At last year’s Academy Awards, Mstyslav Chernov’s 20 Days in Mariupol received the Documentary Feature prize. Ukrainian filmmaker will look to achieve the same at next year’s ceremony with 2000 Meters to Andriivka.
Focused on the Russia/Ukraine war like Mariupol, Andriivka has premiered at the Sundance Film Festival (also like Chernov’s predecessor). Before we delve into this project, let’s talk Sundance for a moment. The Park City (for now) event kicked off today so you can expect several Oscar Prediction posts covering its screenings.
While Sundance can give us BP nominees like CODA, Judas and the Black Messiah, and Minari to name some recents, that didn’t happen today though A Real Pain probably came close. Where the fest does provide lots of contenders is with their docs. Four of today’s Documentary Feature nominees for the 97th Academy Awards screened at Sundance: Black Box Diaries, Porcelain War, Soundtrack to a Coup d’Etat, and Sugarcane.
With that context is out of the way, back to Andriivka. Early reviews and WOM indicates that this could be another contender for Chernov. There is the matter of whether voters might feel they just honored the director. Let’s see how its distribution plays out too, but I wouldn’t discount this being in the mix. My Oscar Prediction posts will continue…
Focusing on an online gamer and his fight with muscular dystrophy, Benjamin Ree directs the documentary The Remarkable Life of Ibelin. It was released on Netflix last month after premiering at the Sundance Film Festival earlier this year. In Utah, it was the recipient of the World Documentary Audience Award.
With a 98% Rotten Tomatoes rating and 78 on Metacritic, Ibelin is already in contention for the Critics Choice Documentary Awards Best Feature (where there are 10 nominees), Director, Score, and Editing. All of that could be a recipe for a Documentary Feature nod at the Oscars if it makes the shortlist. I’ve yet to place it in my top five, but it’s been mentioned in the top 10 of possibilities. My Oscar Prediction posts will continue…
Japanese journalist Shiori Itõ recounts her own rape case in the documentary Black Box Diaries, out this weekend. Based on her memoir, it first premiered at Sundance to rave reviews and has continued to play the stateside and international fest circuit. It was acquired by MTV Documentaries.
The Rotten Tomatoes meter stands at 98% with 87 on Metacritic. The doc branch of the Academy can often leave surprising omissions on their shortlist for their best feature. If Diaries makes the shortlist, I suspect it gets into the final five in contention and my forecasts over the last past several weeks have reflected that. My Oscar Prediction posts will continue…
The religious themed dramedy Between the Temples premiered at Sundance in January and it receives limited theatrical engagements this weekend. Nathan Silver directs and cowrites with a cast led by Jason Schwartzman and Carol Kane. Costars include Dolly de Leon (who probably came close to a Supporting Actress nod for 2022’s Triangle of Sadness), Caroline Aaron, Robert Smigel, and Madeline Weinstein.
Reviews are mostly strong as it sits with 86% on Rotten Tomatoes. Critics are particularly kind to Schwartzman and Kane. The former is, of course, a Wes Anderson staple. The latter is a veteran actress whose sole Oscar nod in Supporting Actress came nearly 50 years ago for Hester Street.
Temples just isn’t visible enough for any Academy chatter and the same logic likely applies to the Golden Globes if it submits in the Musical/Comedy categories. My Oscar Prediction posts will continue…
No, Skywalkers: A Love Story is not a movie that advances the in hindsight uncomfortable smooch between Luke (Mark Hamill) and Leia (Carrie Fisher) in The Empire Strikes Back. Instead this documentary, which premiered on Netflix over the weekend, covers a Russian daredevil couple and their exploits atop a skyscraper. Jeff Zimbalist (whose 2005 environmental doc Favela Rising was shortlisted for Best Feature in its genre at the Oscars) and Maria Bukhonina co-direct. The pic originally premiered at Sundance back in January.
The Tomato meter currently sits at 73%. That mixed reaction is unlikely to put it in contention with the Academy. I didn’t have Skywalkers listed in my 10 possibilities for Doc Feature in my initial projections last weekend and wouldn’t count on it climbing up. My Oscar Prediction posts will continue…
Hello America. As we celebrate our birthday today, perhaps the biggest awards news this week came from the Venice Film Festival. It kicks off in late August and the surprise announcement was that Tim Burton’s long in the works sequel Beetlejuice Beetlejuice will open the Italian competition prior to its September 6th domestic theatrical bow.
That caused some prognosticators’ to speculate whether the Warner Bros release will make a play for Oscar inclusion. I wouldn’t go that far. In the past decade and a half, some of the premiere gala pics at Venice have generated BP nods including Black Swan, Gravity, Birdman, and La La Land. There’s been more that haven’t such as The Ides of March, Everest, Downsizing, First Man, and White Noise. That’s why you won’t find Beetlejuice Beetlejuice in my 25 possibilities for BP though I would expect to see its name (twice) in races like Makeup and Hairstyling and Production Design when I expand the category predictions a few weeks from now.
The London Film Festival shared its own scheduling report that Steve McQueen’s WWII drama Blitz will kick off that event in October before its November 1st output on the big screen. It will then hit Apple TV on November 22nd. I am a little befuddled that it is skipping Venice and Toronto, but it still appears to be Apple’s most significant contender. The word is also out that Saoirse Ronan will contend in lead Actress and not supporting for Blitz. That may well put her in competition with herself considering the acclaimed The Outrun (which was first seen at Sundance) and should make its way to theaters later this fall. I’ve had Ronan’s performance in Blitz slotted in supporting, but she makes the move up and replaces her Outrun work in the lead quintet. The buzz also has Harris Dickinson as the main supporting play over costars like Stephen Graham and Leigh Gill. Same with Kathy Burke in Supporting Actress. We’ll see if that holds true when those Londoners get eyeballs on it.
Another note – you may notice that Sing Sing is still #1 in BP while its director Greg Kwedar is on the outside looking in at sixth. That may seem counterintuitive. While it is still rare for a potential BP recipient to not see its maker in the cut for Director, it’s happened twice very recently with 2018’s Green Book and 2021’s CODA. Kwedar’s picture seems like the type of emotional crowdpleaser that could go all the way with voters. However, Kwedar himself may not make the quintet for his behind the camera efforts. I do anticipate him being up for the Adapted Screenplay that he cowrote.
Nickel Boys is the most significant gainer this time around. It moves into the BP ten while Aunjanue Ellis-Taylor vaults to #1 in Supporting Actress. The pic also materializes for the first go-round in Adapted Screenplay.
Speaking of that writing competition, I’ve shifted Emilia Pérez from Original to Adapted though that has not been determined at press time. We also have a new #1 in Adapted with my aforementioned BP leader Sing Sing.
You can read all the movement below and I’ll have another update available in a couple of weeks!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 1) (Even)
2. Blitz (PR: 3) (+1)
3. Dune: Part Two (PR: 2) (-1)
4. Conclave (PR: 4) (E)
5. Anora (PR: 5) (E)
6. Emilia Pérez (PR: 7) (+1)
7. Queer (PR: 6) (-1)
8. The Piano Lesson (PR: 9) (+1)
9. Nickel Boys (PR: 16) (+7)
10. The Seed of the Sacred Fig (PR: 8) (-2)
Other Possibilities:
11. Nightbitch (PR: 11) (E)
12. Joker: Folie à Deux (PR: 12) (E)
13. The End (PR: 10) (-3)
14. The Apprentice (PR: 13) (-1)
15. Gladiator II (PR: 24) (+9)
16. A Real Pain (PR: 14) (-2)
17. The Room Next Door (PR: 18) (+1)
18. Nosferatu (PR: 25) (+7)
19. Maria (PR: 19) (E)
20. All We Imagine as Light (PR: 21) (+1)
21. The Fire Inside (PR: 15) (-6)
22. His Three Daughters (PR: 17) (-5)
23. Dídi (PR: 23) (E)
24. We Live in Time (PR: Not Ranked)
25. Here (PR: 20) (-5)
Dropped Out:
Hit Man
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 1) (E)
2. Steve McQueen, Blitz (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 6) (+2)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)
Other Possibilities:
6. Greg Kwedar, Sing Sing (PR: 7) (+1)
7. Sean Baker, Anora (PR: 4) (-3)
8. Luca Guadagnino, Queer (PR: 8) (E)
9. RaMell Ross, Nickel Boys (PR: Not Ranked)
10. Marielle Heller, Nightbitch (PR: 10) (E)
11. Malcolm Washington, The Piano Lesson (PR: 12) (+1)
12. Ridley Scott, Gladiator II (PR: 15) (+3)
13. Payal Kapadia, All We Imagine as Light (PR: 13) (E)
14. Joshua Oppenheimer, The End (PR: 9) (-5)
15. Todd Phillips, Joker: Folie à Deux (PR: 11) (-4)
Dropped Out:
Pedro Almodóvar, The Room Next Door
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)
5. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Supporting
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)
7. Tilda Swinton, The Room Next Door (PR: 8) (+1)
8. Natasha Lyonne, His Three Daughters (PR: 7) (-1)
9. Marianne Jean-Baptiste, Hard Truths (PR: 11) (+2)
10. Saoirse Ronan, The Outrun (PR: 5) (-5)
11. Ryan Destiny, The Fire Inside (PR: 9) (-2)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)
13. Lily Gladstone, Fancy Dance (PR: Not Ranked)
14. Zendaya, Challengers (PR: 14) (E)
15. Noémie Merlant, Emmanuelle (PR: Not Ranked)
Dropped Out:
Tilda Swinton, The End
Tessa Thompson, Hedda
Florence Pugh, We Live in Time
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. André Holland, The Actor (PR: 4) (E)
5. Sebastian Stan, The Apprentice (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, Joker: Folie á Deux (PR: 6) (E)
7. John David Washington, The Piano Lesson (PR: 7) (E)
8. Sebastian Stan, A Different Man (PR: 11) (+3)
9. Paul Bettany, The Collaboration (PR: 9) (E)
10. Glen Powell, Hit Man (PR: 10) (E)
11. Jesse Plemons, Kinds of Kindness (PR: 8) (-3)
12. Ethan Herisse, Nickel Boys (PR: Not Ranked)
13. Paul Mescal, Gladiator II (PR: 14) (+1)
14. Tom Hanks, Here (PR: 12) (-2)
15. Andrew Garfield, We Live in Time (PR: 13) (-2)
Dropped Out:
Jesse Eisenberg, A Real Pain
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (+3)
2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)
3. Danielle Deadwyler, The Piano Lesson (PR: 3) (E)
4. Isabella Rossellini, Conclave (PR: 1) (-3)
5. Carrie Coon, His Three Daughters (PR: 6) (+1)
Other Possibilities:
6. Kathy Burke, Blitz (PR: Not Ranked)
7. Julianne Moore, The Room Next Door (PR: 9) (+2)
8. Joan Chen, Dídi (PR: 10) (+2)
9. Toni Collette, Juror No. 2 (PR: 14) (+5)
10. Erin Kellyman, Blitz (PR: 13) (+3)
11. Selena Gomez, Emilia Pérez (PR: 12) (+1)
12. Lesley Manville, Queer (PR: 7) (-5)
13. Elizabeth Olsen, His Three Daughters (PR: 11) (-2)
14. Valeria Golino, Maria (PR: 8) (-6)
15. Emily Watson, Small Things like These (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, Blitz – moved to lead Actress
Catherine Keener, Joker: Folie à Deux
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)
3. Kieran Culkin, A Real Pain (PR: 4) (+1)
4. Stanley Tucci, Conclave (PR: 3) (-1)
5. Harris Dickinson, Blitz (PR: 12) (+7)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 6) (E)
7. Drew Starkey, Queer (PR: 8) (+1)
8. Denzel Washington, Gladiator II (PR: 11) (+3)
9. Adam Pearson, A Different Man (PR: 9) (E)
10. Brian Tyree Henry, The Fire Inside (PR: 5) (-5)
11. John Lithgow, Conclave (PR: 7) (-4)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Scoot McNairy, Nightbitch (PR: 13) (-1)
14. Elliot Heffernan, Blitz (PR: Not Ranked)
15. Mark Eidelstein, Anora (PR: Not Ranked)
Dropped Out:
Michael Shannon, The End
Barry Keoghan, Bird
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. A Real Pain (PR: 5) (+2)
4. The Seed of the Sacred Fig (PR: 4) (E)
5. His Three Daughters (PR: 7) (+2)
Other Possibilities:
6. Hard Truths (PR: 9) (+3)
7. The Room Next Door (PR: 8) (+1)
8. The End (PR: 3) (-5)
9. The Apprentice (PR: 11) (+2)
10. Dídi (PR: 12) (+2)
11. Kinds of Kindness (PR: 10) (-1)
12. Juror No. 2 (PR: Not Ranked)
13. All We Imagine as Light (PR: 15) (+2)
14. Maria (PR: 13) (-1)
15. Challengers (PR: 14) (-1)
Dropped Out:
Emilia Pérez – moved to Adapted Screenplay
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 2) (+1)
2. Conclave (PR: 1) (-1)
3. The Piano Lesson (PR: 4) (+1)
4. Nickel Boys (PR: 7) (+3)
5. Nightbitch (PR: 5) (E)
Other Possibilities:
6. Queer (PR: 3) (-3)
7. Emilia Pérez (PR: Not Ranked) – moved from Original Screenplay
Ghostlight, co-directed by Kelly O’Sullivan and Alex Thompson, was a highlight of this year’s Sundance Film Festival according to numerous critics. The indie drama casts an actual family of aspiring actors as the central characters. Focused on a grieving father pulled into the world of community theater, the cast includes Keith Kupferer, Katherine May Kupferer, and Tara Mallen. They are, respectively, father, daughter, and mother in real life. Dolly De Leon (who likely came close to a Supporting Actress nom for Triangle of Sadness in 2022) is among the costars.
With a 100% Rotten Tomatoes score, IFC Films (who picked up distribution rights after the Utah fest in January) could make a play for awards attention. I don’t know if the film can break through in the way that Coda did back in 2021. Probably not, but you never know if critics groups put it in the conversation a few months down the line. My Oscar Prediction posts will continue…
Lily Gladstone’s work in Martin Scorsese’s Killers of the Flower Moon last year was met with nominations across the awards spectrum with victories at the Golden Globes and SAG. Yet she came up short (and was almost certainly runner-up) at the Academy Awards when Emma Stone took Best Actress for Poor Things.
She may have another at bat with Fancy Dance. The drama/mystery from Erica Tremblay casts Gladstone as an Oklahoman searching for her missing sister while caring for her niece. Isabel DeRoy-Olson, Ryan Begay, and Shea Whigham costar. After its premiere at Sundance in January, Dance is in theaters on a limited basis June 21st before an Apple TV streaming start on June 28th.
Reviews out of Park City were impressive and this stands at 97% on Rotten Tomatoes. This is not as high profile a project as Gladstone’s preceding picture. Apple will need to put together an aggressive campaign for its lead to contend in Actress for a second year in a row. Her chances are lower this time around to make the Academy’s dance, but it’s possible. My Oscar Prediction posts will continue…
Stress Positions marks the feature-length debut for filmmaker and musician Thea Hammel. Set in the early days of COVID, the dramedy stars John Early, Qaher Harhash, Faheem Ali, and Amy Zimmer, and Hammel herself. After a Sundance premiere, it was released in limited fashion last weekend.
The Neon distributed effort has generated some glowing notices, but they’re mixed with some so-so takes. It stands at 68% on Rotten Tomatoes. That puts Stress in a non-position for awards chatter. My Oscar Prediction posts will continue…
After posting the highest PTA of any 2024 title thus far, the erotic thriller Love Lies Bleeding expands wide this weekend. Marking Rose Glass’s sophomore directorial effort behind her acclaimed horror pic Saint Maud, Kristen Stewart and Katy O’Brian headline with Ed Harris, Jena Malone, Anna Baryshnikov, and Dave Franco in support.
Bleeding first dropped at Sundance with general acclaim and it now holds a 91% RT score. In only five coastal venues, it took in $167k to nab that aforementioned best average.
Yet rolling out nationally could be a different story. Playing well in L.A. and NYC is not surprising. What’s in between could be a challenge. I’m assuming 1200 screens and if I get new information, that could alter this forecast. My projection likely puts it just outside this weekend’s top 5.
Love Lies Bleeding opening weekend prediction: $3.7 million
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