Tag: ryan gosling

2018 Weekly Oscar Predictions: September 6th Edition

What a difference a week makes! Last Thursday, I gave you my first initial predictions in the major categories for the Oscars. Since then – we’ve seen a slew of pictures screened at the Venice and Telluride Film Festivals.

Films like A Star Is Born, Roma, First Man, and The Favourite solidified their status as contenders. Others like Boy Erased and The Front Runner availed themselves as possibilities, but not slam dunks. Others like Destroyer and The Old Man & The Gun likely took themselves out of the running in Best Picture, but shined a light on their actors that could receive nods.

And here’s the thing… by the time I do my third round of predictions next Thursday, we will have lots more pictures screened at the Toronto Film Festival, which begins today. That includes such high-profile titles as If Beale Street Could Talk, Beautiful Boy, Widows, and more.

Here’s how I have the key races ranked by possibility of nomination at this point in time!

Best Picture

1. If Beale Street Could Talk (Previous Ranking: 1)

2. A Star Is Born (PR: 2)

3. Roma (PR: 4)

4. First Man (PR: 5)

5. Beautiful Boy (PR: 3)

6. The Favourite (PR: 13)

7. BlacKkKlansman (PR: 6)

8. Boy Erased (PR: 7)

9. Backseat (PR: 8)

Other Possibilities:

10. The Front Runner (PR: 14)

11. Black Panther (PR: 12)

12. Peterloo (PR: 9)

13. Mary Queen of Scots (PR: 10)

14. Widows (PR: 11)

15. Can You Ever Forgive Me? (PR: 16)

16. Crazy Rich Asians (PR: 17)

17. Mary Poppins Returns (PR: 22)

18. Green Book (PR: 21)

19. On the Basis of Sex (PR: 24)

20. Cold War (PR: Not Ranked)

21. At Eternity’s Gate (PR: 23)

22. July 22 (PR: Not Ranked)

23. Bohemian Rhapsody (PR: 19)

24. The Sisters Brothers (PR: Not Ranked)

25. The Ballad of Buster Scruggs (PR: 15)

Dropped Out:

The Old Man & The Gun

Destroyer

Ben Is Back

Best Director

1. Barry Jenkins, If Beale Street Could Talk (PR: 1)

2. Alfonso Cuaron, Roma (PR: 2)

3. Bradley Cooper, A Star Is Born (PR: 3)

4. Damien Chazelle, First Man (PR: 4)

5. Spike Lee, BlacKkKlansman (PR: 5)

Other Possibilities:

6. Yorgos Lanthimos, The Favourite (PR: 11)

7. Felix Van Groeningen, Beautiful Boy (PR: 6)

8. Adam McKay, Backseat (PR: 7)

9. Joel Edgerton, Boy Erased (PR: 8)

10. Jason Reitman, The Front Runner (PR: 14)

11. Mike Leigh, Peterloo (PR: 9)

12. Marielle Heller, Can You Ever Forgive Me? (PR: Not Ranked)

13. Ryan Coogler, Black Panther (PR: 13)

14. Josie Rourke, Mary Queen of Scots (PR: 10)

15. Steve McQueen, Widows (PR: 12)

Dropped Out:

Joel and Ethan Coen, The Ballad of Buster Scruggs

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Willem Dafoe, At Eternity’s Gate (PR: 3)

3. Steve Carell, Beautiful Boy (PR: 2)

4. Christian Bale, Backseat (PR: 6)

5. Hugh Jackman, The Front Runner (PR: 9)

Other Possibilities:

6. Ryan Gosling, First Man (PR: 4)

7. Robert Redford, The Old Man & The Gun (PR: 5)

8. Lucas Hedges, Boy Erased (PR: 7)

9. John David Washington, BlacKkKlansman (PR: 8)

10. Viggo Mortensen, Green Book (PR: 13)

11. Stephan James, If Beale Street Could Talk (PR: 10)

12. Rami Malek, Bohemian Rhapsody (PR: 12)

13. Joaquin Phoenix, You Were Never Really Here (PR: 14)

14. John C. Reilly, The Sisters Brothers (PR: Not Ranked)

15. Ethan Hawke, First Reformed (PR: 15)

Dropped Out:

Rory Kinnear, Peterloo

Best Actress

1. Lady Gaga, A Star Is Born (PR: 1)

2. Glenn Close, The Wife (PR: 2)

3. Nicole Kidman, Destroyer (PR: 6)

4. Olivia Colman, The Favourite (PR: 9)

5. Melissa McCarthy, Can You Ever Forgive Me? (PR: 11)

Other Possibilities:

6. Kiki Layne, If Beale Street Could Talk (PR: 5)

7. Toni Collette, Hereditary (PR: 7)

8. Viola Davis, Widows (PR: 3)

9. Natalie Portman, Vox Lux (PR: Not Ranked)

10. Saoirse Ronan, Mary Queen of Scots (PR: 4)

11. Felicity Jones, On the Basis of Sex (PR: 10)

12. Yalitza Aparicio, Roma (PR: 15)

13. Emily Blunt, Mary Poppins Returns (PR: 8)

14. Elsie Fisher, Eighth Grade (PR: 13)

15. Joanna Kulig, Cold War

Dropped Out:

Julia Roberts, Ben Is Back

Emily Blunt, A Quiet Place

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 10)

3. Sam Rockwell, Backseat (PR: 3)

4. Sam Elliot, A Star Is Born (PR: 2)

5. Russell Crowe, Boy Erased (PR: 4)

Other Possibilities:

6. Oscar Isaac, At Eternity’s Gate (PR: 7)

7. Adam Driver, BlacKkKlansman (PR: 6)

8. Michael B. Jordan, Black Panther (PR: 8)

9. Mahershala Ali, Green Book (PR: 9)

10. Armie Hammer, On the Basis of Sex (PR: 13)

11. Joel Edgerton, Boy Erased (PR: 5)

12. Jason Clarke, First Man (PR: 11)

13. David Tennant, Mary Queen of Scots (PR: 14)

14. Matthew McConaughey, White Boy Rick (PR: Not Ranked)

15. J.K. Simmons, The Front Runner (PR: Not Ranked)

Dropped Out:

Sebastian Stan, Destroyer

Topher Grace, BlacKkKlansman

Best Supporting Actress

1. Claire Foy, First Man (PR: 3)

2. Regina King, If Beale Street Could Talk (PR: 2)

3. Amy Adams, Backseat (PR: 5)

4. Vera Farmiga, The Front Runner (PR: 10)

5. Nicole Kidman, Boy Erased (PR: 1)

Other Possibilities:

6. Maura Tierney, Beautiful Boy (PR: 6)

7. Emma Stone, The Favourite (PR: Not Ranked)

8. Margot Robbie, Mary Queen of Scots (PR: 4)

9. Michelle Yeoh, Crazy Rich Asians (PR: 12)

10. Amy Ryan, Beautiful Boy (PR: 7)

11. Rachel Weisz, The Favourite (PR: 11)

12. Meryl Streep, Mary Poppins Returns (PR: 9)

13. Blythe Danner, What They Had (PR: Not Ranked)

14. Sissy Spacek, The Old Man & The Gun (PR: 8)

15. Rachel McAdams, Disobedience (PR: 14)

Dropped Out:

Tatiana Maslany, Destroyer

Kathy Bates, On the Basis of Sex

Best Adapted Screenplay

1. If Beale Street Could Talk (PR: 1)

2. Beautiful Boy (PR: 2)

3. A Star Is Born (PR: 4)

4. Boy Erased (PR: 3)

5. First Man (PR: 6)

Other Possibilities:

6. BlacKkKlansman (PR: 5)

7. The Front Runner (PR: 8)

8. Can You Ever Forgive Me? (PR: 10)

9. Mary Queen of Scots (PR: 7)

10. Crazy Rich Asians (PR: 9)

11. Disobedience (PR: 13)

12. The Sisters Brothers (PR: 15)

13. Widows (PR: 12)

14. Wildlife (PR: 14)

15. The Miseducation of Cameron Post (PR: Not Ranked)

Dropped Out:

The Old Man & The Gun

Best Original Screenplay

1. The Favourite (PR: 5)

2. Roma (PR: 1)

3. Backseat (PR: 3)

4. Eighth Grade (PR: 4)

5. At Eternity’s Gate (PR: 10)

Other Possibilities:

6. Green Book (PR: 11)

7. Peterloo (PR: 2)

8. Vox Lux (PR: Not Ranked)

9. Ben is Back (PR: 8)

10. A Quiet Place (PR: 13)

11. Isle of Dogs (PR: Not Ranked)

12. On the Basis of Sex (PR: 9)

13. The Ballad of Buster Scruggs (PR: 6)

14. Bohemian Rhapsody (PR: 14)

15. Sorry to Bother You (PR: 15)

Dropped Out:

Destroyer

Colette

Check back next Thursday for updated predictions!

2018 Weekly Oscar Predictions: August 30th Edition

My weekly ranked Oscar predictions kick off today as the Venice Film Festival is in full swing with Toronto and Telluride on deck!

Each Thursday, I will be bringing you my top 25 possibilities for Best Picture, along with 15 for Best Director, the four acting races, and the screenplay categories.

In November, the rankings will constrict to 15 possibilities for Best Picture and ten for every other race covering feature films (this is when all the tech categories, animated feature, foreign film, documentary will enter the mix).

Before I get to the rankings, some warnings: these will change dramatically as time rolls along. Some features could be pushed back to 2019. Some of them will instantly become non-factors due to poor critical reaction. Others will vault higher.

In the acting races, there is always uncertainty at this juncture about placement in which category. Here’s a few 2018 examples: right now I have Steve Carell listed in lead actor for Beautiful Boy with Timothee Chalamet in supporting. That could switch or both could be campaigned for in lead. Time will tell. Same goes for Viggo Mortensen and Mahershala Ali in Green Book. Right now, I have Tim Blake Nelson in The Ballad of Buster Scruggs for lead, but it could easily be supporting. And it’s uncertain where the women (Olivia Colman, Rachel Weisz, Emma Stone) of The Favourite will land.

All of this will be sorted out in the coming weeks and months and I’ll be here every Thursday to share with you where I have each category at this snapshot in time.

You can expect a whole bunch of Oscar Watch posts coming your way directly focused on individual films screenings at festivals over the coming days.

Let’s get to it, shall we?

Best Picture

1. If Beale Street Could Talk

2. A Star Is Born

3. Beautiful Boy

4. Roma

5. First Man

6. BlacKkKlansman

7. Boy Erased

8. Backseat

9. Peterloo

Other Possibilities:

10. Mary Queen of Scots

11. Widows

12. Black Panther

13. The Favourite

14. The Front Runner

15. The Ballad of Buster Scruggs

16. Can You Ever Forgive Me?

17. Crazy Rich Asians

18. Old Man & The Gun

19. Bohemian Rhapsody

20. Destroyer

21. Green Book

22. Mary Poppins Returns

23. At Eternity’s Gate

24. On the Basis of Sex

25. Ben Is Back

Best Director

1. Barry Jenkins, If Beale Street Could Talk

2. Alfonso Cuaron, Roma

3. Bradley Cooper, A Star Is Born

4. Damien Chazelle, First Man

5. Spike Lee, BlacKkKlansman

Other Possibilities:

6. Felix Van Groeningen, Beautiful Boy

7. Adam McKay, Backseat

8. Joel Edgerton, Boy Erased

9. Mike Leigh, Peterloo

10. Josie Rourke, Mary Queen of Scots

11. Yorgos Lanthimos, The Favourite

12. Steve McQueen, Widows

13. Ryan Coogler, Black Panther

14. Jason Reitman, The Front Runner

15. Joel and Ethan Coen, The Ballad of Buster Scruggs

Best Actor

1. Bradley Cooper, A Star Is Born

2. Steve Carell, Beautiful Boy

3. Willem Dafoe, At Eternity’s Gate

4. Ryan Gosling, First Man

5. Robert Redford, Old Man & The Gun

Other Possibilities:

6. Christian Bale, Backseat

7. Lucas Hedges, Boy Erased

8. John David Washington, BlacKkKlansman

9. Hugh Jackman, The Front Runner

10. Stephan James, If Beale Street Could Talk

11. Rory Kinnear, Peterloo

12. Rami Malek, Bohemian Rhapsody

13. Viggo Mortensen, Green Book

14. Joaquin Phoenix, You Were Never Really Here

15. Ethan Hawke, First Reformed

Best Actress

1. Lady Gaga, A Star Is Born

2. Glenn Close, The Wife

3. Viola Davis, Widows

4. Saoirse Ronan, Mary Queen of Scots

5. Kiki Layne, If Beale Street Could Talk

Other Possibilities:

6. Nicole Kidman, Destroyer

7. Toni Collette, Hereditary

8. Emily Blunt, Mary Poppins Returns

9. Olivia Colman, The Favourite

10. Felicity Jones, On the Basis of Sex

11. Melissa McCarthy, Can You Ever Forgive Me?

12. Julia Roberts, Ben Is Back

13. Elsie Fisher, Eighth Grade

14. Emily Blunt, A Quiet Place

15. Yalitza Aparicio, Roma

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy

2. Sam Elliot, A Star Is Born

3. Sam Rockwell, Backseat

4. Russell Crowe, Boy Erased

5. Joel Edgerton, Boy Erased

Other Possibilities:

6. Adam Driver, BlacKkKlansman

7. Oscar Isaac, At Eternity’s Gate

8. Michael B. Jordan, Black Panther

9.. Mahershala Ali, Green Book

10. Richard E. Grant, Can You Ever Forgive Me?

11. Jason Clarke, First Man

12. Sebastian Stan, Destroyer

13. Armie Hammer, On the Basis of Sex

14. David Tennant, Mary Queen of Scots

15. Topher Grace, BlacKkKlansman

Best Supporting Actress

1. Nicole Kidman, Boy Erased

2. Regina King, If Beale Street Could Talk

3. Claire Foy, First Man

4. Margot Robbie, Mary Queen of Scots

5. Amy Adams, Backseat

Other Possibilities:

6. Maura Tierney, Beautiful Boy

7. Amy Ryan, Beautiful Boy

8. Sissy Spacek, Old Man & The Gun

9. Meryl Streep, Mary Poppins Returns

10. Vera Farmiga, The Front Runner

11. Rachel Weisz, The Favourite

12. Michelle Yeoh, Crazy Rich Asians

13. Tatiana Maslany, Destroyer

14. Rachel McAdams, Disobedience

15. Kathy Bates, On the Basis of Sex

Best Adapted Screenplay

1. If Beale Street Could Talk

2. Beautiful Boy

3. Boy Erased

4. A Star Is Born

5. BlacKkKlansman

Other Possibilities:

6. First Man

7. Mary Queen of Scots

8. The Front Runner

9. Crazy Rich Asians

10. Can You Ever Forgive Me?

11. Old Man & The Gun

12. Widows

13. Disobedience

14. Wildlife

15. The Sisters Brothers

Best Original Screenplay

1. Roma

2. Peterloo

3. Backseat

4. Eighth Grade

5. The Favourite

Other Possibilities:

6. The Ballad of Buster Scruggs

7. Destroyer

8. Ben Is Back

9. On the Basis of Sex

10. At Eternity’s Gate

11. Green Book

12. Colette

13. A Quiet Place

14. Bohemian Rhapsody

15. Sorry to Bother You

Oscar Watch: First Man

The Venice Film Festival has kicked off today with Toronto coming next week. That means you can expect two dozen or more Oscar Watch posts coming your way on the blog over the next few days!

The opening film from Venice is a big one – Damien Chazelle’s First Man. The story of Neil Armstrong’s (Ryan Gosling) journey to the moon has screened for critics and the early verdict is quite strong.

It should come as no surprise that Man is considered a potential serious awards contender. Director Chazelle has seen both of his previous works – 2014’s Whiplash and 2016’s La La Land – land Best Picture nominations. The latter infamously lost to Moonlight. Additionally, both pictures resulted in Oscar wins for their performers (J.T. Walsh for Supporting Actor in Whiplash and Emma Stone in lead Actress for La La).

So where does this stand based on early buzz emanating from Italy? It would appear First Man is highly likely to be director’s third effort in a row to be recognized in Best Picture. Chazelle also stands a great chance at a directing nod (he won for La La and was the youngest filmmaker in history to do so).

As for the actors, critical notices have heaped praise on Claire Foy as Armstrong’s wife Jan. Her inclusion in Supporting Actress is probable. Of the many recognizable male supporting players, it appears Jason Clarke is receiving the most attention. It’s possible that Universal’s Oscar campaign’s focus could primarily center on Gosling and Foy, but I wouldn’t count Clarke out.

Which brings us to Gosling. Critics have been very kind in praising his understated work. I don’t think it’s yet a guarantee that Gosling lands his third Best Actor nod (after Half Nelson and La La Land), but he’s absolutely in the mix.

In addition to Best Adapted Screenplay, First Man should definitely find itself under consideration for numerous tech races including Cinematography, Editing, Sound Editing, Sound Mixing, Visual Effects, Production Design, and Original Score.

Bottom line: First Man is the first fall festival picture to be screened… and it’s established itself as a major player.

First Man opens domestically on October 12. My Oscar Watch posts will continue…

Todd’s Early 2018 Oscar Predictions: Best Actor

Back at it again today with my very early Oscar predictions for 2018! We are now at Best Actor.

Yesterday, I discussed the Supporting categories. Earlier today, I posted my initial predictions for Actress. If you missed my take on them, you can peruse them here:

https://toddmthatcher.com/2018/08/24/todds-early-2018-oscar-predictions-best-actress/

https://toddmthatcher.com/2018/08/23/todds-early-2018-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2018/08/23/todds-early-2018-oscar-predictions-best-supporting-actress/

As mentioned in those posts, these are an early bird snapshot of where I see the races before they come into sharper focus beginning next week. That’s when the film festival kicks off and many of the Oscar bait fall titles will be screened for critics. Starting next Thursday (August 30), I’ll begin posting my weekly ranked predictions in the major film categories.

Tomorrow – look for Best Director and my first take on the new category everyone is talking about – Best Popular Film. Best Picture should be up Sunday!

TODD’S EARLY OSCAR PREDICTIONS: BEST ACTOR

Steve Carell, Beautiful Boy

Bradley Cooper, A Star is Born

Willem Dafoe, At Eternity’s Gate

Robert Redford, Old Man & The Gun

John David Washington, BlacKkKlansman

Other Possibilities:

Christian Bale, Backseat

Ryan Gosling, First Man

Ethan Hawke, First Reformed

Lucas Hedges, Boy, Erased

Hugh Jackman, The Front Runner

Stephan James, If Beale Street Could Talk

Rory Kinnear, Peterloo

Rami Malek, Bohemian Rhapsody

Tim Blake Nelson, The Ballad of Buster Scruggs

Joaquin Phoenix, You Were Never Really Here

Blade Runner 2049 Movie Review

1982’s Blade Runner has been reworked and remastered more in the past three decades plus than most classic albums. Along with Alien, director Ridley Scott created a one two punch of science fiction classics in a span of just three years. While the former spawned a series of sequels and offshoots, it’s not until 35 years later that a proper Blade Runner sequel has arrived.

Mr. Scott serves as executive producer because he was busy making the mediocre Alien: Covenant. So it’s Denis Villeneuve handling behind the camera duties one year after his highly rewarding alien pic Arrival. He proves himself as a natural choice to revisit this dystopian future that’s been an incredible influence on many sci-fi experiences that followed.

That influence has mostly been in its bleak look and astonishing production design. 2049, as the title tells us, takes place 30 years after what we saw in the early 1980s. Our central character is K (Ryan Gosling), a replicant who serves the LAPD like Deckard (Harrison Ford) in the original. These days, K’s kind are programmed to be more obedient and their primary function is in slave labor. K’s day job involves hunting down old school replicants. In the ultra stylish night, he invents a relationship with the gorgeous holograph Joi (Ana de Armas).

One of K’s assignments leads to a startling discovery that suggests replicants have the ability to procreate. The existence of a being of that ilk is troubling to K’s boss (Robin Wright), fearing a war will break out between humans and replicants. The revelation also intrigues Wallace (Jared Leto), the blind owner of the corporation that manufactures the product. He envisions this as a considerable financial opportunity and tasks his chief enforcer (Sylvia Hoeks) to find the now grown child.

This all eventually leads back to Deckard, with Ford completing a trifecta of revisiting signature late seventies and early eighties roles. It also involves his romantic interest Sean Young from the original. She returns in the archival footage manner. 2049 expands the Blade Runner universe and also expands the running time, clocking in nearly 45 minutes longer than part 1. In that respect, the sequel takes a bit longer to get its motor running.

Luckily for us, the visuals that were so special 35 years ago are remarkable here as well. There are sequences that are bleakly beautiful. Those expecting a full update on Deckard’s dealings may be surprised to find he doesn’t appear until about two-thirds through the proceedings. This is Gosling’s picture to carry most of the way and he does so with a quiet intensity.

Like Villeneuve’s Arrival, this is a sci-fi venture more steeped in its themes than action sequences. Violence comes in short and sudden bursts and that’s in line with two of the filmmaker’s other efforts Prisoners and Sicario. It’s no accident that I’m comparing 2049 just as much to those three movies as I am with the Scott original. Villeneuve succeeds in making this long gestating follow-up his own while clearly valuing an adoration of the first. That doesn’t happen too often as even Scott has fallen short with his return to Alien world. The legions of admirers of what came 35 years ago should be pleased.

***1/2 (out of four)

Oscar Watch: Blade Runner 2049

24 hours can change the dynamic considerably at this time in the Oscar season. When I made my weekly Oscar predictions yesterday, Richard Linklater’s Last Flag Flying was ranked 8th in my Best Picture possibilities with Blade Runner 2049 outside at #13.

Yesterday, support for Flag wavered a bit with a mixed critical reaction stemming from the New York Film Festival. On the other hand, Blade has sharpened its chances with reviews coming out this morning. Denis Villeneuve’s continuation of Ridley Scott’s classic sci-fi pic from 35 years ago is drawing raves (it’s at 97% currently on Rotten Tomatoes). The word “masterpiece” has been thrown around by some critics.

Bottom line: its chances for a Best Picture nomination have risen dramatically. Just last year, Villeneuve’s Arrival scored eight nominations, including Picture and Director. That could happen here again. While I doubt any of the actors (including Ryan Gosling and the return of Harrison Ford in the role of Deckard) will hear their names called, there are other races in play. This includes Adapted Screenplay, Production Design, Editing, both Sound categories, and Visual Effects (where it will almost certainly be named).

And then there’s Cinematography. Again, a nomination for its cinematographer Roger Deakins seems virtually assured. If so, it will mark his 14th nomination. The list of films he was nominated for? The Shawshank Redemption, Fargo, Kundun, O Brother, Where Art Thou?, The Man Who Wasn’t There, The Assassination of Jesse James by the Coward Robert Ford, No Country for Old Men, The Reader, True Grit, Skyfall, Prisoners, Unbroken and Sicario. Number of wins? 0. There’s definitely a feeling that Mr. Deakins is long overdue for his gold statue and the 14th time could be the charm.

When I made my box office prediction for 2049 earlier this week, I compared my $44.1 opening weekend estimate to Mad Max: Fury Road from two years ago. As of this morning, I’m thinking the opportunity is there for it to come close to Fury‘s 10 Oscar nominations too.

My Oscar Watch posts will continue…

Blade Runner 2049 Box Office Prediction

Blogger’s Note (10/04/17): I have revised my estimate up from $44.1 million to $52.1 million

Arriving 35 years after Ridley Scott’s now classic science fiction work, Blade Runner 2049 hits theaters next weekend. The sequel has been in development for pretty much the entire 21st century. The reported $185 million production is headlined by Ryan Gosling as an LAPD officer in a dystopian future who ends up teaming with original Blade Runner Deckard, played by Harrison Ford. Denis Villeneuve, hot off his Oscar nominated hit Arrival, handles directorial duties with Mr. Scott executive producing. Costars include Jared Leto, Ana de Armas, Robin Wright, and Dave Bautista. 

Fans of the 1982 original are many as Blade Runner has become a beloved genre pic. One legitimate question: are younger audiences familiar enough with the source material? It may not matter much as early word-of-mouth for 2049 is very encouraging. Official reviews won’t be out until next week, but screenings have indicated this is a satisfying visual feast like its predecessor.

So how high can this open? The current October opening record belongs to Gravity at $55 million. Even with the positive buzz, I don’t see 2049 running that high. Tracking has indicated $40-$45 million and that sounds about right. In fact, a $45 million opening would match the debut of 2015’s Mad Max: Fury Road, another entry in a franchise that was dormant for decades and made a rousing return.

I’ll put this just under that mark for what should be a solid opening for Columbia Pictures, as it’s likely to perform well overseas too.

Blade Runner 2049 opening weekend prediction: $44.1 million

For my The Mountain Between Us prediction, click here:

https://toddmthatcher.com/2017/09/27/the-mountain-between-us-box-office-prediction/

For my My Little Pony: The Movie prediction, click here:

https://toddmthatcher.com/2017/09/28/my-little-pony-the-movie-box-office-prediction/

Todd’s Top 10 Most Awaited Fall 2017 Movies

Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.

Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):

Blade Runner 2049

Release Date: October 6

35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.

Downsizing

Release Date: December 22

It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.

NO TRAILER AT PRESS TIME

It

Release Date: September 8

Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.

Justice League

Release Date: November 17

DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).

mother!

Release Date: September 15

Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.

Murder on the Orient Express

Release Date: November 10

Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.

The Papers

Release Date: December 22

As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.

NO TRAILER AT PRESS TIME

Phantom Thread

Release Date: December 27

Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.

NO TRAILER AT PRESS TIME

The Shape of Water

Release Date: December 8

Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.

Star Wars: The Last Jedi

Release Date: December 15

Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.

And there you have it, folks! Let us look forward to a hopefully glorious autumn season…

Todd’s Updated 2016 Oscar Winner Predictions

Good Sunday all! 15 days from today, the Oscars will air and for the next three Sundays, I’ll be giving you my take on where I see each category standing. This means my winner prediction and each nominee listed in order of likelihood to take their prize.

My final predictions will post on Sunday, February 26 prior to the broadcast the next day. Let’s get to it, shall we?

BEST PICTURE

1) La La Land

2) Moonlight

3) Manchester by the Sea

4) Hidden Figures

5) Lion

6) Arrival

7) Hacksaw Ridge

8) Hell or High Water

9) Fences

BEST DIRECTOR

1) Damien Chazelle, La La Land

2) Barry Jenkins, Moonlight

3) Kenneth Lonergan, Manchester by the Sea

4) Denis Villeneuve, Arrival

5) Mel Gibson, Hacksaw Ridge

BEST ACTOR

1) Casey Affleck, Manchester by the Sea

2) Denzel Washington, Fences

3) Ryan Gosling, La La Land

4) Viggo Mortensen, Captain Fantastic

5) Andrew Garfield, Hacksaw Ridge

BEST ACTRESS

1) Emma Stone, La La Land

2) Natalie Portman, Jackie

3) Isabelle Huppert, Elle

4) Meryl Streep, Florence Foster Jenkins

5) Ruth Negga, Loving

BEST SUPPORTING ACTOR

1) Mahershala Ali, Moonlight

2) Dev Patel, Lion

3) Jeff Bridges, Hell or High Water

4) Michael Shannon, Nocturnal Animals

5) Lucas Hedges, Manchester by the Sea

BEST SUPPORTING ACTRESS

1) Viola Davis, Fences

2) Naomie Harris, Moonlight

3) Octavia Spencer, Hidden Figures

4) Michelle Williams, Manchester by the Sea

5) Nicole Kidman, Lion

BEST ADAPTED SCREENPLAY

1) Moonlight

2) Lion

3) Hidden Figures

4) Fences

5) Arrival

BEST ORIGINAL SCREENPLAY

1) Manchester by the Sea

2) La La Land

3) Hell or High Water

4) The Lobster

5) 20th Century Women

BEST ANIMATED FEATURE

1) Zootopia

2) Kubo and the Two Strings

3) Moana

4) My Life as a Zucchini

5) The Red Turtle

BEST FOREIGN LANGUAGE FILM

1) The Salesman

2) Toni Erdmann

3) Land of Mine

4) A Man Called Ove

5) Tanna

BEST DOCUMENTARY FEATURE

1) I Am Not Your Negro

2) O.J.: Made in America

3) 13th

4) Fire at Sea

5) Life, Animated

BEST CINEMATOGRAPHY

1) La La Land

2) Moonlight

3) Arrival

4) Lion

5) Silence

BEST COSTUME DESIGN

1) Jackie

2) La La Land

3) Fantastic Beasts and Where to Find Them

4) Florence Foster Jenkins

5) Allied

BEST EDITING

1) La La Land

2) Moonlight

3) Arrival

4) Hacksaw Ridge

5) Hell or High Water

BEST MAKEUP AND HAIRSTYLING

1) Star Trek Beyond

2) Suicide Squad

3) A Man Called Ove

BEST PRODUCTION DESIGN

1) La La Land

2) Arrival

3) Fantastic Beasts and Where to Find Them

4) Hail, Caesar!

5) Passengers

BEST ORIGINAL SCORE

1) La La Land

2) Lion

3) Moonlight

4) Jackie

5) Passengers

BEST ORIGINAL SONG

1) “City of Stars” from La La Land

2) “How Far I’ll Go” from Moana

3) “Can’t Stop The Feeling!” from Trolls

4) “Audition (The Fools Who Dream)” from La La Land

5) “The Empty Chair” from Jim: The James Foley Story

BEST SOUND EDITING

1) La La Land

2) Hacksaw Ridge

3) Arrival

4) Deepwater Horizon

5) Sully

BEST SOUND MIXING

1) La La Land

2) Hacksaw Ridge

3) Arrival

4) Rogue One: A Star Wars Story

5) 13 Hours: The Secret Soldiers of Benghazi

BEST VISUAL EFFECTS

1) The Jungle Book

2) Rogue One: A Star Wars Story

3) Doctor Strange

4) Kubo and the Two Strings

5) Deepwater Horizon

Next Update will be Be Sunday!

2016 SAG Awards Predictions

The final major awards ceremony before Oscar takes place tonight on TBS and TNT as the 23rd Annual Screen Actors Guild Awards airs. These awards and winners are voted by fellow thespians, so the races are a bit different in the sense that there’s no Best Picture per se. Instead it’s Outstanding Performance by a Cast in a Motion Picture and the five nominated pictures contains one rather glaring omission: La La Land, even though it’s the front runner at the Academy Awards.

We do have the other acting races we’re accustomed to, as well as Outstanding Performance by a Stunt Ensemble in a Motion Picture. Let’s break each category down one by one with my predicted winners for this evening.

Outstanding Performance by a Cast in a Motion Picture 

Nominees: Captain Fantastic, Fences, Hidden Figures, Manchester by the Sea, Moonlight

Predicted Winner: Moonlight

Analysis: The recipient here could solidify its status as Most Likely to Win Best Picture at the Oscars if La La doesn’t. I’ll predict the SAG voters give the edge to Barry Jenkins acclaimed drama over Kenneth Lonergan’s Manchester, just like the Globes did.

Outstanding Performance by a Male Actor in a Leading Role

Nominees: Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Viggo Mortensen (Captain Fantastic), Denzel Washington (Fences)

Predicted Winner: Casey Affleck

Analysis: The five nominees match five for five with the Academy. Affleck has received the lions share of precursors thus far and I expect that to continue here. Washington is the only other possibility.

Outstanding Performance by a Female Actor in a Leading Role

Nominees: Amy Adams (Arrival), Emily Blunt (The Girl on the Train), Natalie Portman (Jackie), Emma Stone (La La Land), Meryl Streep (Florence Foster Jenkins)

Predicted Winner: Natalie Portman

Analysis: Yes, I’m going for the minor upset here as Stone is the likely front runner. Only the two of them and Streep match the Oscar nods, as SAG honored Adams and Blunt instead of Isabelle Huppert (Elle) and Ruth Negga (Loving).

Outstanding Performance by a Male Actor in a Supporting Role

Nominees: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Hugh Grant (Florence Foster Jenkins), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion)

Predicted Winner: Mahershala Ali

Analysis: A win by either Bridges or Patel wouldn’t surprise me, but Ali has picked up a lot of critics prizes. Aaron Taylor-Johnson, surprise Globe winner for Nocturnal Animals, isn’t present here.

Outstanding Performance by a Female Actor in a Supporting Role

Nominees: Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), Michelle Williams (Manchester by the Sea)

Predicted Winner: Viola Davis

Analysis: Another exact match with Oscar and I expect the same result – a win for Ms. Davis. Anything else would be a surprise.

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Nominees: Captain America: Civil War, Doctor Strange, Hacksaw Ridge, Jason Bourne, Nocturnal Animals

Predicted Winner: Hacksaw Ridge

Analysis: This is a tough one as either of the comic book flicks could win. Still, I’ll go with the only nominated Best Picture at the Oscars. By the way, why Nocturnal is present here baffles me.

And there you have it! Happy watching tonight…