After their long strike that dominated entertainment news headlines in 2023, the 30th Screen Actors Guild Awards stream via Netflix (slightly ironic) on February 24th. Nominations in the six cinematic races are revealed this Wednesday, January 10th.
Readers of the blog are aware that I spend thousands of words and dozens of posts speculating on the Oscars. For the SAG Awards, it’s just this write-up. I’ll go through the sextet with brief commentary, my quintet of selections, and an alternate pick.
Outstanding Performance by a Cast in a Motion Picture
Predicted Nominees:
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things
Saltburn
Alternate:
American Fiction
In recent years, there are sometimes 3 of 5 SAG Ensemble nominees that make the dance at the Oscars. More often it is 4 out of 5 and that’s where I see Barbie, Killers, Oppenheimer, and Poor Things (all highly likely BP contenders) making the cut. I’m leaning toward Saltburn over Air, The Color Purple (which has been fading and could use a boost with this), The Holdovers, and my alternate American Fiction in the five spot.
Outstanding Performance by a Female Actor in a Leading Role
Predicted Nominees:
Annette Bening, Nyad
Lily Gladstone, Killers of the Flower Moon
Carey Mulligan, Maestro
Margot Robbie, Barbie
Emma Stone, Poor Things
Alternate:
Greta Lee, Past Lives
The SAG voters often go with more recognizable faces than the Academy does. That’s why you see Bening and Robbie over Greta Lee or Sandra Hüller (Anatomy of a Fall).
Outstanding Performance by a Male Actor in a Leading Role
Predicted Nominees:
Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Paul Giamatti, The Holdovers
Cillian Murphy, Oppenheimer
Jeffrey Wright, American Fiction
Alternate:
Colman Domingo, Rustin
I wanted to go with Domingo or even Andrew Scott (All of Us Strangers) or Barry Keoghan (Saltburn), but I ultimately couldn’t take out any of the five thespians that I currently have as the Academy’s nominees. If anyone is vulnerable, it’s probably Wright or DiCaprio.
Outstanding Performance in a Supporting Role by a Female Actor
Predicted Nominees:
Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
Jodie Foster, Nyad
Rosamund Pike, Saltburn
Da’Vine Joy Randolph, The Holdovers
Alternate:
Julianne Moore, May December
This race could be quite interesting. In addition to the six performers above, I was tempted to select Rachel McAdams (Are You There God? It’s Me, Margaret), Viola Davis (Air), or Penelope Cruz (Ferrari). Ultimately my somewhat surprise pick is Pike, even though she also nabbed a Globe mention. I also have a weird suspicion that Brooks might be snubbed, but I’m keeping her in.
Outstanding Performance in a Supporting Role by a Male Actor
Predicted Nominees:
Willem Dafoe, Poor Things
Ryan Gosling, Barbie
Robert Downey Jr., Oppenheimer
Charles Melton, May December
Mark Ruffalo, Poor Things
Alternate:
Robert De Niro, Killers of the Flower Moon
I’m selecting Dafoe over De Niro in a close call and don’t discount Sterling K. Brown (American Fiction). Anyone beyond those seven actors would be an unexpected party crasher.
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Predicted Nominees:
The Creator
Ferrari
Indiana Jones and the Dial of Destiny
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One
Alternate:
Guardians of the Galaxy Vol. 3
Feels weird not to have a comic book movie predicted, but it was a pretty weak for that genre. Somehow Mr. Wick’s headshots have never been recognized in this race and perhaps that changes here.
That means I’m projecting the following numbers in nominations for these pictures:
4 Nominations
Oppenheimer, Poor Things
3 Nominations
Barbie, Killers of the Flower Moon
2 Nominations
The Holdovers, Maestro, Nyad, Saltburn
1 Nomination
American Fiction, The Color Purple, The Creator, Ferrari, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, May December, Mission: Impossible – Dead Reckoning Part One
The Color Purple has existed for over four decades via book (by Alice Walker), film (Steven Spielberg’s 1985 adaptation), and Broadway play (beginning in 2005). At each turn, it’s generated awards attention. The book won a Pulitzer. The first cinematic rendering landed 11 Academy nominations (though it didn’t win any of them). The first iteration of the play also managed 11 Tony nods and a single victory in lead actress while the 2015 revival nabbed four nominations and two trophies (including Cynthia Erivo in lead actress).
On Christmas Day, the screen treatment of the stage musical arrives in theaters. Blitz Bazawule directs with a cast including Fantasia Barrino, Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Ciara, Halle Bailey, Aunjanue Ellis, Jon Batiste, Louis Gossett Jr., and David Alan Grier. Spielberg and Oprah Winfrey (who played Sofia in the ’85 adaptation) are producers.
Given the awards heavy past of the source material, Purple has been seen as a potentially significant Oscar hopeful since the project was announced. The review embargo has lapsed (rather late I must say) with a solid 85% Rotten Tomatoes score.
That said, much of the critical reaction is of the *** variety and not ****. Perhaps the biggest snub of the Golden Globe nominations was this not receiving a mention in Best Motion Picture (Musical/Comedy). Days later, the Critics Choice nods threw Purple a lifeline when it made their Top 10 features.
Any way you cut it, Purple‘s inclusion in the Oscar BP ten is far from certain. I had it listed at #10 in my latest round of predictions on Sunday. If this manages to make the SAG quintet when their nominations are announced for Best Ensemble, that would be another feather in its cap. Though don’t be surprised at all if it misses the BP cut. Bazawule’s direction is highly unlikely to be mentioned (even Spielberg couldn’t get in that race nearly 40 years back). Same goes for the Adapted Screenplay.
Purple will manage to get other nominations. The most certain is Danielle Brooks for Supporting Actress. For months, I had her listed in 1st to win but I recently switched the top spot to Da’Vine Joy Randolph in The Holdovers. Brooks is playing the same role Winfrey played and got an Academy nod for. In 1985, Whoopi Goldberg was nominated for Actress as Celie. Fantasia Barrino hopes to replicate that success. It’s doable, but competition is fierce. I had her in 7th place on the outside looking in last weekend. 7th place is also where I had Taraji P. Henson in Supporting Actress as Shug. Margaret Avery was nominated for her portrayal in ’85 though Henson has already missed key precursors like the Globes and Critics Choice.
Finally, there are down the line races where it could pop up. This includes Original Song (“Keep It Movin”), Production Design, and Costume Design. It won’t generate 11 mentions like the Spielberg pic. Four or five is more feasible. My Oscar Prediction posts will continue…
The Iron Claw is in theaters on December 22nd as it tells the true life tale of the Von Erich family of wrestlers. Recounting their triumphs and many tragedies, Sean Durkin writes and directs a cast including Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany, and Lily James.
The A24 release’s review embargo lifted today and the Rotten Tomatoes meter stands at an impressive 93%. Frankly, I’m surprised the sports biopic chose to forego screenings at festivals like Toronto and Telluride. That could’ve built awards buzz for the picture itself, as well as Efron and White.
I wonder now it it’s too late in the season for Claw to reach voters. While it did make the cut in the National Board of Review’s 10 best, it was nowhere to be seen with AFI or at the Golden Globe nominations. If Claw can manage to squeeze into the SAG nods next month (for Best Ensemble or with Efron or White individually), that could help visibility with the Academy. Right now I think the likeliest scenario is it comes up empty-handed on Oscar nom morning. My Oscar Prediction posts will continue…
It was indeed a slap free almost four hours of TV at the Oscars Sunday night. However, half of the Best Picture nominees were smacked down with zero victories: The Banshees of Inisherin, Elvis, The Fabelmans, Tár, and Triangle of Sadness.
There’s no doubt that Everything Everywhere All at Once was the massive winner of the proceedings, emerging victorious in seven of its 11 nods. It was also a loudly pleasing reception for All Quiet on the Western Front with a better than anticipated four trophies.
As for my numbers, I went 13 for 20. Over the past half decade, I’ve had far stronger showings in the odd numbered years than even numbered ones and my 2022 results were again on the lower end of the spectrum.
Everything took home the most above the line awards (6) of any picture in Academy history: Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), and Original Screenplay (also the Daniels). It also won Film Editing. I correctly called all of those except for Supporting Actress where I went with Kerry Condon (The Banshees of Inisherin). This is the first pic in (get this!) 46 years to nab three of the four acting races. That’s since Network in 1976.
When Elvis lost to The Whale for Makeup and Hairstyling (which I got wrong), prognosticators across the Twitterverse and beyond knew that it could be a sign Brendan Fraser may take the gold over Austin Butler. And indeed that’s what happened – meaning I missed two of the four acting derbies. Let it be noted, by the way, that the Academy exactly matched SAG in those four competitions.
All Quiet grabbed International Feature Film and Cinematography as predicted. It additionally took Production Design (over my Babylon call) and Original Score (over my pick of The Fabelmans). I projected Quiet for Sound, but instead it marked the only victory for Top Gun: Maverick.
Animated Feature and Documentary Feature went, as anticipated, to Guillermo del Toro’s Pinocchio and Navalny. Song was “Naatu Naatu” from RRR and Avatar: The Way of Water in Visual Effects (correct picks) with Black Panther: Wakanda Forever in Costume Design over my Elvis pick.
And it was Sarah Polley in Adapted Screenplay for Women Talking. As far as the 95th Academy Awards, we’ll be talking about a historic night for one film in particular. It didn’t win everything, but it did so everywhere it was expected to and beyond. And it was also an evening filled with some genuinely heartfelt speeches and touching wins capped off by Indiana Jones embracing Short Round nearly 40 years later!
After nearly a year of speculation on the blog and the new podcast (look up Movies at the Speed of Speculation on your favorite pod platform, folks!), the time has come to make my final picks for the winners at the 95th Academy Awards. The ceremony comes our way Sunday night with Jimmy Kimmel hosting and here’s hoping the presenters are given the correct envelopes and that no one gets slapped.
For some context, here’s how I did in the previous four Oscars (note that there were 21 races through 2019 because the sound competitions were divided into Editing and Mixing until their combination).
2018: 14/21
2019: 18/21
2020: 13/20
2021: 17/20
Note that I seem to do better in the odd numbered years. That could repeat for 2022 as three of the four acting derbies are highly tricky to pick and there are other down-the-line competitions that could go in different directions. As for Picture, Director, Supporting Actor, Animated Feature, and International Feature Film… not so much.
Let’s go through them one by one and I’ll give you my winner and runner-up projection!
Best Picture
All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking
The tricky part isn’t picking the victor. It’s picking the runner-up. That’s because Everything has taken, well, nearly everything. PGA. DGA. WGA. SAG Ensemble. Critics Choice.
OK, so All Quiet received the BAFTA and The Fabelmans and The Banshees of Inisherin were your respective Drama and Musical/Comedy recipients at the Golden Globes. Yet the momentum has been with Everything for some time and it is the easy pick for the biggest prize of the night.
Given that a screenplay and acting statue are legitimately in play, Banshees has the strongest argument for a package of trophies that could include BP. It’s a distant runner-up.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Best Director
Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)
I suppose the voters could go the Globe route and bestow their honor on the legendary Spielberg. Doubtful. Look for the Academy to match the DGA and Critics Choice selections of Dan Kwan and Daniel Scheinert.
Predicted Winner: Daniels (Everything Everywhere All at Once)
Runner-Up: Steven Spielberg, The Fabelmans
Best Actress
Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)
Now it gets tough. Blanchett’s towering work could be undeniable as it was to BAFTA and Critics Choice (similar to how Anthony Hopkins from The Father managed a win over Chadwick Boseman in Ma Rainey’s Black Bottom two years ago). The BP momentum and SAG could push Yeoh over the line. This is a coin flip and I’m siding with the momentum.
Predicted Winner: Michelle Yeoh, Everything Everywhere All at Once
Runner-Up: Cate Blanchett, Tár
Best Actor
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)
A three-person race dwindled when Farrell lost the BAFTA. It went instead to Butler and he also won the Globe (over Fraser). SAG and Critics Choice went to Fraser. I have gone back and forth on this endlessly. If Fraser won, he would break a precedent of the victorious Actor’s movie being up for Best Picture. You have to go back to 2009 and Jeff Bridges (Crazy Heart) to find the last one whose film wasn’t in the BP lineup. I cannot stress enough that this is 50.5/49.5.
Predicted Winner: Austin Butler, Elvis
Runner-Up: Brendan Fraser, The Whale
Best Supporting Actress
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
Unlike Actress and Actor, this is between three nominees. Curtis surprisingly nabbed SAG while Bassett took Critics Choice and the Globe. Both are actresses whose wins could double as career achievement honors. I have a suspicion that the Academy may instead look at BAFTA winner Condon as their best opportunity to throw Banshees a bone.
Predicted Winner: Kerry Condon, The Banshees of Inisherin
Runner-Up: Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)
Keoghan is the #2 since he unexpectedly won BAFTA. That said, this is the simplest acting race to project as Quan has won everything everywhere else.
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Barry Keoghan, The Banshees of Inisherin
Best Adapted Screenplay
All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking
If All Quiet over performs (and it might), it could emerge here. The smart money is on Sarah Polley and WGA honored script for Talking.
Predicted Winner: Women Talking
Runner-Up: All Quiet on the Western Front
Best Original Screenplay
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
Here’s another category where voters could single out Banshees. Still – I’m not going against the strong BP frontrunner.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Best Animated Feature
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red
del Toro’s version of the classic tale has taken all precursors that matter. This is one of the uncomplicated calls.
Predicted Winner: Guillermo del Toro’s Pinocchio
Runner-Up: Marcel the Shell with Shoes On
Best International Feature Film
All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl
This might even be more automatic than Animated Feature. As your lone BP contestant, All Quiet will make noise here.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Argentina, 1985
Best Documentary Feature
All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny
Tough pick. Breathes and Beauty are viable. I’ve picked Fire of Love over Navalny twice in Critics Choice and PGA and missed both times. Not again.
Predicted Winner: Navalny
Runner-Up: Fire of Love
Best Cinematography
All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár
When perceived favorite Top Gun: Maverick shockingly failed to make this quintet, the race opened up. Elvis could make history and have the first female winner in Mandy Walker. It’s tempting to pick her, but I’ll go with Quiet.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Elvis
Best Costume Design
Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris
On the other hand, here’s one where Elvis could take the gold. I wouldn’t count out Panther or even Everything if its sweep branches into upsets.
Predicted Winner: Elvis
Runner-Up: Black Panther: Wakanda Forever
Best Film Editing
The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick
Maverick is in the mix, but Everything should extend its haul.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Top Gun: Maverick
Best Makeup and Hairstyling
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale
The Whale and Western are possible. I’m giving this one to The King, however.
Predicted Winner: Elvis
Runner-Up: The Whale
Best Original Score
All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
This is one of the most open categories. I don’t see Banshees landing this. All 4 others are possible. Babylon or Western might be the smart pick, but this is the one true upset I’m selecting and projecting a Fabelmans/John Williams appreciation victory.
Predicted Winner: The Fabelmans
Runner-Up: Babylon
Best Original Song
“Tell It Like a Woman” from Applause, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once
I don’t believe this is cut and dry. The star power of Gaga and Rihanna or an Everything expansion everywhere could make it interesting. “Naatu Naatu” has dominated the precursors and I’m not going with two upsets in the musical competitions.
Predicted Winner: “Naatu Naatu” from RRR
Runner-Up: “Hold My Hand” from Top Gun: Maverick
Best Production Design
All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans
This is where Babylon should be Oscar winner Babylon though Elvis lurks.
Predicted Winner: Babylon
Runner-Up: Elvis
Best Sound
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
And this is where Top Gun: Maverick should get its Oscar. Yet I’m going with a minor upset pick with Western. That means I’m projecting Maverick ends up 0 for 6.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Top Gun: Maverick
Best Visual Effects
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick
No real Maverick shot in VE because Avatar is one of the automatic category picks.
Predicted Winner: Avatar: The Way of Water
Runner-Up: Top Gun: Maverick
That equates to these movies achieving these numbers of wins:
6 Wins
Everything Everywhere All at Once
3 Wins
All Quiet on the Western Front, Elvis
1 Win
Avatar: The Way of Water, Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Navalny, RRR, Women Talking
I’ll have a recap up Sunday evening or Monday on the blog and the podcast!
As the mild-mannered Waymond Wang, husband to Michelle Yeoh in Everything Everywhere All at Once, Ke Huy Quan is the final Supporting Actor entrant in my Case Of posts.
The Case for Ke Huy Quan:
It’s an Oscar storyline for the ages. Nearly 40 years ago, Quan was a child actor appearing in iconic blockbusters as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His career stalled shortly after and he quit acting altogether in the early 90s. After Crazy Rich Asians (featuring his costar Yeoh) hit it big in 2018, Quan decided to get back in the mix. Everything clicked and he’s emerged victorious at the Golden Globes, Critics Choice, and SAG.
The Case Against Ke Huy Quan:
Just when it looked like he was on his way to a sweep, BAFTA threw a curveball and honored Barry Keoghan (The Banshees of Inisherin). If Everything fails to capitalize on its frontrunner status in Best Picture and other races, it could hinder Quan.
Previous Nominations:
None
The Verdict:
Despite Keoghan’s victory at BAFTA, Quan appears destined for Academy glory next weekend. Of the four acting derbies, this is the easiest to project.
My Case Of posts (all 35 of them!) have concluded. Keep an eye on the blog and podcast (search Movies at the Speed of Speculation on Apple or other apps) for FINAL predictions coming your way on Wednesday, March 8th.
If you missed my earlier Supporting Actor write-ups, you can find them here:
Stephanie Hsu’s at turns villainous and sympathetic character(s) in Everything Everywhere All at Once is the final Case Of post for the Supporting Actress nominees at the 95th Academy Awards.
The Case for Stephanie Hsu:
Playing dual roles in the Daniels multi-genre tale, Hsu garnered raves as Michelle Yeoh’s daughter. SAG and Critics Choice nods followed and the Academy doesn’t shy away from honoring exciting relative newcomers (think Ariana DeBose from West Side Story last year).
The Case Against Stephanie Hsu:
The major precursors have spread the love around for Supporting Actress contenders, but it hasn’t included any victories for Hsu. Her costar Jamie Lee Curtis (who won SAG) may have a stronger narrative for the statue given her decades long career. Angela Bassett (Black Panther: Wakanda Forever) took Critics Choice and the Golden Globe (no nod for Hsu there) while Kerry Condon (The Banshees of Inisherin) was honored at BAFTA (where Hsu also missed).
Previous Nominations:
None
The Verdict:
There are three performers vying for a walk up the stage and Hsu isn’t one of them.
My Case Of posts will continue with Hsu’s costar Ke Huy Quan in Everything Everywhere All at Once!
Entries for the other Supporting Actress hopefuls can be found here:
Bill Nighy’s performance as an English bureaucrat with a terminal cancer diagnosis in Living is the final Case Of post for the five Best Actor hopefuls.
The Case for Bill Nighy:
From a randy aging rocker in Love Actually to Davy Jones in the Pirates of the Caribbean franchise and a zombified stepdad in Shaun of the Dead, Nighy has been a fixture on domestic screens for two decades. His work in the acclaimed Living somehow marks his first major awards exposure. He’s been nominated everywhere that counts from the Globes to Critics Choice to SAG and BAFTA.
The Case Against Bill Nighy:
Despite being included in all significant precursors, there’s no victory to be found for the central performance in this remake of Akira Kurosawa’s Ikiru. All the attention has been focused on Austin Butler (Elvis) and Brendan Fraser (The Whale) as they battle down the stretch.
Previous Nominations:
None
The Verdict:
While making the quintet was practically guaranteed, Nighy’s chances of winning are DOA for Living.
My Case Of posts will continue with Stephanie Hsu in Everything Everywhere All at Once!
Write-ups for the other Best Actor nominees can be found here:
As the laundromat running Evelyn whose many dimensions are explored in Everything Everywhere All at Once, Michelle Yeoh is the final Case Of post for the five Best Actress contenders.
The Case for Michelle Yeoh:
From acclaimed Hong Kong action flicks with Jackie Chan to fighting alongside James Bond in Tomorrow Never Dies to Crouching Tiger, Hidden Dragon to the overprotective future mother-in-law in Crazy Rich Asians, Yeoh had many career highlights until this multi-genre pic from the Daniels eclipsed them all. The Hollywood Foreign Press honored her with the Golden Globe for Actress in a Musical or Comedy. Last weekend, she took home the SAG for Actress where 16 of the last 22 winners became the Academy’s recipients in the 21st century. Everywhere is the frontrunner for Best Picture and that certainly doesn’t hurt.
The Case Against Michelle Yeoh:
Cate Blanchett in Tár. While Yeoh’s previous victories are a road map to Oscar glory, so are Blanchett’s as she has taken the Globe in the Drama competition, BAFTA, and Critics Choice.
Previous Nominations:
None
The Verdict:
It cannot be overstated how this is a coin flip between Yeoh and Blanchett. One could argue Yeoh has the late momentum given the recent SAG and Everything‘s likely success in the biggest race of all.
My Case Of posts will continue with Bill Nighy in Living!
For my other entries on the Actress hopefuls, click here:
As the sympathetic Dominic in The Banshees of Inisherin, Barry Keoghan is the next Case Of entry for the Supporting Actor contenders.
The Case for Barry Keoghan:
Following acclaimed performances including Dunkirk and The Killing of a Sacred Deer, Keoghan get his first major awards exposure along with his three Banshees cast mates. Critics Choice, SAG, and Golden Globe nods followed with a surprising win at BAFTA. His lovestruck monologue to Kerry Condon is a ready made for your consideration Oscar clip.
The Case Against Barry Keoghan:
Ke Huy Quan from Everything Everywhere All at Once has a dandy clip or two himself and he won Critics Choice, SAG, and the Globe. Academy members may assume Keoghan has plenty more bites at the apple and he could split votes with costar Brendan Gleeson.
Previous Nominations:
None
The Verdict:
Despite the unexpected recognition from friends across the pond, Quan remains the heavy favorite for Supporting Actor.
My Case Of posts will continue with Steven Spielberg’s direction of The Fabelmans!
Write-ups for the other hopefuls in the race can be found here:
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