Jafar Panahi’s political thriller It Was Just an Accident was a bit of a surprise Palme d’Or victor at Cannes over Joachim Trier’s Sentimental Value. However, its writer/director is no stranger to festival love. His 2000 work The Circle took top prize at Venice while 2015’s Taxi won highest honors in Berlin.
With a cast led by Vahid Mobasseri, Mariam Afshari, Ebrahim Azizi, and Hadis Pakbaten, Accident is a co-production between Panahi’s native Iran, France, and Luxembourg. Panahi has drawn headlines in recent years due to conflicts with the Iranian government including arrests. While his works are banned in his homeland, his filmography has drawn acclaim everywhere else and this is no exception. The Rotten Tomatoes score is 100% with Metacritic at 88.
Either France or Luxembourg could submit Accident as their pick for International Feature Film at the Oscars. If the former doesn’t, the latter almost certainly would. The French have seen lots of their selections win or be nominated. Luxembourg would be vying for its first ever nominee. I also wouldn’t discount Panahi contending in Director and Original Screenplay. If a combination of those nods occurred, Best Picture is not off the table. After all, four of the last five Palme recipients have made final cut in the biggest category of them all. My Oscar Prediction posts will continue…
No one can do Cannes like Neon. The indie film production company has ruled the French festival for six years straight when it comes to the Palme d’Or winner. That list consists of Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. The first and last movies in that quintet went onto win Best Picture at the Oscars with Triangle and Anatomy nabbing nominations.
Neon once again had contenders to spare at this year’s competition and many assumed the grand prize would go to Joachim Trier’s Sentimental Value. That acclaimed family drama immediately established itself as an Oscar contender. Yet the Cannes jury (headed by Juliette Binoche) instead chose another Neon property in Jafar Panahi’s It Was Just an Accident. It marks another festival triumph for the Iranian filmmaker. His 2000 feature The Circle took top honors in Venice while 2015’s Taxi was awarded best of at the Berlin Fest. Accident now enters the conversation for a BP mention from the Academy and it certainly is a major contender for International Feature Film.
As for the more favored Value, it settled for the Grand Prix designation which is basically runner-up (it went to BP nominee The Zone of Interest in 2023). As mentioned, Neon has high hopes for its future in the coming months.
The Jury Prize (which Emilia Pérez took last time around) was shared between Spanish/French coproduction Sirât from Oliver Laxe and Mascha Schilinski’s German generational tale Sound of Falling (which is also a sturdy hopeful in IFF).
Another major player for Neon is The Secret Agent, the 1970s set Brazilian political thriller. Kieber Mendonça Filho received the Director trophy while Wagner Moura is Best Actor. Look for Agent to have a potential presence in IFF while Moura’s lead campaign could be a real threat for Academy inclusion.
Nadia Melliti is your Best Actress for the French coming-of-age drama The Little Sister. The young actress emerged over heavy hitter Jennifer Lawrence from Die, My Love. Nevertheless Lawrence did strengthen her shot at a fifth Oscar play months down the road.
Some had pegged Richard Linklater’s Nouvelle Vague (which recounts the shooting of French classic Breathless) for some Riviera prizes, but it wasn’t to be. Other high profile premieres not found among the victors are Iranian drama Woman and Child (where Parinaz Izadyar was considered viable in Actress), Wes Anderson’s The Phoenician Scheme, and Julia Ducournau’s Titane follow-up Alpha.
Keep an eye on the blog as I continue to write individual posts for movies screened at Cannes. I hadn’t even gotten to Accident yet! As for next year, look to see what Neon’s backing when figuring out the favorites…
There’s only one new release hitting theaters as May opens, but it’s a massive one! Yes, summer 2017 kicks off this weekend as Disney/Marvel’s Guardians of the Galaxy Vol. 2 debuts. You can peruse my detailed prediction post on it here:
As you can see, I’m predicting the sequel to 2014’s huge blockbuster will post the 9th highest domestic opening of all time. That means it would be the second largest premiere this year behind March’s Beauty and the Beast.
I am expecting Guardians to gross more than the rest of the top ten combined and then some. All holdovers will likely lose hefty percentages of their audience as attention turns to Star Lord and Baby Groot. Much more on what those pictures did this past weekend below…
With that, my top 5 projections for our first weekend of movie summer!
1. Guardians of the Galaxy Vol. 2
Predicted Gross: $166.4 million
2. The Fate of the Furious
Predicted Gross: $7.7 million (representing a drop of 61%)
3. How to Be a Latin Lover
Predicted Gross: $6.9 million (representing a drop of 44%)
4. The Boss Baby
Predicted Gross: $4.8 million (representing a drop of 49%)
5. Beauty and the Beast
Predicted Gross: $4.7 million (representing a drop of 31%)
Box Office Results (April 28-30)
There was a bit more excitement than expected in this last weekend of April as some newcomers posted results that exceeded expectations… and one that did not.
As expected, The Fate of the Furious was #1 for the third weekend with $19.9 million, on pace with my $20.2M prediction. It’s made $193M thus far.
Surprise #1 was the terrific opening of How to Be a Latin Lover at $12.2 million, nearly doubling my meager $6.3M projection. Surprise #3 was the $10.3 million debut for Indian action epic Buuhabali 2: The Conclusion. How much of a shocker was that for me? Well, I never even ended up doing a prediction post for it!
The Boss Baby was fourth with $9.3 million, in range with my $8.6M forecast for a $148M total.
Surprise #3 belongs to The Circle, the techno thriller with a cast including Emma Watson, Tom Hanks, and John Boyega. The pic came in at the lowest end of expectations with just $9 million for fifth (well below my $16.3M estimate). With a deadly Cinemascore D+ Cinemascore grade, look for The Circle to close fast at multiplexes.
Beauty and the Beast was sixth with $6.8 million (I said $6.5M) to bring its gross to $480M. It now stands as the ninth highest grossing picture ever.
Finally, Sleight‘s grosses were just that as it opened in 13th with $1.7 million (I was a little higher at $2.4M).
And that does it for now, folks! Welcome to Summer 2017 at the movies…
It’s the final weekend before the summer onslaught of high-profile wannabe blockbuster hits screens. Our final April weekend brings the Emma Watson/Tom Hanks thriller The Circle and rom com How to Be a Latin Lover. You can peruse my detailed prediction posts on each here:
As I see it, The Circle should be in for a second place showing behind the third weekend of The Fate of the Furious, which should manage to stay on top before Marvel’s Guardians slays all competitors when May hits.
As for Latin Lover, it certainly has the chance to over perform and could potentially nab the #3 spot. However, my estimate has it rounding out the top five with holdovers The Boss Baby and Beauty and the Beast above it.
There is another debut this weekend and that’s Sleight, the BlumHouse Tilt horror pic. I don’t have a theater count for it yet. Right now, I’ll predict $2.4 million though I could choose to revise once more information is available.
And with that, my top 5 predictions for the weekend:
1. The Fate of the Furious
Predicted Gross: $20.2 million (representing a drop of 47%)
2. The Circle
Predicted Gross: $16.3 million
3. The Boss Baby
Predicted Gross: $8.6 million (representing a drop of 32%)
4. Beauty and the Beast
Predicted Gross: $6.5 million (representing a drop of 35%)
5. How to Be a Latin Lover
Predicted Gross: $6.3 million
Box Office Results (April 21-23)
In a weekend where six new titles rolled out wide (or semi-wide), there some surprises here and there. One item that wasn’t surprising: The Fate of the Furious easily remained #1 with $38.4 million, a bit under my $43.2M projection. The eighth pic in the franchise has taken in $163M in ten days.
The Boss Baby held in second with $12.7 million (above my $9.2M estimate) for $136M overall. Beauty and the Beast remained third with $9.6 million (above my $7.8M forecast) to bring its total to $470M. That puts it at #10 for all-time domestic earners and climbing.
Other holdovers held up better than my predictions. Going in Style was fourth with $4.9 million (I said $3.5M). It’s made $31M. Smurfs: The Lost Village was fifth at $4.8 million (I said $3.6M) and it’s earned $33M.
Yes, that means none of the newcomers cracked the top five. Disney’s nature doc Born in China was sixth with $4.7 million, in line with my $5.2M estimate. In seventh was the Katherine Heigl/Rosario Dawson thriller Unforgettable. It also made $4.7 million and that’s way below my generous $12.9M projection. I mistakenly felt a decent female audience might turn out for it. Not so.
Then there’s Gifted. I had it outside the top ten, but it expanded its theater count and posted $4.5 million for eighth. Its total is $10M.
The Promise opened in ninth with $4 million (I said $3.2M). The Christian Bale/Oscar Isaac Armenian genocide drama looks to be a big money loser for its studio.
The Lost City of Z was 10th as it expanded its theater count with $2.1 million (below my $3.7M prediction). Found footage horror flick Phoenix Forgotten opened dismally in 11th with $1.8 million, not matching my take of $3.4M.
Finally, Brie Larson action comedy Free Fire was DOA in 17th place with just $994k (I said $2.3M).
Next weekend brings the techno thriller TheCircle, based on a 2013 bestseller by Dave Eggers. The pic casts Emma Watson as an employee at a powerful Internet corporation where everything is not as it seems. There’s some other heavy hitters among the cast: Tom Hanks, John Boyega of the new StarWars trilogy, Patton Oswalt and Bill Paxton in his final film appearance.
The source material in which it’s based has its fans. It also doesn’t hurt that Watson is fresh off the mega blockbuster BeautyandtheBeast (and Hanks never hurts either). TheFateoftheFurious should still manage a three-peat in this final April weekend, but I have a feeling TheCircle has a better chance of over performing than underperforming.
I’ll predict a mid teens to high teens debut is likely.
TheCircle opening weekend prediction: $16.3 million
For my How to Be a Latin Lover prediction, click here:
Sadly, this morning I write a post I didn’t expect to with the news that Bill Paxton has passed away at age 61. For even casual movie fans, Paxton was a very familiar face that starred and co-starred in blockbusters such as Aliens, TrueLies, Twister, and Titanic.
Upon hearing the news of his death, I began to realize just how present he’s been in my movie watching existence over the last three decades plus. I first knew of him as Chet, the bullying older brother in WeirdScience. If that is a guilty pleasure pic, his performance is one of the best pleasures in it. It’s a terrific comedic performance.
Just one year later, his role in Aliens stuck out in that fantastic sequel with one-liners like “Game Over, Man!” That same year, he starred in Kathryn Bigelow’s vampire cult classic NearDark.
All told, Mr. Paxton has about a dozen DVDs and Blu-Rays sitting on my shelf. Like I said, he was truly a part of many of our collective filmgoing experiences from the 1980s on. He was alongside Tom Cruise just three years ago in the solid EdgeofTomorrow and was a rival tabloid cameraman to Jake Gyllenhaal in my favorite picture of 2014, Nightcrawler.
His TV credits include headlining HBO’s “Big Love” and just a few weeks ago, his CBS crime drama “Training Day” (based on the 2001 Denzel Washington film) premiered. His final movie will be TheCircle with Tom Hanks and Emma Watson. It opens in April.
Other notable onscreen efforts range from Predator2 to Tombstone to ASimplePlan and U–571. Today I wish to highlight a trio of lesser known titles worth seeking out:
Two are from 1992. Trespass finds him and William Sadler as firefighters who find a treasure map that pits them against drug dealers Ice Cube and Ice-T. It’s great gritty fun. OneFalseMove is an intense crime thriller from director Carl Franklin and written by Billy Bob Thornton. Gene Siskel named it as his favorite movie of that year and it is impressive.
Paxton turned to directing himself in 2001 with Frailty, an underrated and effective thriller where the actor plays a religiously fanatical father. I just watched it again recently and it made me wish Paxton had directed more.
What Bill Paxton did leave us with is his own treasure trove of performances to enjoy. He will be missed.
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