Renfield Review

When it comes to the quality of humor in Renfield, the ska’s the limit. There are lame jokes about how ska music sucks. The impression I get from this horror comedy is they could’ve let Nicolas Cage vamp as Dracula for an hour and a half and it would’ve been better. It wouldn’t take much as this is a mighty, mighty letdown.

Renfield (Nicholas Hoult) has been the servant to Cage’s Dracula for over 100 years and he’s finally ready to hang it up. The decades old duo now reside in subterranean New Orleans. The famed vampire depends on his employee for victims to gorge on. The more innocent they are (he requests a busload of cheerleaders or group of nuns), the more power he has. Renfield, meanwhile, stays nourished by feasting on bugs. His emotional nourishment comes from a 12-step group focused on co-dependency.

If this concept sounds like a clever angle on this oft told story, it is. Director Chris McKay and screenwriter Ryan Ridley can’t figure out how to make it enjoyable. Much of the runtime takes the light away from Cage, whose performance is easily the strongest. Instead we get a yawn inducing main plot teaming Renfield up with Awkwafina’s determined bayou cop Rebecca. She’s trying to bring down the Lobo crime family led by matriarch Bellafrancesca (Shohreh Aghdashloo) and hotshot son Teddy (Ben Schwartz). That storyline is filled with wretched overacting (not the glorious kind that Cage brings) with the Lobo’s as the worst offenders. There are shades of Eddie Murphy’s middling (but better) Vampire in Brooklyn in the Mob business. Awkwafina, on the other hand, underplays her part. It’s almost as if she’s not there. The script barely attempts romantic sparks between her and Renfield and there’s a family dynamic involving her FBI agent sister that is completely tacked on. I suspect her sibling might have had a larger role in the original draft and was cut. Hoult is a talented performer in need of a sharper role.

The action sequences are sloppily shot and edited though if it’s spurting blood you want, your thirst might be occasionally quenched. Cage is game and provides some laughs, but he’s trapped in the rubbish. Does this come off as a giant missed opportunity? No doubt.

*1/2 (out of four)

April 28-30 Box Office Predictions

Blogger’s Update (04/26): I am revising my Big George Foreman estimate down from $8.5M to $5.7M

The Super Mario Bros. Movie should have a fourth and final weekend atop the charts before Guardians of the Galaxy Vol. 3 kicks off May and the summer cinematic season. Coming-of-age dramedy Are You There God? It’s Me, Margaret and boxing biopic Big George Foreman also the newbies entering the ring. You can peruse my detailed prediction posts on them here:

The revolving door at #2 should belong to Margaret, based on the 1970 Judy Blume bestseller. While a gross approaching $20 million is feasible, I’ll say mid teens is where it lands. It will bank on strong holds in its subsequent frames.

As for Big George Foreman, it might find itself in a close race with the second weekend of Evil Dead Rise for third position. I have Rise falling in the low to mid 60s (similar to the 2013 predecessor Evil Dead). If that occurs, it might win a close decision vs. Foreman.

Mario should have no trouble dominating once again and a mid 30s dip would give it just under $40 million in that fourth outing.

Finally, I have holdover John Wick: Chapter 4 in fifth. That slot could go to Guy Ritchie’s The Covenant or Air, though I have Keanu and company experiencing the smallest decline.

Here’s how I envision the top 5 shaking out:

1. The Super Mario Bros. Movie

Predicted Gross: $39.4 million

2. Are You There God? It’s Me, Margaret

Predicted Gross: $15.3 million

3. Evil Dead Rise

Predicted Gross: $8.8 million

4. Big George Foreman

Predicted Gross: $5.7 million

5. John Wick: Chapter 4

Predicted Gross: $4.1 million

Box Office Results (April 21-23)

As anticipated, it was a three-peat for The Super Mario Bros. Movie as it collected another $59.9 million in coinage. Blasting beyond my $54.8 million prediction, Illumination’s animated juggernaut has amassed $436 million domestically.

Evil Dead Rise proved there’s no horror fatigue for audiences following recent efforts Scream VI, The Pope’s Exorcist, and Renfield. The fifth pic in the franchise opened with an impressive $24.5 million, elevating past my $16.7 million take. That’s just a shade behind what 2013’s Dead ($25.7 million) kicked off with.

Afghanistan War drama Guy Ritchie’s The Covenant with Jake Gyllenhaal couldn’t fill its theaters with a middling $6.3 million. It did premiere a tad ahead of my $5.6 million forecast, but that’s still an unimpressive result.

John Wick: Chapter 4 was fourth with $5.8 million compared to my $4.7 million projection with $168 million in the coffers.

Fifth place belonged to Dungeons & Dragons: Honor Among Thieves with $5.5 million (I said $4.3 million) as the franchise hopeful is straining to reach nine digits at $82 million.

Air was sixth with $5.4 million in the third weekend – in line with my $4.6 million guesstimate. Total is $41 million.

Plummeting from 2nd to 7th is The Pope’s Exorcist, falling victim to the power of Evil Dead . Down 62% in its sophomore frame with $3.4 million, I was more generous at $4.6 million. The ten-day tally is $15 million.

The story is similar for Renfield, down 59% in weekend #2 with $3.2 million (I went with $3.9 million). The tepid two-week total is $13 million.

Finally, Beau Is Afraid with Joaquin Phoenix (generating wildly divergent reactions) played well in very limited NY/LA showings last weekend. Yet it stumbled in wider release. The multi-genre odyssey made $2.7 million on just under 1000 screens. I was higher at $4.4 million.

And that does it for now, folks! Until next time…

And in the meantime, listen to my box office thoughts on your favorite podcast platform by searching Movies at the Speed of Speculation!

April 21-23 Box Office Predictions

The Super Mario Bros. Movie should rule the charts for a third weekend as Evil Dead Rise and Guy Ritchie’s The Covenant open in wide release. You can peruse my detailed prediction posts on the newcomers here:

Evil Dead Rise appears headed for a second place showing. However, the fifth pic in the horror franchise that started over 40 years ago is unlikely to match the mid-twenties haul that its 2013 predecessor managed. That’s despite strong reviews. Some recent horror saturation might mean a low to mid teens premiere.

As for Afghanistan War drama The Covenant with Jake Gyllenhaal, this is a genre that often struggles for eyeballs. It could certainly outpace my mid single digits projection (which should still be good for third), but my gut says this won’t impress.

Spots 4-8 should be holdovers whose difference could be less than a million bucks. I have John Wick: Chapter 4 leading that group with Renfield having the biggest percentage drop and coming in 8th.

Some other notes before I get to the power player. The historical drama Chevalier is slated to come out on around 1200 screens. I think the ceiling could be $2.5 million and I didn’t do an individual post for it.

Then there’s Beau is Afraid. Ari Aster’s three-hour opus with Joaquin Phoenix is garnering some raves and some derision from critics. It had a sizzling limited debut on only 4 screens. Beau is opening wider this weekend, but I’ve yet to see a theater count. Depending on how many venues it’s playing in, it could pop up in the top 5. However, I can’t make an educated guesstimate (yet) until I see a number. **Update (04/19): I’ve now done a prediction for this since a theater count is released:

As for the third frame of Mario, I’ve got it falling in the high 30s to low 40s for a mid to high 5os gross. My prediction gives it the ninth best third weekend of all time after it just had the seventh largest second one. I’ll give this caveat: I’ve been low for two weeks in a row on this pic.

So with all that said, here’s my look at the top 8:

1. The Super Mario Bros. Movie

Predicted Gross: $54.8 million

2. Evil Dead Rise

Predicted Gross: $16.7 million

3. Guy Ritchie’s The Covenant

Predicted Gross: $5.6 million

4. John Wick: Chapter 4

Predicted Gross: $4.7 million

5. The Pope’s Exoricst

Predicted Gross: $4.6 million

6. Air

Predicted Gross: $4.6 million

**7. Beau is Afraid

Predicted Gross: $4.4 million (ADDED PREDICTION**)

8. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $4.3 million

9. Renfield

Predicted Gross: $3.9 million

Box Office Results (April 14-16)

It’s a Nintendo Cinematic Universe and we’re just living in it as The Super Mario Bros. Movie once again exceeded expectations in its sophomore frame. Illumination’s animated phenomenon piped in another $92.3 million, far exceeding my $74.9 million take. The two-week tally is an astonishing $353 million. There is a real possibility that this could end up as the highest domestic grosser of 2023.

Russell Crowe’s horror tale The Pope’s Exorcist surprisingly was second with $9 million, edging past my $7.4 million forecast. With a reported $18 million budget, that’s not too shabby though hardly glorious.

John Wick: Chapter 4 was third with $8 million (in range with my $8.4 million call). It’s up to $160 million after 4 weeks.

Spooky comedy Renfield with Nicolas Cage as Dracula was anticipated to see second place, but it wasn’t to be. The fourth place showing at $8 million fell below my $12.2 million estimate. With a fairly sucky B- Cinemascore, look for it to fade quickly.

Air was fifth with $7.8 million in its second weekend. I thought it would hold better and went with $9.5 million. Nevertheless its $33 million total thus far is solid for an adult drama.

Dungeons & Dragons: Honor Among Thieves was sixth with $7.5 million (I said $6.9 million) for a so-so $74 million after three weeks.

Toho’s Japanese animated fantasy Suzume couldn’t live up to previous titles from the distributor. It was seventh with $5 million and I was more generous at $8.7 million.

I never did an official prediction for Mafia Mamma with Toni Collette, but I said the poorly reviewed comedy would be lucky to make $2 million. Well, I guess it was lucky because that’s exactly what it did for 8th.

And that does it for now, folks! Until next time…

***In the meantime, catch my weekly podcast talking box office at Movies at the Speed of Speculation (wherever you stream!).

Evil Dead Rise Box Office Prediction

Evil Dead Rise books passage into multiplexes ten years after Sam Raimi’s franchise was rebooted the first time around to lively box office results. Like its 2013 predecessor (which this is not a sequel to), it premiered to praise at South by Southwest in March. Lee Cronin directs a cast including Lily Sullivan, Alyssa Sutherland, and Morgan Davies.

The original Evil Dead from 1981, its 1987 sequel, and 1993’s Army of Darkness from Raimi and star Bruce Campbell are horror comedy classics with deeply devoted followings. When Fede Álvarez’s reboot arrived a decade ago, it received some criticism for lacking the humor of the original trilogy. Nevertheless it debuted to $25 million and that turned out to be a front loaded start as it ended with $54 million domestically.

Rise‘s reviews are far stronger with a Rotten Tomateos score of 94% (compared to 63% for 2013’s effort). While audiences have certainly seen their share of the genre as of late with Scream VI, Renfield, and The Pope’s Exorcist, the brand name and solid buzz might mean $20 million plus is doable. That said, the market is feeing oversaturated and low to mid teens could be the result.

Evil Dead Rise opening weekend prediction: $16.7 million

For my Guy Ritchie’s The Covenant prediction, click here:

For my Beau Is Afraid prediction, click here:

Oscar Predictions: Renfield

Reviews are out for this Friday’s Renfield and the general consensus is that it doesn’t suck. From The Lego Batman Movie and The Tomorrow War maker Chris McKay, Nicolas Cage stars as Dracula with Nicholas Hoult as his title character employee. Awkwafina, Ben Schwartz, Adrian Martinez, and Shohreh Aghdashloo costar.

With a 72% Rotten Tomatoes score, the bulk of the praise is going to Cage for his unsurprisingly demented work as the iconic vampire. Universal is certainly not looking at this as an awards contender, but it’s fair to wonder whether a tech race like Makeup and Hairstyling could be in play. Horror comedies have seen past successes there, including 80s winners An American Werewolf in London and Beetlejuice. In recent years, the genre has been underrepresented. I wouldn’t expect Renfield to change that, but it’s at least possible. My Oscar Prediction posts will continue…

April 14-16 Box Office Predictions

Those animated Nintendo plumbers should dominate the box office once again after a massive Easter haul, but there are newcomers to ponder. We have horror comedy Renfield with Nicolas Cage and Nicholas Hoult, less funny horror tale The Pope’s Exorcist featuring Russell Crowe, and Japanese animated fantasy Suzume. You can peruse my detailed prediction posts on that trio here:

Nothing will approach the sophomore frame for The Super Mario Bros. Movie, which soared in its first five days of release (more on that below). The question is not whether it will remain #1 (it will easily), but how far it falls. With an A Cinemascore and no competition for families, I’ll say it drops in the 50% range.

Renfield is garnering pretty decent reviews and a double digits to low teens output should allow it to be the runner-up. Suzume is a little trickier. Other Toho titles have exceeded $10 million for their beginnings and this could do the same. I’m projecting it a tad under for a fourth place showing behind the sophomore weekend for Air (which should have a nice hold).

The Pope’s Exorcist is also a bit of a head scratcher. Horror flicks can certainly over perform and this did decent business overseas this past weekend. Yet with Renfield providing a diversion for eyeballs, this might not even make the top 5.

Finally, I’ll dispense with Mafia Mamma. This Bleecker Street comedy stars Toni Collette and seems to be flying far under the radar. I didn’t do an individual prognosis post for it and haven’t seen a screen count. Given the distributor’s lack of success with earlier projects, this might be lucky to hit $2 million. That would put it nowhere near the high five.

Given that numbers 3-7 especially could be close, I’ll give you my outlook for those spots:

1. The Super Mario Bros. Movie

Predicted Gross: $74.9 million

2. Renfield

Predicted Gross: $12.2 million

3. Air

Predicted Gross: $9.5 million

4. Suzume

Predicted Gross: $8.7 million

5. John Wick: Chapter 4

Predicted Gross: $8.4 million

6. The Pope’s Exorcist

Predicted Gross: $7.4 million

7. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $6.9 million

Box Office Results (April 7-9)

Illumination Entertainment doesn’t really miss when it comes to putting out animated blockbusters (think Despicable Me, Minions, Sing, The Secret Life of Pets franchises). Now they clearly have a host of Nintendo properties that will shower them with coins. The Super Mario Bros. Movie vastly exceeded expectations with $146.3 million from Friday to Sunday and $204.6 million since its Wednesday premiere. That is, to say the least, better than my respective estimates of $98.6 million and $137.7 million. The temperature was clearly right for its massive breakthrough performance as its global $377 million gross is the best ever for an animated feature.

John Wick: Chapter 4 stayed put in second with $14.4 million (on target with my $14.6 million call). The three-week total stands at $146 million.

Ben Affleck’s Air rode a wave of rising buzz to impressive numbers. It made $14.4 million for third with $20.2 million since its Wednesday start. The sports drama managed to top my takes which were $12.7 million and $18.9 million. As mentioned, this should hold up well in the coming weekends.

Dungeons & Dragons: Honor Among Thieves was the biggest victim of the Mario wave. In its second weekend, the adventure tumbled 63% to $13.8 million. I was more optimistic with $16.8 million. The ten-day domestic tally is $61 million as its future as a franchise is murky.

Scream VI was fifth with $3.4 million. I incorrectly had it outside the top five as it crossed the century mark after five weeks with $103 million.

Finally, faith-based drama His Only Son failed to capitalize on the religious holiday with $2.8 million for sixth. I thought it might do a bit better in frame #2 and said $3.8 million. It’s made $10 million.

Check out my podcast by searching Movies at the Speed of Speculation wherever you stream!

Until next time…

Suzume Box Office Prediction

Suzume is the latest animated fantasy from Makoto Shinkai, maker of 2019’s acclaimed Weathering with You. The Japanese production comes from Toho, the studio behind Godzilla and the Demon Slayer pics that have recently posted impressive grosses stateside.

In fact, Toho’s titles in the U.S. have started to develop a familiar pattern of front loaded hauls. In March of 2022, Jujutsu Kaisen 0 made over $17 million during its first frame. That ended up being over half of its eventual $33 million domestic take. Just last month, Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village made off with $10.1 million in a special engagement sole weekend.

Like those efforts, Suzume has already made a killing in its home country. With over $100 million in the bank, it is the fourth highest grossing film in Japan from last year.

Opening on approximately 2000 screens, this could hit low double digits like Swordsmith. Compared with next weekend’s other newcomers, that would put it behind Renfield and perhaps ahead of The Pope’s Exorcist. I’m going to put it in higher single digits and that’s still in front of Exorcist.

Suzume opening weekend prediction: $8.7 million

For my Renfield prediction, click here:

For my The Pope’s Exorcist prediction, click here:

The Pope’s Exorcist Box Office Prediction

Not to be confused with The Pope’s Sous-Chef or The Pope’s Orthopedic Surgeon, Sony Pictures gives us The Pope’s Exorcist on April 14th. Julius Avery (Overlord, Samaritan) directs the supernatural horror tale with Russell Crowe as the Pontiff’s chosen demon extractor. Costars include Daniel Zovatto, Alex Essoe, Ralph Ineson, and Franco Nero. ‘

This particular genre subsection has conjured up its share of pics in recent years. Titles like 2018’s The Possession of Hannah Grace and last fall’s Prey for the Devil managed $6.5 million and $7.2 million for their respective starts. 2014’s Deliver Us from Evil made just under $10 million. Meanwhile 2012’s The Possession and 2011’s The Rite hit $17 million and $14 million out of their gates.

Exorcist has competition from Renfield, the vampiric comedy with Nicolas Cage and Nicholas Hoult, premiering directly against it. Evil Dead Rises drops a week later. I think Crowe and company can gross north of $10 million, but I’ll say it falls under.

The Pope’s Exorcist opening weekend prediction: $7.4 million

For my Renfield prediction, click here:

For my Suzume prediction, click here:

Renfield Box Office Prediction

Universal Pictures is hoping horror and comedy fans add Renfield to their cinematic menu when it debuts April 14th. Nicholas Hoult stars as the title character and beleaguered assistant to Nicolas Cage’s Count Dracula. Chris McKay, who made The Lego Batman Movie and The Tomorrow War, directs. Costars include Awkwafina, Ben Schwartz, Adrian Martinez, and Shohreh Aghdashloo.

Early critical reaction is encouraging with an 89% Rotten Tomatoes rating. Will audiences sink their teeth into it? Renfield arrives on the same day as The Pope’s Exorcist with Russell Crowe and it could siphon away genre fans looking for a scary experience minus the laughs. Both pics hit multiplexes a week before Evil Dead Rise and some fright fest fans may simply wait for that.

Decent word-of-mouth could get this to high teens or even $20 million in the best case scenario. I’ll say double digits to low teens is likelier given the competition.

Renfield opening weekend prediction: $12.2 million

For my The Pope’s Exorcist prediction, click here:

For my Suzume prediction, click here: