My Case of posts for Oscar nominees hits our final nominee in Best Supporting Actor – Brad Pitt for Quentin Tarantino’s Once Upon a Time in Hollywood:
The Case for Brad Pitt
One decade after Inglourious Basterds, his first collaboration with Tarantino, Pitt is in the Oscar mix for the fourth time. For his acting that is. His first nod came nearly a quarter century ago in this category for 12 Monkeys and that was followed up by two lead nominations for 2008’s The Curious Case of Benjamin Button and 2011’s Moneyball. While he is 0 for 3 in the performance department, he does possess an Oscar as a producer on 2013’s Best Picture recipient 12 Years a Slave. It would appear the fourth time is the charm. Pitt has picked up all the significant precursors, including SAG, the Globes, BAFTA, and the Critics Choice. All other nominees here are heavyweights, but Pitt has been the favorite for some time. To add to that, his acceptance speeches over the past few weeks have been wildly entertaining.
The Case Against Brad Pitt
Quite frankly… I’m struggling. He is simply the massive front runner. That said, there have been upsets in recent history in Supporting Actor, including Mark Rylance (Bridge of Spies) over Sylvester Stallone (Creed) in 2015.
The Verdict
Expect Pitt’s star quality and self deprecation to be on full display when his name is called on Sunday evening.
My Case of posts will continue with Margot Robbie in Bombshell!
Mister Rogers isn’t the only PBS star getting the silver screen treatment this fall as DowntonAbbey hits theaters next weekend. Based on the acclaimed drama about an aristocratic British clan in the 1920s, the film picks up after the series finale from 2016. Julian Fellowes, creator of the program which aired stateside on the public access channel, did the screenplay. Michael Engler directs with numerous cast members returning including Hugh Bonneville, Michelle Dockery, Laura Carmichael, Jim Carter, Elizabeth McGovern, Matthew Goode, Penelope Wilton, and Maggie Smith.
Abbey had lots of dedicated followers to go with its multitude of Emmys and they should be curious to see the saga continue. While some could choose to wait and watch the family on the small screen like they’re accustomed to, I suspect a sizable amount will turn up in the cinema.
I was surprised to see this is set to premiere on over 3000 screens. That puts it in contention to compete with Rambo: LastBlood and AdAstra as the weekend’s highest grossing newcomer. My estimate of just over $20 million puts it just ahead of Mr. Stallone and ahead of Mr. Pitt.
DowntonAbbey opening weekend prediction: $20.8 million
Sylvester Stallone returns to his second most popular signature role for the fifth time next weekend in Rambo: LastBlood. Arriving 37 years after FirstBlood, the pic finds the aging vet battling a Mexican drug cartel after they kidnap a friend’s daughter. Adrian Grunberg directs with Paz Vega, Sergio Peris-Mencheta, and Adriana Barraza among the costars.
It’s been nearly 12 years since the character graced the silver screen and Rambo earned $18.2 million for starters back in early 2008. Since then, Stallone had a resurgence with his Rocky character with Creed and its sequel. His increased visibility and a nostalgia factor could help this outperform part 4.
To hit the best debut of the franchise, this would need to top the $20.1 million made by 1985’s Rambo: FirstBloodPartII. Worth noting is that its number is not adjusted for inflation.
There is some competition in the form of Brad Pitt’s AdAstra, but I’ll say Blood gets the better of it and barely manages to set that unadjusted record.
Rambo: LastBlood opening weekend prediction: $20.4 million
Two years after the original turned into an unanticipated summer success, shark sequel 47MetersDown: Uncaged is unlocked in theaters next weekend. While director Johannes Roberts is back behind the camera, a whole new cast of potential chum is present. That includes Sophie Nelisse, Corinne Foxx (daughter of Jamie), Brianne Tju, Sistine Stallone (daughter of Sly), John Corbett, and Nia Long. Original star Mandy Moore is off somewhere and hopefully dry.
In June 2017, the first Meters had an interesting journey to the big screen. A measly $5 million production, it was originally slated to be a VOD only release. After it was acquired by Entertainment Studios and perhaps assisted by Moore’s exposure in the hit series “This Is Us”, it was put into multiplexes and had an $11.2 million debut. Doubling its price tag out of the gate, it legged out quite well for its genre and ended up at $44 million.
The follow-up won’t be able to surprise everyone and come out of nowhere. Expectations are that it should at least match the start of its predecessor. I’ll project that it falls short of that by around a million.
47MetersDown: Uncaged opening weekend prediction: $10.2 million
For my TheAngryBirdsMovie2 prediction, click here:
In what has become tradition on this little blog of mine, the summer season brings us a lot of nostalgia on the silver screen. In the present, that means a slew of sequels and remakes and reboots coming on a near weekly basis. For these purposes, it means taking a look back on the movie summers of 30, 20, and 10 years ago.
As has been written in previous years, I’m listing the top ten hits as well as other notable pics and some flops. One thing is for sure about 1989. It will forever be known as the summer of the Batman and that blockbuster influenced what has become the predominant genre of the 21st century.
A recap of 1999 and 2009 will follow soon, but we start with what audiences were watching three decades ago.
10. UncleBuck
Domestic Gross: $66 million
John Candy had one of his most notable headlining roles in this John Hughes family friendly comedy that also introduced the world to Macaulay Culkin. No sequel followed, but a short-lived TV series did.
9. Turner & Hooch
Domestic Gross: $71 million
Shortly before Tom Hanks started collecting Oscars and doing primarily dramatic work, he was still known for comedy in the late 80s. This one teamed him with a dog in a buddy comedy that followed the similarly themed with K–9 with Jim Belushi from three months earlier. This one made a bit more cash.
8. WhenHarryMetSally…
Domestic Gross: $92 million
Rob Reiner’s romantic comedy (scripted by Nora Ephron) is considered one of the genre’s landmarks. Billy Crystal and Meg Ryan headlined with a diner scene that has become quite iconic.
7. DeadPoetsSociety
Domestic Gross: $95 million
Robin Williams seized the day and an Oscar nomination for his portrayal of an unorthodox English teacher in Peter Weir’s film, which also nabbed a nod for Best Picture.
6. Parenthood
Domestic Gross: $100 million
Ron Howard’s dramedy sported an ensemble cast with Steve Martin and a crowd pleasing vibe. This is a rare pic that spawned two TV shows. The one from 1990 flopped while the 2010 version ran six seasons. Parenthood marks appearance #1 in the top ten for Rick Moranis.
5. GhostbustersII
Domestic Gross: $112 million
The eagerly awaited sequel to the 1984 phenomenon was a disappointment critically and commercially when considering the original’s $229 million haul. That said, it gives us appearance #2 for Rick Moranis. A direct sequel will follow in 2020.
4. Honey, IShrunktheKids
Domestic Gross: $130 million
And we reach the trifecta for Rick Moranis as Disney had an unexpected smash hit here. It stood as the studio’s largest grossing live-action feature for five years. Two less successful sequels followed.
3. LethalWeapon2
Domestic Gross: $147 million
Of the four action comedy pairings of Mel Gibson and Danny Glover, part 2 stands as the franchise’s top earner. This one threw Joe Pesci into the mix with sequels that followed in 1992 and 1998.
2. IndianaJonesandtheLastCrusade
Domestic Gross: $197 million
While Harrison Ford’s third appearance as his iconic character didn’t match the grosses of RaidersoftheLostArk in 1981, it did earn more than 1984 predecessor TempleofDoom. Pairing Indy with his dad played by Sean Connery, the character wouldn’t make it to the screen again until Steven Spielberg and Ford teamed up again 19 years later.
1. Batman
Domestic Gross: $251 million
As mentioned, 1989 was dominated by Tim Burton’s take on the Caped Crusader. While the casting of Michael Keaton in the title role was controversial upon announcement, it turned out quite well (as did Jack Nicholson’s turn as The Joker and a funky Prince soundtrack). Three sequels and multiple reboots followed.
And now for some notable pictures outside of the top ten:
TheAbyss
Domestic Gross: $54 million
James Cameron was riding a high after TheTerminator and Aliens when he made this sci-fi aquatic adventure. Known just as much for its difficult production as its Oscar winning visuals, it had a mixed reaction that has grown more positive through the years.
Turns out corpses are hilarious in this low budget comedy that turned into enough of a hit that a sequel followed four summers later.
RoadHouse
Domestic Gross: $30 million
It may not have had critics on its side or been a huge success originally, but Patrick Swayze’s turn as a midwestern bouncer became a serious cult hit subsequently.
DotheRightThing
Domestic Gross: $27 million
A cultural milestone, DotheRightThing served as the major breakout for Spike Lee and was named by numerous critics as the greatest film of 1989.
sex, lies, andvideotape
Domestic Gross: $24 million
Winning the Cannes Film Festival, Steven Soderbergh’s provocative debut helped usher in a wave of independent films that followed in the 90s.
It wasn’t all success stories in the summer of 1989 and here’s some that failed to meet expectations:
StarTrekV: TheFinalFrontier
Domestic Gross: $52 million
Captain Kirk himself directed this installment after Leonard Nimoy made its two well received predecessors. This one was met with ambivalence and stands at the second lowest earner of this particular Trek franchise.
TheKarateKidPartIII
Domestic Gross: $38 million
In 1984, the original made $90 million and the 1986 sequel made $115 million. Three summers later, moviegoers had tired of Ralph Macchio and Pat Morita in their signature roles. Yet TV watchers are currently tuned to a series reboot with Macchio back as Daniel.
LicencetoKill
Domestic Gross: $34 million
Timothy Dalton’s second turn as 007 was a stateside flop and is the lowest grossing Bond flick when adjusted for inflation. Its star would never return in the role and the six year gap that followed when Pierce Brosnan reinvigorated the series with Goldeneye stands as the lengthiest gap in its near 60 years of existence.
LockUp
Domestic Gross: $22 million
Sylvester Stallone had plenty of hits during the decade, but this one casting him as a tortured convict wasn’t one of them.
CasualtiesofWar
Domestic Gross: $18 million
Brian de Palma was coming off a massive hit with TheUntouchables, but this Vietnam War drama with Michael J. Fox and Sean Penn didn’t find an audience.
PinkCadillac
Domestic Gross: $12 million
Three summers later, Clint Eastwood entered Oscar territory with Unforgiven. This action comedy with Bernadette Peters is one of his forgotten efforts and stalled with critics and crowds.
I hope you enjoyed this look back on the 1989 summer period and I’ll have 1999 up soon!
As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).
And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!
25. Channing Tatum (2012)
It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance TheVow, hit comedy 21JumpStreet, and his signature and semi-autobiographical title role in the summer sleeper MagicMike (also from Mr. Soderbergh).
24. John Travolta (1996)
Two years following his major comeback in PulpFiction and a year following his Golden Globe nominated lead in GetShorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller BrokenArrow and fantasy dramas Phenomenon and Michael.
23. Clint Eastwood (1971)
The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller PlayMistyforMe. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and MillionDollarBaby. In December, Eastwood starred as DirtyHarry which spawned his lucky cop franchise.
22. Sigourney Weaver (1988)
Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for GorillasintheMist and Supporting Actress for WorkingGirl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.
21. Joe Pesci (1990)
Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic HomeAlone.
20. Kevin Spacey (1995)
Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in TheUsualSuspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in Outbreak and headlined the critically approved indie comedy SwimmingwithSharks.
19. Nicolas Cage (1997)
LeavingLasVegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: ConAir and Face/Off.
18. Will Ferrell (2003)
Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s OldSchool as Frank the Tank and in the winter as Buddy in Elf.
17. Morgan Freeman (1989)
The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner DrivingMissDaisy, a dedicated and stern principal in LeanonMe, and a Civil War officer in Glory.
16. Steven Soderbergh (2000)
The prolific filmmaker made two Best Picture nominees with ErinBrockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.
15. Halle Berry (2001)
Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’sBall. This was all sandwiched between X–Men hits.
14. Hugh Jackman (2017)
Berry’s X–Men cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical TheGreatestShowman was an unexpected smash.
13. Leonardo DiCaprio (2002)
Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s GangsofNewYork and Steven Spielberg’s CatchMeIfYouCan left little doubt. He’s been one of Hollywood’s most dependable stars since.
12. Francis Ford Coppola (1974)
In 1972, Coppola made perhaps the greatest American film of all time with TheGodfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller TheConversation.
11. Michael Douglas (1987)
His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s WallStreet won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller FatalAttraction, which was the year’s second largest grosser.
10. Julia Roberts (1999)
She started the decade with a smash star making turn in PrettyWoman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: NottingHill with Hugh Grant and RunawayBride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for ErinBrockovich.
9. Tom Cruise (1996)
1986 wasn’t too shabby either with TopGun and TheColorofMoney. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s JerryMaguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.
8. Sandra Bullock (2013)
Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy TheHeat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.
7. Sylvester Stallone (1985)
Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind BacktotheFuture. They were for his two signature characters with Rambo: FirstBloodPartII and RockyIV.
6. Robert Downey Jr. (2008)
A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in IronMan, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s TropicThunder, which earned Downey a rare Oscar nod for a comedic performance.
5. Tom Hanks (1993)
There’s more than one year to consider for Hanks… 1995 (Apollo13, ToyStory) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic SleeplessinSeattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for ForrestGump.
4. Mel Brooks (1974)
The director managed to make two of the most beloved comedies of all time in one year… BlazingSaddles and YoungFrankenstein. The two features combined contain some of the funniest scenes ever filmed.
3. Jennifer Lawrence (2012)
Already an Oscar nominee two years prior for Winter’sBone, Lawrence’s road to superstardom was paved in 2012. In March came TheHungerGames, the year’s third top earner that spawned three sequels. In December came SilverLiningsPlaybook, where she won Best Actress.
2. Jim Carrey (1994)
In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as AceVentura: PetDetective, TheMask, and DumbandDumber all hit screens.
1. Steven Spielberg (1993)
In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale JurassicPark in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’sList won seven Academy Awards (including Picture and for Spielberg’s direction).
I hope your New Year is your best yet, readers! Have a happy one…
When a little underdog of a movie named Rocky came out 42 years ago, a litany of Roman numeral titled sequels wasn’t foreseeable. Fantastic box office returns and a surprising Best Picture Oscar win changed that dynamic. 1979’s RockyII was eagerly awaited and served as nothing much more than a retread of its predecessor. It was a dull copy at that where the main difference was its hero Rocky Balboa (Sylvester Stallone) besting rival Apollo Creed (Carl Weathers).
Creed came out in 2015 and it had underdog status itself. The concept of shifting the focus to Apollo’s illegitimate son Adonis (Michael B. Jordan) and his prowess in the ring seemed a little lame upon its announcement. However, like Rocky, the picture exceeded expectations with energetic direction from Ryan Coogler, fine work from Jordan, and an emotional storyline with Rocky’s cancer diagnosis. Stallone was even nominated again for an Academy Award.
Financial success has brought those Greek digits back. CreedII has a deeper well to drain from as far as plot compared to RockyII because of the further follow-ups. Coogler isn’t behind the camera anymore as he took on the phenomenon that was BlackPanther. Steven Caple Jr. takes over the reins while Stallone shares script credit (something he didn’t do three years ago).
1985’s RockyIV is the entry that the second Creed taps for material. As you’ll recall, this was the saga where Balboa fought fierce Russian competitor Ivan Drago (Dolph Lundgren) while seemingly punching out Communism too. Part four was cheesy, very much of its time, and highly enjoyable. It’s also the one where Drago delivered a fatal blow to Apollo after the energetic “Living in America” performance of James Brown.
Adonis gets an opportunity to avenge his father here. Drago’s son Viktor (Florian Munteanu) is an up-and-comer with his sights on the now heavyweight champion. His pops Ivan sees it as revenge after mother Russia shunned him following his loss to Balboa. The daddy issues don’t end there. Creed is now engaged to singer Bianca (Tessa Thompson) and she’s expecting. Rocky is estranged from his son as Adonis often fills that void.
The Italian Stallion isn’t thrilled with the prospect of Creed/Drago II, considering Apollo died in his arms. And we know that training montages will keep the drama unfolding. We don’t have a Xerox like situation with this sequel. It does follow the path of #4 in numerous ways, including a Soviet set main event.
Ivan Drago was a man of few words in ‘85 and he still is. His back story of abandonment from his wife (Brigitte Nielsen, who cameos) and countrymen has the potential to be compelling, but it’s given the short shrift. Jordan is still excellent in the title role, as is his chemistry with Thompson. Stallone’s character arch here is considerably less captivating than the last time around. This franchise is shifting away from him to Adonis and you feel it.
Like Creed, the ring action is more realistic than anything in the Rocky tales, where punches landed with a percentage of around 110%. Caple Jr. does decent work filming them, though not to the level of what Coogler accomplished.
CreedII is a superior direct sequel than RockyII. The common thread is that neither are particularly memorable or necessary. To add to the clichés that permeate this series (sometimes in supreme guilty pleasure ways), it’s not a knockout. If you’re a true fan, though, it certainly won’t break you.
Three years ago, the biggest surprise of Oscar night was Sylvester Stallone losing Best Supporting Actor to Mark Rylance in BridgeofSpies. The legendary performer was nominated for his seventh portrayal of Rocky Balboa in Creed, nearly 40 years after Rocky won Best Picture.
Creed was an unexpected critical and box office smash with a knockout score of 95% on Rotten Tomatoes. However, Oscar attention was reserved for Stallone only. CreedII opens on Wednesday and reviews are out. The tale of the tape indicates a mostly satisfying if predictable experience that serves as a follow-up to RockyIV. The Tomato meter currently sits at 72%.
While its predecessor was heralded for Stallone’s work, early critical reaction here is more focused on Michael B. Jordan’s return in the title role. Yet any awards attention he receives will be for his supporting role in BlackPanther, I suspect.
Bottom line: CreedII may please fans of the franchise. Like the Rocky sequels, don’t expect awards voters to punch ballots for it. My Oscar Watch posts will continue…
Blogger’s Note (11/20): On the eve of its premiere, I have increased my prediction for CreedII
When Creed debuted three Thanksgiving weekends ago, it did so in the manner of the character who began the franchise nearly four decades prior… as an underdog. The Rocky spinoff managed to majorly defy expectations with rave reviews and even Oscar chatter for costar Sylvester Stallone in Supporting Actor. That wave of buzz resulted in a $29 million Friday to Sunday start and $42 million total for the five-day holiday weekend. The eventual gross was $109 million.
Like Rocky before it, now come the sequels with Roman numerals as CreedII premieres next week. Michael B. Jordan is back along with Stallone, Tessa Thompson, Phylicia Rashad, and Milo Ventimiglia (reprising his role as Balboa’s son from 2006’s RockyBalboa). And that’s not the only blast from the past as Adonis Creed is fighting the son of Ivan Drago from 1985’s RockyIV. That means Dolph Lundgren returns with a reported appearance from Brigitte Nielsen as well. Florian Munteanu is Drago’s spawn and other new cast members include Wood Harris and Russell Hornsby. Steven Caple, Jr. takes over directorial duties from Ryan Coogler, who moved onto a little something called BlackPanther earlier this year (he does executive produce).
So how will the second round measure up? Jordan has certainly increased his visibility even more with his acclaimed villainous role in the aforementioned Panther. And part 4 of the Rocky series that this harkens back to is perhaps the most well-known sequel of the bunch.
That leads me to think II will open on an even keel with its predecessor. Yet I’m not seeing a compelling reason for it premiering much bigger. This might seem like a dull prediction, but I truly think the box office decision will match what came before.
CreedII opening weekend prediction: $31.4 million (Friday to Sunday); $45.3 million (Wednesday to Sunday)
For my RalphBreakstheInternet prediction, click here:
Continuing on with my look back at the major categories from 1990 to the present at the Oscars, we arrive at Best Supporting Actor! If you missed my post regarding Supporting Actress, you can find it right here:
As I did with that blog entry, I’m picking the top 3 least surprising winners (performers who essentially sailed right through awards season) and the 3 biggest upsets in each race. I am also selecting the strongest and weakest fields overall.
As a primer, here are the 28 actors whose support earned them a golden statue:
1990 – Joe Pesci, GoodFellas
1991 – Jack Palance, City Slickers
1992 – Gene Hackman, Unforgiven
1993 – Tommy Lee Jones, The Fugitive
1994 – Martin Landau, Ed Wood
1995 – Kevin Spacey, The Usual Suspects
1996 – Cuba Gooding Jr., Jerry Maguire
1997 – Robin Williams, Good Will Hunting
1998 – James Coburn, Affliction
1999 – Michael Caine, The Cider House Rules
2000 – Benicio del Toro, Traffic
2001 – Jim Broadbent, Iris
2002 – Chris Cooper, Adaptation
2003 – Tim Robbins, Mystic River
2004 – Morgan Freeman, Million Dollar Baby
2005 – George Clooney, Syriana
2006 – Alan Arkin, Little Miss Sunshine
2007 – Javier Bardem, No Country for Old Men
2008 – Heath Ledger, The Dark Knight
2009 – Christoph Waltz, Inglourious Basterds
2010 – Christian Bale, The Fighter
2011 – Christopher Plummer, Beginners
2012 – Christoph Waltz, Django Unchained
2013 – Jared Leto, Dallas Buyers Club
2014 – J.K. Simmons, Whiplash
2015 – Mark Rylance, Bridge of Spies
2016 – Mahershala Ali, Moonlight
2017 – Sam Rockwell, Three Billboards Outside Ebbing, Missouri
There are plenty to choose from as far least surprising winners, but here’s my top ones:
3. Gene Hackman, Unforgiven
Clint Eastwood’s Western picked up a slew of awards on Oscar night and Hackman’s inclusion in that race was never really in doubt. It was his second statue after winning Best Actor 21 years previously for The French Connection.
2. Heath Ledger, The Dark Knight
It was director Christopher Nolan giving numerous awards speeches on behalf of the late Ledger, as his work playing the iconic villain swept all precursors as well. This remains not only the only win in the omnipresent superhero genre in the 21st century, but the only nomination.
1. Javier Bardem, No Country for Old Men
Like Ledger, Bardem created a bad guy for the ages in the Coen Brothers Oscar-winning picture. He picked up all the precursors as well for his role.
And now the upsets!
3. James Coburn, Affliction
There was clearly no front-runner in 1998 as a different actor was honored in each preceding awards show. Ed Harris took the Golden Globe for The Truman Show, Billy Bob Thornton (A Simple Plan) was victorious at the Critics Choice Awards, Robert Duvall’s role in A Civil Action was honored at SAG, and Geoffrey Rush (Elizabeth) was the BAFTA recipient. Surely one of them would win the Oscar, but it instead went to Mr. Coburn.
2. Mark Rylance, Bridge of Spies
In 2015, the general consensus was that Sylvester Stallone would punch out the competition in his signature role for Creed. That would have been quite a feat after Rocky took Best Picture in 1976 – nearly four decades prior. Yet it didn’t materialize when Rylance made the trip to the podium.
1. Alan Arkin, Little Miss Sunshine
Along the same lines, Eddie Murphy was the strong favorite for his rare dramatic work in Dreamgirls. With Jennifer Hudson as a sure thing for Supporting Actress (which did happen), the musical looked safe for a supporting sweep. The Academy surprisingly went another route by honoring Arkin.
And now to the fields overall and choosing a strongest and weakest. For the least impressive of the bunch, I’m going with 2011. Here were the nominees:
Christopher Plummer, Beginners (winner)
Kenneth Branagh, My Week with Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Max Von Sydow, Extremely Loud and Incredibly Close
When it comes to best overall field, I chose 1993. This is the year that Tommy Lee Jones got the gold in The Fugitive. That’s a rare acting win for an action flick. It was deserved in my view and the other four nominees were very strong as well. They were:
Leonardo DiCaprio, What’s Eating Gilbert Grape
Ralph Fiennes, Schindler’s List
John Malkovich, In the Line of Fire
Pete Postlethwaite, In the Name of the Father
Furthermore, I could keep going with other deserving actors that year, including Val Kilmer in Tombstone and Sean Penn for Carlito’s Way.
The next trip down memory lane will be Best Actress and it will be up soon!
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