Oscar Predictions: Will & Harper

Will & Harper seems to be quite a crowd favorite at Sundance. The documentary follows Will Ferrell and best friend Harper Steele on a road trip following Harper’s recent gender transition. Josh Greenbaum, who made Barb and Star Go to Vista Del Mar and Strays, chronicles the journey.

Not all the reviews are raves, but it does have a 100% RT score. Obviously Ferrell’s star power and the subject matter could result in lots of eyeballs on this doc. It should be scooped by a streamer or studio in short order and there’s already rumors it might land the largest doc deal in Sundance history.

Just because this appears bound to be one of the highest profile pics in its genre doesn’t mean it’ll generate awards attention. Yet if viewers respond the way the Park City group is (multiple standing O’s), it could be in the conversation. My Oscar Prediction posts will continue…

Oscar Predictions: Freaky Tales

The most positive reviews of Freaky Tales, which has screened at Sundance, indicate it might be more at home coming in a VHS box. Called a love letter to the 80s era it is set in and to the city of Oakland, Anna Boden and Ryan Fleck (the team behind Half Nelson and Captain Marvel) direct the action drama depicting four connected stories. The cast includes Pedro Pascal, Jay Ellis, Normani, Dominique Thorne, Ben Mendelsohn, Ji-young Yoo, Jack Champion, and the late Angus Cloud. Fun fact: Too Short, famed Oakland rapper, narrates.

Critics extolling its virtues and shortfalls bring up Pulp Fiction and Tarantino. Yet unlike that 30-year-old classic, reaction is mixed with a 71% Rotten Tomatoes score. And unlike Fiction, it is likely a fact that Freaky Tales won’t be an awards contender. My Oscar Prediction posts will continue…

Oscar Predictions: A Real Pain

A Real Pain is the second directorial feature from Jesse Eisenberg after When You Finish Saving the World. The dramedy about two cousins (Eisenberg and Kieran Culkin) on a Holocaust tour following their Grandma’s death could be a real contender next year. Searchlight Pictures apparently thinks so since it forked over $10 million for distribution rights after its Sundance premiere.

Reviews indicate this is a crowdpleaser that delicately balances tough subjects with humor. The RT score is 100%. Eisenberg, a Best Actor nominee in 2010 for The Social Network, could be in line for an Original Screenplay nod (that seems more likely than Director). Costars include Jennifer Grey (of Ferris Bueller and Dirty Dancing fame) and Will Sharpe. It could be Culkin (a freshly minted Emmy recipient for Succession) that garners acting attention in supporting. We usually see at least one Best Picture nominee start its journey in Park City (this year’s is Past Lives). A Real Pain is in contention. My Oscar Prediction posts will continue…

Oscar Predictions: Exhibiting Forgiveness

Exhibiting Forgiveness marks the directorial debut of Titus Kaphar and it was unveiled at Sundance over the weekend. The family drama stars André Holland, John Earl Jelks, Andra Day, and Aunjanue Ellis-Taylor.

Sporting a 100% RT rating, Forgiveness could be a real contender in some top tier races a year from now. With the right campaign, Picture and Original Screenplay are feasible. Holland could be a factor in lead Actor. With acclaimed turns in Moonlight and Passing, it could be time for major awards exposure (he also has a potentially baity part in The Actor in 2024). Jelks also is generating praise for his supporting work. This is one to keep an eye on throughout the long upcoming season. My Oscar Prediction posts will continue…

Oscar Predictions: A Different Man

Writer/director Aaron Schimberg’s A Different Man was one of the more buzzed about titles premiering at Sundance and early reaction is that it lives up to the hype. With reviews indicating it crosses multiple genres, Sebastian Stan stars as a formerly disfigured man with Adam Pearson (who has neurofibromatosis in real life) playing him in a stage production. Renate Reinsve (who drew acclaim raves for 2021’s The Worst Person in the World) costars.

With a 90% RT score, critics are saying this is tough story to pull off and that Schimberg generally succeeds. One also gets the vibe that this is a very A24 production. Translation: mainstream crowds might be turned off.

That said, A24 could mount a campaign for two of the three top performers in particular. Stan is said to give a career best performance in lead while Pearson is getting plenty of attention for his supporting turn. You may recognize him from an extremely eerie scene in Jonathan Glazer’s Under the Skin from 2014. If those actors can be in contention, other top of the line races could follow. I wouldn’t count out a Makeup and Hairstyling nod either. Let’s see how hard its distributor pushes. My Oscar Prediction posts will continue…

Oscar Predictions: I Saw the TV Glow

A24 is having a solid Sundance so far (Love Lies Bleeding, A Different Man) and Jane Schoenbrun’s horror pic I Saw the TV Glow is part of it. It is the director’s sophomore effort behind We’re All Going to the World’s Fair with Justice Smith, Brigette Lundy-Paine, Danielle Deadwyler, Helena Howard, and Limp Bizkit’s Fred Durst headlining.

Glow is shining with a 100% RT rating. This seems destined for kudos throughout the year as critics are saying this is far from a sophomore slump. That said, A24 products can be too much for the Academy and that could be the case (especially considering the genre). Don’t be surprised if this ends up on some top ten lists. I wouldn’t expect the Academy’s to be one of them. My Oscar Prediction posts will continue…

Oscar Predictions: Power

In 2017, Yance Ford’s true crime doc Strong Island (centered on the murder of the filmmaker’s brother) contended for Documentary Feature at the Oscars, ultimately losing to Icarus. Island first screened at Sundance seven years ago. His follow-up is Power and it has also been unveiled at the Utah fest.

Focusing on American policing tactics, the handful of reviews out are a bit mixed. The RT score is 83% (Island had a clean 100%). Power might have a tougher road to make the Academy’s ultimate quintet, but I wouldn’t discount it if it manages to make the shortlisted 15. My Oscar Prediction posts will continue…

Oscar Predictions: Love Lies Bleeding

Rose Glass’s 2020 directorial debut Saint Maud was a critically hailed horror tale that originally screened at Toronto in 2019. Her sophomore effort Love Lies Bleeding (out March 8th) is a Sundance affair and it is one of the more eagerly awaited titles. The 80s set noirish thriller casts Kristen Stewart and Katy O’Brian as lovers embroiled in crime drama. Costars include Ed Harris, Jena Malone, Anna Baryshnikov, and Dave Franco.

From the reaction out of Utah, Bleeding should inspire strong reactions across the spectrum. The RT score is 90% (**Blogger’s Note: updated March 9th) with reviewers praising technical aspects (cinematography, score) and the cast (Stewart is particularly getting some shouts along with Harris). K-Stew has quite a presence at Sundance 2024. Her sci-fi two-hander Love Me with Steven Yeun is drawing mixed notices.

A24 apparently has a wild ride on its hands. If the studio play their cards right, supporting campaigns for Stewart (or maybe lead) and Harris are in order. On the other hand, this could be too out there for awards voters. My Oscar Prediction posts will continue…

Oscar Predictions: Frida

Salma Hayek received her sole Oscar nomination in Actress for the title role of 2002’s Frida. Over two decades later, Mexican painter Frida Kahlo is the subject of Carla Gutierrez’s documentary. Premiering at Sundance, it is slated for Amazon streaming in March. The filmmaker makes her directorial debut though she’s served as editor on high profile docs like RBG and Julia.

Reviews out of Utah thus far are a bit on the mixed side. In recent years, we’ve seen a slew of movies in this genre focused on artists of the painting and musical variety. They rarely run through the gauntlet and make it to the Academy’s final five in Documentary Feature. I question Frida‘s chances as well. My Oscar Prediction posts will continue…

Oscar Predictions: Sasquatch Sunset

Sasquatch Sunset comes from brothers Nathan and David Zellner and the quirky comedy focuses on a family of three Bigfoots. Premiering at Sundance prior to an April 12th release, it stars Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek, and Nathan Zellner himself. Ari Aster executives produces and this sounds right up his absurdist alley.

Critics are mostly digging this and it sports a 79% RT score. Even those reviews, however, indicate mainstream audiences could be baffled. I doubt this will have a big footprint (or any) during awards season (though maybe the makeup work get some attention). It should also be noted that distributor Bleecker Street has a weak track record at campaigning. My Oscar Prediction posts will continue…