April 3-5 Box Office Predictions

The Super Mario Galaxy Movie should play to domestic and worldwide domination over the Easter holiday as April dawns. Illumination Entertainment’s animated sequel debuts alongside Zendaya and Robert Pattinson in The Drama. You can peruse my detailed prediction posts on the newbies here:

Three Easters back, The Super Mario Bros. Movie blew past expectations with nearly $150 million from Friday to Sunday and over $200 million when counting Wednesday and Thursday. Galaxy is smartly following the same release pattern. While I don’t think the results will be quite as much, it should surpass Project Hail Mary as the year’s largest premiere.

Speaking of Mary, there’s something about its second weekend that was remarkable (more on that below). The sci-fi tale with Ryan Gosling should have no trouble being strong in the runner-up position after two weeks on top.

As for The Drama, it’s more of a question mark. It looks to draw upon the star appeal of its young leads. I have it earning a tad more than Zendaya’s Challengers from 2024 in the mid teens for a third place showing.

Holdovers Hoppers and Reminders of Him should round out the top five and here’s how I have it rolling out:

1. The Super Mario Galaxy Movie

Predicted Gross: $126.5 million (Friday to Sunday); $171.2 million (Wednesday to Sunday)

2. Project Hail Mary

Predicted Gross: $35.2 million

3. The Drama

Predicted Gross: $16.7 million

4. Hoppers

Predicted Gross: $8 million

5. Reminders of Him

Predicted Gross: $2.9 million

Box Office Results (March 27-29)

Amazon MGM had a banner sophomore frame with Project Hail Mary. After launching to $80 million, the acclaimed adaptation of Andy Weir’s novel declined a meager 33% to $54 million for a two-week haul of $163 million. Eclipsing my $44.8 million prediction, a domestic end run of over $300 million appears to be happening as the crowd favorite builds Oscar steam.

Hoppers remained in second with $12.1 million, right in line with my $12 million call. Disney/Pixar’s original story has risen to $138 million after four weeks.

Comedic horror entry They Will Kill You was DOA in its unveiling. With $4.9 million in third, the Warner Bros release failed to hit my $6.3 million forecast. Look for it to fade fast.

Reminders of Him was fourth with $4.7 million, on target with my $4.3 million estimate. The romantic drama has made a respectable $41 million after three weeks.

Dhurandhar: The Revenge was right behind in fifth with $4.6 million and I incorrectly had it outside of the high five. The total is $22 million after two weeks.

Also in its second outing, Ready or Not 2: Here I Come fell 54% to $4.1 million (I said $4.2 million). The underwhelming sequel sits at $16 million.

And that does it for now, folks! Until next time…

March 27-29 Box Office Predictions

Project Hail Mary touched down with fantastic results as it looks to easily repeat in 1st place as March closes out. Horror comedy They Will Kill You is the sole wide release newcomer and my detailed prediction post on it can be accessed here:

A best case scenario for They Will Kill You might be a second place finish in the low double digits or low teens. I’m going lower in the mid single digits for a third place start.

Space set Hail Mary opened at the top end of its expected range for 2026’s highest premiere (more on that below). It scored the second largest debut for a non-franchise, non-sequel behind Oppenheimer and Ryan Gosling’s second best unveiling after Barbie. I suspect the sophomore dip will be in the mid 40s (similar to Oppenheimer).

Hoppers should remain in the runner-up position as it heads into the Easter frame. The 4-5 spots should be close between Reminders of Him and Ready or Not 2: Here I Come after its meh debut.

Here’s how I see the top 5 shaking out:

1. Project Hail Mary

Predicted Gross: $44.8 million

2. Hoppers

Predicted Gross: $12 million

3. They Will Kill You

Predicted Gross: $6.3 million

4. Reminders of Him

Predicted Gross: $4.3 million

5. Ready or Not 2: Here I Come

Predicted Gross: $4.2 million

Box Office Results (March 20-22)

Project Hail Mary reached for the stars and achieved a remarkable launch with $80.5 million, zooming beyond my $69 million prediction. With solid reviews and awards buzz, it turned out to be the event film that Amazon MGM was hoping for. The future looks bright as it faces no obstacles topping the charts again.

Hoppers, after two weeks in 1st, was second with $17.8 million. That’s on target with my $18.4 million call as Disney/Pixar’s latest hit $120 million after three weeks.

Indian action sequel Dhurandhar: The Revenge managed bragging rights by outgrossing the Ready or Not follow-up. With the second best per theater average, it made $10 million compared to my $7.8 million forecast with $14 million in the bank since its Wednesday bow.

Ready or Not 2: Here I Come stumbled in fourth with $9 million, under my $11.2 million take. The horror sequel showed that most genre fans fell on the not ready side.

Reminders of Him rounded out the top five with $8 million (I said $9.2 million) for a two-week tally of $33 million.

Scream 7 was sixth with $4.3 million. I went with $5.3 million as the latest franchise entry’s four-week earnings rose to $114 million.

And that does it for now, folks! Until next time…

March 20-22 Box Office Predictions

Blogger’s Update (03/19): Upping my Project Hail Mary prediction from $59 million to $69 million and adding Dhurandhar the Revenge to the #5 spot at $7.8 million.

Amazon MGM space adventure Project Hail Mary looks to dominate the box office this weekend while Searchlight searches for horror fans to boost Ready or Not 2: Here I Come. You can peruse my detailed prediction posts on the newcomers here:

With high star reviews, Mary appears poised for an impressive showing out of the gate (it will need it with the reported $200M+ budget). My prediction has it reaching nearly $60 million as it hopes for a long run in the coming weeks.

Barring a significant overperformance, Ready or Not 2: Here I Come should place third in low double digits behind the third frame of current champ Hoppers.

The remainder of the top five should go to holdovers Reminders of Him in its sophomore frame (more on its solid performance below) and Scream 7.

Here’s how I see it shaking out:

1. Project Hail Mary

Predicted Gross: $69 million

2. Hoppers

Predicted Gross: $18.4 million

3. Ready or Not 2: Here I Come

Predicted Gross: $11.2 million

4. Reminders of Him

Predicted Gross: $9.2 million

5. Dhurandhar The Revenge

Predicted Gross: $7.8 million

6. Scream 7

Predicted Gross: $5.3 million

Box Office Results (March 13-15)

As anticipated, Disney/Pixar’s Hoppers stayed in 1st place while newcomers managed to outdo my projections. Hoppers made off with $28.6 million, just ahead of my $27.2 million prediction. The two-week earnings jumped to $86 million.

Reminders of Him, the romantic drama based on the Colleen Hoover novel, came in at the high end of expectations with $17.9 million in second. That’s well beyond my $10.4 million call. Look for it to drop in the high 40s in its second week.

Low-budget Canadian horror pic Undertone was third with $9.3 million. Like Reminders, it started out at the top of its expected range and past my meager $4.9 million take. I do think it will drop out of the top 5 this weekend with a percentage dip in the high 50s or more.

Scream 7 was fourth with $8.5 million, ahead of my $6.9 million forecast for a three-week tally of $106 million. It will match the $108 million take of its 2023 predecessor this week.

Goat rounded out the top five with $4.6 million (I said $4.3 million) as the animated sports tale is nearly at nine digits with $90 million.

Finally, The Bride! plummeted 70% in weekend #2 with just $2 million. I was more generous at $2.6 million. The two-week total for the WB flop is $11 million.

And that does it for now, folks! Until next time…

Project Hail Mary Box Office Prediction

Project Hail Mary looks to throw down impressive grosses for Amazon MGM when it debuts March 20th. Drew Goddard adapts Andy Weir’s 2021 novel with Phil Lord and Christopher Miller directing. The sci-fi adventures stars Ryan Gosling with a supporting cast including Sandra Hüller, Lionel Boyce, Ken Leung, and Milana Vayntrub.

Critics have complimented the production on its Spielberg vibes with Rotten Tomatoes at 95% and 80 on Metacritic. With a reported budget north of $200 million, the studio is hoping for a high launch. Encouraging early word-of-mouth should assist.

One scenario is that it plays similar to 2015’s The Martian which is also based on a Weir book. That space tale with Matt Damon opened to $54 million. A best case might be closer to $80 million, but I’ll hedge and say high 60s is likelier.

Project Hail Mary opening weekend prediction: $69 million

For my Ready or Not 2: Here I Come prediction, click here:

Oscar Predictions: Project Hail Mary

Project Hail Mary touches down in theaters March 20th looking to score impressive box office numbers. The sci-fi adventure comes from filmmakers Phil Lord and Christopher Miller, best known for their involvement in the Lego, 21/22 Jump Street, and Spider-Verse franchises. Ryan Gosling headlines with Sandra Hüller, Lionel Boyce, Ken Leung, and Milana Vayntrub providing support.

Early reviews are encouraging with many critics calling this a big-hearted popcorn feast reminiscent of Spielberg. Rotten Tomatoes is fresh at 96% with Metacritic at 80. If Mary pops with audiences and becomes a financial hit, that could help with awards attention. Down the line nods including Daniel Pemberton’s score, Editing, Production Design, and especially Sound and Visual Effects are all possibilities.

How it fares in the major races is more of an open question. Under a best case scenario, Director, Adapted Screenplay (by Drew Goddard from the Andy Weir novel) could happen. This logic also applies to Best Picture like other space tales Gravity and The Martian (also based on a Weir story). It could also miss the big dance like other genre titles Interstellar and Gosling’s First Man. The leading man could make a play for a fourth acting mention.

The bottom line is that this Project could be one that Oscar voters notice. To what level remains to be seen. My Oscar Prediction posts will continue…

Best Picture 2023: The Final Five

As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.

What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?

For the 96th Academy Awards, we know Christopher Nolan’s Oppenheimer would have been one of them. It dominated the show by winning Best Picture, Director, Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr.), Cinematography, Film Editing, and Original Score.

Picking the other 4 of 9 for the final five is less obvious. And I really mean it this time because, with one exception, selecting the others was tough. Here’s my best speculation.

American Fiction

Cord Jefferson’s dramedy performed better than anticipated with five nominations including a win in Adapted Screenplay over heavy hitters Barbie, Oppenheimer, Poor Things, and The Zone of Interest. Other nods were Jeffrey Wright in Actor, Sterling K. Brown for supporting, and Original Score.

Does It Make the Final Five?

Yes, but I went back and forth on this one and came very close to saying no. Gods and Monsters from 1998 is the last Adapted Screenplay winner to not be nominated for BP so that’s what gives this a slight edge.

Anatomy of a Fall

The French legal drama was inexplicably not selected for International Feature Film, but nabbed a quintet of nods that included Director (Justine Triet), Actress (Sandra Hüller), Film Editing, and a victory in Original Screenplay (over The Holdovers and Past Lives).

Does It Make the Final Five?

No, but I went back and forth on this one and came very close to saying yes. Like with Fiction, there’s a screenplay component at play. Eternal Sunshine of the Spotless Mind from 2004 was the previous Original Screenplay winner to not be nominated for BP. In this case, the case for some other pics was just a tad stronger.

Barbie

Greta Gerwig’s smash hit had six other nods in Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, 2 Original Songs, and Production Design. The sole victory was for Billie Eilish’s ballad “What Was I Made For?”.

Does It Make the Final Five?

I went back and forth on this one… you get the idea. I’m going with no with its glaring omission for Gerwig’s direction and Margot Robbie’s snub to a lesser degree. That said, it is certainly feasible that AMPAS could’ve made room had this been a quintet.

The Holdovers

Alexander Payne’s dramedy was a winner in Supporting Actress for Da’Vine Joy Randolph with Paul Giamatti nominated in Actor and nods for Film Editing and Original Screenplay.

Does It Make the Final Five?

No. If Giamatti had taken lead actor or the screenplay been victorious, this would be a tougher choice. I think it’d be on the outside looking in.

Killers of the Flower Moon

Martin Scorsese’s historial epic had ten overall nominations behind Oppenheimer and Poor Things – directing, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. It went 0 for 10 on the night.

Does It Make the Final Five?

Yes, but I don’t think it’s automatic. No nods for the adapted screenplay or Leonardo DiCaprio in Actor make me questions its inclusion. So do the zero trophies. Yet Scorsese’s clout causes me to grant it a spot.

Maestro

Bradley Cooper’s biopic of Leonard Bernstein is a seven-time nominee for Actor (Cooper), Actress (Carey Mulligan), Original Screenplay, Cinematography, Makeup and Hairstyling, and Sound. It did not pick up any of the hardware.

Does It Make the Final Five?

No, but it did perform quite well as far as nods. Cooper’s exclusion from Best Director was my deciding factor.

Past Lives

Celine Song’s romance was the least nominated of the BP contestants with Original Screenplay as its only other nom.

Does It Make the Final Five?

No and this was the easiest of the five to decide considering the amount of nominations.

Poor Things

The multi-genre experience from Yorgos Lanthimos was second only to Oppenheimer in terms of mentions with 11 including wins for Emma Stone in Actress, Costume Design, Makeup and Hairstyling, and Production Design. Other nods: director, Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Film Editing, and Original Score.

Does It Make the Final Five?

Yes and this was the easiest of the nine to leave in due to its volume of noms and victories.

The Zone of Interest

The wartime drama from Jonathan Glazer, with Anatomy of a Fall out of competition, easily took International Feature Film while also grabbing a Sound win and noms for direction and Adapted Screenplay.

Does It Make the Final Five?

I don’t think it is automatic, but yes. I nudged it just past Fall considering the IFF gold.

And that means my final 2023 five would be:

American Fiction

Killers of the Flower Moon

Oppenheimer

Poor Things

The Zone of Interest

I plan to post my selection for 2024 in the near future!

Oscar Predictions: Wolf Man

Leigh Whannell follows up his acclaimed horror reboot The Invisible Man from 2020 with another iconic interpretation of a genre classic in Wolf Man this weekend. Christopher Abbott and Julia Garner headline the low-budget Universal/Blumhouse production with Matilda Firth and Sam Jaeger costarring.

Originally planned as a vehicle for director Derek Cianfrance to star Ryan Gosling, Wolf is not generating the same acclaim as its replacement filmmaker’s previous venture. Invisible topped out at 92% on Rotten Tomatoes and 72 for Metacritic. Wolf currently sports a 60% Tomato meter with Metacritic at 49.

The only race where Wolf stands a shot at awards attention is Makeup & Hairstyling (for the latter designation of that category). 2010’s The Wolfman with Benicio del Toro and Emily Blunt actually won the Oscar for Makeup (before the Academy apparently cared about hair). A safe assumption is that voters won’t have this picture fresh in their minds a year from now to nominate it, but let’s see how competition stacks up. My Oscar Prediction posts will continue…

The Top 50 SNL Cast Members of All Time: Number 9 – Kate McKinnon

Upright Citizens Brigade alum Kate McKinnon scored ten Emmy nominations during her ten-year tenure on SNL and it’s no mystery. In the past decade and change on the show, she’s been the standout with unforgettable impressions and truly strange fictional creations.

Her collection of impersonations runs the gamut from an uncanny Ellen DeGeneres and Jane Lynch to lots of political figures including Hillary Clinton, Angela Merkel, Ruth Bader Ginsburg, Elizabeth Warren, Rudy Giuliani, Lindsey Graham and Jeff Sessions. McKinnon’s range is wide as she can land excellent takes on Justin Bieber, Maggie Smith, and Lisa Kudrow.

The most known non-impression work is Colleen Rafferty, a rough around the edges recent abductee in viral sketches with Cecily Strong and, most famously, Ryan Gosling. There’s Sheila Sovage, her constantly intoxicated bar patron in the uproarious Last Call bits. At the Update desk, Russian current events commentator Olya was a highlight. #8 will be up soon!

Kate McKinnon

Years on the Show: 2012-22

The Top 50 SNL Cast Members of All Time: Number 37 – Heidi Gardner

A current cast mate clocks in at #37 on my Top 50 SNLers of all time and that’s Heidi Gardner. Since 2017, the Kansas City native has been low-key killing it on the half century old sketch show. Last season, she probably got more ink than ever before by understandably not keeping it together during Ryan Gosling and Mikey Day’s Beavis & Butthead bit.

Well before that, however, she was creating uproarious characters (many on Update) like busy body coworker Crystal, every boxer’s girlfriend Angel, and awkward teen critic Bailey to name a few. Early in this 50th season, Gardner has already provided belly laughs by devouring a gigantic burger while being supportive of her friends with family struggles. #36 will be up soon!

Heidi Gardner

Years on the Show: 2017-Present

Oscar Predictions: Deadpool & Wolverine

The super matchup of Ryan Reynolds and Hugh Jackman as their most iconic characters hits theaters on Friday with Deadpool & Wolverine. The third pic in the Deadpool series also marks Jackman’s 10th go-round as the clawed mutant. Shawn Levy directs with Emma Corrin, Matthew Macfadyen, Morena Baccarin, Rob Delaney, Leslie Uggams, and Karan Soni among the supporting players.

Reviews for the Deadpool trilogy have some consistency. The 2016 original has an 85% RT score while the 2018 sequel sports 84%. With the embargo up today, D & W sits at 79%. 2017’s Logan, Jackman’s previous appearance in the role, was more acclaimed at 93% and it landed an Adapted Screenplay nomination from the Academy.

The Deadpool movies have garnered zero Oscar nods. Part one was up at Golden Globes for Best Musical/Comedy and Reynolds for Actor in a Musical/Comedy (losing to La La Land and its lead Ryan Gosling, respectively). Part two was blanked by the Hollywood Foreign Press Association. I wouldn’t anticipate part three getting noticed by the Academy or the HFPA. While several MCU titles have managed Visual Effects mentions, Mr. Pool has not and I do not believe it’ll start here. My Oscar Prediction posts will continue…