Oscar Watch: Don’t Worry, He Won’t Get Far On Foot

The Sundance Film Festival is in full swing in Utah and that means a batch of 2018 Oscar Watch columns are coming your way. In 2017, the fest gave us four pictures that find themselves in the awards mix: Get Out, Call Me by Your Name, Mudbound, and The Big Sick.

We begin with Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot, a biopic of Oregon cartoonist and quadriplegic John Callahan. He’s played by Joaquin Phoenix with a supporting cast that includes Jonah Hill, Rooney Mara, and Jack Black. Some of the early reviews out of Park City are quite positive, though not all of them are across the board. It’s scheduled for stateside release this May.

The project was originally intended as a starring vehicle for the late Robin Williams and it would’ve marked a reunion with his Good Will Hunting director. Van Sant has seen that film and 2008’s Milk garner multiple Oscar nods.

Could Foot follow suit? It’s certainly possible, especially for Phoenix and Hill. If so, it would mark the former’s fourth nod and the latter’s third. Neither have yet to win. Interestingly, Phoenix could face competition in the form of himself as his You Were Never Really Here played the festival circuit last year and won him acclaim.

My Oscar Watch posts will continue…

Jumanji: Welcome to the Jungle Box Office Prediction

Blogger’s Note (12/20/17): My Jumanji prediction has been lowered.

Even with the considerable competition including the second weekend of Star Wars: The Last Jedi, animated fare like Ferdinand and Coco, and a slew of other holiday wide releases, Jumanji: Welcome to the Jungle looks primed for a healthy box office haul. The board game related comedic adventure follows up on the 1995 Robin Williams hit with a cast that includes Dwayne “The Rock” Johnson, Kevin Hart, Jack Black, Karen Gillan, Bobby Cannavale, and Nick Jonas. Jake Kasdan directs.

It doesn’t hurt that Johnson and Hart are two of the more bankable stars around (their collaboration Central Intelligence was a blockbuster). It also helps that the wealth is usually spread around on Christmas weekend. Jumanji debuts on Wednesday next week as it looks to play well throughout the long weekend frame.

Kids should turn out if they’re not clamoring to see Jedi a second time. The X factor here that makes me believe it could over perform? It’s garnering surprisingly solid buzz with a Rotten Tomatoes score currently at 82%. An even more important factor could be the nostalgia one as older moviegoers are quite familiar with the 22-year-old original. We already have witnessed how that dynamic propelled Jurassic World to amazing numbers.

Jumanji will be no Jurassic, but I certainly believe a four-day take in the mid 40s and mid 60s six-day take is quite doable. That should put it in second after Jedi for the holidays.

Jumanji: Welcome to the Jungle opening weekend prediction: $40.5 million (Friday to Monday), $55.1 million (Wednesday to Monday)

For my The Greatest Showman prediction, click here:

https://toddmthatcher.com/2017/12/12/the-greatest-showman-box-office-prediction/

For my Pitch Perfect 3 prediction, click here:

https://toddmthatcher.com/2017/12/12/pitch-perfect-3-box-office-prediction/

For my Downsizing prediction, click here:

https://toddmthatcher.com/2017/12/13/downsizing-box-office-prediction/

For my Father Figures prediction, click here:

https://toddmthatcher.com/2017/12/14/father-figures-box-office-prediction/

Summer 1997: The Top 10 Hits and More

Put on your nostalgia goggles (or maybe the sunglasses that make you forget stuff if Will Smith and Tommy Lee Jones flash a light at you) because I’m recounting the summer of 1997 on the blog today!

This has become a seasonal tradition around here and I gave you the top 10 summer hits of 1987 and more earlier this week. If you missed that post, you can find it here:

https://toddmthatcher.com/2017/08/01/summer-1987-the-top-10-hits-and-more/

This time around, we’re going back 20 years when Nicolas Cage accounted for 25% of the top 8 moneymakers and Batman crashed and burned.

We’ll begin with the top ten and then get to some other notable pics and flops:

10. Hercules

Domestic Gross: $99 million

Disney’s ‘toon couldn’t reach the century mark and that was considered a disappointment after early and mid 90s smashes like Beauty and the Beast, Aladdin, and The Lion King. 

9. Contact

Domestic Gross: $100 million

Robert Zemeckis’s follow-up to Forrest Gump (which ruled summer 1994) was a well-regarded science fiction drama with Jodie Foster and an emerging Matthew McConaughey.

8. Con Air

Domestic Gross: $101 million

This action thriller from the Bruckheimer factory is our first to feature Mr. Nicolas Cage (who was coming off a recent Oscar win), along with an all-star cast including John Cusack, John Malkovich, Steve Buscemi, and Ving Rhames.

7. George of the Jungle

Domestic Gross: $105 million

Disney probably didn’t anticipate this remake of the  cartoon starring Brendan Fraser would manage to out perform Hercules, but that it did.

6. Batman and Robin

Domestic Gross: $107 million

This may have placed sixth for the summer, but Batman and Robin came in well below its three predecessors and director Joel Schumacher and new Caped Crusader George Clooney have been apologizing about it for the last 20 years. We’re still trying to block out those Arnold/Mr. Freeze bad puns.

5. Face/Off

Domestic Gross: $112 million

Mr. Cage teamed up for Mr. John Travolta for John Woo’s entertainingly over-the-top sci-fi and action mash-up.

4. My Best Friend’s Wedding

Domestic Gross: $127 million

Julia Roberts made a return to box office dominance in this rom com which featured stolen scenes from costar Rupert Everett.

3. Air Force One

Domestic Gross: $172 million

“Get off my plane!” became one of the season’s catchphrases with Harrison Ford as the butt kicking POTUS battling Russian terrorist Gary Oldman in the skies.

2. The Lost World: Jurassic Park

Domestic Gross: $229 million

Steven Spielberg’s eagerly anticipated follow-up to 1993’s Jurassic Park kicked off with the biggest opening weekend of all time (at that time). However, in the end, it couldn’t manage to top the gross of its predecessor. If you’d polled probably any box office analyst at the beginning of the year, they likely would have said it’d be #1 for the summer. Yet that honor ended up belonging to…

1. Men in Black

Domestic Gross: $250 million

A franchise was born and Will Smith made it two summers in a row with the top grossing picture (the previous year being Independence Day) with Barry Sonnenfeld’s megahit sci-fi action comedy.

And now for some other notable pics:

The Fifth Element

Domestic Gross: $63 million

Audiences and critics didn’t quite know what to make of Luc Besson’s visual feast featuring Bruce Willis, Gary Oldman, and Chris Tucker. Sound familiar? Same thing is happening 20 years later with Besson’s Valerian and the City of a Thousand Planets. 

Austin Powers: International Man of Mystery

Domestic Gross: $53 million

The Mike Myers 007 spoof performed well, but it wasn’t until home video that Powers turned into a genuine phenomenon spawning countless catchphrases. Its sequel two summers later would earn more in its opening weekend that part 1 did in its domestic total.

The Full Monty

Domestic Gross: $45 million

This British import about unconventional male strippers was the summer’s true sleeper and went on to earn a host of Oscar nominations, including Best Picture. Monty would earn over $250 million worldwide compared to its tiny $3.5 million budget.

https://www.youtube.com/watch?v=rSqZzO47pHw

Cop Land

Domestic Gross: $44 million

After appearing in a string of high-octane action flicks, Sylvester Stallone changed it up with this crime drama featuring an impressive supporting cast that included Robert De Niro, Ray Liotta, and Harvey Keitel.

And now for some of the season’s large belly flops:

Speed 2: Cruise Control

Domestic Gross: $48 million

Keanu Reeves didn’t want to touch it, but Sandra Bullock came back for this ridiculed sequel where Jason Patric was the new lead. Considered by many to be one of the worst follow-ups of all time.

Out to Sea

Domestic Gross: $29 million

Jack Lemmon and Walter Matthau created comedic gold with The Fortune Cookie and The Odd Couple and reunited years later to box office fortune with the Grumpy Old Men movies. This one? Not so much.

Father’s Day

Domestic Gross: $28 million

Ivan Reitman directing Robin Williams and Billy Crystal in a high-profile comedy? Sounds like a good recipe, but the product was mediocre at best and audiences didn’t turn out.

Excess Baggage

Domestic Gross: $14 million

Two summers earlier, Alicia Silverstone had broken out with Clueless. The summer of 1997 was a breakdown. In addition to appearing as Batgirl in the already discussed Batman and Robin, this action comedy with Benicio del Toro bombed big time.

Steel

Domestic Gross: $1.7 million

People may have wanted to watch Shaquille O’Neal on the basketball court, but they had zero interest in watching him as the title superhero in this disaster.

And that does it for now, folks, but I’ll be back soon recounting 2007!

Night at the Museum: Secret of the Tomb Box Office Prediction

The Hobbit isn’t the only trilogy coming to an end next weekend as Night at the Museum: Secret of the Tomb opens Friday. Ben Stiller is back headlining a cast that includes Owen Wilson, Ricky Gervais, Dick Van Dyke, Steve Coogan, Rebel Wilson, and the late Robin Williams and Mickey Rooney. Shawn Levy returns to direct.

It’s been five years since the second installment of the franchise which debuted to a $54 million gross on its way to a $177M domestic gross. That sequel’s opening overshadowed the $30 million rollout of the 2006 original, but it ended up with a higher overall haul of $250M.

Competition is fierce as some youngsters may take in The Hobbit while others (particularly girls) may spend the weekend watching Annie. There’s another factor: many of the kids who were fans of the first two are now older teenagers and above whose interest has perhaps waned.

Add all that up and I’ll predict Secret of the Tomb sets a low bar for the franchise and takes it out on a rather low note. I believe it won’t manage even half of what the second picture opened at.

Night at the Museum: Secret of the Tomb opening weekend prediction: $25.4 million

For my prediction on The Hobbit: The Battle of the Five Armies, click here:

The Hobbit: The Battle of the Five Armies Box Office Prediction

For my prediction on Annie, click here:

Annie Box Office Prediction

For my prediction on Wild, click here:

Wild Box Office Prediction

My Love of Movies Part II: The Blog’s Second Anniversary

This week, Bill Murray spent an hour on Howard Stern’s radio show. Hearing these two true comedic icons shoot the breeze was an absolute pleasure. Filmmakers who try to recruit the indispensible Murray to even be in their movies have a tough time getting through to him. The actor is notorious for not having a manager or publicist or checking his cell phone (which he told Howard he has because his children only text and don’t answer calls).

At one point, the conversation turned to the late, brilliant film critic Roger Ebert and Murray told a fantastic anecdote about him. Earlier in his career, Murray was not known at all for dramatic work and Roger criticized him, stating that he should stick to comedy only. Years later, when Murray saw Ebert at an event, he quoted a famous critic for making that statement. Ebert didn’t know who would make such a claim since Murray was obviously a wonderful actor in any forum. Murray reminded Roger that it was him that said it years ago. As the actor recounted, Ebert gave him a look like, “Boy, was I wrong!” The Ebert conversation ended with Murray stating his love for the critic and Howard agreed. Bill Murray’s main point: Roger Ebert loved movies.

You see that deep affection for the world of cinema in the documentary Life Itself, which recounted Roger’s career and the last few months of his life. I’ve talked about it on the blog before when reviewing that documentary and in my post on the sad day that Roger died. My general feeling is this: you can tell when a person who writes about movies loves them and when they don’t. Let me make an important distinction – I’m not talking about loving a movie that you give four stars to and not liking a movie you award with two stars. I’m speaking of being able to determine whether or not a writer truly loves the craft they’re writing about. Roger Ebert did. Many more do. Other critics and bloggers seem to revel in trashing movies far too often, at least for my taste.

When I read a critic’s work or their blogs, I want to feel like they have a deep appreciation for the subject they spend so much time writing about. Frankly, it’s the main thing I strive to achieve on my blog – which will celebrate its 2nd anniversary officially on Saturday. Don’t get me wrong – I’ve written my share of negative reviews. So does every other critic and blogger on planet Earth. Many pictures, simply, don’t measure up to expectations, are a rehash of previous material, are badly paced, etc…

Yet here’s my philosophy when it comes to writing about movies – every time those theater lights go down or (more often) I hit play on the Blu Ray or On Demand, I hope that I’m going to like what I see. I hope to have that satisfactory or even profound film watching experience that us lovers of cinema seek out again and again and again and again. I’ve had it recently with that Ebert documentary. I had it when Little Groot danced to the Jackson 5 in Guardians of the Galaxy. I had it watching the delicious twists and turns of David Fincher’s Gone Girl. I had it watching Leo DiCaprio on speaker phone suckering in a client in Martin Scorsese’s The Wolf of Wall Street. I had it watching Tom Hanks remind me that he’s one of the most astonishing actors in the world during the last five minutes of Captain Phillips.

And that was all in the last year! Now let’s go to just last night when I reviewed Seth MacFarlane’s A Million Ways to Die in the West. I’m a fan of his work – both “Family Guy” and 2012’s Ted. I found his sophomore directorial effort to be pretty darn disappointing. Guess what? I loved writing my review of that just as much as writing a highly positive post – the kinds I recently wrote for Her or Fruitvale Station. 

Now here’s the irony: two years ago when I began this little venture, I stated that I wouldn’t write movie reviews on the blog. Boy, was I wrong! Just like I’ve been wrong about many of my box office predictions that remain the most read entries on this site. For every time I nail a prediction (or close to nail) on The Equalizer or Gone Girl, I grossly underestimate the potential of Annabelle or grossly overestimate the performance of the Sin City sequel.

I’ve now been writing movie reviews for about 23 years since I was a preteen. It took my snap decision to start the blog to rediscover my love for that exercise. Yet the movie reviews are just one part of that aforementioned love of movies. There’s plenty more posts – whether box office related or Oscar prediction related. Hell, I’ve even found myself posting about music and TV more often than I could have imagined.

In the two years since the blog began and much to the assistance of WordPress, I’ve been able to discover other movie bloggers. They may have different writing styles than myself, but they have one thing in common: they love movies too. Joe Giuliano, who predicts box office results with freakish accuracy. Thy Critic Man, Daniel Prinn and Justine B, whose reviews are a joy to read. Trevor and Jason from boxofficeace.com and their fine podcast… I just wish they did it every week! And there’s many more.

As I said on my year anniversary of the site, I sincerely cannot thank you enough for reading this site. I would love writing this blog regardless, but it means a heckuva lot more knowing that eyeballs actually see it. I appreciate each and every one of the thousands of blog views and readers in 142 countries (!) who’ve read some of my 777 (!) posts. For those who take their time to check my box office predictions or read my Oscar forecast or peruse my reviews and so forth, I can tell you what I strive for everyday on this wonderful hobby of mine. The goal is for the reader to come away with this general feeling – that guy loves movies and writing about them. And if I’ve been able to direct you in the path of something great that you haven’t seen, that’s a feeling I cherish.

Back to the beginning:

Bill Murray. Roger Ebert.

For movie lovers like me and you, think about the joy that someone like Bill Murray has brought into your lives. Caddyshack. Ghostbusters. Groundhog Day. Lost in Translation and so forth. I’ll have that feeling of excitement soon when St. Vincent premieres. Maybe it’ll be great. Or maybe not, but I love anticipating finding out and I’ll love writing about it.

For movie writers and bloggers like me and some of you, think about how Roger Ebert’s work may have influenced you. I know damn well he influenced me. He helped teach me how to put that indescribable affection for this world of movies into words. Don’t get me wrong – I am no Roger Ebert and never will be. I’m just trying my best to put my perspective on movies before the reader and hope you enjoy it.

The thing about movies is this – as I described in an earlier post, it’s a Never Ending Story. There’s always more to discover. There’s always something new to write about. There’s always the joy of revisiting older titles and or rediscovering something about a favorite that you hadn’t noticed before. There’s always box office predictions to make for this blogger. There’s always Oscar predictions as the race takes shape.

And there is always, always, always the love that I hold for the subject I choose to write about and the joy that those making and writing about movies give to us, the audience. Whether it’s Bill Murray in front of the camera or Roger Ebert at that typewriter.

Mr. Ebert might be gone, but his words are here for us to enjoy forever. In the last year, we’ve been saddened to learn that Robin Williams and Philip Seymour Hoffman are gone. Yet their work will live on for us to savor – from Truman Capote to a British nanny to a cult religious leader to a therapist telling his pupil that “It’s not his fault” to the Big Lebowski’s socially awkward assistant to that inspirational teacher telling his students to “Seize The Day!” For us movie lovers, the medium gives us these special moments and performances and memories to seize on those days when we might need it.

And I’ll close by saying that it’s a real pleasure to write about it.

Top 25 Highest Grossing Actors of All Time: Nos. 10-6

We have arrived at the Top Ten in my list of the Top 25 Highest Grossing Actors of All Time this evening. If you missed my first three parts covering numbers 25-11, you can find them here and here and here:

https://toddmthatcher.com/2014/08/09/top-25-highest-grossing-actors-of-all-time-nos-25-21/

https://toddmthatcher.com/2014/08/10/top-25-highest-grossing-actors-of-all-time-nos-20-16/

https://toddmthatcher.com/2014/08/12/top-25-highest-grossing-actors-of-all-time-nos-15-11/

Onto the top ten with the final five coming tomorrow:

10. Robert Downey, Jr.

Career Earnings: $3 billion

Franchises: The Iron Man, Sherlock Holmes, and Avengers series

Highest Grossing Picture: The Avengers – $623 million

Number of $100M+ Earners: 8. Iron Man, Tropic Thunder, Sherlock Holmes, Iron Man 2, Due Date, Sherlock Holmes: A Game of Shadows, The Avengers, Iron Man 3.

Lowest Grossing Picture: Hugo Pool – $13,000

9. Johnny Depp

Career Earnings: $3 billion

Franchises: The Pirates of the Caribbean series

Highest Grossing Picture: Pirates of the Caribbean: Dead Man’s Chest – $423 million

Number of $100M+ Earners: 8. Sleepy Hollow, Pirates of the Caribbean: The Curse of the Black Pearl, Charlie and the Chocolate Factory, Pirates of the Caribbean: Dead Man’s Chest, Pirates of the Caribbean: At World’s End, Alice in Wonderland, Rango, Pirates of the Caribbean: On Stranger Tides.

Lowest Grossing Picture: Arizona Dream – $112,000

8. Robin Williams

Career Earnings: $3.1 billion

Franchises: The Night at the Museum and Happy Feet series

Highest Grossing Picture: Night at the Museum – $250 million

Number of $100M+ Earners: 13. Good Morning, Vietnam, Hook, Aladdin, Mrs. Doubtfire, Jumanji, The Birdcage, Good Will Hunting, Patch Adams, Robots, Happy Feet, Night at the Museum, Night at the Museum: Battle of the Smithsonian, Lee Daniels’ The Butler.

Lowest Grossing Picture: The Secret Agent – $106,000

7. Bruce Willis

Career Earnings: $3.1 billion

Franchises: The Die Hard, Look Who’s Talking, The Expendables, and Red series. Mr. Willis also appeared in the sequel G.I. Joe: Retaliation.

Highest Grossing Picture: The Sixth Sense – $293 million

Number of $100M+ Earners: 10. Look Who’s Talking, Die Hard 2: Die Harder, Pulp Fiction, Die Hard with a Vengeance, Armageddon, The Sixth Sense, Over the Hedge, Live Free or Die Hard, The Expendables, G.I. Joe: Retaliation.

Lowest Grossing Picture: Lay the Favorite – $20,000

6. Tom Cruise

Career Earnings: $3.3 billion

Franchises: The Mission: Impossible series

Highest Grossing Picture: War of the Worlds – $234 million

Number of $100M+ Earners: 17. Top Gun, Rain Man, A Few Good Men, The Firm, Interview with the Vampire, Mission: Impossible, Jerry Maguire, Mission: Impossible II, Vanilla Sky, Minority Report, The Last Samurai, Collateral, War of the Worlds, Mission: Impossible III, Tropic Thunder, Mission Impossible: Ghost Protocol, Edge of Tomorrow.

Lowest Grossing Picture: Losin’ It – $1 million

Top Five coming tomorrow, everyone!

Remembering Robin Williams

There will be many articles written very soon, if not already, about the career of Robin Williams. I am not writing a comprehensive breakdown of his storied career. I’ll leave that to others. Needless to say, his life on the silver screen was an amazing one.

For someone who follows movies as closely as I do and love them like I do, my reaction to these unexpected and tragic deaths are difficult to describe. On Super Bowl Sunday this year, I had a similar feeling with Philip Seymour Hoffman. The details of both deaths were both shocking, but again – others will focus on that. Not me.

This blog serves as an outlet for my stream of consciousness thoughts and when thinking about Mr. Williams’ passing – here’s what has been most prevalent in my mind tonight:

I grew up with Robin Williams. Movies like Hook and Mrs. Doubtfire were released in my younger years. During this time frame, perhaps his most brilliant work came in Aladdin.

When Robin Williams came up in movie conversations with friends, my go to line was usually: “I like him even better in dramatic roles.” This is true. Truth be told, the greatest comedians are very often the greatest actors. You see it with Eddie Murphy. And Bill Murray. And you saw it with Robin Williams. Good Will Hunting, The Fisher King, Dead Poets Society, Awakenings, One Hour Photo, Insomnia…

If you’re a movie lover and a fan of Robin Williams but know him mostly for only comedic work – I implore you to watch those films listed above.

Robin Williams was an icon and has been for some time. He was the final sit down guest on Johnny Carson’s show. He could star in mega-blockbuster comedies and then go dramatic and win an Oscar. His stand-up comedy and appearances on Carson and Letterman are legendary. From TV to film to the Broadway stage to the comedy club stage – he did it all and so often exceled at it.

A word I’ve heard a lot on the news tonight is Joy. So true. He brought a lot of it to audiences. A whole lot. Much will be speculated on how someone who brought so much joy to others apparently didn’t experience it himself  in the end. The only thing to say about that, in my mind, was said tonight by Jimmy Kimmel: “If you’re sad, tell someone.” Great advice.

Robin Williams was a performer who could make audiences feel the whole range of emotions we experience as filmgoers. He’ll be truly missed.

 

Doubting Doubtfire

Weeks ago when it was announced that Fox was in development with a sequel to 1993’s Mrs. Doubtfire, my reaction was similar to that of many: really?

I’ve covered the fact that most comedy sequels simply don’t work before:

https://toddmthatcher.com/2012/12/18/most-comedy-sequels-really-suck/

There was a time when a sequel would’ve made a whole lot of sense. After all, it grossed $219 million domestically and $441 million worldwide, making it second only to Jurassic Park for that year’s top earners. This was at a time when star Robin Williams was a box office force, especially with kids flicks (Aladdin had been released the year prior). Director Chris Columbus was also a hit making machine, coming off Home Alone and its sequel. Neither have had much success in recent years.

It has been noted that Doubtfire is one of the most replayed pictures on cable so there is likely a new generation of filmgoers who have caught it that way. It’s also encouraging that Elf screenwriter David Berenbaum is drafting the screenplay.

Still – one thought keeps tugging at me. Are there many people who thought there was a lot more to be explored in the Doubtfire universe? As I see it, the film seemed to be a self-contained unit with a follow-up not needed. Even Mara Wilson, who played Robin’s youngest daughter, immediately went to Twitter to proclaim she wouldn’t be involved. By the way, if you don’t follow Mara Wilson on Twitter you should. I’m not sure if Sally Field will reprise her role either and there’s no reason for Pierce Brosnan to return.

At least Jim Carrey and Jeff Daniels coming back to reprise their roles in the Dumb and Dumber sequel (out this November) makes a little more sense. That picture would seem to lend itself more to a sequel. However, we’ll see how well that works.

Good luck to Mr. Berenbaum, director Columbus, and Robin Williams coming up with a story that brings audiences back in the Doubtfire fold. Maybe they should make it a horror movie because there’s already been a brilliant trailer cut for that scenario:

For now it’s hard not to be doubting the Doubtfire sequel.