Tag: Telluride Film Festival

Oscar Predictions: Tuesday

Tuesday is said to alternate between a fairy tale reality and a deadly sober one in Daina O. Pusić’s directorial debut. Julia Louis-Dreyfus stars as a mother caring for her dying daughter in the A24 and BBC co-production. Lola Petticrew, Leah Harvey, and Arinzé Kene (voicing the character of Death) are among the supporting players.

Out in limited release this weekend after premiering at Telluride last fall, it continues a run of critically appreciated Louis-Dreyfus works that veer from her comedic roots. Tuesday stands at 88% on RT. Last year’s You Hurt My Feelings got even better reviews for its star and the film itself. It was another A24 title that failed to generate awards attention and I doubt this will either. My Oscar Prediction posts will continue…

Oscar Predictions: Wildcat

Ethan Hawke, a two-time Oscar nominee for acting (Training Day, Boyhood) and a two-time nominee for writing (Before Sunset, Before Midnight), is behind the camera for Wildcat. The biographical drama is headlined by his daughter Maya Hawke as novelist Flannery O’Connor. Costars include Laura Linney, Philip Ettinger, Rafael Casal, Cooper Hoffman, Steve Zahn, Vincent D’Onofrio, Alessandro Nivola, and Liam Neeson.

It debuted at the Telluride Film Festival last September to considerably mixed reactions. Now it is heading toward a limited theatrical engagement this weekend with a RT score of just 47%. Marking Hawke’s first directorial effort since 2018’s little-seen Blaze (which received glowing reviews), this will not be a topic of awards conversations months down the line. My Oscar Prediction posts will continue…

Oscar Predictions: Janet Planet

Pulitzer Prize winning playwright Annie Baker enters the cinematic realm penning and directing Janet Planet. The coming-of-age drama doesn’t hit screens until June 21st, but it debuted at Telluride last fall and a trailer is now up. Julianne Nicholson, newcomer Zoe Ziegler, Elias Koteas, Sophie Okonedo, and Will Patton are among the cast members.

Reviews range from raves to just so-so write-ups with a RT score at 83%. Variety, for example, lovingly compares it to the acclaimed Eighth Grade (another A24 project). Praise for Nicholson and Ziegler is particularly strong. The former is one of those actresses who may not be far away from their Oscar play. An Emmy winner for Mare of Easttown, Nicholson has shown up recently in Blonde and Dream Scenario and draws positive notices everywhere she turns up.

I’m not confident Janet Planet is that project. A24 would need to mount a serious campaign and they might be preoccupied elsewhere. My Oscar Prediction posts will continue…

Oscar Predictions: Daddio

Christy Hall’s Daddio isn’t out in theaters until June 28th, but festival goers in Telluride and Toronto checked out the two-hander last fall. Dakota Johnson and Sean Penn make up the cast with the latter playing an NYC cabbie and the former as his fare. It marks the debut for the director who also scripted.

Picked up by Sony Pictures Classics, plenty of critics are hailing both performances as well as Hall’s screenplay. The RT score is 83%. I’m just not convinced this will stick with voters come nomination time. Penn, a two-time winner for Mystic River and Milk, and Johnson (yet to be in contention) could get campaigns. I wouldn’t count on them taking a ride to the 97th ceremony (though Johnson has a better shot with this over Madame Web). My Oscar Prediction posts will continue…

Oscar Predictions: The Iron Claw

The Iron Claw is in theaters on December 22nd as it tells the true life tale of the Von Erich family of wrestlers. Recounting their triumphs and many tragedies, Sean Durkin writes and directs a cast including Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany, and Lily James.

The A24 release’s review embargo lifted today and the Rotten Tomatoes meter stands at an impressive 93%. Frankly, I’m surprised the sports biopic chose to forego screenings at festivals like Toronto and Telluride. That could’ve built awards buzz for the picture itself, as well as Efron and White.

I wonder now it it’s too late in the season for Claw to reach voters. While it did make the cut in the National Board of Review’s 10 best, it was nowhere to be seen with AFI or at the Golden Globe nominations. If Claw can manage to squeeze into the SAG nods next month (for Best Ensemble or with Efron or White individually), that could help visibility with the Academy. Right now I think the likeliest scenario is it comes up empty-handed on Oscar nom morning. My Oscar Prediction posts will continue…

Oscar Predictions: American Symphony

On November 29th, Matthew Heineman’s documentary American Symphony plays on Netflix after being on the festival circuit beginning at Telluride. It recounts a year in the life of Grammy winning musician Jon Batiste and family.

Heineman is no stranger to awards hopefuls in the genre. 2015’s Cartel Land made the quintet of nominees. 2021’s The First Wave and last year’s Retrograde were discussed for attention and was up in other precursors though each failed to make the Academy cut.

Symphony is at 88% on Rotten Tomatoes and scored six Critics Choice nods at their ceremony over the weekend honoring true life works. It won two with Best Music Documentary and Score (losing the main prize to Still: A Michael J. Fox Movie).

Drawing a correlation between Critics Choice and the Academy is risky. As I’ve discussed numerous times, the doc branch of voters at the big ceremony are unpredictable. Symphony stands an excellent shot at making the eventual quintet, but it’s gotta make the shortlist first and surprises seem to occur there every year when revealed. My Oscar Prediction posts will continue…

The Holdovers Box Office Prediction

After playing the festival circuit at Telluride and Toronto and generating impressive grosses in limited release, The Holdovers expands on November 10th. The dramedy reunites director Alexander Payne with his Sideways lead Paul Giamatti. The supporting cast includes Da’Vine Joy Randolph, Dominic Sessa, and Carrie Preston.

With a 96% Rotten Tomatoes score, the pic is hoping to score a handful of nominations come Oscar time. This past weekend, The Holdovers posted an estimated $600,000 on 64 screens for a nearly $10k venue average.

A theater count in the 800 range is expected this frame. If The Holdovers can manage an average of around $4k, that would give it around $3 million and that’s what I’m counting on.

The Holdovers opening weekend expansion prediction: $3 million

For my The Marvels prediction, click here:

The Marvels Box Office Prediction

For my Journey to Bethlehem prediction, click here:

Journey to Bethlehem Box Office Prediction

Oscar Predictions: Orlando, My Political Biography

Paul B. Preciado’s French documentary Orlando, My Political Biography (out in limited fashion November 10th) explores the title character from a Virginia Woolf novel who changes gender midway through. It premiered at the Berlin Film Festival and has continued to play the circuit this fall. The Critics Choice documentary nods put it up for Best First Documentary Feature.

With an 89% Rotten Tomatoes score, there are other docs generating more rapturous acclaim. Yet the subject matter could be tantalizing for awards voters. That said, I wouldn’t be surprised if it doesn’t make the Academy’s shortlist of possibilities when revealed next month. My Oscar Prediction posts will continue…

Oscar Predictions: The Mission

Amanda McBaine and Jesse Moss’s documentary The Mission is out in limited release after playing the festival circuit including Telluride and London. It examines the killing of American missionary John Allen Chau in 2018. The documentary arm of National Geographic produces.

The team behind The Mission have made acclaimed docs such as 2014’s The Overnighters and 2020’s Boys State. They have not managed to generate attention from the Academy. With an 89% Rotten Tomatoes score, reviews are fine. However, I’m not confident The Mission will represent their first shot at the big dance. This has not made my top 10 possibilities in previous write-ups. Yet the prospects shot up when the Critics Choice Association named it among their 10 best for 2023 alongside surefire contenders like Beyond Utopia, 20 Days in Mariupol, and Still: A Michael J. Fox Movie.

Whether The Mission is mentioned in my next update remains to be seen, but it’s certainly on my radar now. My Oscar Prediction posts will continue…

Oscar Predictions: The Pigeon Tunnel

Errol Morris is one of the best known documentarians in the medium whose The Thin Blue Line (1988) is a genre classic. Two decades back, The Fog of War was crowned best doc at the Academy Awards. His latest is The Pigeon Tunnel and it’s out on Apple TV this weekend after playing the festival circuit in Telluride and Toronto.

It chronicles the life of legendary spy and spy novelist John le Carré. His works such as The Spy Who Came in from the Cold, The Constant Gardner, and Tinker Tailor Soldier Spy were all made into acclaimed pictures.

Reviews are appreciative with a 94% Rotten Tomatoes score. However, at this week’s announcement for the Critics Choice Documentary Awards, it managed only a Best Score nod. If Pigeon can manage to make the shortlist when they’re revealed in December, it obviously has a shot. With a strong slate of docs in contention, that might not happen. My Oscar Prediction posts will continue…