**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million
The Bikeriders and The Exorcism enter a marketplace in which Inside Out 2 greatly exceeded expectations last weekend. The summer box office is finally looking up, but the two new entries could struggle for exposure. My detailed prediction posts on them can be accessed here:
There’s no doubt that Inside Out 2 will be perched in 1st for a second weekend. A high 30s to low 40s decline would put it in the low to mid 90s. A sequel in its third frame – Bad Boys: Ride or Die – should remain in the runner-up slot with a mid 30s to 40% ease.
Now we get to the newbies. With decent reviews and the star power of Austin Butler, Tom Hardy, and Jodie Comer, The Bikeriders could still sputter with a third place showing. I think the big question is whether it reaches double digits and I have it barely accomplishing that minor goal.
As for The Exorcism, Russell Crowe’s second horror pic in as many years dealing with the subject matter probably won’t reach the $10 million that The Pope’s Exorcist did in April of 2023.
The five spot may go to holdover Kingdom of the Planet of the Apes in its seventh week of release and here’s how I have the high five playing out:
1. Inside Out 2
Predicted Gross: $93.6 million
2. Bad Boys: Ride or Die
Predicted Gross: $21.3 million
3. The Bikeriders
Predicted Gross: $10.5 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $4.1 million
5. The Exorcism
Predicted Gross: $3.2 million
Box Office Results (June 14-16)
Disney/Pixar were feeling all the happy emotions as Inside Out 2 blasted past forecasts for the 2nd best animated opening of all time. That would also be the 2nd largest Pixar haul behind record holder Incredibles 2. The sequel to the 2015 Oscar winning blockbuster posted $154.2 million, way beyond my $92.4 million call. It’s also the biggest 2024 premiere thus far.
Bad Boys: Ride or Die only fell 40% after its huge start with $33.7 million, riding past my $29.8 million take. The fourth entry in the three-decade old franchise has amassed $113 million.
Kingdom of the Planet of the Apes actually rose 2% to $5.5 million in third, dwarfing my $3.1 million projection as this sequel’s six-week tally is $158 million.
The over performance of Inside Out 2 caused other family friendly titles to plummet. The Garfield Movie was fourth with $4.7 million (I said $6.1 million) for $78 million in four weeks. IF was fifth with $3.6 million (I said $4.9 million) for $101 million in five weeks.
Finally, The Watchers was sixth in its sophomore frame with $3.5 million compared to my $2.9 million prediction. The two-week total is $13 million.
**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million
The Exorcism looks to quench the moviegoing public’s thirst for mixing Russell Crowe with demonic possessions on June 21st. The horror flick arrives only a year behind the lead playing The Pope’s Exorcist. Those two pics aren’t related as Joshua John Miller directs with a supporting cast including Ryan Simpkins, Sam Worthington, Chloe Bailey, Adam Goldberg, Adrian Padsar, and David Hyde Pierce.
In April of 2023, The Pope’s Exorcist managed to open at the higher end of its expected range with a little over $9 million and an eventual $20 million gross. It is fair to wonder if genre enthusiasts are pining for another helping of its star and subject matter.
Scary movies have struggled in 2024 and this might need divine intervention to exceed $10 million for its start. I doubt it will.
The Exorcism opening weekend prediction: $3.2 million
There’s a moment in the third act of The Pope’s Exorcist where we hear the internal monologue of a main character in the throws of their demonic experience. It got me thinking that might make for a compelling and fresh angle in a genre made famous 50 years ago with Regan and her backwards turning head. I have accurately described it as a moment. It’s over before we know it and reminded me a little of what Tom Hardy hears in Venom after his symbiotic takeover. With Russell Crowe having a ball in Julius Avery’s horror thriller, Exorcist has a few quirky moments that I appreciated before it reverts to the tropes we’re familiar with.
The screenplay’s peculiar nature is evident in the first scene. We are introduced to Father Gabriele Amorth (Crowe), who served as the Pope’s go-to exorcism guy for decades beginning in the 1970s. That’s in real life, folks! You can look it up on Wiki and it’s a fascinating read. I’m sure Amorth’s books are as well. He claims to have performed 100k+ of the purification rituals. The opening sequence finds Amorth in 1987 transferring the evil vibes to a pig, who is then violently transferred to breakfast.
Crowe proceeds to ham it up around the nuns and his superiors in Vatican City as he awaits the next assignment. Many of his fellow priests think he needs a demotion. The head pontiff (Franco Nero) believes otherwise and he’s soon riding his Vespa to an abandoned abbey in Spain.
That’s where American widow Julia (Alex Essoe), teenage daughter Amy (Laurel Marsden), and preteen Henry (Peter DeSouza-Feighoney) are residing after their departed patriarch willed them the property. The monastery holds centuries old secrets under its rickety structure and a nasty spirit soon overtakes Henry. A local Father (Daniel Zovatto) can’t figure out the invader so Amorth is assigned. The young boy’s demon proves canny at using his would-be exorcist’s previous sins against him.
One could claim that The Pope’s Exorcist offers nothing new to the frequently explored material. I could argue the opposite. After all, I hadn’t seen the pig angle and there’s also papal projectile vomiting. Avery, Crowe, and screenwriters Michael Petroni and Evan Spiliotopoulos are to be commended for its campy B-movie spirit. Amorth has a habit of exclaiming “CUCKOO!” at passersby during unexpected times. The cuckoo bits work often enough that I had little trouble putting up with the expected sections of traditional possession.
The Super Mario Bros. Movie should rule the charts for a third weekend as Evil Dead Rise and Guy Ritchie’s The Covenant open in wide release. You can peruse my detailed prediction posts on the newcomers here:
Evil Dead Rise appears headed for a second place showing. However, the fifth pic in the horror franchise that started over 40 years ago is unlikely to match the mid-twenties haul that its 2013 predecessor managed. That’s despite strong reviews. Some recent horror saturation might mean a low to mid teens premiere.
As for Afghanistan War drama The Covenant with Jake Gyllenhaal, this is a genre that often struggles for eyeballs. It could certainly outpace my mid single digits projection (which should still be good for third), but my gut says this won’t impress.
Spots 4-8 should be holdovers whose difference could be less than a million bucks. I have John Wick: Chapter 4 leading that group with Renfield having the biggest percentage drop and coming in 8th.
Some other notes before I get to the power player. The historicaldrama Chevalier is slated to come out on around 1200 screens. I think the ceiling could be $2.5 million and I didn’t do an individual post for it.
Then there’s Beau is Afraid. Ari Aster’s three-hour opus with Joaquin Phoenix is garnering some raves and some derision from critics. It had a sizzling limited debut on only 4 screens. Beau is opening wider this weekend, but I’ve yet to see a theater count. Depending on how many venues it’s playing in, it could pop up in the top 5. However, I can’t make an educated guesstimate (yet) until I see a number. **Update (04/19): I’ve now done a prediction for this since a theater count is released:
As for the third frame of Mario, I’ve got it falling in the high 30s to low 40s for a mid to high 5os gross. My prediction gives it the ninth best third weekend of all time after it just had the seventh largest second one. I’ll give this caveat: I’ve been low for two weeks in a row on this pic.
So with all that said, here’s my look at the top 8:
1. The Super Mario Bros. Movie
Predicted Gross: $54.8 million
2. Evil Dead Rise
Predicted Gross: $16.7 million
3. Guy Ritchie’s The Covenant
Predicted Gross: $5.6 million
4. John Wick: Chapter 4
Predicted Gross: $4.7 million
5. The Pope’s Exoricst
Predicted Gross: $4.6 million
6. Air
Predicted Gross: $4.6 million
**7. Beau is Afraid
Predicted Gross: $4.4 million (ADDED PREDICTION**)
8. Dungeons & Dragons: Honor Among Thieves
Predicted Gross: $4.3 million
9. Renfield
Predicted Gross: $3.9 million
Box Office Results (April 14-16)
It’s a Nintendo Cinematic Universe and we’re just living in it as The Super Mario Bros. Movie once again exceeded expectations in its sophomore frame. Illumination’s animated phenomenon piped in another $92.3 million, far exceeding my $74.9 million take. The two-week tally is an astonishing $353 million. There is a real possibility that this could end up as the highest domestic grosser of 2023.
Russell Crowe’s horror tale The Pope’s Exorcist surprisingly was second with $9 million, edging past my $7.4 million forecast. With a reported $18 million budget, that’s not too shabby though hardly glorious.
John Wick: Chapter 4 was third with $8 million (in range with my $8.4 million call). It’s up to $160 million after 4 weeks.
Spooky comedy Renfield with Nicolas Cage as Dracula was anticipated to see second place, but it wasn’t to be. The fourth place showing at $8 million fell below my $12.2 million estimate. With a fairly sucky B- Cinemascore, look for it to fade quickly.
Air was fifth with $7.8 million in its second weekend. I thought it would hold better and went with $9.5 million. Nevertheless its $33 million total thus far is solid for an adult drama.
Dungeons & Dragons: Honor Among Thieves was sixth with $7.5 million (I said $6.9 million) for a so-so $74 million after three weeks.
Toho’s Japanese animated fantasy Suzume couldn’t live up to previous titles from the distributor. It was seventh with $5 million and I was more generous at $8.7 million.
I never did an official prediction for Mafia Mamma with Toni Collette, but I said the poorly reviewed comedy would be lucky to make $2 million. Well, I guess it was lucky because that’s exactly what it did for 8th.
And that does it for now, folks! Until next time…
***In the meantime, catch my weekly podcast talking box office at Movies at the Speed of Speculation (wherever you stream!).
Those animated Nintendo plumbers should dominate the box office once again after a massive Easter haul, but there are newcomers to ponder. We have horror comedy Renfield with Nicolas Cage and Nicholas Hoult, less funny horror tale The Pope’s Exorcist featuring Russell Crowe, and Japanese animated fantasy Suzume. You can peruse my detailed prediction posts on that trio here:
Nothing will approach the sophomore frame for The Super Mario Bros. Movie, which soared in its first five days of release (more on that below). The question is not whether it will remain #1 (it will easily), but how far it falls. With an A Cinemascore and no competition for families, I’ll say it drops in the 50% range.
Renfield is garnering pretty decent reviews and a double digits to low teens output should allow it to be the runner-up. Suzume is a little trickier. Other Toho titles have exceeded $10 million for their beginnings and this could do the same. I’m projecting it a tad under for a fourth place showing behind the sophomore weekend for Air (which should have a nice hold).
The Pope’s Exorcist is also a bit of a head scratcher. Horror flicks can certainly over perform and this did decent business overseas this past weekend. Yet with Renfield providing a diversion for eyeballs, this might not even make the top 5.
Finally, I’ll dispense with Mafia Mamma. This Bleecker Street comedy stars Toni Collette and seems to be flying far under the radar. I didn’t do an individual prognosis post for it and haven’t seen a screen count. Given the distributor’s lack of success with earlier projects, this might be lucky to hit $2 million. That would put it nowhere near the high five.
Given that numbers 3-7 especially could be close, I’ll give you my outlook for those spots:
1. The Super Mario Bros. Movie
Predicted Gross: $74.9 million
2. Renfield
Predicted Gross: $12.2 million
3. Air
Predicted Gross: $9.5 million
4. Suzume
Predicted Gross: $8.7 million
5. John Wick: Chapter 4
Predicted Gross: $8.4 million
6. The Pope’s Exorcist
Predicted Gross: $7.4 million
7. Dungeons & Dragons: Honor Among Thieves
Predicted Gross: $6.9 million
Box Office Results (April 7-9)
Illumination Entertainment doesn’t really miss when it comes to putting out animated blockbusters (think Despicable Me, Minions, Sing, The Secret Life of Pets franchises). Now they clearly have a host of Nintendo properties that will shower them with coins. The Super Mario Bros. Movie vastly exceeded expectations with $146.3 million from Friday to Sunday and $204.6 million since its Wednesday premiere. That is, to say the least, better than my respective estimates of $98.6 million and $137.7 million. The temperature was clearly right for its massive breakthrough performance as its global $377 million gross is the best ever for an animated feature.
John Wick: Chapter 4 stayed put in second with $14.4 million (on target with my $14.6 million call). The three-week total stands at $146 million.
Ben Affleck’s Air rode a wave of rising buzz to impressive numbers. It made $14.4 million for third with $20.2 million since its Wednesday start. The sports drama managed to top my takes which were $12.7 million and $18.9 million. As mentioned, this should hold up well in the coming weekends.
Dungeons & Dragons: Honor Among Thieves was the biggest victim of the Mario wave. In its second weekend, the adventure tumbled 63% to $13.8 million. I was more optimistic with $16.8 million. The ten-day domestic tally is $61 million as its future as a franchise is murky.
Scream VI was fifth with $3.4 million. I incorrectly had it outside the top five as it crossed the century mark after five weeks with $103 million.
Finally,faith-based drama His Only Son failed to capitalize on the religious holiday with $2.8 million for sixth. I thought it might do a bit better in frame #2 and said $3.8 million. It’s made $10 million.
Check out my podcast by searching Movies at the Speed of Speculation wherever you stream!
Not to be confused with The Pope’s Sous-Chef or The Pope’s Orthopedic Surgeon, Sony Pictures gives us The Pope’s Exorcist on April 14th. Julius Avery (Overlord, Samaritan) directs the supernatural horror tale with Russell Crowe as the Pontiff’s chosen demon extractor. Costars include Daniel Zovatto, Alex Essoe, Ralph Ineson, and Franco Nero. ‘
This particular genre subsection has conjured up its share of pics in recent years. Titles like 2018’s The Possession of Hannah Grace and last fall’s Prey for the Devil managed $6.5 million and $7.2 million for their respective starts. 2014’s Deliver Us from Evil made just under $10 million. Meanwhile 2012’s The Possession and 2011’s The Rite hit $17 million and $14 million out of their gates.
Exorcist has competition from Renfield, the vampiric comedy with Nicolas Cage and Nicholas Hoult, premiering directly against it. Evil Dead Rises drops a week later. I think Crowe and company can gross north of $10 million, but I’ll say it falls under.
The Pope’s Exorcist opening weekend prediction: $7.4 million
Universal Pictures is hoping horror and comedy fans add Renfield to their cinematic menu when it debuts April 14th. Nicholas Hoult stars as the title character and beleaguered assistant to Nicolas Cage’s Count Dracula. Chris McKay, who made The Lego Batman Movie and The Tomorrow War, directs. Costars include Awkwafina, Ben Schwartz, Adrian Martinez, and Shohreh Aghdashloo.
Early critical reaction is encouraging with an 89% Rotten Tomatoes rating. Will audiences sink their teeth into it? Renfield arrives on the same day as The Pope’s Exorcist with Russell Crowe and it could siphon away genre fans looking for a scary experience minus the laughs. Both pics hit multiplexes a week before Evil Dead Rise and some fright fest fans may simply wait for that.
Decent word-of-mouth could get this to high teens or even $20 million in the best case scenario. I’ll say double digits to low teens is likelier given the competition.
Renfield opening weekend prediction: $12.2 million
For my The Pope’s Exorcist prediction, click here:
The 29th time is not the charm for the MCU with Thor: Love and Thunder, a franchise entry meant to be bursting with joy. It somehow feels middling the majority of the time and it’s a significant downgrade from Taika Waititi’s predecessor Thor: Ragnarok from 2017.
Our Asgardian God of a title character (Chris Hemsworth) has been through a lot in the last half of a cinematic decade. He’s lost his family (including Loki more than once) in earlier Thor and Avengers tales. That even caused him to turn to the bottle and humorously pack on the pounds during Avengers: Endgame.
He found a new lease on life with the Guardians of the Galaxy during those previous Avengers epics. That’s where we find him at the outset, but it doesn’t last long. The Guardians are off on a new adventure while old acquaintances pop up for Thor. Jane Foster (Natalie Portman), who hasn’t been seen since 2013’s The Dark World, reappears in a cancer stricken state. She discovers that her ex’s hammer Mjolnir gives her super strengths. Her old beau needs all the help he can get with a new nemesis. Gorr the God Butcher (Christian Bale) is on a mission to off all the Gods (hence the name) after his own leader causes his young daughter to perish. That killing spree will eventually include Thor and the newish King of Asgard Valkyrie (Tessa Thompson).
In what has become a common theme in Marvel’s stories, the main villain sorta has a point with his murderous schemes. We see that most of the Gods, including Russell Crowe’s Zeus, have turned into lazy do-nothings. However, when Gorr snatches a bunch of Asgardian kids, the fight is on.
Ragnarok was able to find a measured balance between dramatic elements and Waititi’s comedic sensibilities. Thunder feels downright goofy most of the time with its screaming goats and Guns n Roses greatest hits soundtrack playing over the battles. Just a little patience from the director might’ve made it more tolerable. More often than not, it falls into self parody territory. Maybe it’s on purpose. That doesn’t make it worthwhile.
What’s clear is that Waititi was given plenty of freedom to paint his canvass with this fourth official pic in the Thor series. I wish that translated to a more fruitful experience. Thor and Jane’s romance in the first two movies was never exactly a highlight so their reunion left me ambivalent. To be honest, Portman almost seems a bit bored during her transformation to the Mighty Thor. Bale doesn’t seem disinterested but his bad guy is of the one note and forgettable variety.
Thor: Love and Thunder does have a few jokes that land (I chuckled at a character mispronouncing Jane’s full name). Yet I couldn’t escape this thought when the credits rolled the first and second and final time… I’d rank this 29th MCU saga 29th.
Peter Farrelly’s Green Book scored an upset Best Picture victory over Roma in 2018 and that’s still stuck in the craw of many cinephiles. While I actually found it to be pretty good overall, I get it. It is one of the weaker BP winners in recent times.
His follow-up is The Greatest Beer Run Ever starring Zac Efron in the stranger than fiction true story of a merchant seaman bringing some suds to his buds serving in ‘Nam. Russell Crowe and Bill Murray costar.
Like Green Book, it has debuted in Toronto before its simultaneous theatrical and Apple TV streaming debut on September 30th. Unlike Green Book, don’t expect this to attract any awards talk. The Rotten Tomatoes score is a skunky 42%. I saw it up north and would be shocked if it contended for any category. My Oscar Prediction posts will continue…
As the Toronto Film Festival draws to a close, we have some significant updates since I did my last predictions 11 days ago!
And you may notice that, for the first time, I’m including all categories covering feature films. It’s the initial peek at what pics I believe will lead the nominations. The answer is Babylon (11) followed closely by The Fabelmans (10) followed closely by Everything Everywhere All at Once (9).
I’ve also made the shift of whittling 25 BP picks down to 15 possibilities and the other big races from 15 to 10.
I will point out that some categories (particularly Original Song) are in their infancy as far as knowing the contenders.
One year ago, my projections in mid-September yielded eight of the eventual 10 BP nominees and 3 of the 5 Directing hopefuls. For Best Actress – it was 4 of 5 and 3 of 5 for Actor. For Supporting Actress – 2/5, but Supporting Actor (somehow) was 0 for 5.
Let’s talk changes:
In Best Picture, I’m putting Empire of Light back in and removing The Son. You’ll send a trend there as The Son drew divided reactions in Venice and Toronto. It could still contend in more races than just Hugh Jackman in Actor, but for now, I’ve got it nabbing that sole nod.
Todd Field (Tar) is in the directing quintet over Ruben Ostlund for Triangle of Sadness.
Surprisingly enough, Actress and Actor remain the same.
Kerry Condon (The Banshees of Inisherin) crashes the Supporting Actress party with Vanessa Kirby (The Son) dropping.
I’ve put Micheal Ward back in Supporting Actor (I elevated him to lead recently). He’s in the final five along with a bit of an upset selection in Barry Keoghan for The Banshees of Inisherin. Zen McGrath (The Son) and Woody Harrelson (Triangle of Sadness) fall out.
Original Screenplay remains the same but Glass Onion: A Knives Out Mystery is in Adapted Screenplay over (you guessed it) The Son.
You can peruse all the movement below and my inaugural take on the other derbies!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Whale (PR: 7) (+2)
6. Top Gun: Maverick (PR: 6) (E)
7. The Banshees of Inisherin (PR: 9) (+2)
8. Tar (PR: 8) (E)
9. Empire of Light (PR: 11) (+2)
10. Triangle of Sadness (PR: 10) (E)
Other Possibilities:
11. Decision to Leave (PR: 12) (+1)
12. She Said (PR: 13) (+1)
13. All Quiet on the Western Front (PR: Not Ranked)
14. Glass Onion: A Knives Out Mystery (PR: 20) (+6)
15. Elvis (PR: 15) (E)
Dropped Out:
The Son
Avatar: The Way of Water
White Noise
Bones and All
Armageddon Time
Till
Broker
Black Panther: Wakanda Forever
Living
Bardo
The Greatest Beer Run Ever
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tar (PR: 6) (+1)
Other Possibilities:
6. Park Chan-wook, Decision to Leave (PR: 7) (+1)
7. Ruben Ostlund, Triangle of Sadness (PR: 5) (-2)
8. Edward Berger, All Quiet on the Western Front (PR: Not Ranked)
9. Martin McDonagh, The Banshees of Inisherin (PR: 12) (+3)
10. Darren Aronofsky, The Whale (PR: 10) (E)
Dropped Out:
Florian Zeller, The Son
James Cameron, Avatar: The Way of Water
Sam Mendes, Empire of Light
Joseph Kosinski, Top Gun: Maverick
Noah Baumbach, White Noise
Baz Luhrmann, Elvis
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Margot Robbie, Babylon (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 6) (E)
7. Jennifer Lawrence, Causeway (PR: 12) (+5)
8. Viola Davis, The Woman King (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Florence Pugh, The Wonder (PR: 9) (-1)
Dropped Out:
Carey Mulligan, She Said
Emma Thompson, Good Luck to You, Leo Grande
Taylor Russell, Bones and All
Tang Wei, Decision to Leave
Jessica Chastain, The Good Nurse
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Austin Butler, Elvis (PR: 3) (+1)
3. Colin Farrell, The Banshees of Inisherin (PR: 4) (+1)
4. Hugh Jackman, The Son (PR: 2) (-2)
5. Bill Nighy, Living (PR: 5) (E)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Tom Cruise, Top Gun: Maverick (PR: 10) (+3)
8. Song King-ho, Broker (PR: 7) (-1)
9. Adam Driver, White Noise (PR: 9) (E)
10. Jeremy Pope, The Inspection (PR: Not Ranked)
Dropped Out:
Micheal Ward, Empire of Light (moved to Supporting)
Timothee Chalamet, Bones and All
Paul Mescal, Aftersun
Gabriel LaBelle, The Fabelmans
Kelvin Harrison, Jr., Chevalier
Park Hae-il, Decision to Leave
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Claire Foy, Women Talking (PR: 4) (+2)
3. Jessie Buckley, Women Talking (PR: 2) (-1)
4. Kerry Condon, The Banshees of Inisherin (PR: 9) (+5)
5. Hong Chau, The Whale (PR: 5) (E)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (+1)
7. Vanessa Kirby, The Son (PR: 3) (-4)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: Not Ranked)
9. Sadie Sink, The Whale (PR: 12) (+3)
10. Nina Hoss, Tar (PR: 15) (+5)
Dropped Out:
Laura Dern, The Son
Jean Smart, Babylon
Samantha Morton, She Said
Zoe Kazan, She Said
Dakota Johnson, Cha Cha Real Smooth
Dolly De Leon, Triangle of Sadness
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Brendan Gleeson, The Banshees of Inisherin (PR: 4) (+1)
4. Micheal Ward, Empire of Light (PR: Not Ranked – moved from Best Actor)
5. Barry Keoghan, The Banshees of Inisherin (PR: Not Ranked)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 6) (E)
7. Ben Whishaw, Women Talking (PR: 7) (E)
8. Judd Hirsch, The Fabelmans (PR: 9) (+1)
9. Anthony Hopkins, Armageddon Time (PR: 8) (-1)
10. Woody Harrelson, Triangle of Sadness (PR: 5) (-5)
Dropped Out:
Zen McGrath, The Son
Tom Hanks, Elvis
Anthony Hopkins, The Son
Mark Strong, Tar
Seth Rogen, The Fabelmans
Ralph Fiennes, The Menu
Russell Crowe, The Greatest Beer Run Ever
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Babylon (PR: 5) (+1)
5. Triangle of Sadness (PR: 4) (-1)
Other Possibilities:
6. Tar (PR: 6) (E)
7. Decision to Leave (PR: 8) (+1)
8. Empire of Light (PR: 7) (-1)
9. Armageddon Time (PR: 9) (E)
10. Bros (PR: 11) (+1)
Dropped Out:
Broker
Aftersun
Cha Cha Real Smooth
Bardo
The Menu
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 2) (+1)
2. The Whale (PR: 3) (+1)
3. She Said (PR: 4) (+1)
4. White Noise (PR: 5) (+1)
5. Glass Onion: A Knives Out Mystery (PR: 9) (+4)
Other Possibilities:
6. The Son (PR: 1) (-5)
7. Living (PR: 8) (+1)
8. Top Gun: Maverick (PR: 6) (-2)
9. Bones and All (PR: 7) (-2)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Till
The Lost King
The Greatest Beer Run Ever
The Wonder
Elvis
The Good Nurse
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio
2. Turning Red
3. Strange World
4. Marcel the Shell with Shoes On
5. The Sea Beast
Other Possibilities:
6. Wendell and Wild
7. The Bad Guys
8. Lightyear
9. My Father’s Dragon
10. Apollo 10 1/2: A Space Age Childhood
Best International Feature Film
Predicted Nominees:
1. Decision to Leave
2. All Quiet on the Western Front
3. Close
4. Saint Omer
5. Holy Spider
Other Possibilities:
6. Bardo
7. RMN
8. RRR
9. Plan 75
10. Argentina, 1985
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed
2. Descendant
3. Navalny
4. Fire of Love
5. Last Flight Home
Other Possibilities:
6. The Territory
7. Moonage Daydream
8. Riotsville, U.S.A.
9. Good Night Oppy
10. All That Breathes
Best Cinematography
Predicted Nominees:
1. Babylon
2. Empire of Light
3. The Fabelmans
4. All Quiet on the Western Front
5. Top Gun: Maverick
Other Possibilities:
6. Bardo
7. Avatar: The Way of Water
8. The Banshees of Inisherin
9. The Whale
10. Everything Everywhere All at Once
Best Costume Design
Predicted Nominees:
1. Babylon
2. Elvis
3. Black Panther: Wakanda Forever
4. The Fabelmans
5. The Woman King
Other Possibilities:
6. Mrs. Harris Goes to Paris
7. Everything Everywhere All at Once
8. Three Thousand Years of Longing
9. The Northman
10. Corsage
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once
2. Babylon
3. Top Gun: Maverick
4. The Fabelmans
5. Women Talking
Other Possibilities:
6. Elvis
7. Tar
8. Glass Onion: A Knives Out Mystery
9. Triangle of Sadness
10. Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale
2. Babylon
3. Elvis
4. The Batman
5. Everything Everywhere All at Once
Other Possibilities:
6. Black Panther: Wakanda Forever
7. Blonde
8. The Woman King
9. The Fabelmans
10. All Quiet on the Western Front
Best Original Score
Predicted Nominees:
1. Babylon
2. The Fabelmans
3. Empire of Light
4. Women Talking
5. Tar
Other Possibilities:
6. The Banshees of Inisherin
7. Top Gun: Maverick
8. Avatar: The Way of Water
9. The Batman
10. All Quiet on the Western Front
Best Original Song
1. “Hold My Hand” from Top Gun: Maverick
2. “Nobody Like U” from Turning Red
3. “This Is a Life” from Everything Everywhere All at Once
4. “Carolina” from Where the Crawdads Sing
5. “Applause” from Tell It Like a Woman
Other Possibilities:
6. “On My Way” from Marry Me
7. “Naatu Naatu” from RRR
8. “New Body Rhuma” from White Noise
9. “Good Tonight” from The Bad Guys
10. “Paper Airplanes” from A Jazzman’s Blues
Best Production Design
Predicted Nominees:
1. Babylon
2. The Fabelmans
3. Elvis
4. Avatar: The Way of Water
5. Empire of Light
Other Possibilities:
6. Black Panther: Wakanda Forever
7. Everything Everywhere All at Once
8. Bardo
9. Glass Onion: A Knives Out Mystery
10. The Batman
Best Sound
Predicted Nominees:
1. Top Gun: Maverick
2. Avatar: The Way of Water
3. Babylon
4. Elvis
5. The Batman
Other Possibilities:
6. Black Panther: Wakanda Forever
7. All Quiet on the Western Front
8. Everything Everywhere All at Once
9. Nope
10. The Fabelmans
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water
2. Top Gun: Maverick
3. The Batman
4. Everything Everywhere All at Once
5. Doctor Strange in the Multiverse of Madness
Other Possibilities:
6. Black Panther: Wakanda Forever
7. RRR
8. All Quiet on the Western Front
9. Guillermo del Toro’s Pinocchio
10. Nope
And that equates to this very first rundown of how many nominations I am projecting for each picture:
11 Nominations
Babylon
10 Nominations
The Fabelmans’
9 Nominations
Everything Everywhere All at Once
7 Nominations
Women Talking
6 Nominations
The Banshees of Inisherin, Empire of Light, Top Gun: Maverick
5 Nominations
Elvis, The Whale
4 Nominations
Tar
3 Nominations
Avatar: The Way of Water, The Batman
2 Nominations
All Quiet on the Western Front, Triangle of Sadness, Turning Red
1 Nomination
All the Beauty and the Bloodshed, Black Panther: Wakanda Forever, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Holy Spider, Last Flight Home, Living, Marcel the Shell with Shoes On, Navalny, Saint Omer, The Sea Beast, She Said, The Son, Strange World, Tell It Like a Woman, Till, Where the Crawdads Sing, White Noise, The Woman King
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