whoopi Goldberg, Till 

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 3) (+2)

2. Paul Dano, The Fabelmans (PR: 1) (-1)

3. Brad Pitt, Babylon (PR: 4) (+1)

4. Colin Firth, Empire of Light (PR: 5) (+1)

5. Woody Harrelson, Triangle of Sadness (PR: 8) (+3)

Other Possibilities:

6. Zen McGrath, The Son (PR: 6) (E)

7. Ben Whishaw, Women Talking (PR: 9) (+2)

8. Brendan Gleeson, The Banshees of Inisherin (PR: 12) (+4)

9. Ralph Fiennes, The Menu (PR: 13) (+4)

10. Michael Ward, Empire of Light (PR: 11) (+1)

11. Seth Rogen, The Fabelmans (PR: 10) (-1)

12. Don Cheadle, White Noise (PR: Not Ranked)

13. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (+2)

14. Anthony Hopkins, Armageddon Time (PR: Not Ranked)

15. Tom Hanks, Elvis (PR: Not Ranked)

Dropped Out:

Jesse Plemons, Killers of the Flower Moon

Robert De Niro, Killers of the Flower Moon

Colin Farrell, Thirteen Lives 

https://www.youtube.com/watch?v=Fvymi_20NVo

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Triangle of Sadness (PR: 5) (+1)

5. The Banshees of Inisherin (PR: 8) (+3)

Other Possibilities: 

6. Empire of Light (PR: 4) (-2)

7. Bardo (PR: 6) (-1)

8. Tar (PR: 7) (-1)

9. Decision to Leave (PR: 9) (E)

10. Broker (PR: 10) (E)

11. The Menu (PR: 11) (E)

12. Amsterdam (PR: 12) (E)

13. Bros (PR: 14) (+1)

14. Don’t Worry Darling (PR: 13) (-1)

15. Cha Cha Real Smooth (PR: 15) (E)

Best Adapted Screenplay

Predicted Nominees:

1. The Son (PR: 2) (+1)

2. Women Talking (PR: 3) (+1)

3. The Whale (PR: 4) (+1)

4. White Noise (PR: 5) (+1)

5. She Said (PR: 6) (+1)

Other Possibilities:

6. Bones and All (PR: 13) (+7)

7. Till (PR: 7) (E)

8 .The Greatest Beer Run Ever (PR: 11) (+3)

9. Top Gun: Maverick (PR: 10) (+1)

10. Glass Onion: A Knives Out Mystery (PR: 12) (+2)

11. Thirteen Lives (PR: 9) (-2)

12. The Good Nurse (PR: 14) (+2)

13. The Woman King (PR: 8) (-5)

14. Living (PR: Not Ranked)

15. Blonde (PR: Not Ranked)

Dropped Out:

Killers of the Flower Moon

Elvis