A growing trend in movies for the past few years (and a bit beyond) is the musical biopic that incorporates one of the band or artist’s songs into the title. The latest example will come out this fall with BohemianRhapsody, the behind the scenes story of Queen.
2019 will bring us Rocketman with Taron Egerton as the legendary Elton John.
We’ve seen this trend in years past. For instance, the 1980s saw LaBamba about Richie Valens.
The 1990s gave us Angela Bassett in her Oscar nominated role playing Tina Turner in What’sLoveGottoDoWithIt?
In 2005, we had WalktheLine with Joaquin Phoenix in his Academy nominated turn as Johnny Cash and Reese Witherspoon winning as June.
More recent ones have been in the hip hop world with StraightOuttaCompton (N.W.A.) and AllEyezonMe (Tupac Shakur). There’s also GetOnUp with Chadwick Boseman as the Godfather of Soul, James Brown.
So this got me thinking. What would be some other movie/song titles if certain iconic musicians got their biopic? For this blog post’s purposes, I tried to focus on artists where I feel a big screen treatment on them is at least feasible. In other words, while RicoSuave might be a spectacular title, I don’t envision two hours on Gerardo coming anytime soon.
There is already a Madonna flick reportedly in the works and it takes its name not from a tune, but from one of her tours – BlondAmbition. I suppose MaterialGirl or LikeaPrayer could have worked, but BlondAmbition is just about perfect.
Some choices seem obvious. You gotta call the Bon Jovi story LivinonaPrayer, after all. And MyWay seems like the natural fit for Frank Sinatra. And BorntoRun for Bruce Springsteen. And there’s PianoMan for Billy Joel.
It doesn’t end there. Respect (Aretha Franklin) and FireandRain (James Taylor).
When it comes to some recently dearly departed legends, Prince presents a challenge because you can’t call it PurpleRain. And a number of his other massive hits don’t fit. WhenDovesCry is probably the name the studio would go for considering it’s his biggest hit. Personally, I rather like the thought of MyNameisPrince, taken from his Love Symbol album of 1992.
With Michael Jackson, Thriller would work but it’s hard to imagine ManintheMirror not being the choice.
For David Bowie, Starman seems like the winner, but that’s also the name of a fairly well-known 1980s science fiction effort starring Jeff Bridges. That may not matter, but if so, SpaceOddity or simply calling it ZiggyStardust might fit.
Tom Petty? How about FreeFallin or RunninDownaDream. George Michael? Faith or Freedom. Whitney Houston? Tough one. Perhaps a studio would want IWillAlwaysLoveYou. Maybe SoEmotional works as well.
Some bands have more than one title that seem appropriate. Aerosmith has three great ones: DreamOn, SweetEmotion, or WalkThisWay. With AC/DC – BackinBlack or Thunderstruck.
Guns n Roses is an interesting one. WelcometotheJungle is fantastic, but it was just the subtitle for the blockbuster Jumanji reboot. In this matter, you might have to go with their album name AppetiteforDestruction, which is ideal.
Metallica could have ForWhomtheBellTolls or EnterSandman. Nirvana might have SmellsLikeTeenSpirit as the studio choice, but I’m a little partial to ComeAsYouAre.
I like RunninwiththeDevil for Van Halen and I suppose StairwaytoHeaven would be the choice for Led Zeppelin.
Let’s move off rock. How about Britney Spears? That may depend on what direction the studio goes. It could be Toxic or Stronger. Maybe BabyOneMoreTime instead.
Stevie Wonder? Superstition or SirDuke are possibilities, but I like HigherGround.
With Bob Marley, maybe GetUp, StandUp or OneLove.
Circling back to hip hop, FightthePower is the clear pick for Public Enemy and the same may hold true for MamaSaidKnockYouOut with LL Cool J.
And then there’s my favorite… the Rick James biopic SuperFreak. Why hasn’t this been made already?
I could go on, but you get the idea. Let’s see if any of these suggested titles end up playing out in the future. Maybe there will be surprises… BarbieGirl: TheAquaStory, anyone?
The life and times of the iconic late rapper Tupac Shakur gets the big screen treatment next weekend when All Eyez on Me drops. Taking its title from his heralded Death Row album in 1996, the pic casts Demetrius Shipp Jr. as Shakur with a supporting cast that includes Kat Graham, Lauren Cohan, Danai Gurira, and Jamal Woolard (reprising his role as the Notorious B.I.G. that he played in 2009’s Notorious). Benny Boom, known mostly for making rap videos, directs.
All eyez may be on whether this manages to over perform and nab a possible third place showing over Rough Night. The chances of this coming anywhere near Straight Outta Compton territory (which made $60 million out of the gate) seems highly unlikely. However, a gross in the range of the aforementioned Notorious seems feasible. That film made $23 million over the long MLK weekend over eight years ago and $20 million for the traditional weekend.
That’s where I’ll put Tupac’s biopic, which puts it just over Rough Night for third place (and behind Cars 3 and Wonder Woman).
All Eyez on Me opening weekend prediction: $24.4 million
Universal Pictures’ billion dollar franchise keeps rolling along as The Fate of the Furious parks into multiplexes on Easter Weekend. The eighth (yes, eighth) street racing action spectacle finds Straight Outta Compton director F. Gary Gray taking over behind the camera. Fate finds the majority of thespians associated with the series returning – Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Tyrese Gibson, Ludacis, Jason Statham, Kurt Russell, and Nathalie Emmanuel. We also have a pair of Oscar winners joining the mix with Charlize Theron and Helen Mirren, as well as Scott Eastwood (whose dad has won some Oscars). Of course, this is the first picture (excluding 2006’s Tokyo Drift) without Paul Walker, who died during the filming of Furious 7.
When Diesel and Walker returned to the franchise in 2009’s Fast and Furious, it sparked a box office resurgence that’s never let up. That fourth entry debuted to $70 million with an overall $155M domestic haul. Follow-up Fast Five in 2011 opened to $86 million ($209M eventual tally). 2013’s Fast & Furious 6 made $97 million out of the gate and $238M eventually. And 2015’s Furious 7 easily set the high mark with a $147 million premiere and $353M overall.
The grosses of Furious 7 were likely (and sadly) expanded due to it being Walker’s last on-screen appearance. Therefore it stands to reason that Fate probably won’t reach the heights of that predecessor. That said, this looks to be a franchise that is still going strong and it would be surprising if it didn’t post the second largest bow thus far.
I’ll predict the fate of this is an opening gross in the low to mid $120M range.
The Fate of the Furious opening weekend prediction: $122.7 million
As the Sundance Film Festival rolls along, expect at least a handful of Oscar Watch posts for 2017 as we await the 2016 Oscar nominations come Tuesday. I’ve already covered AGhostStory with Casey Affleck. Now we move to a film said to have received a thunderous ovation over the weekend – Mudbound from director Dee Rees.
The period drama is set post World War II and focuses on the plights of two farming families (one black, one white) in Mississippi. It is based on an acclaimed 2008 novel by Hillary Jordan. The cast includes Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, and Jonathan Banks. Mudbound is not expected to be released wide until fall.
Based on critical and festival audience buzz over the weekend, this could have what it takes to keep momentum over the next year when it comes to Academy potential. The reaction is somewhat similar to last year’s Sundance entry TheBirthofaNation, which came out of the fest like a rocket. Of course, its Oscar chances dimmed when controversy surrounded its director and star.
If Mudbound can manage to stay relevant as many other heavy hitters make their way to screens this year, Rees could be the first African American female to receive a Directing nod. As for the actors, both Mitchell (who played Eazy-E in Straight Outta Compton) and R&B legend Blige have gotten kudos and could compete in their respective supporting races.
This evening, the 23rd Annual Screen Actors Guild Awards airs and it will likely provide further hints of the direction the Academy may go in with their acting races. As I did with the Globes and will with the Oscars, here are my predictions on what and who will win!
BEST CAST IN A MOTION PICTURE
Nominees
Beasts of No Nation
The Big Short
Spotlight
Straight Outta Compton
Trumbo
Prediction: It’s important to note that SAG is honoring best cast and NOT Best Picture. Therefore the Academy’s Best Picture and this category have only matched 10 out of 22 times. This really appears to be a horse race between Short and Spotlight and it truly go either way. I’ll pick Spotlight for the win which would solidify a true three movie race with Short and The Revenant for the Oscar.
BEST ACTOR
Nominees
Bryan Cranston, Trumbo
Johnny Depp, Black Mass
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
PREDICTION: Oscar and SAG have matched 17 of 22 times here, which is the best margin of all. This race will further determine whether Leo is the true front runner and my suspicion is it will. Leo all the way.
BEST ACTRESS
Nominees
Cate Blanchett, Carol
Brie Larson, Room
Helen Mirren, Woman in Gold
Saoirse Ronan, Brooklyn
Sarah Silverman, I Smile Back
Prediction: 15 for 22 match with Oscar here. Larson keeps racking up trophies and is the Academy front runner and I suspect she’ll win here.
BEST SUPPORTING ACTOR
Nominees
Christian Bale, The Big Short
Idris Elba, Beasts of No Nation
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Jacob Tremblay, Room
Prediction: 14 for 22 Academy match. This is the most interesting category of the night. Only 2 of the nominees here (Bale, Rylance) are Oscar nominated and the potential Academy favorite (Creed’s Sylvester Stallone) is nowhere to be found. This race could certainly provide an upset, but it’s fair to say Bale and Rylance are the most likely winners. In a tough one, I’ll give the slight edge to Rylance.
BEST SUPPORTING ACTRESS
Nominees
Rooney Mara, Carol
Rachel McAdams, Spotlight
Helen Mirren, Trumbo
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs
Predicton: 13 of 22 Oscar match. Winslet was a surprise Globe winner and if she prevails here, we all may need to rethink our Oscar prognostications. Here’s another race where an upset is possible, but I’ll go with Miss Vikander for the win.
It’s been two days since the Oscar nominations came out, allowing some time to pass to digest what and who is being recognized. After numerous posts prognosticating the nominations, we now arrive at this question: What Will Win??
Today brings my initial round of guesses on the movies and performers that I believe will get their gold statues. I will definitely have a second and final round posted probably two to three days before the February ceremony.
Let’s get to it:
BEST PICTURE
First off, there are four selections that basically should be happy with the nomination: Bridge of Spies, Brooklyn, The Martian, and Room. Mad Max: Fury Road is a major long shot. That leaves a three picture race and indeed it is. Between The Big Short, The Revenant, and Spotlight – this is truly a competitive category this time around. I’m currently giving the ever so slight edge to Spotlight, which has been considered the soft front runner for a while now. Be warned though: the other two are hot on its heels.
PREDICTED WINNER: Spotlight
BEST DIRECTOR
Tom McCarthy’s work in Spotlight could be honored with outside chances for Adam McKay (The Big Short) or George Miller (Mad Max). Lenny Abrahamson’s surprise nomination for Room succeeded in screwing up people’s predictions. He has no chance to win. Yet I’ll go with the Academy honoring Alejandro Gonzalez Inarritu’s direction in The Revenant, just one year after he received the prize for Birdman.
PREDICTED WINNER: Inarritu
BEST ACTOR
We will make this simple: it appears that Leonardo DiCaprio is finally going to win a statue for The Revenant. He is the very heavy favorite and if he doesn’t emerge victorious, it would probably constitute the largest upset of the evening.
PREDICTED WINNER: DiCaprio
BEST ACTRESS
Like lead Actor, there is a front runner here with Brie Larson in Room. Unlike Actor, the possibility for an upset is real with both Charlotte Rampling (45 Years) and Saoirse Ronan. I’ll stick with Larson though. Cate Blanchett (Carol) and Jennifer Lawrence (Joy) seem like non factors.
PREDICTED WINNER: Larson
BEST SUPPORTING ACTOR
This was an incredibly difficult category to predict with about 12 performances in the running. Now that we know the nominees, this is a race ripe for an upset. Any of the five – Christian Bale (The Big Short), Tom Hardy (The Revenant), Mark Ruffalo (Spotlight), Mark Rylance (Bridge of Spies), Sylvester Stallone (Creed) – are feasible recipients. Rylance has won some precursors, but like the Golden Globes, I’ll project that sentimentality wins out with Stallone standing center stage.
PREDICTED WINNER: Stallone
BEST SUPPORTING ACTRESS
No major front runner here but Alicia Vikander had a great year with another heralded role in Ex Machina. I’ll predict her work in The Danish Girl eeks out a win over Rooney Mara (Carol), Jennifer Jason Leigh (The Hateful Eight), Globes winner Kate Winslet (Steve Jobs), and Rachel McAdams (Spotlight).
PREDICTED WINNER: Vikander
BEST ORIGINAL SCREENPLAY
Short and sweet here – Spotlight is the heavy front runner here and I’ll be surprised if it doesn’t win here. I’m much more confident in predicting a victory for it here than in Picture.
PREDICTED WINNER: Spotlight
BEST ADAPTED SCREENPLAY
The Martian or Room have outside shots, but this looks like a win for The Big Short.
PREDICTED WINNER: The Big Short
BEST ANIMATED FEATURE
Anomalisa has its hardcore fans, but Pixar’s Inside Out is the big favorite.
PREDICTED WINNER: Inside Out
BEST FOREIGN FILM
Easy pick. Son of Saul is a huge front runner. Mustang is the only completion.
PREDICTED WINNER: Son of Saul
BEST DOCUMENTARY FEATURE
Amy, chronicling the career of the late singer Amy Winehouse, is the favorite. For now, however, I’m going with an upset pick in the form of Cartel Land.
PREDICTED WINNER: Cartel Land
BEST ORIGINAL SCORE
The legendary John Williams could be in the running for his latest Star Wars score, but I’ll predict the Academy honors another legend: Ennio Morricone for The Hateful Eight.
Was very surprised to see “See You Again” from Furious 7 snubbed. To me, that would have been the main competition for “Til It Happens To You” from The Hunting Ground, performed by Lady Gaga.
PREDICTED WINNER: “Til It Happens To You” from The Hunting Ground
BEST SOUND EDITING
I believe these sound categories will come down to a battle between Mad Max and Star Wars, with The Revenant as a spoiler. For now, I’m splitting the difference.
PREDICTED WINNER: Star Wars: The Force Awakens
BEST SOUND MIXING
See above.
PREDICTED WINNER: Mad Max: Fury Road
BEST VISUAL EFFECTS
Once again, I see this as a contest between Chewbacca and Max. I’ll give Max the slight edge.
PREDICTED WINNER: Mad Max: Fury Road
BEST PRODUCTION DESIGN
This is another tough one with Mad Max maintaining a small edge over The Revenant and The Martian.
PREDICTED WINNER: Mad Max: Fury Road
BEST CINEMATOGRAPHY
The Hateful Eight stands a chance here, as does Mad Max. However, I believe Emmanuel Lubezki will take home his third Oscar in a row for The Revenant.
PREDICTED WINNER: The Revenant
BEST EDITING
This race often matches Picture and could here with Spotlight. The Big Short, Mad Max, and The Revenant are in the mix. This is practically a coin flip for me right now so don’t be shocked if this changes.
PREDICTED WINNER: The Big Short
BEST MAKEUP AND HAIRSTYLING
Only three nominees here and Mad Max and The Revenant are likely the only two winner possibilities.
PREDICTED WINNER: Mad Max: Fury Road
BEST COSTUME DESIGN
Sandy Powell could split her own vote between Carol and Cinderella. Mad Max and The Danish Girl are in the running, but I’ll go with Powell and her work in Carol.
Here we are folks! After numerous posts prognosticating on what and whom will be nominated for the Academy Awards honoring 2015’s best, we will all collectively find out tomorrow morning. This Oscar season has been filled with much intrigue and a great deal of uncertainty.
Many questions abound:
Will the performances of Rooney Mara (Carol) and Alicia Vikander (The Danish Girl) be recognized in lead Actress or Supporting Actress? That query alone makes predicting both of those races tricky this year. I will go with both being recognized in Supporting, but if Oscar voters go lead with one or both, it changes the whole dynamic. There’s also the possibility that Vikander could be honored in Supporting for Ex Machina and not Danish, which adds to the confusion.
Will the Academy nominate their first Star Wars pic (The Force Awakens) since the original 38 years ago? It’s already become the highest grossing film of all time and could certainly lead to even more eyeballs watching the telecast. That said, I have it narrowly missing the cut.
Will Leonardo DiCaprio finally win the gold statue for his work in The Revenant? Precursor awards including the Golden Globes point to yes. A nomination seems assured.
Is Spotlight truly the front runner or not? Many other possibilities are out there for an “upset” win. It is, at best, a soft front runner.
I’ll finally note that my predictions reflect a belief that Straight Outta Compton will be shut out. This goes against what several other predictors are saying and many have it being recognized in Best Picture. Another high profile offering that I have coming up empty: Black Mass.
As I’ve done for the last several weeks, I’m listing my predicted nominees and other possibilities in each category by likelihood of being nominated. Just because I have something listed as #1 doesn’t mean I’m predicting it to win (I’ll have my first blog post up predicting the winners this weekend). In parentheses after each entry is how far each predicted nominee/possibility has fallen from my previous predictions last week. On Thursday evening, I’ll have a post up letting you know how well (or not so much) I did.
Let’s get to it, shall we? My FINAL predictions:
Best Picture
As I see it, there are 21 films vying for anywhere from 5-10 spots. The magic number is usually 9 (last year it was 8). I’m going with 9 this year, though I believe 10 is more probable than 8. And strangely enough, my predicted nine has stayed the same over the course of the last month or so. Straight Outta Compton, Sicario, and even The Force Awakens have made some waves of late, but I still have them narrowly missing.
Spotlight (No Change)
The Big Short (No Change)
The Revenant (+3)
Mad Max: Fury Road (-1)
The Martian (No Change)
Carol (+1)
Bridge of Spies (+1)
Room (-4)
Brooklyn (No Change)
Other Possibilities:
10. Straight Outta Compton (No Change)
11. Star Wars: The Force Awakens (No Change)
12. The Hateful Eight (No Change)
13. Sicario (+1)
14. Inside Out (-1)
15. Steve Jobs (+1)
16. Ex Machina (+2)
17. Trumbo (No Change)
18. Beasts of No Nation (-3)
19. Son of Saul (+1)
20. The Danish Girl (-1)
21. Creed (No Change)
Best Director
Tuesday’s Directors Guild of America usually provides a reasonably reliable snap shot of at least three or four of the nominees that will end up being recognized here. Their picks were Tom McCarthy, Ridley Scott, George Miller, Alejandro Gonzalez Inarritu, and Adam McKay. Of those, McKay seems the most vulnerable (with Miller and Scott behind). I’ll keep my prediction for Todd Haynes in and there’s certainly a chance there’s a shocker nominee as we sometimes see in this category.
Tom McCarthy, Spotlight (+1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (+1)
George Miller, Mad Max: Fury Road (-3)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Steven Spielberg, Bridge of Spies (+1)
7. Adam McKay, The Big Short (-1)
8. Denis Villenueve, Sicario (+5)
9. Lenny Abrahamson, Room (-1)
10. F. Gary Gray, Straight Outta Compton (+1)
11. John Crowley, Brooklyn (-2)
12. Quentin Tarantino, The Hateful Eight (-2)
13. J.J. Abrams, Star Wars: The Force Awakens (-1)
14. Jay Roach, Trumbo (Previously Unranked)
15. Cary Fukanaga, Beasts of No Nation (-1)
16. Alex Garland, Ex Machina (Previously Unranked)
17. Laszlo Nemes, Son of Saul (-2)
18. Ryan Coogler, Creed (Previously Unranked)
19. Danny Boyle, Steve Jobs (Previously Unranked)
20. Tom Hooper, The Danish Girl (Previously Unranked)
Best Actor
This race is increasingly looking like ‘The Leo Show” with Mr. DiCaprio likely to nab (finally) his first Oscar. Only Leo seems to be a totally safe bet (though it would be a surprise to me if Redmayne and Fassbender don’t get in and probably Cranston too). I would say numbers 5-8 are practically interchangeable while anything 9 or below would be a fairly big surprise.
Leonardo DiCaprio, The Revenant (No Change)
Eddie Redmayne, The Danish Girl (No Change)
Michael Fassbender, Steve Jobs
Bryan Cranston, Trumbo (No Change)
Matt Damon, The Martian (+1)
Other Possibilities:
6. Steve Carell, The Big Short (-1)
7. Will Smith, Concussion (No Change)
8. Johnny Depp, Black Mass (No Change)
9. Ian McKellen, Mr. Holmes (No Change)
10. Michael Caine, Youth (No Change)
11. Michael B. Jordan, Creed (+1)
12. Geza Rohrig, Son of Saul (-1)
Best Actress
As previously discussed, all the rules go out the window if either Rooney Mara or Alicia Vikander are recognized here instead of in Supporting Actress. That said, I feel pretty confident about Larson, Ronan, and Blanchett. The rest? Not so much.
Brie Larson, Room (No Change)
Saoirse Ronan, Brooklyn (No Change)
Cate Blanchett, Carol (No Change)
Jennifer Lawrence, Joy (+1)
Charlotte Rampling, 45 Years (-1)
Other Possibilities:
6. Charlize Theron, Mad Max: Fury Road (+1)
7. Helen Mirren, Woman in Gold (+1)
8. Emily Blunt, Sicario (+3)
9. Blythe Danner, I’ll See You in My Dreams (+1)
10. Sarah Silverman, I Smile Back (-1)
11. Maggie Smith, The Lady in the Van (Previously Unranked)
Best Supporting Actor
Bottom line: I feel like Rylance and Stallone are the only safe bets here. This category has been wide open for quite some time and all 12 performers listed here could get in. Very curious to see how this works out come tomorrow.
Mark Rylance, Bridge of Spies (No Change)
Sylvester Stallone, Creed (+1)
Idris Elba, Beasts of No Nation (-1)
Paul Dano, Love and Mercy (+1)
Christian Bale, The Big Short (-1)
Other Possibilities:
6. Michael Keaton, Spotlight (No Change)
7. Michael Shannon, 99 Homes (No Change)
8. Mark Ruffalo, Spotlight (No Change)
9. Tom Hardy, The Revenant (No Change)
10. Jacob Tremblay, Room (+1)
11. Benicio del Toro, Sicario (-1)
12. Jason Mitchell, Straight Outta Compton (Previously Unranked)
Best Supporting Actress
Rooney Mara and Alicia Vikander seem like safe bets – as long as they’re nominated here and not in Actress. Kate Winslet (fresh off a Globe win) and Jennifer Jason Leigh should play here, too. The fifth slot is truly up for grabs, I feel.
Alicia Vikander, The Danish Girl (No Change)
Rooney Mara, Carol (No Change)
Kate Winslet, Steve Jobs (+1)
Jennifer Jason Leigh, The Hateful Eight (-1)
Helen Mirren, Trumbo (+1)
Other Possibilities:
6. Jane Fonda, Youth (-1)
7. Kristen Stewart, Clouds of Sils Maria (No Change)
8. Rachel McAdams, Spotlight (+1)
9. Joan Allen, Room (-1)
10. Alicia Vikander, Ex Machina (No Change)
11. Elizabeth Banks, Love and Mercy (No Change)
12. Marion Cotillard, MacBeth (Previously Unranked)
Best Original Screenplay
Spotlight (No Change)
Inside Out (No Change)
Bridge of Spies (+1)
The Hateful Eight (-1)
Sicario (+1)
Other Possibilities:
6. Ex Machina (-1)
7. Straight Outta Compton (No Change)
8. Love and Mercy (No Change)
9. Son of Saul (+2)
Best Adapted Screenplay
The Big Short (No Change)
Carol (No Change)
Room (No Change)
Steve Jobs (+1)
Brooklyn (-1)
Other Possibilities:
6. The Martian (No Change)
7. The Revenant (+1)
8. Beasts of No Nation (+1)
9. Trumbo (-2)
10. Mad Max: Fury Road (Previously Unranked)
11. Anomalisa (No Change)
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (No Change)
The Peanuts Movie (+1)
Other Possibilities:
6. The Good Dinosaur (-1)
7. When Marnie Was There (No Change)
8. Minions (Previously Unranked)
Best Documentary Feature (First Time Predictions)
Amy
The Look of Silence
Winter on Fire
Going Clear: Scientology and the Prison of Belief
He Named Me Malala
Other Possibilities:
6. Listen to Me Marlon
7. Best of Enemies
8. The Hunting Ground
9. Where to Invade Next
10. Heart of the Dog
Best Foreign Language Film (First Time Predictions)
Son of Saul
Mustang
A War
The Brand New Testament
Embrace of the Serpent
Other Possibilities:
6. The Fencer
7. Labyrinth of Lies
8. Theeb
9. Viva
Best Production Design
The Danish Girl (No Change)
Mad Max: Fury Road (+1)
Bridge of Spies (+1)
Carol (-2)
The Revenant (+4)
Other Possibilities:
6. Brooklyn (-1)
7. The Martian (Previously Unranked)
8. Star Wars: The Force Awakens (+3)
9. The Hateful Eight (-3)
10. Cinderella (-3)
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (No Change)
The Hateful Eight (No Change)
Bridge of Spies (+1)
Sicario (-1)
Other Possibilities:
6. Carol (+1)
7. Son of Saul (+2)
8. The Martian (-2)
9. The Assassin (-1)
10. Spotlight (Previously Unranked)
Best Costume Design
The Danish Girl (No Change)
Carol (No Change)
Cinderella (+1)
Brooklyn (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. Mad Max: Fury Road (+6)
7. The Hateful Eight (-1)
8. Suffragette (-1)
9. The Revenant (No Change)
10. Mr. Holmes (Previously Unranked)
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (No Change)
Spotlight (+2)
The Revenant (No Change)
Bridge of Spies (+2)
Other Possibilities:
6. The Martian (-3)
7. Sicario (+3)
8. Steve Jobs (-2)
9. Star Wars: The Force Awakens (+3)
10. The Hateful Eight (-1)
11. Room (-3)
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
The Revenant (No Change)
The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+1)
Other Possibilities:
4. Black Mass (-1)
5. Mr. Holmes (No Change)
6. Concussion (No Change)
7. Legend (No Change)
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Revenant (+3)
Star Wars: The Force Awakens (No Change)
Sicario (No Change)
The Martian (-3)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Bridge of Spies (Previously Unranked)
8. Jurassic World (-1)
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
The Revenant (No Change)
The Martian (No Change)
The Hateful Eight (+1)
Other Possibilities:
6. Sicario (-1)
7. Jurassic World (+1)
8. Bridge of Spies (Previously Unranked)
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (No Change)
The Martian (No Change)
The Revenant (Previously Unranked)
Other Possibilities:
6. Ex Machina (-1)
7. The Walk (No Change)
8. Ant-Man (Previously Unranked)
9. Avengers: Age of Ultron (-1)
10. In the Heart of the Sea (-4)
Best Score
The Hateful Eight (No Change)
Carol (+1)
Star Wars: The Force Awakens (+2)
Bridge of Spies (-2)
The Danish Girl (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Mad Max: Fury Road (+1)
Best Original Song
“See You Again” from Furious 7 (+2)
“Til It Happens to You” from The Hunting Ground (-1)
“Writing’s on the Wall” from Spectre (+4)
“Simple Song #3” from Youth (No Change)
“So Long” from Concussion (-3)
Other Possibilities:
6. “Love Me Like You Do” from Fifty Shades of Grey (-1)
7. “Earned It” from Fifty Shades of Grey (-1)
These FINAL predictions reflect a belief that the following pictures will receive this number of nominations:
10 Nominations
The Revenant
9 Nominations
Mad Max: Fury Road
8 Nominations
Carol
7 Nominations
Bridge of Spies
6 Nominations
The Martian
5 Nominations
The Danish Girl, The Hateful Eight
4 Nominations
The Big Short, Brooklyn, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room, Sicario, Steve Jobs
2 Nominations
Inside Out, Trumbo
1 Nomination
Beasts of No Nation, Cinderella, Concussion, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Hunting Ground, Joy, Jurassic World, Love and Mercy, The 100 Year Old Man Who Climbed Out of the Window and Disappeared, Spectre, Youth
And there you have it, folks! My final Oscar predictions! I’ll have an update posted tomorrow. Until then…
We have arrived at my weekly Friday predictions for who and what will be nominated for the Oscars honoring 2015 pictures. This will be the last Friday I’ll be doing so because the nominations themselves come out this Thursday, January 14th. I will have one final post of predictions either on Tuesday or Wednesday next week.
One consistent source of consternation is whether Rooney Mara will be nominated in lead Actress or Supporting Actress for Carol (same goes, to a lesser degree, for Alicia Vikander’s work in The Danish Girl). Last week, I had her in Actress, but now I’m switching back to Supporting. We shall see. As with my posts every week, it will show where the movers and shakers have shifted around with chances of nomination.
So here goes… my penultimate Oscar predictions…
Best Picture
Spotlight (No Change)
The Big Short (+1)
Mad Max: Fury Road (+1)
Room (-2)
The Martian (+1)
The Revenant (+1)
Carol (-2)
Bridge of Spies (+1)
Brooklyn (-1)
Other Possibilities:
10. Straight Outta Compton (+3)
11. Star Wars: The Force Awakens (-1)
12. The Hateful Eight (No Change)
13. Inside Out (-2)
14. Sicario (+4)
15. Beasts of No Nation (-1)
16. Steve Jobs (No Change)
17. Trumbo (+2)
18. Ex Machina (Previously Unranked)
19. The Danish Girl (+1)
20. Son of Saul (-5)
21. Creed (-4)
DROPPED OUT: Anomalisa
WHAT’S CHANGED: No Changes
Best Director
George Miller, Mad Max: Fury Road (+1)
Tom McCarthy, Spotlight (-1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (-1)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Adam McKay, The Big Short (No Change)
7. Steven Spielberg, Bridge of Spies (+1)
8. Lenny Abrahamson, Room (-1)
9. John Crowley, Brooklyn (+3)
10. Quentin Tarantino, The Hateful Eight (-1)
11. F. Gary Gray, Straight Outta Compton (Previously Unranked)
12. J.J. Abrams, Star Wars: The Force Awakens (-1)
DROPPED OUT: Creed, Mad Max: Fury Road (moved to Original)
WHAT’S CHANGED: No Changes
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (+1)
The Good Dinosaur (+1)
Other Possibilities:
6. The Peanuts Movie (-2)
7. When Marnie Was There (No Change)
DROPPED OUT: Minions
WHAT’S CHANGED – In: The Good Dinosaur. Out: The Peanuts Movie.
Best Production Design
The Danish Girl (+1)
Carol (-1)
Mad Max: Fury Road (No Change)
Bridge of Spies (No Change)
Brooklyn (+2)
Other Possibilities:
6. The Hateful Eight (-1)
7. Cinderella (-1)
8. MacBeth (+3)
9. The Revenant (-1)
10. Far From the Madding Crowd (No Change)
11. Star Wars: The Force Awakens (-2)
WHAT’S CHANGED – In: Brooklyn. Out: The Hateful Eight.
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (+1)
The Hateful Eight (-1)
Sicario (No Change)
Bridge of Spies (No Change)
Other Possibilities:
6. The Martian (No Change)
7. Carol (+1)
8. The Assassin (Previously Unranked)
9. Son of Saul (-2)
DROPPED OFF: Star Wars: The Force Awakens
WHAT’S CHANGED: No Changes
Best Costume Design
The Danish Girl (+1)
Carol (-1)
Brooklyn (+1)
Cinderella (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Suffragette (+3)
8. Trumbo (Previously Unranked)
9. The Revenant (No Change)
10. MacBeth (-2)
11. Star Wars: The Force Awakens (No Change)
12. Mad Max: Fury Road (-5)
WHAT’S CHANGED: No Changes
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (+5)
The Martian (+1)
The Revenant (-2)
Spotlight (-2)
Other Possibilities:
6. Steve Jobs (-1)
7. Bridge of Spies (+1)
8. Room (+4)
9. The Hateful Eight (No Change)
10. Sicario (-4)
11. Straight Outta Compton (Previously Unranked)
12. Star Wars: The Force Awakens (-2)
DROPPED OUT: Carol
WHAT’S CHANGED – In: The Big Short. Out: Steve Jobs.
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
Black Mass (+1)
The Revenant (-1)
Other Possibilities:
4. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+2)
5. Concussion (-1)
6. Mr. Holmes (-1)
7. Legend (No Change)
WHAT’S CHANGED: No Changes
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Martian (+2)
Star Wars: The Force Awakens (-1)
Sicario (+1)
The Revenant (-2)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Jurassic World (+1)
8. In the Heart of the Sea (-1)
WHAT’S CHANGED: No Changes
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (+1)
The Revenant (-1)
The Martian (No Change)
Sicario (+1)
Other Possibilities:
6. The Hateful Eight (+1)
7. In the Heart of the Sea (-2)
8. Jurassic World (No Change)
WHAT’S CHANGED – In: Sicario. Out: In the Heart of the Sea.
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (+1)
The Martian (-1)
Ex Machina (No Change)
Other Possibilities:
6. In the Heart of the Sea (No Change)
7. The Walk (No Change)
8. Avengers: Age of Ultron (Previously Unranked)
9. Everest (-1)
DROPPED OFF: The Revenant
WHAT’S CHANGED: No Changes
Best Original Score
The Hateful Eight (No Change)
Bridge of Spies (No Change)
Carol (No Change)
The Danish Girl (+1)
Star Wars: The Force Awakens (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Steve Jobs (No Change)
8. Mad Max: Fury Road (+1)
DROPPED OFF: Inside Out, The Revenant
WHAT’S CHANGED: No Changes
Best Original Song
“Til It Happens to You” from The Hunting Ground (No Change)
“So Long” from Concussion (+1)
“See You Again” from Furious 7 (-1)
“Simple Song #3” from Youth (No Change)
“Love Me Like You Do” from Fifty Shades of Grey (+2)
Other Possibilities:
6. “Earned It” from Fifty Shades of Grey (-1)
7. “Writing’s on the Wall” from Spectre (-1)
WHAT’S CHANGED – In: “Love Me Like You Do”. Out: “Earned It”.
These current predictions reflect the following breakdown of films getting these numbers:
9 Nominations
Mad Max Fury Road
8 Nominations
Carol, The Revenant
6 Nominations
Bridge of Spies, The Martian
5 Nominations
The Big Short, Brooklyn, The Danish Girl
4 Nominations
The Hateful Eight, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room. Sicario, Steve Jobs
2 Nominations
Ex Machina, Inside Out
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Cinderella, Concussion, Creed, Far from the Madding Crowd, Fifty Shades of Grey, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, Joy, Jurassic World, Kahlil Gabran’s The Prophet, Love and Mercy, Shaun the Sheep Movie, Trumbo, Youth
That’ll do it for now, folks! I’ll have my FINAL Oscar predictions up next week…
Chronicling approximately a decade of time following the three most notable members of gangsta rap supergroup N.W.A. and named after their landmark debut album, Straight Outta Compton is a musical biopic that often approaches the large proportions these artists deserve. This is not “Behind the Music” nor the chintzy examples of this genre that we sometimes find on VH-1 or Lifetime. F. Gary Gray’s movie is a timely tale about timeless music that was thought to be a total fad when Dr. Dre first spun his iconic beats for fellow group members Eazy-E, Ice Cube, DJ Yella, and MC Ren.
It begins in 1986 with the group’s formation in the drug infested Los Angeles suburb of Compton. Talented DJ Andre “Dr. Dre” Young (Corey Hawkins) recruits local drug dealer Eric “Eazy E” Wright (Jason Mitchell) to help fund the group. O’Shea Jackson aka Ice Cube (played by Cube’s real life son O’Shea Jackson Jr.) is the fiery rapper and lyricist along their side. MC Ren and DJ Yella… well, they’re also in N.W.A. I don’t say this to minimize their contributions. The film just really doesn’t spend any time exploring them. This is understandable because Compton has a lot on its plate and packs a lot in during its two and a half hour run time.
The period of time covered here does explore two managers who both helped make the group’s and Dre’s solo masterworks occur and employed nefarious tactics that wreaked havoc. For N.W.A., it’s Jerry Heller (played with gusto by Paul Giamatti) and later on it’s notorious Death Row cofounder Suge Knight (R. Marcos Taylor). For those familiar with the story, we get the expected high and lowlights beyond the corporate intrigue – the young men adjusting to fame, Cube’s controversial exit, Eazy’s eventual health issues, and the group’s dealings with police brutality both before and after they achieved fame. Of course, some of those instances lead to their most notable tracks.
What helps Compton achieve more than most of its contemporaries is likely due to director F. Gary Gray, who early in his career directed videos for Cube and Dre and helmed 1995’s weed classic Friday, which starred and was cowritten by Cube. Mr. Jackson and Mr. Young are also producers and this all leads to an air of authenticity that permeates the production. It elevates this material to superior heights, even if we’ve seen these tales (whether based in truth or not) before.
Mitchell stands out as Eazy and he is given the most emotional story arch to work with. Jackson, as you’d expect, has probably had plenty of practice mimicking his old man and does a commendable job and Hawkins is a suitable Dre. And of course, there’s the music. A sound that was dangerous to so many ears and still is. It was also brilliant and Dre’s incredible contributions to the sound of the last 30 years is given its proper due.
Straight Outta Compton sometimes does feel like its trying to pack in so much recent history that it feels fragmented. The N.W.A. tale and Death Row saga could easily be separate pics (brief glimpses of Snoop and 2Pac make you wish for that 2 1/2 hours of devotion). For what we’ve been presented, though, Compton is on the higher (not a Chronic reference) end of these tales with beats by Dre that keep its propulsive rhythm humming.
We begin 2016 with my weekly Oscar predictions leading up to nominations being announced on January 14th. This will mean I’ll have two more posts prognosticating on what and who will be nominated (one on Friday the 8th and one likely the day before the announcements).
A couple of quick notes on various races:
There is considerable speculation as to whether Rooney Mara will be nominated in the category of Best Actress or Supporting Actress for her work in Carol. So far, I’ve speculated a nomination for her in the latter. Today, I am changing it to the former.
Same goes for Alicia Vikander in The Danish Girl, but I’m keeping her in Supporting Actress for now. There is also speculation that her nod could come for Ex Machina and not Danish Girl.
The historic box office performance of Star Wars: The Force Awakens is increasing its shot at a Best Picture nomination. I’ve still got it on the outside looking in, but don’t be shocked if that changes in the coming days.
And with that, here’s my weekly predictions that list all possibilities for each race and how they’ve fluctuated since Christmas Day:
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