Tag: Ron Howard

Oscars: The Case of Brady Corbet for The Brutalist

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Director and that’s Brady Corbet for The Brutalist. If you missed my post covering Sean Baker from Anora, it’s linked at the bottom.

Previous Directing Oscar Nominations:

None

The Case for Brady Corbet:

Mr. Corbet is going the Ron Howard route as a child actor turned acclaimed filmmaker and he’s already got hardware to show for it. Yesterday he took home the BAFTA for his direction to go with his Golden Globe from a few weeks back. While Picture and Director often match, it seems his behind the camera achievement for The Brutalist could win him the latter even if the film doesn’t take the top prize.

The Case Against Brady Corbet:

7 out of the last 10 Golden Globe directing winners won the Oscar. It’s also a 70% ratio over the past decade for BAFTA. For DGA, it is 9 out of the last 10 and Corbet didn’t win that one. Instead it was Sean Baker for Anora. He also came up short at Critics Choice where Jon M. Chu (Wicked) was the unexpected victor.

The Verdict:

Corbet seemed like a relatively safe bet before DGA. Now it feels like a coin flip between Baker and him.

My Case Of posts will continue the third hopeful in Best Actress and that’s Mikey Madison in Anora…

Oscars: The Case of Sean Baker for Anora

Oscar Predictions: Eden

Ron Howard is apparently a little out of his comfort zone with Eden, a survival thriller that premiered in Toronto. Said to be considerably darker and at times campier than anything from the filmmaker previously, the period piece screened to mixed results in Canada. Ana de Armas, Vanessa Kirby, Sydney Sweeney, Jude Law, Daniel Brühl, Felix Kammerer, Toby Wallace, and Richard Roxburgh are among the ensemble.

With 71% on Rotten Tomatoes and a 59 Metacritic score, reaction is all over the map. The release strategy is still undetermined. Eden might not make the 2024 calendar. Regardless of whether this is eligible for the 97th or 98th Academy Awards, this doesn’t really seem like an awards contender. Ms. de Armas (a nominee two years back for Blonde) is getting strong notices, but I wouldn’t count on her being a factor. My Oscar Prediction posts will continue…

Oscar Predictions: Jim Henson Idea Man

Ahead of its May 31st bow on Disney+, Jim Henson Idea Man has premiered at Cannes. The high profile doc chronicles the life of the famed puppeteer including his creation of Sesame Street and the Muppets. Oscar winner Ron Howard directs.

It is a safe assumption that this will be one of the most viewed documentaries of 2024. Critical reaction is appreciative though some of the early reviews aren’t overly glowing. The RT score is 88%.

The voters in this particular branch of the Academy often don’t go for pics based on iconic figures. Two recent examples include Won’t You Be My Neighbor? from 2018 and Still: A Michael J. Fox Movie from last year. I suspect the story may play out the same for this. My Oscar Prediction posts will continue…

Best Picture 2005: The Expanded Ten

Previously on the blog, I completed a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. I’ve already covered 2006-08 and you can peruse my posts on them here:

Best Picture 2006: The Expanded Ten
Best Picture 2007: The Expanded Ten
Best Picture 2008: The Expanded Ten

We do know half of the titles that would populate the ten. Those would be the ones that made the quintet 18 years back. During that 78th Oscar ceremony, Jack Nicholson made the surprise announcement that race relations drama Crash from Paul Haggis was the Best Picture winner. Of its seven total nominations, it also won Original Screenplay and Film Editing.

It stands as one of the bigger upsets in the Academy’s history as it took gold over the heavily favored Brokeback Mountain by Ang Lee. He won Director and the cowboy romance also received Adapted Screenplay and Original Score. The other three nominees: Bennett Miller’s Capote (for which Philip Seymour Hoffman took Best Actor), George Clooney’s Good Night, and Good Luck, and Steven Spielberg’s Munich.

2005 was the rare year where the Director nominees matched perfectly with BP so we can’t pluck out other movies from that competition. A look at the other categories do give us clues as to the other features that might’ve gotten in.

James Mangold’s Cash couple biopic Walk the Line landed Joaquin Phoenix a Best Actor nod and Reese Witherspoon the Actress statue. With a total of five mentions, a Golden Globe victory in the Musical/Comedy race, and a Critics Choice slot, it’s pretty safe to assume it makes the ten.

Same goes for The Constant Gardner from Fernando Meirelles. Rachel Weisz took Supporting Actress and it received three other noms in addition to Golden Globe and Critics Choice inclusions.

Another Critics Choicer nominee, Rob Marshall’s Memoirs of a Geisha got 6 tech nods and won 3 (Art Direction, Cinematography, Costume Design). I went back and forth on this one, but ultimately decided it probably makes the dance.

A fourth Critics Choice match goes to Ron Howard’s Cinderella Man. The boxing drama could be left off. It missed some key nods including Russell Crowe’s lead performance (Paul Giamatti was nominated for supporting) and screenplay. I think it might have just snuck in at the bottom of hopefuls.

With one picture left to plug in, there’s plenty of contenders. Hustle & Flow saw a surprise win (for Three 6 Mafia) in Original Song and Terrence Howard made the Actor five. Woody Allen’s Match Point had a sole nom in Original Screenplay, but made the Globes cut in Drama. Joe Wright’s Pride & Prejudice rendering saw Keira Knightley up in Actress in addition to three other mentions.

Ultimately my final choice came to this trio. Peter Jackson’s King Kong went 3 for 4 on its tech inclusions (Sound Editing, Sound Mixing, Visual Effects). However, it was generally considered a bit of a disappointment at the box office and with some critics. That said, I almost picked it.

Syriana by Stephen Gaghan gave George Clooney a Supporting Actor Oscar and was up for Original Screenplay. Yet it failed to see a Critics Choice or Globe BP nod. Nevertheless I almost picked it.

I chose to go with David Cronenberg’s A History of Violence. It received two noms for Supporting Actor (William Hurt) and Original Screenplay and was a critical darling. I went with the Academy honoring a work from the acclaimed director (especially since most of his efforts are far from Oscar friendly).

That means my expanded 2005 ten consists of:

A History of Violence

Brokeback Mountain

Capote

Cinderella Man

The Constant Gardner

Crash

Good Night, and Good Luck

Memoirs of a Geisha

Munich

Walk the Line

I’ll have 2004 up in short order!

Best Picture 2008: The Expanded Ten

Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.

We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.

David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).

Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).

The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.

Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.

I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.

For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.

Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.

All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).

Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.

So there you have it! That means my 2008 Best Picture expanded to ten is:

The Curious Case of Benjamin Button

The Dark Knight

Doubt

Frost/Nixon

Frozen River

Milk

The Reader

Revolutionary Road

Slumdog Millionaire

Wall-E

I’ll have 2007 up for your reading pleasure soon!

Oscar Predictions: Judy Blume Forever

Judy Blume’s influential and controversial novel Forever… from 1975 was actually made into a TV movie with Stephanie Zimbalist back in 1978. Now one of her best known works, some 45 years later after the cinematic adaptation, serves as part of the title to a documentary about the author that screened at Sundance.

Judy Blume Forever from fimmakers Davina Pardo and Leah Wolchok (with Brian Grazer and Ron Howard as producers) chronicles the author and her dealings with fame and censorship. Early reviews out of Utah give it an 88% Rotten Tomatoes rating. While overall positive, a quick glance at the critical reaction leads me to question whether it generates awards chatter. As has been mentioned previously, celeb focused docs (there’s always a bunch of them) need to really stand out for the Academy’s doc branch to take notice. That could be a challenge with Forever. My Oscar Prediction posts will continue…

2022: The Year of Colin Farrell

Colin Farrell may have lost a friend in Brendan Gleeson’s character during The Banshees of Inisherin, but he seems poised to gain some with Oscar voters.

That’s all part of a busy 2022 for the actor and he’s my 3rd entry for six posts covering performers who had an impressive 2022 at the movies. If you missed the entries covering Farrell’s Minority Report costar Tom Cruise and Michelle Yeoh, you can find them here:

2022: The Year of Tom Cruise
2022: The Year of Michelle Yeoh

20 years after Minority Report, Farrell turned up in a quartet of pictures which all drew acclaim. The spring gave us Kogonada’s contemplative sci-fi drama After Yang where he showed off some sweet Dad dance moves in the opening credits. That same month, an unrecognizable Farrell played the Penguin in The Batman from Matt Reeves. The makeup was impressive. So was his performance and an HBO Max limited series focused on the character is in the works.

On a side note, another villain from The Batman came close to making my list of six. Paul Dano, who played the Riddler, could be in line for a Supporting Actor mention in Minority Report director Steven Spielberg’s The Fabelmans. AND we have Farrell’s Banshees costar Barry Keoghan (SPOILER ALERT: he cameos as Joker in The Batman). He might turn up in Supporting Actor as well.

Back to Farrell. In the summer, he was among the ensemble for Ron Howard’s Tham Luang cave rescue saga Thirteen Lives. Reviews were solid for all three films and they all showcased his skills.

The capper came in the fall with Banshees. Reuniting with his In Bruges director Martin McDonagh and costar Gleeson, Farrell nabbed some career best notices as the naive Irish drinking buddy who inexplicably loses his best buddy. He’s close to a guarantee for a first Oscar nomination and he could win.

Critics and moviegoers were not in the minority appreciating the veteran performer and I’m pleased to report his inclusion as someone who can cheer to a fruitful 2022. My Year Of posts will continue with a new Scream Queen who made her presence known every day of the week…

2022 Oscar Predictions: August 10th Edition

For my first Oscar analysis in the 8 major categories for the month of August, the ten BP contenders remain the same. However, Everything Everywhere All at Once moves to #2 with Babylon slipping a spot to third. I truly do believe there’s a path for Once to take the top prize next year depending on how the next five months of releases play out.

At the end of July, I vaulted Steven Spielberg’s The Fabelmans to #1 in BP. Today I’m putting the filmmaker in first with Babylon‘s Damien Chazelle now in second.

While my lead actress and actor picks remain unaltered, there is movement in both supporting derbies. In Supporting Actress, Stephanie Hsu (Everything Everywhere All at Once) and Griselda Sicillani (Bardo) are in my projected quintet with Hong Chau (The Whale) and Zoe Kazan (She Said) falling out. In Supporting Actor, I’m switching Empire of Light costars with Michael Ward making the cut over Colin Firth.

Finally, I’ve taken Ron Howard’s Thirteen Lives out of contention in all categories where I previously had it listed as a possibility. If Amazon Prime mounts a campaign later this year, it could find itself back in the mix. I wouldn’t count on it despite its solid reviews.

Expect another update in the next week or two! You can peruse all the movement below:

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Ranking: 1) (E)

2. Everything Everywhere All at Once (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. Bardo (PR: 4) (E)

5. Women Talking (PR: 5) (E)

6. The Son (PR: 6) (E)

7. Empire of Light (PR: 7) (E)

8. Top Gun: Maverick (PR: 9) (+1)

9. The Whale (PR: 8) (-1)

10. Triangle of Sadness (PR: 10) (E)

Other Possibilities:

11. White Noise (PR: 12) (+1)

12. She Said (PR: 11) (-1)

13. Tar (PR: 13) (E)

14. Elvis (PR: 15) (+1)

15. Avatar: The Way of Water (PR: 14) (-1)

16. Decision to Leave (PR: 16) (E)

17. The Banshees of Inisherin (PR: 18) (+1)

18. Bones and All (PR: 20) (+2)

19. Till (PR: 19) (E)

20. Broker (PR: 17) (-3)

21. Black Panther: Wakanda Forever (PR: 22) (+1)

22. The Greatest Beer Run Ever (PR: 23) (+1)

23. The Menu (PR: Not Ranked)

24. The Woman King (PR: 24) (E)

25. Amsterdam (PR: 21) (-4)

Dropped Out:

Thirteen Lives 

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 2) (+1)

2. Damien Chazelle, Babylon (PR: 1) (-1)

3. Daniels, Everything Everywhere All at Once (PR: 4) (+1)

4. Alejandro Gonzalez Inarritu, Bardo (PR: 3) (-1)

5. Sarah Polley, Women Talking (PR: 5) (E)

Other Possibilities:

6. Ruben Ostlund, Triangle of Sadness (PR: 7) (+1)

7. Sam Mendes, Empire of Light (PR: 6) (-1)

8. Florian Zeller, The Son (PR: 8) (E)

9. Darren Aronofsky, The Whale (PR: 10) (+1)

10. Park Chan-wook, Decision to Leave (PR: 11) (+1)

11. James Cameron, Avatar: The Way of Water (PR: 9 (-2)

12. Noah Baumbach, White Noise (PR: 12) (E)

13. Todd Field, Tar (PR: 13) (E)

14. Maria Schrader, She Said (PR: 15) (+1)

15. Bax Luhrmann, Elvis (PR: Not Ranked)

Dropped Out:

Hirokazu Kore-eda, Broker

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Cate Blanchett, Tar (PR: 4) (+1)

4. Olivia Colman, Empire of Light (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities: 

6. Ana de Armas, Blonde (PR: 7) (+1)

7. Viola Davis, The Woman King (PR: 8) (+1)

8. Regina King, Shirley (PR: 6) (-2)

9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)

10. Carey Mulligan, She Said (PR: 10) (E)

11. Helen Mirren, Golda (PR: 12) (+1)

12. Jessica Chastain, The Good Nurse (PR: 11) (-1)

13. Frances McDormand, Women Talking (PR: Not Ranked)

14. Jennifer Lawrence, Causeway (PR: 13) (-1)

15. Florence Pugh, The Wonder (PR: Not Ranked)

Dropped Out:

Florence Pugh, Don’t Worry Darling

Emma Corrin, Lady Chatterley’s Lover 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Austin Butler, Elvis (PR: 1) (E)

4. Damien Gimenez Cacho, Bardo (PR: 4) (E)

5. Adam Driver, White Noise (PR: 5) (E)

Other Possibilities:

6. Bill Nighy, Living (PR: 9) (+3)

7. Song Kang-ho, Broker (PR: 6) (-1)

8. Diego Calva, Babylon (PR: 7) (-1)

9. Colin Farrell, The Banshees of Inisherin (PR: 8) (-1)

10. Tom Cruise, Top Gun: Maverick (PR: 10) (E)

11. Gabriel LaBelle, The Fabelmans (PR: 12) (+1)

12. Timothee Chalamet, Bones and All (PR: 11) (-1)

13. Christian Bale, The Pale Blue Eye (PR: 14) (+1)

14. Paul Mescal, Aftersun (PR: 13) (-1)

15. Harry Styles, My Policeman (PR: Not Ranked)

Dropped Out:

Viggo Mortensen, Thirteen Lives

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Vanessa Kirby, The Son (PR: 2) (E)

3. Jessie Buckley, Women Talking (PR: 3) (E)

4. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (+3)

5. Griselda Sicillani, Bardo (PR: 8) (+3)

Other Possibilities:

6. Hong Chau, The Whale (PR: 4) (-2)

7. Laura Dern, The Son (PR: 6) (-1)

8. Zoe Kazan, She Said (PR: 5) (-3)

9. Sadie Sink, The Whale (PR: 10) (+1)

10. Jean Smart, Babylon (PR: 9) (-1)

11. Nina Hoss, Tar (PR: 12) (+1)

12. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (+1)

13. Samantha Morton, She Said (PR: +2)

14. Dolly De Leon, Triangle of Sadness (PR: Not Ranked)

15. Angela Bassett, Black Panther: Wakanda Forever (PR: 14) (-1)

Dropped Out:

Patricia Clarkson, She Said 

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 2) (E)

3. Brad Pitt, Babylon (PR: 3) (E)

4. Michael Ward, Empire of Light (PR: 10) (+6)

5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. Colin Firth, Empire of Light (PR: 4) (-2)

7. Zen McGrath, The Son (PR: 6) (-1)

8. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (E)

9. Ben Whishaw, Women Talking (PR: 7) (-2)

10. Seth Rogen, The Fabelmans (PR: 11) (+1)

11. Ralph Fiennes, The Menu (PR: 9) (-2)

12. Tom Hanks, Elvis (PR: 15) (+3)

13. Anthony Hopkins, Armageddon Time (PR: 14) (+1)

14. Don Cheadle, White Noise (PR: 12) (-2)

15. Russell Crowe, The Greatest Beer Run Ever (PR: 13) (-2)

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Triangle of Sadness (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Empire of Light (PR: 6) (E)

7. Decision to Leave (PR: 9) (+2)

8. Bardo (PR: 7) (-1)

9. Tar (PR: 8) (-1)

10. The Menu (PR: 11) (+1)

11. Broker (PR: 10) (-1)

12. Cha Cha Real Smooth (PR: 15) (+3)

13. Bros (PR: 13) (E)

14. Amsterdam (PR: 12) (-2)

15. Don’t Worry Darling (PR: 14) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. The Son (PR: 1) (E)

2. Women Talking (PR: 2) (E)

3. The Whale (PR: 3) (E)

4. White Noise (PR: 4) (E)

5. She Said (PR: 5) (E)

Other Possibilities:

6. Bones and All (PR: 6) (E)

7. Till (PR: 7) (E)

8. Glass Onion: A Knives Out Mystery (PR: 10) (+2)

9. Top Gun: Maverick (PR: 9) (E)

10. The Greatest Beer Run Ever (PR: 8) (-2)

11. Living (PR: 14) (+3)

12. The Lost King (PR: Not Ranked)

13. The Woman King (PR: 13) (E)

14. Blonde (PR: 15) (+1)

15. The Good Nurse (PR: 12) (-3)

Dropped Out:

Thirteen Lives 

Thirteen Lives Review

What kind of commitments did Peter Berg and Mark Wahlberg have that they missed the chance to make Thirteen Lives? It’s right up their disaster to screen alley, but instead Ron Howard is retelling the summer of 2018 Tham Luang cave rescue that seemed like a mission of impossibility.

In Thailand, a soccer team consisting of 12 preteen to teenage boys and their coach are stranded in the cavern when heavy rains follow their post practice journey to the dwelling. Their entrapment immediately brings thunderous media attention from around the globe and offers of assistance that ballooned to 5,000 people getting involved.  The Governor of the territory (Sahajak Boonthanakit) must walk the a fine line communicating to the panic stricken families and a curious throng of journalists and onlookers.

It’s two Brits who are a focal point for the operation with experienced divers Richard Stanton (Viggo Mortensen) and John Volanthen (Colin Farrell). Local villagers band together to divert ten of millions in gallons of water from submerging the cave. Richard and John must come up with a plan to get the team out before the coming monsoon creates that eventuality. This eventually involves brining in Aussie Harry Harris (Joel Edgerton), whose medical expertise will come in handy more so than his diving skills.

To put it succinctly – this film is an amazing story told capably. You may find yourself more wowed by it if you don’t know much about what happened four summers ago. This statement also holds true if you didn’t see the Nat Geo doc The Rescue about this assignment. Howard and screenwriter William Nicholson cover snippets of multiple facets of the 18 day ordeal such as the politics involved and the excruciating waits of the boys loved ones.

The most captivating parts involve the intricacies of the rescue and the claustrophobic methods for it to be successful. Mortensen and Farrell’s convincing interplay helps. We know the outcome and Lives can often feel a little repetitive. The 2 hour and 20 minute runtime feels occasionally bloated and the first hour in particular is bumpy. It may not be the best title dealing with the subject. It’s not Howard’s best movie with the number 13 in the name thanks to a Tom Hanks led mission much further above ground. This is still a worthwhile journey.

*** (out of four)

Oscar Predictions: Thirteen Lives

Ron Howard is no stranger to Academy voters as 1995’s Apollo 13 was his first effort to nab a Best Picture nomination. Six years later in 2001, A Beautiful Mind won the big prize as did the former child star for his direction. It’s been nearly a decade and a half since Frost/Nixon and that was his last title to compete for BP.

On paper, Thirteen Lives looks like a contender. On the flip side, so did Hillbilly Elegy two years ago and it only managed a Supporting Actress nod for Glenn Close and Makeup and Hairstyling.

Following its limited release on July 29th, Lives streams on Amazon beginning August 5th. The true life survival tale recounts the events of the Tham Luang cave rescue of 2018. Viggo Mortensen, Colin Farrell, and Joel Edgerton costar. Early reviews are decent but perhaps a tad deceiving. The current 90% Rotten Tomatoes rating masks the fact that several critics claim it’s merely serviceable. While it might be a crowdpleaser, the initial reaction leads me to think voters won’t take the bait.

There’s lots of mentions of last year’s documentary The Rescue which covered the same subject matter. That film surprisingly missed the cut for Documentary Feature. It won’t be unexpected when Thirteen Lives misses Best Picture. Perhaps a tech nod (Sound?) could materialize. I wouldn’t count on it. In my Sunday update, I had Lives listed in the Other Possibilities section for Picture, Actor (Mortensen), Supporting Actor (Farrell), and screenplay. Don’t be surprised if they all fall out of contention in my next update. My Oscar Prediction posts will continue…