Tag: Telluride Film Festival

Oscar Watch: The Goldfinch

John Crowley’s The Goldfinch looks like a picture made for Oscar consideration. It’s a prestige drama based on a well known novel (from Donna Tartt). This is the follow up to the filmmaker’s Brooklyn, which did receive a nod in the biggest race four years ago. Nicole Kidman is in it, as is Ansel Elgort in his first headlining role since Baby Driver.

Yet I found it curious that Warner Bros didn’t screen it last weekend in Venice or Telluride. After all, its Toronto screening today is a mere five days ahead of its stateside release. That’s not much time to build awards buzz.

Now we know why. The Goldfinch is being savaged by some critics and the Rotten Tomatoes score is at 22%. So while numerous movies have increased their visibility on the voter circuit in the last few days, this would be a casualty. If anything, perhaps Roger Deakins (who at last won a gold statue two years ago for Blade Runner 2049) could see his cinematography noticed. That would be the extent of it. My Oscar Watch posts will continue…

The Goldfinch Box Office Prediction

Based on a 2013 novel by Donna Tartt that elicited mixed reaction, The Goldfinch arrives in theaters next weekend. The drama is director John Crowley’s follow up to his Oscar nominated 2015 effort Brooklyn. Ansel Elgort headlines with a supporting cast that includes Oakes Fegley, Aneurin Barnard, Finn Wolfhard (currently also costarring in It Chapter Two), Sarah Paulson, Luke Wilson, Jeffrey Wright, and Nicole Kidman.

The film will have its premiere this weekend at the Toronto Film Festival. Interestingly, it skipped both Telluride and Venice. Those earlier screenings could have provided the opportunity for any awards chatter and I’m curious to see if Warner Bros knew that might not materialize.

For those unfamiliar with the source material, I’ve found the trailers to be a bit too mysterious and a tad lackluster. We’ll see if reviews this weekend could possibly change the dynamic, but I currently see The Goldfinch struggling to reach double digits. That unimpressive result would put it in third place behind the aforementioned It sequel and Hustlers.

The Goldfinch opening weekend prediction: $5.7 million

For my Hustlers prediction, click here:

https://toddmthatcher.com/2019/09/04/hustlers-box-office-prediction/

2019 Oscar Predictions: September 5th Edition

A lot can change in a week and that’s certainly the case in my second edition of weekly Oscar predictions for 2019. That’s because the Venice and Telluride festivals have happened and numerous contenders have emerged. Some have seen their fortunes dwindle (like Steven Soderbergh’s The Laundromat or Edward Norton’s Motherless Brooklyn). Other films and performances have received a serious boost like Ford v Ferrari, Waves (not even on my radar last week), The Two Popes, and Renee Zellweger in Judy.

While last Thursday provided my pre festival rankings, there’s plenty of movement that’s occurred since then. And by next Thursday… the picture will begin more clear with the Toronto Film Festival beginning today and where several other high profile hopefuls will screen.

Let’s get to it, shall we?

BEST PICTURE

Predicted Nominees:

1. The Irishman (PR: 1)

2. Marriage Story (PR: 2)

3. Once Upon a Time in Hollywood (PR: 3)

4. Ford v Ferrari (PR: 11)

5. Parasite (PR: 7)

6. 1917 (PR: 4)

7. Little Women (PR: 5)

8. Jojo Rabbit (PR, 10)

9. The Two Popes (PR: Not Ranked)

Other Possibilities:

10. The Report (PR: 9)

11. The Farewell (PR: 6)

12. Waves (PR: Not Ranked)

13. Pain and Glory (PR: 16)

14. A Beautiful Day in the Neighborhood (PR: 12)

15. Joker (PR: 15)

16. A Hidden Life (PR: 19)

17. Dark Waters (PR: 17)

18. Bombshell (PR: 13)

19. The Lighthouse (PR: 21)

20. Harriet (PR: 14)

21. Just Mercy (PR: 20)

22. Rocketman (PR: 22)

23. Queen and Slim (PR: Not Ranked)

24. The Laundromat (PR: 8)

25. Ad Astra (PR: 23)

Dropped Out:

Booksmart

Avengers: Endgame

The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 1)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

3. Noah Baumbach, Marriage Story (PR: 4)

4. Bong Joon-Ho, Parasite (PR: 5)

5. Sam Mendes, 1917 (PR: 3)

Other Possibilities:

6. James Mangold, Ford v Ferrari (PR: 12)

7. Pedro Almodovar, Pain and Glory (PR: 8)

8. Greta Gerwig, Little Women (PR: 6)

9. Trey Edward Shults, Waves (PR: Not Ranked)

10. Taika Waititi, Jojo Rabbit (PR: 10)

11. Fernando Meirelles, The Two Popes (PR: Not Ranked)

12. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 13)

13. Terrence Malick, A Hidden Life (PR: 11)

14. Todd Haynes, Dark Waters (PR: 14)

15. Lulu Wang, The Farewell (PR: 9)

Dropped Out:

Steven Soderbergh, The Laundromat

Kasi Lemmons, Harriet

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story (PR: 1)

2. Renee Zellweger, Judy (PR: 5)

3. Saoirse Ronan, Little Women (PR: 3)

4. Cynthia Erivo, Harriet (PR: 2)

5. Alfre Woodard, Clemency (PR: 7)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 4)

7. Charlize Theron, Bombshell (PR: 6)

8. Natalie Portman, Lucy in the Sky (PR: 12)

9. Lupita Nyong’o, Us (PR: 8)

10. Helen Mirren, The Good Liar (PR: 9)

11. Jodie Turner-Smith, Queen and Slim (PR: 10)

12. Kristen Stewart, Seberg (PR: 15)

13. Lesley Manville, Ordinary Love (PR: Not Ranked)

14. Felicity Jones, The Aeronauts (PR: 13)

15. Elisabeth Moss, Her Smell (PR: 11)

Dropped Out:

Beanie Feldstein, Booksmart

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 2)

3. Antonio Banderas, Pain and Glory (PR: 3)

4. Jonathan Pryce, The Two Popes (PR: 9)

5. Joaquin Phoenix, Joker (PR: 6)

Other Possibilities:

6. Christian Bale, Ford v Ferrari (PR: 8)

7. Robert De Niro, The Irishman (PR: 4)

8. Taron Egerton, Rocketman (PR: 5)

9. Eddie Murphy, Dolemite Is My Name (PR: 7)

10. Mark Ruffalo, Dark Waters (PR: 12)

11. Ian McKellen, The Good Liar (PR: 13)

12. Adam Sandler, Uncut Gems (PR: 14)

13. Daniel Kaluuya, Queen and Slim (PR: 15)

14. Robert Pattinson, The Lighthouse (PR: Not Ranked)

15. Michael B. Jordan, Just Mercy (PR: 11)

Dropped Out:

Adam Driver, The Report

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 2)

2. Annette Bening, The Report (PR: 1)

3. Margot Robbie, Once Upon a Time in Hollywood (PR: 4)

4. Shuzhen Zhou, The Farewell (PR: 3)

5. Florence Pugh, Little Women (PR: 8)

Other Possibilities:

6. Meryl Streep, The Laundromat (PR: 5)

7. Meryl Streep, Little Women (PR: 7)

8. Penelope Cruz, Pain and Glory (PR: Not Ranked)

9. Janelle Monae, Harriet (PR: 10)

10. Scarlett Johansson, Jojo Rabbit (PR: 11)

11. Nicole Kidman, Bombshell (PR: 9)

12. Jennifer Hudson, Cats (PR: 13)

13. Anna Paquin, The Irishman (PR: 12)

14. Anne Hathaway, Dark Waters (PR: 6)

15. Taylor Russell, Waves (PR: Not Ranked)

Dropped Out:

Catherine Deneuve, The Truth

Nicole Kidman, The Goldfinch

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Willem Dafoe, The Lighthouse (PR: 2)

3. Al Pacino, The Irishman (PR: 4)

4. Anthony Hopkins, The Two Popes (PR: Not Ranked)

5. Taika Waititi, Jojo Rabbit (PR: 8)

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 6)

7. Alan Alda, Marriage Story (PR: Not Ranked)

8. Joe Pesci, The Irishman (PR: 7)

9. Kelvin Harrison, Jr., Waves (PR: Not Ranked)

10. Jamie Bell, Rocketman (PR: 10)

11. Jamie Foxx, Just Mercy (PR: 5)

12. John Lithgow, Bombshell (PR: 9)

13. Gary Oldman, The Laundromat (PR: 3)

14. Matt Damon, Ford v Ferrari (PR: Not Ranked)

15. Tracy Letts, Ford v Ferrari (PR: Not Ranked)

Dropped Out:

Ray Liotta, Marriage Story

Matthew Rhys, A Beautiful Day in the Neighborhood

Wesley Snipes, Dolemite Is My Name

Leslie Odom, Jr., Harriet

Timothee Chalamet, Little Women

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 4)

3. Little Women (PR: 3)

4. Dark Waters (PR: 5)

5. The Laundromat (PR: 2)

Other Possibilities:

6. A Beautiful Day in the Neighborhood (PR: 6)

7. Joker (PR: 7)

8. Just Mercy (PR: 9)

9. The Goldfinch (PR: 11)

10. The Good Liar (PR: 12)

11. Toy Story 4 (PR: 8)

12. Motherless Brooklyn (PR: 14)

13. The King (PR: Not Ranked)

14. Downton Abbey (Not Ranked)

15. Judy (PR: 13)

Dropped Out:

Ford v Ferrari (moved to Original)

Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. The Two Popes (PR: Not Ranked)

4. Parasite (PR: 5)

5. The Report (PR: 4)

Other Possibilities:

6. The Farewell (PR: 3)

7. Pain and Glory (PR: 7)

8. Waves (Not Ranked)

9. Ford v Ferrari (PR: Not Ranked – moved from Adapted)

10. Booksmart (PR: 6)

11. The Lighthouse (PR: 12)

12. Bombshell (PR: 9)

13. Harriet (PR: 11)

14. 1917 (PR: 8)

15.  Dolemite Is My Name (PR: 10)

Dropped Out:

Ad Astra

Us

Queen and Slim

Expect more changes next week when much of the Toronto happenings will have transpired! Until then…

Oscar Watch: The Aeronauts

Flying into Telluride this weekend is the hot air balloon adventure The Aeronauts, which reunites The Theory of Everything costars Felicity Jones and Eddie Redmayne. The Amazon Studios production comes with high hopes (a reported $80 million budget) and early reviews suggest it’s fast paced and fun entertainment. Tom Harper directs. Earlier this year, he put out the indie country music drama Wild Rose with an acclaimed performance from Jessie Buckley.

Jones and Redmayne both nabbed Academy nods five years ago for Theory with the latter winning Best Actor. Since then, they’ve moved on to franchise material like Rogue One: A Star Wars Story and the Fantastic Beasts pics. Their reunion is highly unlikely to make them return nominees.

If The Aeronauts can factor in anywhere, perhaps it’s Visual Effects. Yet that could be a tall order considering competition that could include heavy hitters such as Avengers: Endgame, The Lion King, and this December’s Star Wars: The Rise of Skywalker. Production Design and Costume Design might be reachable as well. My Oscar Watch posts will continue…

Oscar Watch: The Two Popes

It seems as if The Two Popes has emerged as a bright spot at the Telluride Film Festival over the weekend. The Netflix production casts Anthony Hopkins as Pope Benedict XVI and Jonathan Pryce as the future Pope Francis. Reviews suggest it’s an engaging and often funny experience that audiences should approve of. Fernando Meirelles directs and he’s a previous nominee for 2002’s City of God. He also made The Constant Gardner in 2005 for which Rachel Weisz won a Supporting Actress gold statue.

Popes may not see white smoke for a Picture nod, but other races are definitely in play. An important question is category placement. It sounds as if the two actors are co-leads. Will the studio be creative to maximize the chances for both to get in? If only one can make it, I’d bet on the never nominated Pryce over four-time nominee Hopkins (who won nearly three decades ago for The Silence of the Lambs).

There’s also Andrew McCarten, who could get noticed for his praised Original Screenplay. He’s a bit of a Best Actor whisperer as a matter of fact. Three of the last five winners in that race starred in scripts written by him: Eddie Redmayne in 2014 for The Theory of Everything, Gary Oldman two years ago in Darkest Hour, and Rami Malek last year for Bohemian Rhapsody.

Bottom line: The Two Popes did well for itself in Colorado when it comes to awards viability. My Oscar Watch posts will continue…

Oscar Watch: Uncut Gems

Amidst a stream of Netflix comedies that haven’t exactly had critics on their side, Adam Sandler is now garnering some career best reviews for his starring role in Uncut Gems. The crime thriller from directors Josh and Benny Safdie premiered at the Telluride over the weekend ahead of its December, non-Netflix release.

Praise has been heaped on Sandler and he finds himself potentially in contention for Oscar chatter for the first time in years. In 2002, the comedian’s heralded work in Paul Thomas Anderson’s Punch-Drunk Love nabbed some awards buzz that ultimately went unrealized. The Brothers Safdie are making their follow up to 2017’s Good Time, which generated some talk of a Robert Pattinson leading actor nod that also never materialized.

This could all come down to competition for Sandler and if the pic gains any traction with a decent sized audience. Distributor A24 will probably make a push for his inclusion even as they concentrate on other titles like Waves and The Farewell. The original screenplay and cinematography from Darius Knondji have also been singled out in critical write ups.

Bottom line: Uncut Gems opens the door for Sandler to make the cut for Oscar attention, but let’s see how open the field is as time goes on. My Oscar Watch posts will continue…

Oscar Watch: Waves

Crashing into the Oscar conversation this weekend via the Telluride Film Festival is Waves, the third feature from writer/director Trey Edward Shults. Focusing on an African American family in South Florida, the drama is being hailed by some critics as a masterpiece. A24 will be distributing this and releasing it stateside on November 1. The buzz suggests the studio might have another Moonlight on its hands and that won Best Picture.

The ensemble cast of includes Kelvin Harrison, Jr., Lucas Hedges, Taylor Russell, Alexa Demie, Renee Elise Goldsberry, and Sterling K. Brown. Of those cast members, several could be in contention with Harrison and Russell getting early ink.

As for Shults, his 2015 debut Krisha won an Audience Award at the South by Southwest Festival. 2017’s horror pic It Comes at Night developed a solid critical following. This looks to put him on another level with potential nods for his directing and screenplay and the film itself. Bottom line: in a weekend full of awards bait stories, Waves is perhaps the biggest breakout yet. My Oscar Watch posts will continue…

Oscar Watch: Motherless Brooklyn

Edward Norton is a thrice Oscar nominated actor (two supporting for Primal Fear and Birdman and lead in American History X) and he’s brought his latest feature to the Telluride Film Festival. In the 1950s set crime thriller Motherless Brooklyn, Norton not only stars but directs. It’s his second feature behind the camera (at least that he’s credited for). His first was the largely forgotten rom com Keeping the Faith with Ben Stiller and Jenna Elfman. The supporting cast for Brooklyn is an impressive one with Bruce Willis, Gugu Mbatha-Raw, Bobby Cannavale, Cherry Jones, Leslie Mann, Willem Dafoe, and Alec Baldwin.

However, reviews out of Colorado hint that this will largely be forgotten as well. Despite praise for its ambition, the general consensus seems to be that Motherless is a bit of a misfire. While several other pictures from Telluride and Venice have solidified their standings, this would appear to an example of one that will not be a factor with awards voters. My Oscar Watch posts will continue…

Oscar Watch: Judy

It’s been quite some time since Renee Zellweger has been in the minds of Oscar voters for consideration, but that looks to change in 2019 with Judy. The film finds the actress portraying screen legend Judy Garland in the final tumultuous year of her life. Rupert Goold directs with a supporting cast including Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon.

While reviews for the picture itself are of a mixed nature, critics are praising Zellweger’s work as the troubled star. At the beginning of this century, the performer was recognized three years in a row. In 2001 and 2002, she scored back to back nods in lead actress for Bridget Jones’s Diary and Chicago. 2003 brought Zellweger a Supporting Actress win for Cold Mountain.

Academy folks love a good comeback story and Zellweger looks primed for a fourth nomination here as Judy. I’d suspect that would be the extent of any recognition for Judy as a whole. My Oscar Watch posts will continue…

Oscar Watch: Ford v Ferrari

Premiering at the Telluride Film Festival, James Mangold’s Ford v Ferrari sped into the Oscar conversation this evening. The film recounts the story of the 1966 24 Hours of Le Mans race with a cast headlined by Matt Damon and Christian Bale. Costars include Tracy Letts, Jon Bernthal, and Josh Lucas.

Early reaction suggests Ford is fast moving and a serious crowd pleaser with significant box office potential. There still seems to be uncertainty as to where Damon and Bale will be placed when it comes to lead or supporting. Both could go lead. If so, reviews suggest Bale is a likely nominee over Damon. If Bale goes supporting, he could provide competition for front runner Brad Pitt in Once Upon a Time in Hollywood or whoever else rises up. The performance of Letts is also garnering raves. He could factor in if both stars are slated for Best Actor.

Apart from the performers, Ford stands a real shot at Picture, Director, Adapted Screenplay, and multiple tech nods. This would be Mangold’s first recognition for his direction after a 2017 nod for his Logan script and helming Reese Witherspoon to a gold statue in Walk the Line. Bottom line: Ferrari has the make of a real contender in awards season. My Oscar Watch posts will continue…