Oscar History: 2014

Six years ago in Oscar history began an impressive two year run for filmmaker Alejandro Gonzalez Inarritu with Birdman emerging as the big winner of the evening. The film took Best Picture and Director over its major competitor – Richard Linklater’s Boyhood. This was a ceremony in which the largest category did have some suspense. Birdman took the prize over the aforementioned Boyhood and six other pics: American Sniper (the year’s top grosser), The Grand Budapest Hotel (marking Wes Anderson’s first and only Picture nominee), The Imitation Game, Selma, The Theory of Everything, and Whiplash. 

In this blogger’s perfect world, Dan Gilroy’s Nightcrawler would have been recognized. It was my favorite movie of that year so get used to seeing it pop up in this post. Other notable selections from 2014 left on the cutting room floor: David Fincher’s Gone Girl, Bong Joon-ho’s Snowpiercer, and Bennett Miller’s Foxcatcher. 

Mr. Miller did have the notable distinction of being nominated for Best Director despite his work not showing up in Best Picture (very rare these days). As mentioned, Inarritu took the gold over Miller as well as Linklater, Anderson, and Morten Tyldum (The Imitation Game). Gilroy, Fincher, and Joon-ho might have warranted consideration in my view as well as Chazelle’s bravura debut in Whiplash. 

One could argue that Nightcrawler isn’t your prototypical Picture contender. However, Jake Gyllenhaal being left out of the five Actor contenders stands as one of the noteworthy snubs in recent history. It was Eddie Redmayne emerging victorious for The Theory of Everything over his closest competitor Michael Keaton (Birdman). Other nominees: the three C’s of Steve Carell (Foxcatcher), Bradley Cooper (American Sniper, picking up his third nomination in a row), and Benedict Cumberbatch (The Imitation Game).

There is a voluminous list of solid performances beyond just Gyllenhaal’s that were left wanting. It includes Ben Affleck (Gone Girl), Chadwick Boseman (Get On Up), Bill Murray (St. Vincent), David Oyelowo (Selma), Joaquin Phoenix (Inherent Vice), Timothy Spall (Mr. Turner), and Miles Teller (Whiplash).

In Best Actress, Julianne Moore triumphed for Still Alice after four previous nominations without a win. She took the honor over Marion Cotillard (Two Days, One Night), Felicity Jones (The Theory of Everything), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Moore’s selection was one of the easiest to project as she’d been a sturdy frontrunner all season.

Looking back, how about Emily Blunt in Edge of Tomorrow? Its action genre trappings probably prevented consideration, but she might have made my quintet. Amy Adams won the Golden Globe for Actress in Musical/Comedy, but missed here.

Another easy (and absolutely deserved) winner was J.K. Simmons in Supporting Actor for Whiplash over Robert Duvall (The Judge), Ethan Hawke (Boyhood), Edward Norton (Birdman), and Mark Ruffalo (Foxcatcher).

https://www.youtube.com/watch?v=xDAsABdkWSc

I will yet again mention Nightcrawler as I might have considered Riz Ahmed. There’s also Josh Brolin in Inherent Vice.

Boyhood nabbed its major race victory in Supporting Actress with Patricia Arquette. Other nominees were Laura Dern (Wild), Keira Knightley (The Imitation Game), Emma Stone (Birdman), and the always in contention Meryl Streep for Into the Woods.

As for others, I’ll start with (surprise) Rene Russo in Nightcrawler. Others include both Melissa McCarthy and Naomi Watts for St. Vincent in addition to Jessica Chastain (A Most Violent Year) and Katherine Waterston (Inherent Vice).

My Oscar History will continue soon with 2015 as Mr. Inarritu will dominate the director race yet again while the Academy chose to spotlight something in Best Picture!

It Movie Review

It’s deeper and more relatable fears that allow It it’s most effective scares. That is the truth emanating from the Stephen King source material. Yes, clowns are creepy. Yet the other items that frighten our kid cast here are creepier – those of loss, innocence, bullying, and even free will to just be a young teen.

Andy Muschietti’s version of the King classic moves the book’s actions from the 1950s (when the author was a boy) to 1989, making those Stranger Things comparisons apt.  It’s summer in Derry, Maine where the rate of missing persons – especially kids – is astronomical. The prologue shows us how poor little seven-year old Georgie earned his milk carton status. It involves a meeting with demented clown Pennywise (Bill Skarsgard), luring the child into the sewer. Eight months later, Georgie’s older brother Bill (Jaeden Lieberher) is desperately trying to find him. He’s part of a group known as The Losers. They include Beverly (Sophia Lillis), who’s got an undeserved reputation at school for being loose but whose real circumstances are far more terrifying and sad. There’s Ben (Jeremy Ray Taylor), the overweight new kid on the block who coincidentally and humorously is a fan of New Kids on the Block. Richie (Finn Wolfhard from Stranger Things) is the nerd who can’t keep his foul mouth shut. Eddie (Jack Dylan Grazer) is a hypochondriac, Stan (Wyatt Oleff) is the doubter of the bunch, and Mike (Chosen Jacobs) is the homeschooled orphan. All of The Losers soon experience their own visions of Pennywise and come to realize they must defeat him since no one else seems willing to.

Pennywise’s reign of terror seems to occur every 27 years in Derry, but there’s other issues the kids must deal with each day. Sophia with her abusive dad. Eddie with his overprotective mom. A nasty bully named Bowers (Nicholas Hamilton) who’s nearly as dangerous as the title character. Ben having to admit his affection for both Sophia and those five crooners from Boston. And so on. Pennywise (with credit to Skarsgard’s performance) does have his moments of heebie jeebie glory, but they usually come with a simple facial expression and most of them are early on. The clown loses a bit of luster when an over reliance on CGI with “It” comes into play. What remains is the genuine creepiness happening with some of the kids daily lives. That trumps the increasingly milder scares involving Pennywise.

It helps tremendously that the performances of the young actors are all first-rate. Sophia Lillis has a young Amy Adams vibe and Lieberher (who already showed his chops in St. Vincent and Midnight Special) is an effective Loser leader. Stephen King was able to subtly write a coming of age story filled with heart that just happened to have a demented circus freak in the mix. Muschietti and his screenwriters pick up on that with this adaptation to mostly satisfying results.

*** (out of four)

Oscar Watch: Hidden Figures

Reviews are out today for Hidden Figures and its Oscar chances are becoming (somewhat) more clear. From Theodore Melfi, who last directed Bill Murray to acclaim in St. Vincent, the pic focuses on three African American women (Taraji P. Henson, Octavia Spencer, Janelle Monae) who were instrumental in the space flights of the 1960s. Other costars include Kevin Costner, Kirsten Dunst, and Jim Parsons.

The most common two words that writers are using for Figures must be music to 20th Century Fox’s ears: crowd pleaser. Early tallies put it at 100% on Rotten Tomatoes, though some of the reviews aren’t exactly raves. Still, with audiences possibly responding positively to it, it stands a real shot at a Best Picture nod. It could fit a similar slot to both 2009’s The Blind Side and 2011’s The Help. Melfi seems unlikely to make the cut in the Director race.

Acting categories could provide possibilities in both Supporting races. Henson will be campaigned for in Lead Actress and as has been discussed at length on this blog, that’s an extremely crowded category and she looks unlikely to get in. As for Supporting Actress, word is that Monae stands a better shot than Spencer for recognition. In Supporting Actor, Costner is getting good ink and could factor into a very uncertain race at press time. Figures also could receive an Adapted Screenplay nomination.

This Thursday, I’ll have my predictions updated and it will provide greater guidance on how Hidden figures into it all.

St. Vincent Movie Review

“Don’t worry , it’s going to get better.”

It’s a line stated in Theodore Melfi’s debut feature in St. Vincent and it applies to our central characters here. Bill Murray is Vincent MacKenna, a grumpy, gambling and alcoholic swilling curmudgeon who begrudgingly befriends his new neighbor boy Oliver (Jaeden Lieberher). The boy’s mother Maggie (Melissa McCarthy) is a recent divorcee who’s working hard to make ends meet and this allows Vincent to become Oliver’s unconventional babysitter. Soon enough Oliver is learning some things not being instructed by his kindly Catholic school instructor (Chris O’Dowd). He even meets Vincent’s “lady of the night” friend Daka (Naomi Watts), a pregnant hooker with a Russian heart of gold. Luckily young Oliver assumes she has a night job.

There is a lot more, however, to Vincent than his personality and demeanor suggest. He’s desperately trying to care of his Alzheimer’s ridden wife who resides in a care facility. Vincent is a war hero. The central and sweet concept of the film is simple: don’t judge a book by its cover. Also, embrace your flaws but try to do some good. At one point, Daka expresses to Vincent: “You always lose. You should be comfortable by now.”

Vincent and Maggie are both experiencing losing streaks. Yet they’re both trying. McCarthy breaks from her traditional persona and sass here. The role of Maggie is an understated one and she plays it well. This is more vulnerable and sensitive than we’re used to seeing her. She gets to shine in one scene where she confesses her problems to the faculty at Oliver’s school and McCarthy nails it. Naomi Watts takes what is mostly a cliched and familiar part and manages to turn it into a winning performance. Lieberher is key. We often see where a child actor can dampen proceedings with sub par acting. Not here. The kid is just fine.

St. Vincent is a formula movie for sure. We know where the screenplay is eventually headed. Subplots involving the school bully and a custody battle are by the numbers. Don’t worry though. St. Vincent is solid enough and gets better. While the aforementioned performers deserve some credit, let’s get real. Bill Murray is a national treasure. He’s an incredibly gifted actor comedically and dramatically. He gets to exhibit both qualities in large doses here. Director/writer Melfi fashions a template for Murray to play in that’s quite good. Murray makes it near great.

***1/2 (out of four)

Todd’s Final Oscar Predictions!

Well here we are! Oscar nominations will be announced tomorrow morning and this is my sixth and final round of predictions for nominees in the eight major categories. For my final predictions, I’ll list the predictions as well as others that could potentially make the cut. Here’s what changed the most: I have finally gotten on the Nightcrawler bandwagon and am now predicting a number of nominations for it. Tomorrow – I”ll have my reaction post up and pontificate on where I went wrong and right.

As you may know, the Best Picture race (unlike all others) can list anywhere from 5-10 nominees. I finally settled on nine… which is the same number of films nominated each year since that system was put into place. And without further adieu – Todd’s Final Oscar Predictions:

Best Picture

Birdman

Boyhood

Foxcatcher

The Imitation Game

The Grand Budapest Hotel

Nightcrawler

Selma

The Theory of Everything

Whiplash

Other Possibilities: American Sniper, Gone Girl, Unbroken

Best Director

Wes Anderson, The Grand Budapest Hotel

Ana DuVernay, Selma

Alejandro Gonzalez Inarritu, Birdman

Richard Linklater, Boyhood

Morten Tyldum, The Imitation Game

Other Possibilities: Damien Chazelle (Whiplash), Clint Eastwood (American Sniper), David Fincher (Gone Girl), Dan Gilroy (Nightcrawler), Bennett Miller (Foxcatcher)

Best Actor

Steve Carell, Foxcatcher

Benedict Cumberbatch, The Imitation Game

Jake Gyllenhall, Nightcrawler

Michael Keaton, Birdman

Eddie Redmayne, The Theory of Everything

Other Possibilities: Bradley Cooper (American Sniper), Ralph Fiennes (The Grand Budapest Hotel), David Oyelowo (Selma)

Best Actress

Marion Cotillard, Two Days One Night

Felicity Jones, The Theory of Everything

Julianne Moore, Still Alice

Rosamund Pike, Gone Girl

Reese Witherspoon, Wild

Other Possibilities: Amy Adams (Big Eyes), Jennifer Aniston (Cake)

Best Supporting Actor

Robert Duvall, The Judge

Ethan Hawke, Boyhood

Edward Norton, Birdman

Mark Ruffalo, Foxcatcher

J.K. Simmons, Whiplash

Other Possibilities: Josh Brolin (Inherent Vice), Tom Wilkinson (Selma)

Best Supporting Actress

Patricia Arquette, Boyhood

Jessica Chastain, A Most Violent Year

Keira Knightley, The Imitation Game

Emma Stone, Birdman

Meryl Streep, Into the Woods

Other Possibilities: Laura Dern (Wild), Rene Russo (Nightcrawler), Tilda Swinton (Snowpiercer), Naomi Watts (St. Vincent)

Best Original Screenplay

Birdman

Boyhood

Foxcatcher

The Grand Budapest Hotel

Nightcrawler

Other Possibilities: The LEGO Movie, A Most Violent Year, Selma

Best Adapted Screenplay

Gone Girl

The Imitation Game

Inherent Vice

The Theory of Everything

Whiplash

Other Possibilities: American Sniper, Wild 

And there you have it, folks! We’ll see how smart (or dumb) I am tomorrow morning!!

Golden Globe Winner Predictions

We are deep into awards season with Oscar nominations coming Thursday and my final predictions arriving Tuesday. The second most notable awards show arrives tomorrow evening with trusty hosts Tina Fey and Amy Poehler returning to host the Golden Globes. Here are my guesses for what will win at that show in the major categories.

As you may know, unlike the Oscars, the Globes split the Picture and leading performance races between Drama and Musical/Comedy. Here we go!

Best Film (Drama)

Nominees

Boyhood

Foxcatcher

The Imitation Game

Selma

The Theory of Everything

PREDICTED WINNER: Boyhood

POTENTIAL SPOILER: The Imitation Game

 

Best Film (Musical/Comedy)

Nominees

Birdman

The Grand Budapest Hotel

Into the Woods

Pride

St. Vincent

PREDICTED WINNER: Birdman

POTENTIAL SPOILER: The Grand Budapest Hotel

 

Best Actor (Drama)

Nominees

Steve Carell, Foxcatcher

Benedict Cumberbatch, The Imitation Game

Jake Gyllenhall, Nightcrawler

David Oyelowo, Selma

Eddie Redmayne, The Theory of Everything

PREDICTED WINNER: Redmayne

POTENTIAL SPOILER: Cumberbatch

 

Best Actress (Drama)

Nominees

Jennifer Aniston, Cake

Felicity Jones, The Theory of Everything

Julianne Moore, Still Alice

Rosamund Pike, Gone Girl

Reese Witherspoon, Wild

PREDICTED WINNER: Moore

POTENTIAL SPOILER: Jones

 

Best Actor (Musical/Comedy)

Nominees

Ralph Fiennes, The Grand Budapest Hotel

Michael Keaton, Birdman

Bill Murray, St. Vincent

Joaquin Phoenix, Inherent Vice

Christoph Waltz, Big Eyes

PREDICTED WINNER: Keaton

POTENTIAL SPOILER: Fiennes

 

Best Actress (Musical/Comedy)

Nominees

Amy Adams, Big Eyes

Emily Blunt, Into the Woods

Helen Mirren, The Hundred-Foot Journey

Julianne Moore, Map to the Stars

Quvenzhane Wallis, Annie

PREDICTED WINNER: Blunt

POTENTIAL SPOILER: Adams

 

Best Supporting Actor

Nominees

Robert Duvall, The Judge

Ethan Hawke, Boyhood

Edward Norton, Birdman

Mark Ruffalo, Foxcatcher

J.K. Simmons, Whiplash

PREDICTED WINNER: Simmons

POTENTIAL SPOILER: Norton

 

Best Supporting Actress

Nominees

Patricia Arquette, Boyhood

Jessica Chastain, A Most Violent Year

Keira Knightley, The Imitation Game

Emma Stone, Birdman

Meryl Streep, Into the Woods

PREDICTED WINNER: Arquette

POTENTIAL SPOILER: Stone

 

Best Director

Wes Anderson, The Grand Budapest Hotel

Ana DuVernay, Selma

David Fincher, Gone Girl

Alejandro Gonzalez Inarritu, Birdman

Richard Linklater, Boyhood

PREDICTED WINNER: Inarritu

POTENTIAL SPOILER: Linklater

…. And there you have it friends! Let’s see how the Globes turn tomorrow!

 

Box Office Predictions: November 7-9

After a sleepy Halloween weekend at the box office, November will bring some much needed fireworks to the multiplex as two eagerly awaited release debut Friday. They are Christopher Nolan’s sci-fi epic Interstellar and Disney’s animated Big Hero 6. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2014/11/01/interstellar-box-office-prediction/

https://toddmthatcher.com/2014/11/01/big-hero-6-box-office-prediction/

The big question is: which one will open #1? I have Interstellar just outdoing what Gravity accomplished last year, while putting Big Hero 6 roughly in the middle of the opening weekends of Wreck-It Ralph and Frozen. That means I’m predicting Hero will edge out Interstellar for the top spot, though other prognosticators feel differently.

As for the remainder of the top five, there should be a grouping of pics that all make in the $5M range jockeying for position. I’ll predict current #1 Ouija and #3 Fury drop out.

And with that, my predictions for the weekend’s top five:

1. Big Hero 6

Predicted Gross: $61.4 million

2. Interstellar

Predicted Gross: $57.2 million

3. Nightcrawler

Predicted Gross: $5.4 million (representing a drop of 49%)

4. Gone Girl

Predicted Gross: $5.4 million (representing a drop of 37%)

5. The Book of Life

Predicted Gross: $5.3 million (representing a drop of 31%)

Box Office Results (October 31-November 2)

As mentioned, it was a quiet weekend at the box office as Ouija managed to stay #1. The critically reviled horror flick took in $10.7 million in weekend #2, ahead of my $8.8M estimate. It’s taken in $46 million so far, which is terrific considering its tiny budget.

The critically acclaimed Jake Gyllenhall thriller Nightcrawler debuted in second with a decent $10.4 million, above my $8.1M projection. While reviewers dug it, its weak B- Cinemascore indicates a rather tough road ahead.

Other holdovers all managed to outpace my predictions for the weekend. Fury was third with $8.8 million (I predicted $7.7M). It’s taken in $60 million so far. Gone Girl was fourth with $8.4 million – compared to my $7.4M estimate. It’s up to $136M domestically and has become David Fincher’s highest grossing film stateside. The Book of Life was fifth with $8.2 million, compared to my $7.1M projection (it stands at $40M).

In weekend two, Keanu Reeves’s action pic John Wick was sixth at $7.9 million, in line with my $7.3M prediction. Its two week total is at $27M. Bill Murray’s St. Vincent help up considerably better than my $4.6M estimate as it earned $7.2 million. The comedy/drama has made $19M. In eighth was Alexander and his long title of a bad day with $6.5 million, ahead of my $4.4M projection. It’s earned $53M.

On the other hand, when it came to newbies – I vastly gave two of them too much credit. The Nicole Kidman/Colin Firth thriller Before I Go to Sleep stumbled with only $1.8 million for a 15th place debut. I predicted $3.5M. And the 10th anniversary re-release of Saw gained no traction with a pathetic $650,000 for a 20th place opening. I thought it would manage $4.1M. Oops.

That’s all for now, friends!

Box Office Predictions: October 31-November 2

The Halloween weekend is shaping up to be a tepid yet unpredictable one at the box office. There are three new entries: the Jake Gyllenhall crime pic Nightcrawler, Nicole Kidman/Colin Firth thriller Before I Go to Sleep, and the 10th anniversary re-release of Saw. You can peruse my detailed prediction posts on each here:

https://toddmthatcher.com/2014/10/26/nightcrawler-box-office-prediction/

https://toddmthatcher.com/2014/10/26/before-i-go-to-sleep-box-office-prediction/

https://toddmthatcher.com/2014/10/26/saw-10th-anniversary-box-office-prediction/

None of these newbies is expected to scare up much business. Added to the misery: all holdovers should dip below double digits, assuming current champ Ouija suffers the typical horror flick big drop. That means that my estimates reflect the #1 movie for this weekend will fail to reach past $10M for the first time since September 2012 when horror pic The Possession managed to open first with just over $9 million. Simply put, this is a dull weekend at the multiplex until November heavy hitters Interstellar, Big Hero 6, Dumb and Dumber To, and Hunger Games: Mockingjay, Part 1 open.

Depending on what happens, it could be a free for all for the #1 position as the difference between my #1 and #6 are a mere $1.7M apart. For this weekend, I’ll do a rare top ten predictions and we’ll see how it all shakes out:

1. Ouija

Predicted Gross: $8.8 million (representing a drop of 56%)

2. Nightcrawler

Predicted Gross: $8.1 million

3. Fury

Predicted Gross: $7.7 million (representing a drop of 42%)

4. Gone Girl

Predicted Gross: $7.4 million (representing a drop of 34%)

5. John Wick

Predicted Gross: $7.3 million (representing a drop of 49%)

6. The Book of Life

Predicted Gross: $7.1 million (representing a drop of 38%)

7. St. Vincent

Predicted Gross: $4.6 million (representing a drop of 39%)

8. Alexander and the Horrible, Terrible, No Good, Very Bad Day

Predicted Gross: $4.4 million (representing a drop of 38%)

9. Saw 10th Anniversary

Predicted Gross: $4.1 million

10. Before I Go to Sleep 

Predicted Gross: $3.5 million

Box Office Results (October 24-26)

As expected, the pre-Halloween weekend allowed critically reviled Ouija took open #1 with $19.8 million, under my $24.9M projection. With a tiny budget, however, this will reap a nice cash flow for its studio.

Keanu Reeves saw a better than expected opening for his critically acclaimed actioner John Wick, which debuted second with $14.4 million (above my $11M estimate). The lackluster Cinemascore grade of B, though, portends it probably will fade rather quickly.

Brad Pitt’s Fury dropped to third with $13.3 million in weekend two, under my $14.8M estimate. It’s earned $46M in 10 days.

Gone Girl was fourth in its fourth weekend with $11 million, in line with my $11.6M projection. The hit has earned $124M so far.

The animated feature The Book of Life was fifth in its sophomore frame with $10 million, just below my $11.3M prediction. It’s two week total stands at $30M.

Finally, Bill Murray’s St. Vincent expanded nationwide and took in a respectable $7.7 million, not matching my $8.6M estimate.

That’s all for now!

St. Vincent Box Office Prediction

Well, Thursday is considerably later than I do most of my box office predictions (Sunday is the day), but we need to make an exception this week. It wasn’t until this afternoon that the theater count was released for St. Vincent, out tomorrow. The comedy/drama stars the incomparable Mr. Bill Murray with a supporting cast featuring Melissa McCarthy, Naomi Watts, and Chris O’Dowd.

St. Vincent played the film fest circuit earlier this fall and is said to be an audience pleaser. It’s been in limited release in major cities for the last two weeks. Critics have been mostly kind and it holds a respectable 74% on Rotten Tomatoes. The announcement of the screen count was a bit of a surprise: 2,282 which certainly classifies it as a wide release. This could serve as effective counter programming to this week’s other newbies, horror flick Ouija and Keanu Reeves actioner John Wick. Females could end up being a large percentage of its opening weekend audience, in addition to die-hard Murray aficionados.

That said, I still don’t believe this manages to crack the top five. An opening in double digits is certainly possible, but I believe it’ll fall under that for a sixth place debut.

St. Vincent opening weekend prediction: $8.6 million

Todd’s Oscar Predictions: ROUND TWO (October Edition)

This evening on the blog, we arrive at round two of my Oscar Predictions for the 2014 race, which will air in early 2015 with Neil Patrick Harris handling hosting duties. In late August, I made my initial round of predictions and two months later, much has changed and much has stayed the same. Unlike my first round, my second go round will include the races of Best Adapted Screenplay and Best Original Screenplay.

Let’s get to it, shall we? Here’s where I see the Oscar race right now in the eight major categories:

Best Adapted Screenplay

For my first crack at the Adapted Screenplay race, it’s probably safe to assume Gillian Flynn’s adaptation of her own bestseller Gone Girl will make the cut, as well as festival favorites The Imitation Game and The Theory of Everything. I’m also safely (at the moment) including Angelina Jolie’s Unbroken, even though no one has seen it yet. The fifth slot includes several contenders: Still Alice, Inherent Vice, Wild, Into the Woods, and American Sniper. No one has viewed Sniper yet, but its recently released trailer inspires hope.

Todd’s Current Predictions for BEST ADAPTED SCREENPLAY

American Sniper

Gone Girl

The Imitation Game

The Theory of Everything

Unbroken

Best Original Screenplay

Richard Linklater’s Boyhood and Alejandro Gonzalez Inarritu’s Birdman appear to be shoo-ins for inclusion. I’m also thinking Wes Anderson’s work for The Grand Budapest Hotel stands it best chance at a nod here. For the remaining two slots – I’m saying Foxcatcher and Christopher Nolan’s Interstellar, for now. Other contenders include Mr. Turner, Top Five, Whiplash, A Most Violent Year, Selma, and Big Eyes.

Todd’s Current Predictions for BEST ORIGINAL SCREENPLAY

Birdman

Boyhood

Foxcatcher

The Grand Budapest Hotel

Interstellar

Best Supporting Actress

This race has changed quite a bit since my first round of predictions. I originally had both Emily Blunt for Into the Woods and Felicity Jones for The Theory of Everything listed here, but it’s since been announced their performances will fall into the Best Actress race. They’re out – along with Carmen Ejogo as Coretta Scott King in Selma. The only two actresses from my initial predictions are Patricia Arquette in Boyhood (who’s a front runner) and Laura Dern in Wild. Added to the mix are Emma Stone in Birdman and Keira Knightley in The Imitation Game. Other possibilities for the fifth slot include Meryl Streep in Into the Woods, Jessica Chastain in Interstellar, Carrie Coon for Gone Girl, Sienna Miller in American Sniper, Julianne Moore in A Map to the Stars, Anna Kendrick in Into the Woods, Katherine Waterson in Inherent Vice, and Jessica Lange in The Gambler. I’ll go with Kristen Stewart as a surprise nominee for the acclaimed Still Alice.

Todd’s Current Predictions for BEST SUPPORTING ACTRESS

Patricia Arquette, Boyhood

Laura Dern, Wild

Keira Knightley, The Imitation Game

Kristen Stewart, Still Alice

Emma Stone, Birdman

Best Supporting Actor

My first predictions didn’t include J.K. Simmons for his lauded work in Whiplash, but he could be considered the favorite at this juncture. Staying in are Edward Norton in Birdman and Mark Ruffalo in Foxcatcher and it’s tough to imagine them not being recognized. For the other two slots, I’m including Miyavi for his villainous role in Unbroken and Ethan Hawke for Boyhood. Left out from my first round: Domhall Gleeson (Unbroken), Logan Lerman (Fury), and Tim Roth (Selma). Other contenders: John Goodman for The Gambler, Tom Wilkinson for Selma, Albert Brooks for A Most Violent Year, Christoph Waltz for Big Eyes, Josh Brolin in Inherent Vice, Robert Duvall in The Judge, and Johnny Depp for Into the Woods.

Todd’s Current Predictions for BEST SUPPORTING ACTOR

Ethan Hawke, Boyhood

Miyavi, Unbroken

Edward Norton, Birdman

Mark Ruffalo, Foxcatcher

J.K. Simmons, Whiplash

Best Actress

Following my August estimates, the festival circuit anointed Julianne Moore as a likely front runner for playing an Alzheimer’s patient in Still Alice. I’m also sticking with initial predictions Amy Adams (Big Eyes), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Since the announcement of her inclusion in this race and not Supporting Actress, Felicity Jones joins the fray for The Theory of Everything. Other possibilities: Jessica Chastain in A Most Violent Year (who made the cut in August), Emily Blunt for Into the Woods, Shailene Woodley in The Fault in Our Stars, and Hilary Swank for The Homesman.

Todd’s Current Predictions for BEST ACTRESS:

Amy Adams, Big Eyes

Felicity Jones, The Theory of Everything

Julianne Moore, Still Alice

Rosamund Pike, Gone Girl

Reese Witherspoon, Wild

Best Actor

Just like last year, what a crowded field we have! The following quartet seem virtual locks for nominations: Benedict Cumberbatch (The Imitation Game), Eddie Redmayne (The Theory of Everything), Michael Keaton (Birdman), and Steve Carell (Foxcatcher). The fifth slot is the real mystery. I originally had Joaquin Phoenix here for Inherent Vice, but I’m skeptical now. For now, I’ll replace him with Jack O’Connell in Unbroken. Other possibilities include Timothy Spall for Mr. Turner (who could easily find a way in), Bradley Cooper in American Sniper (same), Ralph Fiennes for The Grand Budapest Hotel, Ben Affleck in Gone Girl, Bill Murray for St. Vincent, David Oyelowo in Selma (depends on film’s success and critical reception), Oscar Isaac in A Most Violent Year, Matthew McConaughey for Interstellar (fact that he won last year hurts), Jake Gyllenhall for Nightcrawler (pic is probably too quirky and small), and Channing Tatum for Foxcatcher (Carell likely to steal his thunder).

Todd’s Current Predictions for BEST ACTOR:

Steve Carell, Foxcatcher

Benedict Cumberbatch, The Imitation Game

Michael Keaton, Birdman

Jack O’Connell, Unbroken

Eddie Redmayne, The Theory of Everything

Best Director

Only one change here as I’m taking Bennett Miller’s direction for Foxcatcher out and putting David Fincher’s work in Gone Girl in. I think the commercial and critical success of it and Fincher’s reputation as one of Hollywood’s best filmmakers gets him in (at press time). Those who could spoil my predictions: Clint Eastwood (American Sniper), Ana DuVernay (Selma), Morten Tyldum (The Imitation Game), Wes Anderson (The Grand Budapest Hotel), Mike Leigh (Mr. Turner), James Marsh (The Theory of Everything), JC Chandor (A Most Violent Year), and Rob Marshall (Into the Woods).

Todd’s Current Predictions for BEST DIRECTOR

David Fincher, Gone Girl

Alejandro Gonzalez Inarritu, Birdman

Angelina Jolie, Unbroken

Richard Linklater, Boyhood

Christopher Nolan, Interstellar

Best Picture

As you may know, anywhere from 5-10 films can be nominated in the biggest category of them all. Since that system has been in place, nine pictures have been recognized every time. In August’s predictions, I predicted eight. And now – I’m going with nine. The MLK biopic Selma is the one I’ve removed. Don’t get me wrong – it could still easily make the cut, but no one’s seen it yet and it’s a question mark. Gone Girl and American Sniper enter the race in my opinion and this marks their first inclusion. Other films that could potentially make the cut (even though I say no at the moment): Mr. Turner, Whiplash, The Grand Budapest Hotel, A Most Violent Year, and Into the Woods.

Todd’s Current Predictions for BEST PICTURE

American Sniper

Birdman

Boyhood

Foxcatcher

Gone Girl

The Imitation Game

Interstellar

The Theory of Everything

Unbroken