Spider-Man: Homecoming Movie Review

Spider-Man: Homecoming is the third reiteration of the web slinger franchise that began a decade and a half ago. It arrives three years after the first reboot with Andrew Garfield sputtered in its second entry. That franchise faded away being plagued by the same issues that Sam Raimi and Tobey Maguire’s trilogy suffered at its end – too many villains and generally trying to cram too much superfluous material. It’s a pleasure to report that Homecoming doesn’t suffer the same problems.

In fact, our third Spidey helping soars the most when Peter Parker stays grounded. Tom Holland is the title character, getting his stand-alone pic after a brief appearance in last summer’s Captain America: Civil War. Yes, Spidey/Peter is now part of the vast Marvel Cinematic Universe and he’s a pupil of none other than Tony Stark/Iron Man (Robert Downey Jr.). Well, sort of. After assisting in one epic battle in Civil War, Peter wrongly assumes he’s part of The Avengers. Yet Stark isn’t exactly quick to enlist him, tasking his trusty bodyguard Happy Hogan (Jon Favreau) to keep tabs on him but not involve him in their day-to-day world saving activities.

That leaves Peter doing his Spidey thing on a much smaller scale, busting carjackers and ATM thieves in New York City while hiding his identity from Aunt May (Marisa Tomei) and his high school buddies. That consists mostly of just one classmate Ned (Jacob Batalon), a fellow nerd. Peter also has a serious crush on Liz (Laura Harrier), the lovely captain of the academic decathlon team. There’s another female student, played by Zendaya, that you suspect will become more important as the franchise continues. Homecoming does something that other Spidey flicks never really bothered to do. It makes Peter Parker a credible high school student. Part of the problem in the first two series was that you never bought Maguire or Garfield as underclassmen. With Holland, his youthful exuberance and awkwardness sell it. Of the trio we’ve seen thus far, he is probably the best Spider-Man. He’s definitely the best Peter Parker.

One of Spidey’s busts while waiting for Tony Stark to call with bigger projects leads him to Toomes (Michael Keaton), whose backstory is explained in the opening sequence. He’s a former small business owner gone disgruntled after more powerful interests (Mr. Stark and his empire) took his livelihood away. Toomes retaliates by using some stolen materials to develop weapons. Just as Peter is an everyday guy who becomes a superhero, Toomes is a once normal Joe who becomes a super villain. With Keaton playing him, it’s a pleasure to watch. One often deserved knock on the Marvel Cinematic Universe is that a solid villain is about as common as a Marvel Cinematic Unicorn. As with Loki, this offers an exception and Keaton is the reason why.

The scenes in the high school are handled with a often light, humorous and believable touch. Our grand action set pieces are expertly handled, but not much different than anything else we see multiple times a year (one at the Washington Monument is pretty nifty though). Homecoming does a commendable job at remembering that our hero is a neighborhood Spider-Man. Even though we know a much larger universe awaits him, it’s a treat to watch him working in relatively more grounded reality.

*** (out of four)

https://www.youtube.com/watch?v=qJpK7RA-zhA

Valerian and the City of a Thousand Planets Box Office Prediction

Director Luc Besson has cultivated a following over the past quarter century and the devotion of his admirers will be put to the test when Valerian and the City of a Thousand Planets debuts next weekend. The big-budget sci-fi pic is based on a popular French comic book series and it’s been a passion project for Besson for many years.

Dane DeHaan, Cara Delevingne, Rihanna, Clive Owen, Ethan Hawke, and Rutger Hauer are among the cast in this production which reportedly cost at least $180 million to produce. Some of Besson’s works have turned into ones with devoted cult status, including 1994’s The Professional and 1997’s The Fifth Element. His last pic, 2014’s Lucy, was a box office success. However, that may have had more to do with Scarlett Johansson’s involvement fresh off The Avengers.

Critical reaction thus far has been a treat to follow. It stands at a decent 73% on Rotten Tomatoes, with many writers praising its visuals and sheer audacity. Yet it’s not often a picture with that high a Tomatoes score is also deemed by The Hollywood Reporter as the worst movie watching experience of the year.

Valerian is expected to and will likely do considerably better overseas than stateside. Competition on this side of the pond is significant – Dunkirk opens the same weekend, War for the Planet of the Apes will be in its sophomore weekend, and Spider-Man: Homecoming in its third.

My suspicion is that Besson’s latest could rank third among the newbies next weekend. That would be behind Dunkirk (which is a given) and Girls Trip (which is starting to look like a sleeper hit). Bottom line: the studio better bank on a pleasing European haul.

Valerian and the City of a Thousand Planets opening weekend prediction: $17.8 million

For my Dunkirk prediction, click here:

https://toddmthatcher.com/2017/07/12/dunkirk-box-office-prediction/

For my Girls Trip prediction, click here:

https://toddmthatcher.com/2017/07/12/girls-trip-box-office-prediction/

Box Office Predictions: July 14-16

War for the Planet of the Apes attempts to knock Spider-Man off his perch from the #1 spot at the box office this weekend as the horror pic Wish Upon also debuts. You can find my detailed prediction posts on both here:

https://toddmthatcher.com/2017/07/05/war-for-the-planet-of-the-apes-box-office-prediction/

https://toddmthatcher.com/2017/07/06/wish-upon-box-office-prediction/

As I see it, Spider-Man: Homecoming (coming off a fine debut and more on that below) should lose a bit over 50% of its opening crowd. That means my mid 60s forecast for Planet should put it fairly comfortably at #1.

Despicable Me 3 should drop to third. The wild card this weekend could be critically acclaimed rom com The Big Sick, which has been performing extremely well in limited release. It’s set to expand nationwide on Friday and could easily contend with Baby Driver for the four spot. I’ll put it just below Baby for now, but could revise my estimate depending on the official theater count arriving later this week.

As far as Wish Upon, horror flicks are always capable of over performing, yet I’m not expecting much for it. It could find itself in a battle for sixth with Wonder Woman. 

And with that, I’ll do a top 7 projections for this particular weekend:

1. War for the Planet of the Apes

Predicted Gross: $63.4 million

2. Spider-Man: Homecoming

Predicted Gross: $55.2 million (representing a drop of 52%)

3. Despicable Me 3

Predicted Gross: $17 million (representing a drop of 49%)

4. Baby Driver

Predicted Gross: $7.8 million (representing a drop of 40%)

5. The Big Sick

Predicted Gross: $7.5 million

6. Wonder Woman 

Predicted Gross: $6.1 million (representing a drop of 38%)

7. Wish Upon

Predicted Gross: $5.9 million

Box Office Results (July 7-9)

Marvel and Sony had much to celebrate this weekend as Spider-Man: Homecoming swung into theaters with a solid $117 million, right on pace with my $117.8M projection. Stellar reviews and Spidey’s entrance into the Marvel Cinematic Universe certainly helped.

Despicable Me 3 dropped to second in its sophomore frame to $33.5 million, a bit shy of my $36.3M estimate for a ten-day total of $148M.

At third, Baby Driver help up well in weekend #2 with $13 million, in line with my $13.6M estimate. It’s made $57M thus far.

Wonder Woman was fourth with $9.8 million (I said $9.9M) for a haul of $368M.

Transformers: The Last Knight rounded out the top five at $6.3 million (I said $7M) for a $118M total. It will easily stand as the lowest domestic earner of the franchise, which currently belongs to predecessor Age of Extinction at $245M.

And that does it for now, folks! Until next time…

Wish Upon Box Office Prediction

Low-budget horror pic Wish Upon hopes to scare up some box office dollars when it comes out next weekend. The reported $12 million production focuses on a mysterious music box that grants wishes to terrifying results. Annabelle director John R. Leonetti is behind the camera with a cast that features Joey King, Ryan Phillippe, Ki Hong Lee, and Sherilyn Fenn.

The marketing campaign for this has seemed a little under the radar. Flicks of this genre can certainly exceed expectations, but I’m not expecting much here. We have already seen one example of a horror entry underwhelming this summer with It Comes at Night and it garnered very favorable reviews. There’s also significant competition in the form of War for the Planet of the Apes being in its opening weekend and Spider-Man: Homecoming being in its second.

I’ll predict Wish Upon is granted a debut just under half its meager budget.

Wish Upon opening weekend prediction: $5.9 million

For my War for the Planet of the Apes prediction, click here:

https://toddmthatcher.com/2017/07/05/war-for-the-planet-of-the-apes-box-office-prediction/

Box Office Predictions: July 7-9

There’s only one new major release this weekend hitting multiplexes, but it’s a big one in the form of Spider-Man: Homecoming. This is the third iteration of the beloved web slinger with Tom Holland inheriting the tights after his cameo in Captain America: Civil War. You can peruse my detailed prediction post on it here:

https://toddmthatcher.com/2017/06/27/spider-man-homecoming-box-office-prediction/

Spidey should easily rule the charts this weekend and my prediction puts it a couple million above what the original accomplished 15 years ago.

As for holdovers, Despicable Me 3 had a somewhat disappointing debut (more on that below) and I look for it to lose nearly half its audience in the sophomore frame.

Baby Driver, on the other hand, was quite a breakout hit and word of mouth is strong. Its drop-off shouldn’t be as pronounced. Wonder Woman and Transformers look to round out the top five.

And with that, my top 5 projections for the weekend ahead:

1. Spider-Man: Homecoming

Predicted Gross: $117.8 million

2. Despicable Me 3

Predicted Gross: $36.3 million (representing a drop of 49%)

3. Baby Driver

Predicted Gross: $13.6 million (representing a drop of 34%)

4. Wonder Woman

Predicted Gross: $9.9 million (representing a drop of 37%)

5. Transformers: The Last Knight

Predicted Gross: $7 million (representing a drop of 58%)

Box Office Results (June 30-July 2)

Illumination Entertainment’s Despicable Me 3 earned an estimated $72.4 million, which easily placed it first. However, this was easily $10 million below most of the lowest guesstimates. I projected a higher haul at $88.7M.

Edgar Wright’s critically acclaimed Baby Driver greatly exceeded expectations with a $20.5 million Friday to Sunday gross and a cool $29.5 million since its Wednesday opening. This blew away my respective predictions of $10.9M and $15.8M and proved that audiences are hungry for programming in the summer that isn’t a sequel or reboot.

Transformers: The Last Knight slipped to third with $16.8 million (in line with my $17.4M forecast) for a $102M total.

Wonder Woman was close behind in fourth with $15.7 million (I said $14.5M) to bring its massive earnings to $346M.

Cars 3 rounded out the top five with $9.6 million (I was higher at $12.1M) for a $120M overall gross.

The poorly reviewed Will Ferrell/Amy Poehler comedy The House was DOA in sixth place, earning only $8.7 million for its start (I said $13.8M).

Finally, Sofia Coppola’s The Beguiled expanded its theater count and took in $3.1 million compared to my $3.8M prediction.

And that does it for now, folks! Until next time…

Oscar Watch – Spider-Man: Homecoming

When Spider-Man: Homecoming swings into theaters next weekend, it will do so as one of the most critically acclaimed entries of a franchise that began 15 years ago. The superhero reboot currently stands at 92% on Rotten Tomatoes with many critics praising the work of new Spidey Tom Holland and Michael Keaton as main villain Vulture.

Homecoming is the sixth picture of the series. Tobey Maguire’s Spider-Man in 2002 landed two Oscars nods – Best Visual Effects and Sound Mixing. Its 2004 sequel scored three – Sound Editing, Sound Mixing, and Visual Effects (for which it won). The following three efforts – 2007’s Spider-Man 3 and 2012’s The Amazing Spider-Man and its 2014 sequel with Andrew Garfield – received zero nominations.

The new web slinger reboot is one of three comic book pics in 2017 that have earned rave reviews, along with Logan and Wonder Woman. I do anticipate there will be significant chatter as to whether one of them becomes the first superhero flick to get a Best Picture nomination. That said, I suspect the bulk of that speculation will center on Wonder Woman and not this. It could manage to be included in Visual Effects, but competition already appears strong with the likes of Star Wars: The Last Jedi, Dunkirk, Guardians of the Galaxy Vol. 2, Blade Runner 2049, War for the Planet of the Apes, and others.

My Oscar Watch posts will continue…

Spider-Man: Homecoming Box Office Prediction

It was 15 summers ago when Spider-Man scored the largest domestic opening of all time (at that juncture) and helped kick off the comic book adaptation bonanza that has yet to let up today. We are now on our third web slinger iteration as Spider-Man: Homecoming swings into theaters next weekend.

Of course, this is not our first time seeing Tom Holland as the new Spidey. He first appeared in last summer’s Captain America: Civil War. In this first solo effort, none other than Robert Downey Jr.’s Iron Man is appearing alongside him. Jon Watts directs with a supporting cast that includes Michael Keaton as the villainous Vulture, Marisa Tomei, Donald Glover, Jon Favreau, and Zendaya.

This co-production of Columbia Pictures and Marvel Studios comes with a reported $175 million budget and lofty expectations. The second reboot of the beloved superhero series certainly is benefited by the new Spidey’s place in the Marvel Cinematic Universe and his Avenger friends.

Homecoming is the sixth overall flick headlined by Spider-Man. Let’s take a trip down franchise lane, shall we?

In looking at the opening grosses of the five previous entries, it’s a bit of a web since some opened over long holiday weekends. The 2002 original made the aforementioned record-setting sum of $114 million out of the gate and $403M overall domestically. The 2004 follow-up opened over a five-day July 4th weekend with $88 million from Friday to Sunday, $151 million from Wednesday to Sunday, and $373M when all was said and done. 2007’s Spider-Man 3 (marking the final appearance of Tobey Maguire in the title role) set the franchise record opening of $151 million, but grossed $336M in total – the lowest of the trilogy. Five years later when Andrew Garfield inherited the tights, The Amazing Spider-Man rolled out over a long six-day July 4th frame with $62 million in the traditional weekend and $137 million over the long weekend. It would go on to make $262M. 2014’s sequel made $91 million for its start and a series low $202M overall.

Got all that? OK! So where does Homecoming stand in comparison? Let’s leave its predecessors alone for just a second as it’s unlikely this will match the overall grosses of this summer’s previous comic book tentpoles Guardians of the Galaxy Vol. 2 and Wonder Woman. Both of those pics look to near $400 million domestically and place first and second for the season’s top earners. At one time, projections for the new Spidey were as high as $135 million, but they’ve since steadily declined. I believe this will reach over just over what the first picture accomplished a decade and a half ago.

Spider-Man: Homecoming opening weekend prediction: $117.8 million

 

Box Office Predictions: June 30-July 2

It’s a busy weekend ahead as Despicable Me 3 looks to dominate the box office as the Will Ferrell comedy The House and critically acclaimed musical comedy crime thriller Baby Driver are out as well. There’s also a significant theater expansion for Sofia Coppola’s Civil War dramatic thriller The Beguiled. You can peruse my detailed prediction posts on all four here:

https://toddmthatcher.com/2017/06/21/despicable-me-3-box-office-prediction/

https://toddmthatcher.com/2017/06/21/the-house-box-office-prediction/

https://toddmthatcher.com/2017/06/21/baby-driver-box-office-prediction/

https://toddmthatcher.com/2017/06/26/the-beguiled-box-office-prediction/

As I see it, Illumination Entertainment’s Despicable threequel will not reach the heights of its spin-off predecessor Minions, which opened to $115M two summers ago. I’m looking at a return in the high 80s.

The House appears primed for a second place debut (barely) now that Transformers: The Last Knight didn’t fare so well (more on that below). I have a strange suspicion that it could under perform, but it’s got Will Ferrell and is the only real straight up comedy out there so I’m going late teens.

Baby Driver (which rolls out early on Wednesday) could absolutely be a wild card with some breakout potential. It’s got great buzz among the cinephile community, but I’m not sure how much that will translate to robust earnings out of the gate. I have it slated for sixth.

The Beguiled had a terrific limited debut this past weekend and its 550 screen count has me estimating a $3.8M gross.

Holdover action should see a precipitous drop for Transformers with Wonder Woman likely having a smaller decline than Cars 3 considering the animated competition. The Last Knight could even be in danger of slipping to fourth or fifth if holds for the other two aren’t quite as pronounced as my prognoses.

And with that, let’s do a top 6 estimates:

1. Despicable Me 3

Predicted Gross: $88.7 million

2. Transformers: The Last Knight

Predicted Gross: $17.4 million (representing a drop of 61%)

3. Wonder Woman

Predicted Gross: $14.5 million (representing a drop of 42%)

4. The House

Predicted Gross: $13.8 million

5. Cars 3 

Predicted Gross: $12.1 million (representing a drop of 49%)

6. Baby Driver

Predicted Gross: $10.9 million (Friday to Sunday estimate), $15.8 million (Wednesday to Sunday)

Box Office Results (June 23-25)

Transformers: The Last Knight, the fifth in the decade long franchise, posted the worst stateside numbers for the series thus far. The critically panned pic earned $44.6 million over the traditional Friday to Sunday weekend and $68.4 million since its Wednesday debut. That’s well below my respective estimates of $57.8M and $81.5M. The previous Transformers low belonged to the 2007 original, which made $70 million for its start. Lucky for Paramount, these flicks still are doing solid business overseas.

There was a photo finish for second place as Wonder Woman made $24.9 million for the runner-up spot. That’s a bit below my $27.6M projection and the DC title has banked $318 million. Cars 3 went from first to third at $24 million and I forecasted more with $30M. The Pixar sequel stands at $98 million.

Shark tale 47 Meters Down held up stronger in its sophomore weekend than I figured. Its $7 million was good for fourth place and I incorrectly had it outside my projected top 5.

The Mummy was fifth with $6 million, under my $7.4M estimate for a $68 million so far. At this point, it looks assured the Tom Cruise pic will not reach $100M domestically and probably earn around $80M.

Finally, Tupac biopic All Eyez on Me had a massive drop in weekend #2, falling to sixth with $5.8 million (I was higher with $8.4M). That’s a 78% plummet and it’s earned $38 million total.

And that does it for now, folks! I’ll be back with next week’s predictions when Spider-Man: Homecoming swings into multiplexes.

17 For ’17: Todd’s Most Anticipated Movies of the Year

Happy New Year y’all and hope you’re enjoying your first day of 2017!

For my inaugural post of the year, I’m giving you 17 of my eagerly awaited pictures hitting screens this year. They’re listed alphabetically and represent some circles on the calendar for yours truly.

Here’s to a great year at the movies!h

Alien: Covenant

Release Date: May 19

The sixth installment of the Alien franchise is a sequel to 2013’s Prometheus, which received a deserved mixed reaction. Ridley Scott is back behind the director’s chair with Michael Fassbender returning and Katherine Waterston, Billy Crudup, and Danny McBride among the supporting players. There is also expected to be an alien involved.

All Eyez on Me

Release Date: June 16

Benny Boom is known for directing many well-known hip hop videos, but this feature tells the tale of one of America’s finest rappers – Tupac Shakur. Newcomer Demetrius Shipp, Jr. plays the late performer.

Beauty and the Beast

Release Date: March 17

Disney has found tremendous success with their live-action remakes of animated classics and this reworking of the 1991 Best Picture nominee is likely to follow suit. Bill Condon directs with Emma Watson as Belle and Dan Stevens as the Beast.

Blade Runner 2049

Release Date: October 6

Arriving 35 years after Ridley Scott’s heralded science fiction experience, Arrival director Denis Villeneuve brings back this noirish world with Harrison Ford back as Deckard alongside Ryan Gosling.

A Cure for Wellness

Release Date: February 17

Talented director Gore Verbinski has made some impressive pics – The Ring and the first Pirates of the Caribbean among them. He’s also had some not so impressive ones, including the Pirates sequels and The Lone Ranger. This psychological horror thriller looks like it could be a return to form.

The Dark Tower

Release Date: July 28

For many years, a number of filmmakers have attempted to bring Stephen King’s novel to the screen. It’s finally happened with Matthew McConaughey and Idris Elba starring.

NO TRAILER AT PRESS TIME

Dunkirk

Release Date: July 21

Anything from Christopher Nolan has earned our anticipation and so it goes with this World War II effort featuring Tom Hardy and Kenneth Branagh.

Ghost in the Shell

Release Date: March 31

Based on the wildly popular Japanese comic book series, Scarlett Johansson headlines the sci-fi action thriller.

Guardians of the Galaxy Vol. 2

Release Date: May 5

Summer ’17 kicks off with Star Lord, Rocket, and Lil Groot back on screen after their acclaimed first foray into the Marvel Cinematic Universe in 2014.

Justice League

Release Date: November 17

Speaking of superheroes, DC has Batman (Ben Affleck), Superman (Henry Cavill), Wonder Woman (Gal Gadot – who has her own stand-alone pic this summer), Aquaman (Jason Momoa), and the Flash (Ezra Miller) joining forces.

Kong: Skull Island

Release Date: March 10

The giant ape is back for the first time in 12 years in this 1970s set blockbuster hopeful boasting a first-rate cast that includes Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman and John C. Reilly.

Logan

Release Date: March 3

17 years after first creating his signature role, Hugh Jackman is Wolverine for (apparently) the final time.

The Mummy

Release Date: June 9

The Universal monsters reassemble in this reboot that stars Tom Cruise, Russell Crowe, and lotsa hopefully cool CG.

Murder on the Orient Express

Release Date: November 22

This property based on the Agatha Christie Book was adapted successfully in the mid 70s by director Sidney Lumet. This time around, Kenneth Branagh is behind the camera with an all-star cast that includes Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Josh Gad, Michael Pena and Michelle Pfeiffer.

NO TRAILER AT PRESS TIME

SpiderMan: Homecoming

Release Date: July 7

After making a nice impression in Captain America: Civil War, Tom Holland is the third actor to portray the title superhero. Michael Keaton, Marisa Tomei, and Robert Downey Jr.’s Tony Stark costar.

Star Wars: Episode VIII

Release Date: December 15

The still untitled follow-up to The Force Awakens is pretty much unquestionably going to be 2017’s highest earner. Expect considerably more screen time for Mark Hamill’s Luke and sadly, Carrie Fisher’s final screen appearance as Leia.

NO TRAILER AT PRESS TIME

War for the Planet of the Apes

Release Date: July 14

Kong isn’t the only big-budget monkey business happening onscreen as the third installment of this franchise finds Andy Serkis’s Caesar returning and Woody Harrelson joining the mix.