Before I Fall Box Office Prediction

Looking for the teen dramatic thriller version of Groundhog Day? It appears you can find it next weekend when Before I Fall debuts. Based on a 2010 YA bestseller by Lauren Oliver, the pic centers on a teen (Zoey Deutch) living the final day of her life repeatedly. Costars include Halston Sage, Logan Miller, and Jennifer Beals (yep, the star of Flashdance!).

Fall premiered at the Sundance Film Festival to some positive reviews and it sits at 64%  currently on Rotten Tomatoes. That said, the Open Roads release isn’t expected to rise much with audiences. The marketing campaign has been rather low key and I suspect a mid to possibly high single digits opening is the probable result.

Before I Fall opening weekend prediction: $5.3 million

For my Logan prediction, click here:

https://toddmthatcher.com/2017/02/23/logan-box-office-prediction/

For my The Shack prediction, click here:

https://toddmthatcher.com/2017/02/24/the-shack-box-office-prediction/

Oscar Watch: Call Me by Your Name

The Sundance Film Festival of 2017 has come and gone, but this blogger is still sorting out the potential Oscar buzz coming from it. Even though it’s the earliest fest, Sundance has a habit of showcasing film or two and performers that get Academy nods a year later.

Perhaps no other picture generated more buzz this time around than Luca Guadagnino’s Call Me by Your Name, a gay love story set in Italy during the 1980s. Based on an acclaimed 2007 novel by Andre Aciman, Name stars Timothee Chalamet (a relative unknown who’s appeared on Showtime’s “Homeland”), Armie Hammer, and Michael Stuhlbarg, a fine character actor who’s popped up in everything from Steve Jobs to Arrival to Doctor Strange to Miss Sloane as of late.

Buzz on this romance is terrific thus far and it sports a 100% current Rotten Tomatoes rating. It’s leaving Sundance with the strongest potential for Oscar voter notice along with Mudbound (which I already posted about). Picture, Director, Actor (Chalamet) and Supporting Actor (Hammer or Stuhlbarg) appear to be in play, as well as Adapted Screenplay.

Of course, it’s very early but Name appears to be a real contender.

My Oscar Watch posts will continue…

Oscar Watch: Get Out

A horror flick written and directed by a comic actor potentially receiving Oscar attention? Get out, you might say! And Get Out is right and it’s the name of a Sundance premiere that’s drawing lots of positive attention.

This is the directorial debut of Jordan Peele of Comedy Central’s “Key and Peele” and last year’s so so Keanu. It focuses on a black man dating a white woman. When it’s time to meet her parents, he discovers a rather scary community where others of his race have a tendency to disappear. Daniel Kaluuya, Allison Williams, Bradley Whitford, and Catherine Keener star in this rather bold premise with a pretty darn effective trailer.

The film’s Sundance debut has drawn raves and it stands at 100% on Rotten Tomatoes. The chances of this getting into the Best Picture convo is unlikely. However, depending on level of competition, it could be in the mix for Peele’s Original Screenplay if voters remember it nearly a year after its February 24th domestic debut.

My Oscar Watch posts will continue…

Oscar Watch: The Big Sick

Another day, another Sundance Film Festival write up of a film that could have 2017 awards hopes. The Big Sick has emerged as a huge audience favorite in Utah. This romantic comedy was written by Kumail Nanjiani and his wife Emily V. Gordon and borrows from their real life experiences as a mixed faith couple. Nanjiani (who you may recognize from HBO’s “Silicon Valley”) also headlines and costars include Zoe Kazan, Holly Hunter, and Ray Romano. Judd Apatow serves as a producer.

Sick is said to be a crowd pleaser and Amazon showed a lot of their faith with it when they plunked down $12 million for the distribution rights. When it does receive its stateside release, it could have a sleeper status potential.

Will that translate into awards chatter? It’s doubtful as comedies always have an uphill battle for recognition. Yet one category where it could pop up is Original Screenplay, depending on level of competition.

My Oscar Watch posts will continue…

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Oscar Watch: Mudbound

As the Sundance Film Festival rolls along, expect at least a handful of Oscar Watch posts for 2017 as we await the 2016 Oscar nominations come Tuesday. I’ve already covered A Ghost Story with Casey Affleck. Now we move to a film said to have received a thunderous ovation over the weekend – Mudbound from director Dee Rees.

The period drama is set post World War II and focuses on the plights of two farming families (one black, one white) in Mississippi. It is based on an acclaimed 2008 novel by Hillary Jordan. The cast includes Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, and Jonathan Banks. Mudbound is not expected to be released wide until fall.

Based on critical and festival audience buzz over the weekend, this could have what it takes to keep momentum over the next year when it comes to Academy potential. The reaction is somewhat similar to last year’s Sundance entry The Birth of a Nation, which came out of the fest like a rocket. Of course, its Oscar chances dimmed when controversy surrounded its director and star.

If Mudbound can manage to stay relevant as many other heavy hitters make their way to screens this year, Rees could be the first African American female to receive a Directing nod. As for the actors, both Mitchell (who played Eazy-E in Straight Outta Compton) and R&B legend Blige have gotten kudos and could compete in their respective supporting races.

My Oscar Watch posts will continue…

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Oscar Watch: A Ghost Story

Another Sundance Film Festival, another Casey Affleck picture potentially entering the Oscar conversation. It was right around this time last year that Manchester by the Sea screened at the aforementioned fest and immediately garnered Academy buzz. This Tuesday, Manchester looks bound for a Best Picture nod and it looks to be one of three (alongside La La Land and Moonlight) that could win.

Today, A Ghost Story premiered at the Park City festival and initial word of mouth is pretty strong. The low-budget drama reunites director David Lowery with his Ain’t Them Bodies Saints actors Affleck and Rooney Mara. It is said to be melancholy, powerful, and rather out of the mainstream. Early reviews have suggested this could have a tough time reaching audiences and that’s something Manchester has managed to do.

That said, Mr. Affleck could well be coming off an Oscar win and this will be his follow-up. It may never fully get into the 2017 Oscar conversation, but that fact alone and the solid reviews out of the gate allow it to be my first Oscar Watch post of the new year.

My Oscar Watch posts will continue…

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2016: The Year of Casey Affleck

Nearly a decade ago, Casey Affleck received a Supporting Actor Oscar nomination for The Assassination of Jesse James by the Coward Robert Ford. It was that same year in 2007 that he starred in his brother Ben’s well-received directorial debut Gone Baby Gone and appeared for the third time in Oceans Thirteen as part of that blockbuster trilogy.

Since then, Affleck’s career has been a mix of smaller flicks like Ain’t Them Bodies Saints and Out of the Furnace with supporting roles in studio fare like Tower Heist and Interstellar. He also made a strange excursion into directing with the Joaquin Phoenix “documentary” I’m Still Here.

His 2016 started rather unremarkably with two pics that came and went – The Finest Hours and Triple 9. Yet it was that same time early in the year that word came out from Sundance about Manchester by the Sea, Kenneth Lonergan’s drama about grief and family. And the word was quite impressive.

At the close of 2016, Manchester stands as a serious awards contender with its star assured a nomination for Best Actor. It is likely it will come down to Affleck and Denzel Washington (Fences) for the win. The former has already picked up a number of critics prizes for his most acclaimed role thus far. He closed out the year by hosting the “Saturday Night Live” Christmas show, including a very amusing bit involving Dunkin Donuts.

The Sundance Film Festival next month will showcase Affleck’s next project – A Ghost Story alongside Rooney Mara. Who knows what that will bring, but it certainly kickstarted a supremely lauded year for Affleck this year.

Oscar Watch: Other People

In the midst of several Oscar Watch posts deriving from the Toronto, Venice, and Telluride Film Festivals, this evening brings one that slipped my radar months ago. In January at Sundance, the comedic drama Other People debuted. It’s been released in limited fashion this past Friday and has garnered some attention for one particular performance.

SNL’s Molly Shannon has received raves for her role as a dying mother being cared for by her gay son (Jesse Plemons of “Breaking Bad”). For those of us who know Shannon for her wild and broad characters from the famed sketch show, this is said to be quite the impressive departure.

The film itself, from former SNL writer Chris Kelly, has been met with largely positive reviews (85% on RT). However, only Shannon in Supporting Actress stands any realistic shot at Academy attention. It may turn out to be too small a picture in their minds to nominate her. And let’s face it – actors known mostly for comedy often struggle to get their votes anyway. Yet it’s worth a mention as Shannon stands a remote chance at a nod along with four other people.

Oscar Watch: Southside with You

There’s a movie opening in limited release this weekend being a touted as a breezy and pleasant romance featuring two young professionals on their first date in 1989. It’s called Southside with You and you may have heard of the subjects that the date covers. Their names are Barack and Michelle Obama.

The pic comes from writer/director Richard Tanne and was made for a reportedly tiny $1.5 million. Unknown Parker Sawyers plays young Barack with Tika Sumpter (best known for playing Kevin Hart’s love interest in the Ride Along flicks) as Michelle. Southside premiered at the Sundance Film Festival earlier this year to positive notices and it currently stands at 88% on Rotten Tomatoes.

While the reviews are just fine, they’re likely not strong enough to garner serious Oscar attention. Sumpter is being singled out for her work, but it would be pretty surprising to see her vault into the Best Actress conversation. Perhaps Tanne is an outside contender for Original Screenplay, though it’s probably a long shot.

SPOILER ALERT: if you want to avoid knowing what happened with this couple after their first date, it’s my hope you’ve literally been living under a rock for about 12 years.

Oscar Watch: The Birth of a Nation

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Just one day after the Sundance Film Festival gave us our first 2016 Oscar contender with Manchester by the Sea, the second landed today in a very big way. It arrived in the form of Nate Parker’s The Birth of a Nation, which Mr. Parker also cowrote and stars in. Nation tells the story of the 1831 slave rebellion led by Nat Turner. Costars include Armie Hammer, Jackie Earle Haley, and Gabrielle Union. The $10 million production reportedly took Parker (a semi well known actor known who’s appeared in Red Tails and Non-Stop) seven years to get off the ground.

At today’s Sundance screening, Nation was greeted with rapturous word of mouth and a prolonged standing ovation. There is expected to be a feeding frenzy among studios to purchase the film’s rights. Expect fervent buzz for this get attention for Best Picture, Director, Original Screenplay, and Actor with Parker seemingly on his way to becoming a household name.

Bottom line: two days at Sundance have already in January produced two real possibilities come next year at Oscar time.