Oscar Predictions: Freakier Friday

Sometimes my Oscar Predictions write-ups are actually Golden Globe Predictions and that would apply to Freakier Friday. Out Friday, this is the sequel to the 2003’s Freaky Friday which itself was a remake of the 1976 Disney body swap comedy that was actually based on a 1972 book. Got all that? Nisha Ganatra directs with Jamie Lee Curtis and Lindsay Lohan back headlining. Costars include Mark Harmon, Julia Butters, Sophia Hammons, Manny Jacinto, Chad Michael Murray, and Rosalind Chao.

No, Freakier Friday won’t contend for the Academy’s attention. However, the Friday features have a history with the Globes. In Best Actress in a Musical or Comedy, both Jodie Foster and Barbara Harris were nominated for the ’76 version (they lost to Barbra Streisand for A Star Is Born). Bonus fun fact: Harris was a double nominee in that category as she was also up for Alfred Hitchcock’s final film Family Plot. In 2003, Jamie Lee Curtis was a hopeful in the same race for the remake and fell short to Diane Keaton for Something’s Gotta Give.

Early reviews for Freakier are pretty decent with 79% on Rotten Tomatoes and a 63 Metacritic. That’s lower than Curtis/Lohan’s tale from 22 years ago. If competition is light, it’s not impossible that Curtis could find herself in the Globes mix again. Her chances are certainly less than they were in the earlier part of the century. My Oscar Prediction posts will continue…

Home Again Movie Review

Essentially Three Men and a Divorcée, Reese Witherspoon’s latest rom com Home Again is a bland genre exercise that struggles mightily to be relatable. The star plays Alice, the daughter of a famous deceased director and his starlet muse (Candice Bergen). The maker of this film, Hallie Meyers-Shyer, is the child of divorced writers/filmmakers Charles Shyer and Nancy Meyers. Together and apart, her folks are responsible for such rom com titles as Baby Boom, Father of the Bride, What Women Want, and Something’s Gotta Give. One wonders if Ms. Meyers-Shyer could channel that insight of growing up with her famous parents into a perceptive screenplay. I wonder because it’s not found anywhere here.

Reese’s Alice has recently separated from her music exec hubby (Michael Sheen) and lives at a gorgeous L.A. home with her two daughters. She’s just turned the big 4-0 and genre contrivances soon brings three twenty something lads into her guesthouse. They’re all aspiring filmmakers. Harry (Pico Alexander) is the handsome director. George (Jon Rudnitsky) is the teddy bear screenwriter who forms a bond with Alice’s eldest kid. Teddy (Nat Wolff) is the actor who really has no notable character traits.

Harry and Alice start a May-December romance while her ex is weighing his return home. The boys also must deal with the drama of getting their movie made and keeping their integrity intact. A lazy script would signify that integrity by making them insist on it being black and white. That’s exactly the situation here.

Home Again simply doesn’t bring anything new to the table. It is a little more frustrating considering the talent involved could have dug deeper. Witherspoon is adequate in the lead, but we’ve seen her elevate similar material and she can’t here. The story doesn’t even allow for any real chemistry to develop between Alice and Harry. The director’s parents are responsible for some of the more memorable rom coms of the last three decades. At the least, many of them qualify as genuine guilty pleasures. Here’s hoping Hallie finds a similar voice, but this is a dull beginning.

*1/2 (out of four)

Home Again Box Office Prediction

Reese Witherspoon is back in rom com territory when Home Again debuts in theaters next weekend. The Open Road Films release casts the actress as a single mom who allows three college age men to bunk at her place and hijinks and hopeful hilarity ensue. The pic marks the directorial debut of Hallie Meyers-Shyer (who also penned the screenplay), daughter of Nancy Meyers who’s made similar genre titles such as Something’s Gotta Give, The Holiday, It’s Complicated, and The Intern. Costars include Nat Wolff, Jon Rudnitsky, Pico Alexander, Michael Sheen, and Candice Bergen.

The film should have little trouble placing second on the charts after the box office juggernaut that is likely to be It. This could potentially serve as decent counter programming for female audiences who aren’t feeling the clown horror. That said, Witherspoon’s drawing power has waned a bit through the years and the actress is past the days when she experienced $30M+ openers like Sweet Home Alabama and Four Christmases. Her last headliner was the poorly reviewed Hot Pursuit, which debuted to just under $14M in the summer of 2015. She has gotten a bit of recent exposure with her Emmy nominated turn in the HBO miniseries Big Little Lies.

Besides It, it could help Home that there’s little in the way of competition. Due to that factor, I’ll say this manages to top single digits.

Home Again opening weekend prediction: $11.3 million

For my It prediction, click here:

https://toddmthatcher.com/2017/08/29/it-box-office-prediction/