A comic book origin story that often masquerades as an otherworldly buddy comedy, Venom will likely be remembered for the weirdly inspired performance of Tom Hardy and not much else. We’ve seen the title character before with Topher Grace in Spider–Man3. The alien creature made of black goo played as a superfluous extra villain in that picture. Now Venom is ready for his closeup.
Hardy is Eddie Brock, a San Francisco investigative reporter with a lovely DA fiancée Anne (Michelle Williams) and a penchant for asking one too many questions. He does just that with gazillionaire inventor Carlton Drake (Riz Ahmed), who’s a beloved mogul in the community. He’s also, unbeknownst to the masses, experimenting on poor people with a mysterious alien life form that his company the Life Foundation discovered in outer space. Eddie’s inquires into these practices lead to his firing as a journalist and the dissolution of his romance.
A few months later as Eddie is down on his luck, one of Drake’s scientists spills the beans to him about further tomfoolery at the Foundation. This leads to a break-in at their research facility and one of those nasty and gooey extraterrestrials attaching themselves to Eddie. It turns out these visitors intend to destroy Planet Earth.
Yet we also find out that Eddie’s new inhabitant of his vessel has a sense of humor. And Hardy’s performance filled with strange noises, facial tics, and general bizareness makes for an often memorable duo. Venom himself is inside Eddie’s head constantly with what sounds like Christian Bale’s basement octave range from TheDarkKnight series. I’m really not sure if Hardy’s work here is what you’d call good, but it’s definitely not forgettable. He seems committed to whatever the heck he’s decided Brock/Venom is and that itself is fun.
Unfortunately there’s lots of other forgettable aspects to the movie itself. This would include lots of the dialogue, the action sequences, Williams as the love interest, and Ahmed as the bad guy. Important stuff generally. It’s also amusing how crystal clear it is that director Ruben Fleischer (who’s done better with Zombieland) and the screenwriters so want this to be rated R. I assume Sony said otherwise, but the script has to reach the absolute highest level of profanity and heads being bitten off without achieving the restricted tag. I will give the writers a thumbs up for setting this in San Francisco and avoiding the umpteenth climactic battle at the Golden Gate Bridge.
I can’t deny that Hardy’s bewildering and bewitching and sometimes annoying acting nearly make this worth of the price of admission. There’s just a bit too much muck attached to it.
Over the past 16 years, we’ve witnessed numerous iterations of the famed web slinging superhero Spider-Man. From Tobey Maguire to Andrew Garfield to Tom Holland and two franchise reboots, the character has been omnipresent in our multiplexes. So the idea of an animated version might have seemed like overkill when Sony announced Spider–Man: IntotheSpider–Verse, which creates a world in which multiple people can be the iconic character.
Critical reaction out today suggests otherwise. Spider–Verse stands at 100% on Rotten Tomatoes with over 30 reviews in. Some write-ups claim it’s the best Spidey feature since 2004’s Spider–Man2. Select others claim it’s the best of the whole bunch (this will be seventh stand-alone entry).
Will Oscar notice? It seems highly likely. That would mean a nod in Best Animated Feature. It marks a fourth near “sure thing “ in that race, including current box office champ RalphBreakstheInternet and IsleofDogs. The raves bestowed upon this suggests it could even stand a better chance at winning than those pictures. Yet it could be a tall order to overcome the Pixar juggernaut involving other superheroes – Incredibles2.
Bottom line: Spider–Verse is into the Animated Feature mix in a major way. It’s out stateside on December 14. My Oscar Watch posts will continue…
Sony Pictures hopes to kick off a franchise and set an October opening record next weekend when Venom debuts. The picture’s namesake is an anti-hero spawned from the Spider-Man comics. Moviegoers first saw him in the form of Topher Grace in Spider–Man3. That rendering of the character didn’t sit too well with comic book aficionados.
The studio hopes this version changes that. Ruben Fleischer, best known for Zombieland, serves behind the camera. Playing Venom and his alter ego Eddie Brock is Tom Hardy. Costars include Michelle Williams, Riz Ahmed, Scott Haze, Reid Scott, Jenny Slate, and Woody Harrelson.
Sequels and spin-offs are hoped for and the marketing campaign has been pervasive. The reaction to trailers has been mostly positive, but word is that reviews won’t be published until the day before release. That’s not always a good sign. Similar buzz greeted SuicideSquad (among others) and it managed to meet expectations and gross $133 million in its first weekend. That stands as the largest August debut ever.
The correlation is that Venom could do the same in October, but estimates aren’t as high here. This is expected to gross between $60-$70 million. Even if it reached the low-end of that spectrum, this would top October record holder Gravity at $55 million. I’ll note that Halloween (out October 19) also stands a solid shot at exceeding that.
My feeling is this will meet projections, but on the lower end of the spectrum. How it performs in subsequent weekends will be dependent on buzz and that may be the biggest indicator on whether Sony gets its longed for cinematic universe.
We’re past the midway point of the 2017 summer box office and one thing is clear: it’s been a rather terrific season for the superhero flick genre. In fact, there’s a very good chance the summer’s top 3 earners will belong in that classification. That’s not the first time this has happened (more on that later), but it’s still pretty remarkable.
This got me thinking – what have been the greatest and worst superhero summers of this 21st century? After all, it was the summer of 2000 that got the superhero genre alive and kicking again and it’s never let up. 17 summers ago, it was the release of X-Men that helped revive a genre that had hit a low point three summers earlier with Batman & Robin. In 2002, it would be Spider-Man that would set the opening weekend record and ensure that no summer following would be missing some comic book character headlining. **2001 is the only summer of this century in which there’s no superhero pic.
This leads to my newest list: ranking the superhero summers with explanations provided below. We’re talking 17 summers, so I’m counting down from the worst to the best in my humble opinion.
17. 2009
The Movie: X-Men Origins: Wolverine
Just one flick in this particular summer. The Marvel Cinematic Universe had just kicked off the year before, so there was no follow-up ready. Instead, we got Wolverine’s first spin-off and it’s the worst of the whole bunch by a significant margin.
16. 2007
The Movies: Spider-Man 3, Fantastic Four: Rise of the Silver Surfer
The third Spidey entry closed the Sam Raimi/Tobey Maguire on a very weak note and the Four sequel was none too impressive either (to be expected after a middling at best predecessor).
15. 2010
The Movie: Iron Man 2
Tony Stark’s return to the screen after 2008’s juggernaut suffered from being overstuffed with two many villains, etc… One of the lesser MCU entries.
The Movies: X-Men: The Last Stand, Superman Returns
Two pics that failed to meet expectations – The Last Stand suffered a big quality drop-off after the second X and Superman Returns (the first Supes flick in nearly 20 years) couldn’t live up to the hype.
13. 2015
The Movies: Avengers: Age of Ultron, Ant-Man, Fantastic Four
Disappointing as it featured two of the weaker MCU entries and a seriously misguided Fantastic Four reboot.
12. 2013
The Movies: Iron Man 3, Man of Steel, The Wolverine
IM3 was an improvement over part 2, The Wolverine was an improvement over Origins. Man of Steel? A letdown in many respects, just like Superman Returns.
Would probably rank higher because Spidey 2 is arguably the best of the bunch, but loses points due to the catastrophe that is Halle Berry as Catwoman.
The Movies: Guardians of the Galaxy, X-Men: Days of Future Past, The Amazing Spider-Man 2
Guardians was pure joy, Past was a solid X pic. Loses points for the mess of a Spidey sequel.
5. 2005
The Movies: Batman Begins, Fantastic Four
OK, so Fantastic Four was not so good. Yet this is in my top 5 because Batman Begins not only kicked off the heralded Nolan trilogy, but it’s my personal fave superhero pic of the century.
4. 2011
The Movies: Thor, Captain America: First Avenger, X-Men: First Class
Though not of these flicks are great, they’re all solid in my view. Thor and Captain helped usher in the MCU era as we know it and First Class rebooted its franchise in a pleasing way.
The Movies: The Avengers, The Dark Knight Rises, The Amazing Spider-Man
Avengers is the granddaddy of MCU, Rises ended up the trilogy in a mostly satisfactory manner while Spidey was a slight letdown (though miles better than its sequel). As referenced earlier, these 3 pictures would mark the highest 3 earners of that season.
The Movies: Guardians of the Galaxy Vol. 2, Wonder Woman, Spider-Man: Homecoming
Three highly entertaining and well-done entries that marked the first super-heroine success.
1. 2008
The Movies: The Dark Knight, Iron Man, The Incredible Hulk, Hellboy II: The Golden Army
The Dark Knight is considered by many to be the genre’s artistic peak and Iron Man was a fine start to a franchise that just keeps charging along. Incredible was a more satisfying (though still flawed) Hulk pic than five years earlier and Guillermo del Toro brought his visual splendor and humor once again to the Hellboy series. A rather easy pick for #1.
Or is it? What are your thoughts on the superhero summers?
Spider-Man: Homecoming is the third reiteration of the web slinger franchise that began a decade and a half ago. It arrives three years after the first reboot with Andrew Garfield sputtered in its second entry. That franchise faded away being plagued by the same issues that Sam Raimi and Tobey Maguire’s trilogy suffered at its end – too many villains and generally trying to cram too much superfluous material. It’s a pleasure to report that Homecoming doesn’t suffer the same problems.
In fact, our third Spidey helping soars the most when Peter Parker stays grounded. Tom Holland is the title character, getting his stand-alone pic after a brief appearance in last summer’s Captain America: Civil War. Yes, Spidey/Peter is now part of the vast Marvel Cinematic Universe and he’s a pupil of none other than Tony Stark/Iron Man (Robert Downey Jr.). Well, sort of. After assisting in one epic battle in Civil War, Peter wrongly assumes he’s part of The Avengers. Yet Stark isn’t exactly quick to enlist him, tasking his trusty bodyguard Happy Hogan (Jon Favreau) to keep tabs on him but not involve him in their day-to-day world saving activities.
That leaves Peter doing his Spidey thing on a much smaller scale, busting carjackers and ATM thieves in New York City while hiding his identity from Aunt May (Marisa Tomei) and his high school buddies. That consists mostly of just one classmate Ned (Jacob Batalon), a fellow nerd. Peter also has a serious crush on Liz (Laura Harrier), the lovely captain of the academic decathlon team. There’s another female student, played by Zendaya, that you suspect will become more important as the franchise continues. Homecoming does something that other Spidey flicks never really bothered to do. It makes Peter Parker a credible high school student. Part of the problem in the first two series was that you never bought Maguire or Garfield as underclassmen. With Holland, his youthful exuberance and awkwardness sell it. Of the trio we’ve seen thus far, he is probably the best Spider-Man. He’s definitely the best Peter Parker.
One of Spidey’s busts while waiting for Tony Stark to call with bigger projects leads him to Toomes (Michael Keaton), whose backstory is explained in the opening sequence. He’s a former small business owner gone disgruntled after more powerful interests (Mr. Stark and his empire) took his livelihood away. Toomes retaliates by using some stolen materials to develop weapons. Just as Peter is an everyday guy who becomes a superhero, Toomes is a once normal Joe who becomes a super villain. With Keaton playing him, it’s a pleasure to watch. One often deserved knock on the Marvel Cinematic Universe is that a solid villain is about as common as a Marvel Cinematic Unicorn. As with Loki, this offers an exception and Keaton is the reason why.
The scenes in the high school are handled with a often light, humorous and believable touch. Our grand action set pieces are expertly handled, but not much different than anything else we see multiple times a year (one at the Washington Monument is pretty nifty though). Homecoming does a commendable job at remembering that our hero is a neighborhood Spider-Man. Even though we know a much larger universe awaits him, it’s a treat to watch him working in relatively more grounded reality.
It was 15 summers ago when Spider-Man scored the largest domestic opening of all time (at that juncture) and helped kick off the comic book adaptation bonanza that has yet to let up today. We are now on our third web slinger iteration as Spider-Man: Homecoming swings into theaters next weekend.
Of course, this is not our first time seeing Tom Holland as the new Spidey. He first appeared in last summer’s Captain America: Civil War. In this first solo effort, none other than Robert Downey Jr.’s Iron Man is appearing alongside him. Jon Watts directs with a supporting cast that includes Michael Keaton as the villainous Vulture, Marisa Tomei, Donald Glover, Jon Favreau, and Zendaya.
This co-production of Columbia Pictures and Marvel Studios comes with a reported $175 million budget and lofty expectations. The second reboot of the beloved superhero series certainly is benefited by the new Spidey’s place in the Marvel Cinematic Universe and his Avenger friends.
Homecoming is the sixth overall flick headlined by Spider-Man. Let’s take a trip down franchise lane, shall we?
In looking at the opening grosses of the five previous entries, it’s a bit of a web since some opened over long holiday weekends. The 2002 original made the aforementioned record-setting sum of $114 million out of the gate and $403M overall domestically. The 2004 follow-up opened over a five-day July 4th weekend with $88 million from Friday to Sunday, $151 million from Wednesday to Sunday, and $373M when all was said and done. 2007’s Spider-Man 3 (marking the final appearance of Tobey Maguire in the title role) set the franchise record opening of $151 million, but grossed $336M in total – the lowest of the trilogy. Five years later when Andrew Garfield inherited the tights, The Amazing Spider-Man rolled out over a long six-day July 4th frame with $62 million in the traditional weekend and $137 million over the long weekend. It would go on to make $262M. 2014’s sequel made $91 million for its start and a series low $202M overall.
Got all that? OK! So where does Homecoming stand in comparison? Let’s leave its predecessors alone for just a second as it’s unlikely this will match the overall grosses of this summer’s previous comic book tentpoles Guardians of the Galaxy Vol. 2 and Wonder Woman. Both of those pics look to near $400 million domestically and place first and second for the season’s top earners. At one time, projections for the new Spidey were as high as $135 million, but they’ve since steadily declined. I believe this will reach over just over what the first picture accomplished a decade and a half ago.
Spider-Man: Homecoming opening weekend prediction: $117.8 million
Summer 2016 kicks off in grand Disney/Marvel fashion when Captain America: Civil War debuts next Friday. It is the first weekend of May’s only wide release, as no other studio would dare try counter programming against this surefire juggernaut. This is the third entry in the Captain America franchise, but it is essentially a third Avengers feature as Robert Downey Jr.’s Iron Man, Paul Rudd’s Ant-Man, Jeremy Renner’s Hawkeye, Scarlett Johansson’s Black Widow, Don Cheadle’s War Machine, Anthony Mackie’s Falcon, Elizabeth Olsen’s Scarlet Witch, and the debuts of Chadwick Boseman’s Black Panther and Tom Holland’s Spider-Man all join Chris Evans’ Cap for this extravaganza. Sebastian Shaw, William Hurt, and Daniel Bruhl also appear. Essentially, only Thor and Hulk are missing here.
The Marvel Cinematic Universe has been a multi-billion dollar bonanza for Disney and Marvel Studios. This 13th picture in the MCU has been greeted with terrific buzz and trailers and its critical response stands at 98% on Rotten Tomatoes. Some critics have gone as far to call it the best MCU movie thus far and this has led to expectations for its opening being understandably sky-high.
How high are we talking? Civil War seems primed to have at least the fifth largest domestic debut of all time. To do so, it would need to top Iron Man 3 and its $174 million opening and $175M seems to be on the lower end of expectations. The current #4 record belongs to summer 2015’s first flick, Avengers: Age of Ultron, which made $191 million. #3 is the original Avengers at $207 million with last summer’s Jurassic World second at $208 million.
The only record I don’t see this competing for is the big daddy – Star Wars: The Force Awakens, which earned $247 million in December. I believe Civil War, with buzz hotter than Ultron, will manage have a larger start and I really wouldn’t be surprised if it does indeed top $200 million. I’m going to peg it at just below what 2012’s Avengers accomplished to make it the second largest MCU debut and fourth highest all-time opening.
Captain America: Civil War opening weekend prediction: $205.6 million
From the release of Guardians of the Galaxy in August until the release of Avengers: Age of Ultron in May 2015, there will be nine months that pass between superhero/comic book based pictures. Starting next year and especially in 2016 and beyond, that’s going to change.
It’s almost hard to believe, but there are currently 30 – yes, 30 – superhero pics scheduled to debut between 2015 and 2020. Some – though likely not many at all – could fall to the wayside. And certainly more could be added to the calendar over the next six years.
Today, Marvel Studios announced “Phase 3” of their slate of films scheduled to be released until 2019 – culminating with the third and fourth Avengers pictures. Besides the Disney/Marvel releases, Warner Bros. and Fox have their own ambitious slates.
The 21st century has been absolutely dominated by the comic book adaptation in movie world. It started in 2000 with X-Men and has continued with the Dark Knight franchise, The Avengers, Guardians, two Superman reboots, two Spider-Man franchises, and various stand-alone features and their sequels and reboots focused on Captain America, Thor, Hulk, Daredevil, Hellboy, and others. And it’s only accelerating.
This is going to be tough to keep all these Iron Men, Guardians, Caped Crusaders, and newbies like Ant-Man, Wonder Woman, and Doctor Strange straight, so this movie blogger is providing you a handy guide for all of them coming out over the next few years – in order of currently scheduled release.
Here we go:
Avengers: Age of Ultron
Release Date: May 1, 2015
Joss Whedon returns to direct as Iron Man, Captain America, Hulk, Thor, Hawkeye, and Black Widow all return in the sequel to the #3 highest grossing film of all time. This will almost surely set a new record for all-time opening weekend, therefore defeating its predecessor.
Ant-Man
Release Date: July 17, 2015
Paul Rudd takes on the role of the title character with Michael Douglas and Evangeline Lilly costarring. Expect Ant-Man to find his way into later Disney/Marvel projects, possibly including later Avengers sequels.
The Fantastic Four
Released Date: August 7, 2015
After two successful but critically panned Fantastic Four pics earlier this century, director Josh Trank (Chronicle) takes over the reins of a budding new franchise for 20th Century Fox. The cast includes Miles Teller as Mr. Fantastic, Kate Mara as the Invisible Woman, Michael B. Jordan as the Human Torch, and Jamie Bell as The Thing.
Deadpool
Release Date: February 12, 2016
A spinoff of the X-Men series, Ryan Reynolds is likely to play the character (he played him in the poorly received original 2009 Wolverine stand-alone flick).
Batman v. Superman: Dawn of Justice
Released Date: March 25, 2016
Man of Steel director Zack Snyder returns with Henry Cavill’s Superman battling Ben Affleck’s Batman. Gal Gadot will make her debut as Wonder Woman before a later stand-alone pic and Jesse Eisenberg joins the mix as Lex Luthor.
Captain America: Civil War
Release Date: May 6, 2016
The third America flick will feature a prominent role for Robert Downey Jr.’s Iron Man with The Winter Soldier‘s Anthony and Joe Russo returning to direct.
X-Men: Apocalypse
Release Date: May 27, 2016
Days of Future Past director Bryan Singer is back (he also directed the first two installments of the original trilogy) as is the cast from 2011’s First Class, including James McAvoy, Michael Fassbender, and Jennifer Lawrence.
Suicide Squad
Release Date: August 5, 2016
This team of DC villains will be incorporated in the Warner Bros. movie universe that will eventually lead to the Justice League pics. Jesse Eisenberg is rumored to appear in this as well in his Lex Luthor role. David Ayer, director of Fury, is behind the camera.
Doctor Strange
Release Date: November 4, 2016
Sinister director Scott Derickson helms the adaptation of the Marvel comic with Benedict Cumberbatch just having signed to play the title character after negotiations with Joaquin Phoenix stalled.
Sinister Six
Release Date: November 11, 2016
A spin-off of the current Spider-Man franchise, this will focus on supervillains in the Spidey universe, reportedly including Green Goblin, Doctor Octopus, and Rhino. Cabin in the Woods director Drew Goddard is on board.
Venom
Release Date: 2017
A stand-alone pic for the Spidey villain, it’s uncertain at this point whether Sony Pictures ends up going forward with this one.
Untitled Wolverine Picture
Release Date: March 3, 2017
The third stand-alone Wolverine flick will have Hugh Jackman clawing his way on screen and James Mangold, who directed 2013’s The Wolverine, returning.
Guardians of the Galaxy 2
Release Date: May 5, 2017
Star Lord and company are back with James Gunn back in the director’s chair. The original from this summer grossed an astonishing $752 million worldwide (at press time).
Wonder Woman
Release Date: June 23, 2017
It’s about time a woman headlined one of these things! Gal Gadot will star after appearing as the title character in Batman v. Superman. No director attached at press time.
The Fantastic Four 2
Release Date: July 14, 2017
Fox is confident as they’ve scheduled this to follow-up summer 2015’s release.
Thor: Ragnorak
Release Date: July 28, 2017
The third entry in the franchise, Chris Hemsworth will reprise his role in between Avengers filming duties. No director attached yet.
Black Panther
Release Date: November 3, 2017
Disney/Marvel gives their first headlining feature to an African-American superhero. 42 and Get On Up star Chadwick Boseman was cast as the Panther today. The character will reportedly first appear in 2016’s Captain America: Civil War.
Justice League Part One
Release Date: November 17, 2017
Essentially Warner Bros. version of Avengers, expect to see Cavill’s Superman, Affleck’s Batman, Gadot’s Wonder Woman, and likely Green Lantern, The Flash, Aquaman, and Cyborg in the mix. Zack Snyder will direct.
The Amazing Spider-Man 3
Release Date: 2018
No specific release date yet, other than sometime in 2018 and you have to wonder. Each Spidey flick has grossed less than its predecessor and this summer’s The Amazing Spider-Man 2 was a commercial and critical letdown. It’s not known for sure yet, but Andrew Garfield is likely to return as the title character.
The Flash
Release Date: March 23, 2018
After a probable debut in Justice League, The Flash gets his own stand-alone pic with Ezra Miller in the title role.
Avengers: Infinity War, Part 1
Release Date: May 4, 2018
This is where the Marvel universe is likely to go bananas – with rumors of your typical Avengers (Iron Man, Captain America, Thor, Hulk) possibly mixing it up with Ant-Man, Doctor Strange, and the Guardians of the Galaxy, among others. This is gonna be huge.
Captain Marvel
Release Date: July 6, 2018
Details are scarce, but this will be Disney/Marvel Studios first stand-alone featuring a title character who is a female. Expect an A list actress to join at some point.
Untitled Fox Marvel Movie
Release Date: July 13, 2018
Once again – details are very scarce. However, there are rumors that this could be Fox’s “Avengers” type pic, incorporating the X-Men, the Fantastic Four, and Deadpool.
Aquaman
Release Date: July 27, 2018
After an expected debut in Justice League, “Games of Thrones” star Jason Momoa will portray the title character.
Inhumans
Release Date: November 2, 2018
Marvel/Disney will attempt and almost assuredly succeed with this development of a new Guardians/Avengers type franchise. Director/actor announcements will come later.
Shazam
Release Date: April 5, 2019
Dwayne “The Rock” Johnson will play the title character in this DC Comic adaptation.
Avengers: Infinity Wars, Part 2
Release Date: May 3, 2019
The continuation of the previous summer’s Marvel blowout – don’t be surprised if this marks the final appearances of Downey Jr’s Iron Man, Chris Evans’s Captain America, and Chris Hemsworth’s Thor. This will be the end of Phase 3 for Disney/Marvel and we’ll have to wait and see what Phase 4 brings.
Justice League, Part 2
Release Date: June 13, 2019
The Batman/Superman/Green Lantern/Flash/Wonder Woman/Aquaman saga rolls on…
Cyborg
Release Date: April 3, 2020
Originating from DC, Warner Bros. will adapt this character with Ray Fisher in the title role. It’s rumored he’ll begin his appearances beginning with 2016’s Batman v. Superman and later Justice League flicks.
Green Lantern
Release Date: June 19, 2020
There was a badly received version starring Ryan Reynolds in 2011. Expect Warner Bros. to ignore that flick while reintroducing the character in Justice League prior to this stand-alone.
And there you have it – that’s a whole lotta superhero action scheduled to come your way over the rest of this decade.
It’s a feeling that I simply couldn’t shake when I watched 2012’s reboot The Amazing Spider-Man: this movie isn’t necessary. Yet it was. If Sony Pictures wanted to keep the rights to the Spidey brand (and did they ever), a new pic had to be produced. Tobey Maguire and Kirsten Dunst weren’t interested in a fourth entry so the franchise was started over just ten years after it began.
However, that didn’t mean it felt necessary… Sony’s financial consideration aside. Too often The Amazing Spider-Man felt like a remake of 2002’s original and there was no reason to have one. There were silver linings. The chemistry between Andrew Garfield as Peter Parker/Spidey and Emma Stone as Gwen Stacy was stronger than the Maguire/Dunst dynamic. Come to think of it… that was about the only silver lining in director Andrew Webb’s playbook. The rest of the pic was reasonably entertaining but familiar… way too familiar.
This brings us to the inevitable sequel in which the filmmakers (Webb returns behind the camera) inexplicably make the same errors that sunk the original trilogy by the time the mediocre Spider-Man 3 entered multiplexes in 2007. Too many villains. Too many subplots you don’t care about. It’s the same problems that have hindered Batman and Iron Man flicks in their weakest entries, too.
New characters include Jamie Foxx as Electro/Max Dillon, an Oscorp employees who worships Spider-Man and then finds himself as his nemesis when an electrical accident turns him into a super villain. His character is not terribly interesting and Foxx’s performance is not among his strongest.
Dane Dehaan is Harry Osborn, who takes over his Dad’s corporation following his death. Harry finds out he’s terminally ill and believes he needs Spidey’s blood to keep him alive. He doesn’t know his best childhood friend Peter Parker is also… well, you know. Complications ensue and an iconic baddie from Spidey lore enters the picture. Dehaan gives the role his all, but by the time his metamorphosis occurs, you’re checking your watch.
There’s also Paul Giamatti in a curiously small role as a Russian mobster who you won’t care about and where the character’s incredibly talented and Oscar nominated actor hams it up pretty embarrassingly.
And Sally Field is back as Aunt May with Campbell Scott and Embeth Davidtz returning in flashback sequences as Peter’s parents. Denis Leary as Gwen’s late father is also seen, but not heard.
The picture’s only strength lies in the genuine chemistry of Garfield and Stone, just like in the first. It’s not enough. The Amazing Spider-Man 2 has that unmistakable whiff of needlessness that plagued its predecessor. There’s a sequence in the beginning when Gwen and Peter are having a quarrel and she sadly says, “You have done this again and again, Peter Parker! I can’t live like this.” We’ve seen that scene between Spidey and his girl again and again… and again… and again. We’ve seen the breakup of Peter and Gwen… and Peter and Mary Jane. And we’ve seen it too much in the past 12 years. Sony Pictures needs to keep the gravy train rolling, but I can live without this fading franchise.
Memorial Day weekend 2014 at the box office brings the potentially explosive opening of X-Men: Days of Future Past and the Adam Sandler/Drew Barrymore rom com Blended. You can read my detailed prediction posts on each here:
I’m not quite buying some prognosticators claiming X-Men will make $125 million over the four day holiday frame, but my prediction isn’t too far off from that. Meanwhile, I look for Blended to have an opening on the lower end of typical Sandler debuts.
As for holdovers, percentage drops are typically smaller during Memorial weekend so I see Godzilla, Neighbors, and The Amazing Spider-Man 2 having relatively decent holds.
And with that, my predictions for the weekend top five and their four day holiday totals:
1. X-Men: Days of Future Past
Predicted Gross: $114.3 million
2. Godzilla
Predicted Gross: $50.6 million (representing a drop of 45%)
3. Blended
Predicted Gross: $24.9 million
4. Neighbors
Predicted Gross: $18.8 million (representing a drop of 24%)
5. The Amazing Spider-Man 2
Predicted Gross: $11 million (representing a drop of 35%)
Box Office Results (May 16-18)
While many predictions for holdovers were solid over the past weekend, I didn’t give Godzilla near enough credit while giving Million Dollar Arm with Jon Hamm way too much credit.
Godzilla stomped into theaters to the tune of $93.1 million, well beyond my $77.3M estimate. The monster pic managed the second highest debut of the year behind Captain America: The Winter Soldier and virtually guarantees we’ll see a sequel featuring the jolly green giant in the near future.
Seth Rogen’s comedy Neighbors dropped to second with $25 million in its sophomore frame, right in line with my $24.3M projection. The Amazing Spider-Man 2 was third in its third weekend with $16.8 million, on pace with my $16.6M projection.
Million Dollar Arm, the Disney sports drama, flopped in its opening with a meager $10.5 million, way below my generous $23.4M estimate. Clearly the film simply failed to resonate in its marketing campaign.
Rounding out the top five in weekend #4 was Cameron Diaz’s The Other Woman with $6.3 million, just over my $5.7M prediction.
That’s all for now folks! I’ll have results posted for Memorial weekend next week.
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