Tag: Quentin Tarantino

2019 Oscar Predictions: September 5th Edition

A lot can change in a week and that’s certainly the case in my second edition of weekly Oscar predictions for 2019. That’s because the Venice and Telluride festivals have happened and numerous contenders have emerged. Some have seen their fortunes dwindle (like Steven Soderbergh’s The Laundromat or Edward Norton’s Motherless Brooklyn). Other films and performances have received a serious boost like Ford v Ferrari, Waves (not even on my radar last week), The Two Popes, and Renee Zellweger in Judy.

While last Thursday provided my pre festival rankings, there’s plenty of movement that’s occurred since then. And by next Thursday… the picture will begin more clear with the Toronto Film Festival beginning today and where several other high profile hopefuls will screen.

Let’s get to it, shall we?

BEST PICTURE

Predicted Nominees:

1. The Irishman (PR: 1)

2. Marriage Story (PR: 2)

3. Once Upon a Time in Hollywood (PR: 3)

4. Ford v Ferrari (PR: 11)

5. Parasite (PR: 7)

6. 1917 (PR: 4)

7. Little Women (PR: 5)

8. Jojo Rabbit (PR, 10)

9. The Two Popes (PR: Not Ranked)

Other Possibilities:

10. The Report (PR: 9)

11. The Farewell (PR: 6)

12. Waves (PR: Not Ranked)

13. Pain and Glory (PR: 16)

14. A Beautiful Day in the Neighborhood (PR: 12)

15. Joker (PR: 15)

16. A Hidden Life (PR: 19)

17. Dark Waters (PR: 17)

18. Bombshell (PR: 13)

19. The Lighthouse (PR: 21)

20. Harriet (PR: 14)

21. Just Mercy (PR: 20)

22. Rocketman (PR: 22)

23. Queen and Slim (PR: Not Ranked)

24. The Laundromat (PR: 8)

25. Ad Astra (PR: 23)

Dropped Out:

Booksmart

Avengers: Endgame

The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 1)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

3. Noah Baumbach, Marriage Story (PR: 4)

4. Bong Joon-Ho, Parasite (PR: 5)

5. Sam Mendes, 1917 (PR: 3)

Other Possibilities:

6. James Mangold, Ford v Ferrari (PR: 12)

7. Pedro Almodovar, Pain and Glory (PR: 8)

8. Greta Gerwig, Little Women (PR: 6)

9. Trey Edward Shults, Waves (PR: Not Ranked)

10. Taika Waititi, Jojo Rabbit (PR: 10)

11. Fernando Meirelles, The Two Popes (PR: Not Ranked)

12. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 13)

13. Terrence Malick, A Hidden Life (PR: 11)

14. Todd Haynes, Dark Waters (PR: 14)

15. Lulu Wang, The Farewell (PR: 9)

Dropped Out:

Steven Soderbergh, The Laundromat

Kasi Lemmons, Harriet

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story (PR: 1)

2. Renee Zellweger, Judy (PR: 5)

3. Saoirse Ronan, Little Women (PR: 3)

4. Cynthia Erivo, Harriet (PR: 2)

5. Alfre Woodard, Clemency (PR: 7)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 4)

7. Charlize Theron, Bombshell (PR: 6)

8. Natalie Portman, Lucy in the Sky (PR: 12)

9. Lupita Nyong’o, Us (PR: 8)

10. Helen Mirren, The Good Liar (PR: 9)

11. Jodie Turner-Smith, Queen and Slim (PR: 10)

12. Kristen Stewart, Seberg (PR: 15)

13. Lesley Manville, Ordinary Love (PR: Not Ranked)

14. Felicity Jones, The Aeronauts (PR: 13)

15. Elisabeth Moss, Her Smell (PR: 11)

Dropped Out:

Beanie Feldstein, Booksmart

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 2)

3. Antonio Banderas, Pain and Glory (PR: 3)

4. Jonathan Pryce, The Two Popes (PR: 9)

5. Joaquin Phoenix, Joker (PR: 6)

Other Possibilities:

6. Christian Bale, Ford v Ferrari (PR: 8)

7. Robert De Niro, The Irishman (PR: 4)

8. Taron Egerton, Rocketman (PR: 5)

9. Eddie Murphy, Dolemite Is My Name (PR: 7)

10. Mark Ruffalo, Dark Waters (PR: 12)

11. Ian McKellen, The Good Liar (PR: 13)

12. Adam Sandler, Uncut Gems (PR: 14)

13. Daniel Kaluuya, Queen and Slim (PR: 15)

14. Robert Pattinson, The Lighthouse (PR: Not Ranked)

15. Michael B. Jordan, Just Mercy (PR: 11)

Dropped Out:

Adam Driver, The Report

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 2)

2. Annette Bening, The Report (PR: 1)

3. Margot Robbie, Once Upon a Time in Hollywood (PR: 4)

4. Shuzhen Zhou, The Farewell (PR: 3)

5. Florence Pugh, Little Women (PR: 8)

Other Possibilities:

6. Meryl Streep, The Laundromat (PR: 5)

7. Meryl Streep, Little Women (PR: 7)

8. Penelope Cruz, Pain and Glory (PR: Not Ranked)

9. Janelle Monae, Harriet (PR: 10)

10. Scarlett Johansson, Jojo Rabbit (PR: 11)

11. Nicole Kidman, Bombshell (PR: 9)

12. Jennifer Hudson, Cats (PR: 13)

13. Anna Paquin, The Irishman (PR: 12)

14. Anne Hathaway, Dark Waters (PR: 6)

15. Taylor Russell, Waves (PR: Not Ranked)

Dropped Out:

Catherine Deneuve, The Truth

Nicole Kidman, The Goldfinch

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Willem Dafoe, The Lighthouse (PR: 2)

3. Al Pacino, The Irishman (PR: 4)

4. Anthony Hopkins, The Two Popes (PR: Not Ranked)

5. Taika Waititi, Jojo Rabbit (PR: 8)

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 6)

7. Alan Alda, Marriage Story (PR: Not Ranked)

8. Joe Pesci, The Irishman (PR: 7)

9. Kelvin Harrison, Jr., Waves (PR: Not Ranked)

10. Jamie Bell, Rocketman (PR: 10)

11. Jamie Foxx, Just Mercy (PR: 5)

12. John Lithgow, Bombshell (PR: 9)

13. Gary Oldman, The Laundromat (PR: 3)

14. Matt Damon, Ford v Ferrari (PR: Not Ranked)

15. Tracy Letts, Ford v Ferrari (PR: Not Ranked)

Dropped Out:

Ray Liotta, Marriage Story

Matthew Rhys, A Beautiful Day in the Neighborhood

Wesley Snipes, Dolemite Is My Name

Leslie Odom, Jr., Harriet

Timothee Chalamet, Little Women

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 4)

3. Little Women (PR: 3)

4. Dark Waters (PR: 5)

5. The Laundromat (PR: 2)

Other Possibilities:

6. A Beautiful Day in the Neighborhood (PR: 6)

7. Joker (PR: 7)

8. Just Mercy (PR: 9)

9. The Goldfinch (PR: 11)

10. The Good Liar (PR: 12)

11. Toy Story 4 (PR: 8)

12. Motherless Brooklyn (PR: 14)

13. The King (PR: Not Ranked)

14. Downton Abbey (Not Ranked)

15. Judy (PR: 13)

Dropped Out:

Ford v Ferrari (moved to Original)

Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. The Two Popes (PR: Not Ranked)

4. Parasite (PR: 5)

5. The Report (PR: 4)

Other Possibilities:

6. The Farewell (PR: 3)

7. Pain and Glory (PR: 7)

8. Waves (Not Ranked)

9. Ford v Ferrari (PR: Not Ranked – moved from Adapted)

10. Booksmart (PR: 6)

11. The Lighthouse (PR: 12)

12. Bombshell (PR: 9)

13. Harriet (PR: 11)

14. 1917 (PR: 8)

15.  Dolemite Is My Name (PR: 10)

Dropped Out:

Ad Astra

Us

Queen and Slim

Expect more changes next week when much of the Toronto happenings will have transpired! Until then…

Oscar Watch: Ad Astra

James Gray’s space opera Ad Astra premiered overseas at the Venice Film Festival today and the Brad Pitt led saga certainly has its ardent admirers already. Some reviews are proclaiming it a masterpiece while others are more mixed.

Director Gray has had his share of appreciated works such as The Immigrant and The Lost City of Z. He has yet to garner any attention from the Academy. This is his first major Hollywood production with a considerable budget and it’s a bit unclear at the moment whether Oscar voters will reward this effort. Pitt is being praised for his starring role and would stand the best shot at any recognition over costars including Tommy Lee Jones, Ruth Negga, Liv Tyler, and Donald Sutherland.

That said, Pitt (who’s never won a gold statue) is already a serious contender to win Supporting Actor for Quentin Tarantino’s Once Upon a Time in Hollywood. That could detract from him being named as lead for Astra. The film’s best hope could be in some tech races, but I’ll wait and see further critical and audience reaction before rendering final judgment. My Oscar Watch posts will continue…

2019 Oscar Predictions: August 29th Edition

Welcome to my first edition of my weekly Oscar predictions where I’ll be ranking my top 25 Best Picture possibilities and 15 contenders in the directing, acting, and screenplay categories!

The dawn of my rankings coincides with the start of film festival season as Venice is in full swing with Telluride and Toronto on deck. Noah Baumbach’s Marriage Story has already screened in Italy and solidified its status as a serious contender in numerous races. There’s a whole bunch of movies premiering in the coming days so expect the picture to become a wee bit clearer. That said, I’ve learned a lot of things from years of past predicting when it comes to this time of the year:

  • Movies thought to be contenders will fail to live up to their buzz
  • Movies will be pushed back to 2020 and render them ineligible
  • Leading actor and actress candidates will be moved to supporting and vice versa
  • Screenplays considered Adapted will become Original and vice versa
  • Sleepers not currently on the radar will rise up… think last year’s Best Picture winner Green Book

With all those caveats, let’s get to it! And expect updates every Thursday on the blog…

BEST PICTURE

Predicted Nominees:

1. The Irishman

2. Marriage Story

3. Once Upon a Time in Hollywood

4. 1917

5. Little Women

6. The Farewell

7. Parasite

8. The Laundromat

9. The Report

Other Possibilities:

10. Jojo Rabbit

11. Ford v Ferrari

12. A Beautiful Day in the Neighborhood

13. Bombshell

14. Harriet

15. Joker

16. Pain and Glory

17. Dark Waters

18. Booksmart

19. A Hidden Life

20. Just Mercy

21. The Lighthouse

22. Rocketman

23. Ad Astra

24. Avengers: Endgame

25. The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman

2. Quentin Tarantino, Once Upon a Time in Hollywood

3. Sam Mendes, 1917

4. Noah Baumbach, Marriage Story

5. Bong Joon-Ho, Parasite

Other Possibilities:

6. Greta Gerwig, Little Women

7. Steven Soderbergh, The Laundromat

8. Pedro Almodovar, Pain and Glory

9. Lulu Wang, The Farewell

10. Taika Waititi, Jojo Rabbit

11. Terrence Malick, A Hidden Life

12. James Mangold, Ford v Ferrari

13. Marielle Heller, A Beautiful Day in the Neighborhood

14. Todd Haynes, Dark Waters

15. Kasi Lemmons, Harriet

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story

2. Leonardo DiCaprio, Once Upon a Time in Hollywood

3. Antonio Banderas, Pain and Glory

4. Robert DeNiro, The Irishman

5. Taron Egerton, Rocketman

Other Possibilities:

6. Joaquin Phoenix, Joker

7. Eddie Murphy, Dolemite Is My Name

8. Christian Bale, Ford v Ferrari

9. Jonathan Pryce, The Two Popes

10. Adam Driver, The Report

11. Michael B. Jordan, Just Mercy

12. Mark Ruffalo, Dark Waters

13. Ian McKellen, The Good Liar

14. Adam Sandler, Uncut Gems

15. Daniel Kaluuya, Queen and Slim

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story

2. Cynthia Erivo, Harriet

3. Saoirse Ronan, Little Women

4. Awkwafina, The Farewell

5. Renee Zellweger, Judy

Other Possibilities:

6. Charlize Theron, Bombshell

7. Alfre Woodard, Clemency

8. Lupita Nyong’o, Us

9. Helen Mirren, The Good Liar

10. Jodie Turner-Smith, Queen and Slim

11. Elisabeth Moss, Her Smell

12. Natalie Portman, Lucy in the Sky

13. Felicity Jones, Aeronauts

14. Beanie Feldstein, Booksmart

15. Kristen Stewart, Seberg

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood

2. Willem Dafoe, The Lighthouse

3. Gary Oldman, The Laundromat

4. Al Pacino, The Irishman

5. Jamie Foxx, Just Mercy

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood

7. Joe Pesci, The Irishman

8. Taika Waititi, Jojo Rabbit

9. John Lithgow, Bombshell

10. Jamie Bell, Rocketman

11. Ray Liotta, Marriage Story

12. Matthew Rhys, A Beautiful Day in the Neighborhood

13. Wesley Snipes, Dolemite Is My Name

14. Leslie Odom, Jr., Harriet

15. Timothee Chalamet, Little Women

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Annette Bening, The Report

2. Laura Dern, Marriage Story

3. Shuzhen Zhou, The Farewell

4. Margot Robbie, Once Upon a Time in Hollywood

5. Meryl Streep, The Laundromat

Other Possibilities:

6. Anne Hathaway, Dark Waters

7. Meryl Streep, Little Women

8. Florence Pugh, Little Women

9. Nicole Kidman, Bombshell

10. Janelle Monae, Harriet

11. Scarlett Johansson, Jojo Rabbit

12. Anna Paquin, The Irishman

13. Jennifer Hudson, Cats

14. Catherine Deneuve, The Truth

15. Nicole Kidman, The Goldfinch

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman

2. The Laundromat

3. Little Women

4. Jojo Rabbit

5. Dark Waters

Other Possibilities:

6. A Beautiful Day in the Neighborhood

7. Joker

8. Toy Story 4

9. Just Mercy

10. Ford v Ferrari

11. The Goldfinch

12. The Good Liar

13. Judy

14. Motherless Brooklyn

15. Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story

2. Once Upon a Time in Hollywood

3. The Farewell

4. The Report

5. Parasite

Other Possibilities:

6. Booksmart

7. Pain and Glory

8. 1917

9. Bombshell

10. Dolemite Is My Name

11. Harriet

12.  The Lighthouse

13. Ad Astra

14. Us

15. Queen and Slim

And that does it for my inaugural ranked predictions! Keep an eye on the blog daily for ongoing developments…

Early 2019 Oscar Predictions: Best Director

My initial Oscar predictions for the 2019 season continues with Best Director with Picture on the horizon! If you missed my first takes on the acting categories, you can find them right here:

Early 2019 Oscar Predictions: Best Actor

Early 2019 Oscar Predictions: Best Actress

Early 2019 Oscar Predictions: Best Supporting Actress

Early 2019 Oscar Predictions: Best Supporting Actor

In 2018, my inaugural projections yielded 2 out of the 5 eventual nominees. That includes the winner Alfonso Cuaron for Roma and Spike Lee for BlacKkKlansman. My ten other possibilities section a year ago called out two additional nominees – Yorgos Lanthimos (The Favourite) and Adam McKay (Vice).

Here we go:

EARLY OSCAR PREDICTIONS: BEST DIRECTOR

Greta Gerwig, Little Women

Bong Joon-Ho, Parasite

Sam Mendes, 1917

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood

Other Possibilities:

Pedro Almodovar, Pain and Glory

Noah Baumbach, Marriage Story

Todd Haynes, Dark Waters

Kasi Lemmons, Harriet

Terrence Malick, A Hidden Life

James Mangold, Ford v Ferrari

Jay Roach, Bombshell

Steven Soderbergh, The Laundromat

Taika Waititi, Jojo Rabbit

Lulu Wang, The Farewell

Best Picture tomorrow!

Summer 2009: The Top 10 Hits and More

Today we continue with my recaps of the movie summers from 30, 20, and 10 years ago. I’ve already covered 1989 and 1999 and if you missed them, you can find them right here:

https://toddmthatcher.com/2019/07/10/summer-1989-the-top-10-hits-and-more/

https://toddmthatcher.com/2019/07/23/summer-1999-the-top-10-hits-and-more/

Looking over the 2009 list, it’s a reminder of how one thing in particular has changed in just a decade. In the summer of 2008, Iron Man came out and kickstarted the Marvel Cinematic Universe. Two seasons later, Iron Man 2 followed. In every summer since, there’s been a massive MCU title often ruling the charts. 2009 is the last year not to feature one.

Instead, one of the most indelible images from 10 years past is Mike Tyson belting out a Phil Collins classic.

As I’ve done with previous entries, I’ll recount the top ten hits along with some other notable pics and flops. Let’s get to it!

10. G.I. Joe: The Rise of Cobra

Domestic Gross: $150 million

Hasbro was kind of the MCU of this summer by bookending the top 10. Based on their popular set of action figures, Cobra spawned a sequel and introduced many moviegoers to Channing Tatum.

9. The Proposal

Domestic Gross: $163 million

What a year for Sandra Bullock. First she has this huge rom com with Ryan Reynolds and months later gets her Oscar winning turn in The Blind Side. Not to mention Betty White is in this!

8. Night at the Museum: Battle of the Smithsonian

Domestic Gross: $177 million

While it couldn’t match the $250 million earned by its 2006 predecessor, the Ben Stiller led  family adventure sequel still did enough for a part 3 to eventually follow.

7. X–Men Origins: Wolverine

Domestic Gross: $179 million

The first of three spinoffs for Hugh Jackman’s iconic clawed character, this is generally considered the worst of them. It still made a pretty penny and gave us a first glimpse at Ryan Reynolds as Wade Wilson, aka Deadpool.

6. Ice Age: Dawn of the Dinosaurs

Domestic Gross: $196 million

The third of these five animated tales, Dinosaurs stands at the largest grosser by a mere $1 million over 2006 predecessor Ice Age: The Meltdown.

5. Star Trek

Domestic Gross: $257 million

J.J. Abrams was able to bring this long running film and TV milestone to the next generation in a critically acclaimed way. His reboot remains the highest grossing entry in the canon of Trek. Two sequels so far have followed.

4. The Hangover

Domestic Gross: $277 million

The breakout comedy of the summer made stars out of Bradley Cooper and Zach Galifianakis in particular and had the aforementioned Mike Tyson musical moment of glory. Two lesser regarded sequels followed.

3. Up

Domestic Gross: $293 million

Pixar had another smash hit with this tale of aging and wonder that contains my personal favorite sequence of any of their titles. The opening montage of a couple’s journey through life is simultaneously beautiful and devastating.

2. Harry Potter and the Half–Blood Prince

Domestic Gross: $301 million

This sixth Potter pic set up the two part franchise finale and it stands at the third biggest grosser behind the eighth and final entry and the first film in 2001.

1. Transformers: Revenge of the Fallen

Domestic Gross: $402 million

The follow-up to the 2007 original, Michael Bay’s metallic action extravaganza is the high point in terms of box office dollars overall and largest opening, even though critics mercilessly crucified it.

And now for some other notable flicks from the summer that was 10 years ago:

Angels & Demons

Domestic Gross: $133 million

The sequel to The Da Vinci Code, the return of Tom Hanks as Robert Langdon performed decently, but nowhere near the $217 million achieved by its predecessor. The next sequel Inferno bombed.

Inglourious Basterds

Domestic Gross: $120 million

Quentin Tarantino’s revisionist World War II saga become his best earning pic at the time and earned a slew of Oscar nods, including a win for scene stealer Christoph Waltz.

District 9

Domestic Gross: $115 million

Made for a mere $30 million, Neill Blomkamp announced himself a serious force of sci-fi nature with heralded work that nabbed a Best Picture nod.

Public Enemies

Domestic Gross: $97 million

This gangster tale from Michael Mann was headlined by Johnny Depp and Christian Bale as they took a break between their respective pirate and bat franchises. It was a slight box office disappointment as it couldn’t quite match its $100 million budget back domestically.

Julie & Julia

Domestic Gross: $94 million

Meryl Streep got her umpteenth Oscar nod playing famed chef Julia Child in this Nora Ephron dramedy that proved to be a nice August hit.

Bruno

Domestic Gross: $60 million

There was enough goodwill left over from Sacha Baron Cohen’s smash Borat to propel this satire about a fashion journalist to a $30 million opening weekend. It fell off quickly after that impressive start.

Drag Me to Hell

Domestic Gross: $42 million

Following on the heels of his Spider–Man trilogy, this horror comedy brought Sam Raimi back to his Evil Dead roots. Box office dollars were just ok, but critics appreciated it.

(500) Days of Summer

Domestic Gross: $32 million

Made for a tiny $7.5 million, Joseph Gordon-Levitt and Zooey Deschanel charmed audiences with this rom com from Marc Webb. He would take over the Spidey franchise from Raimi shortly thereafter.

The Hurt Locker

Domestic Gross: $17 million

Kathryn Bigelow’s intense tale of bomb technicians in Iraq made a name for Jeremy Renner. While its box office earnings weren’t that potent, the real reward came later when it won the Oscar for Best Picture and Bigelow became the first female to be awarded Best Director.

We move to pictures that failed to meet expectations or were outright flops.

Terminator Salvation

Domestic Gross: $125 million

The Governor of California sat this one out and this McG directed franchise entry couldn’t match the opening of part 3 from six years prior. Today it’s perhaps best known for a secretly recorded onset argument between McG and star Christian Bale.

The Taking of Pelham 1 2 3

Domestic Gross: $65 million

A remake of a 1974 Walter Matthau action flick about hijacked subway cars, Tony Scott’s collaboration starring Denzel Washington and John Travolta fell short of anticipated blockbuster status.

Funny People

Domestic Gross: $51 million

Judd Apatow had made two huge comedies with The 40 Year Old Virgin and Knocked Up. This one centered on the world of stand-up with Adam Sandler and Seth Rogen. It was more personal and divided critics and crowds alike.

Land of the Lost

Domestic Gross: $49 million

Based on a loopy 1970s TV series, Will Ferrell had a rare bomb with this critically derided prehistoric pic. It didn’t earn half of its $100 million price tag back stateside.

Year One

Domestic Gross: $43 million

Yet another prehistoric comedic failure, the talents of director Harold Ramis and Jack Black and Michael Cena couldn’t get reviewers or audiences on its side.

Imagine That

Domestic Gross: $16 million

Families ignored this particular Eddie Murphy headliner that stands as one of his lowest grossing efforts.

And that does it for my seasonal summer recaps! A year from now… look for 1990, 2000, and 2010 coming your way.

Once Upon a Time in Hollywood Movie Review

***There are light spoilers contained in this review. Nothing here should adversely affect your viewing experience, but if you wish to go in totally clean, you may wish wait until watching it.

fairy tale

noun

  • something resembling a fairy tale in being magical, idealized, or extremely happy

Quentin Tarantino’s Once Upon a Time in Hollywood is this writer/director’s version on that definition. It’s certainly hinted at in the title. There’s little doubt that this is his idealized view of a Hollywood that was indeed magical in his eyes. The picture takes place over a period of six months in 1969 as the movie business is undergoing a seismic shift in attitude befitting the era. Films like Easy Rider with their independent and counter culture spirit have overtaken big budget musicals and other weary genre exercises. Young hotshot directors like Roman Polanski are hot off acclaimed stateside debuts like Rosemary’s Baby.

Mid level TV star Rick Dalton (Leonardo DiCaprio) finds himself at a crossroads. He had a hit western in the 1950s called “Bounty Law”. Years later, he’s primarily cast as the heavy in weekly episodic serials. He doesn’t find it particularly rewarding and he hates the idea of hippies populating his industry. His schmaltzy agent (Al Pacino) wants him to go to Italy to shoot low budget spaghetti westerns. Rick sees it as a career death knell.

There is one constant in Rick’s life besides an endless supply of booze. Cliff Booth (Brad Pitt) is his trusty stunt double who’s been with him for years. In this fairy tale, Cliff represents the extremely happy. While Rick often hilariously and sometimes touchingly fusses and frets over his standing in the business, Cliff is happy go lucky. This seems, in part, to stem from the fact that he may have gotten away with offing his nagging wife. Guilty or not so, he’s just as happy performing menial household tasks for Rick as he is falling off horses or doing dangerous car stunts.

Another example of the extremely happy is Sharon Tate (Margot Robbie). Her and her aforementioned virtuoso hubby Roman Polanski have just moved next door to Rick. She seems to walk on air in her new world of Tinsel Town bliss and is a stunning breeze of fresh air to any room she enters. While Rick is floundering, Sharon is perpetually adorned with a glass slipper.

Of course, we the audience know the real life happenings that ended Sharon’s life in the Hollywood hills. While Charles Manson (Damon Herriman) is giving little screen time himself, notable members of his cult are. They make the acquaintance of Cliff, who ends up at the Spahn ranch in a deliciously climactic and anticlimactic sequence. The primary cult member is Pussycat, played by Margaret Qualley in a standout performance that is both unnerving and charming.

The events of the Manson murders are handled in a manner in which perhaps only this filmmaker could get away with. Inglourious Basterds lovers take note. The Manson aspect is not the main focus at all. Yet when it’s time for that fateful night, it’s handled in an audacious manner that is right in Tarantino’s violent wheelhouse.

That said, as it pertains to screen time, this is probably the director’s least bloody offering to date. Hollywood is more about spending leisurely time with these characters. You get the feeling that Tarantino would have killed to hang out with them fifty years ago, particularly Rick and Cliff. The actors playing them are terrific. DiCaprio has the more complex role as he battles his demons and his battered ego. Pitt’s Cliff is a simpler man, but his work here is every bit equal to DiCaprio’s. Robbie is a ray of sunshine. Her scene where she visits a movie theater playing one of her pics is joyful to witness (and kudos to Tarantino for using the real footage of Tate). Supporting players are too numerous to mention, but it’s always great to see frequent collaborator Kurt Russell in anything. And Mike Moh warrants mention for an uncanny impression of Bruce Lee.

An argument could be made that Once Upon a Time in Hollywood is Quentin’s “slowest” picture. Due to his intense interest in the late 1960s era where he came of age in Southern California, it could also be said that it’s his most personal. Sometimes personal is code for self indulgent. My take? Getting to indulge in his words and creations is a luxury. Taking the time to savor his characters and the situations he puts them in is endlessly entertaining. This could be called a dark fairy tale when considering its maker. I’d say it’s more melancholy upon completion as this visionary artist contemplates what could have been in his most treasured model of Hollywood.

**** (out of four)

Once Upon a Time in Hollywood Box Office Prediction

Director Quentin Tarantino and star Leonardo DiCaprio both return to the silver screen for the first time in three and a half years with the release of Once Upon a Time in Hollywood next weekend. Set in the late 1960s, Mr. Tarantino’s latest casts DiCaprio as a washed up TV actor with Brad Pitt as his longtime stunt double. The sprawling supporting players include Margot Robbie as Sharon Tate, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Austin Butler, Dakota Fanning, Bruce Dern, Kurt Russell, Damian Lewis, the late Luke Perry, Damon Herriman, Mike Moh, Zoe Bell, and Al Pacino.

When Hollywood premiered at the Cannes Film Festival in May, it did so to reviews expected of its director. The Rotten Tomatoes score is at 92% and it could attract Oscar attention. The teaming of DiCaprio (in his first role since his Oscar winning turn in The Revenant) and Pitt and the many Tarantino followers certainly have given this a high profile.

In order to achieve its maker’s largest all-time three day start, Hollywood would need to top the $38 million made by Inglourious Basterds ten years ago. However, that’s a bit of a misnomer. 2012’s Django Unchained opened over Christmas and took in $30 million from Friday to Sunday. Yet it made $63 million over its expanded holiday rollout.

The range here is pretty wide. It’s feasible that Hollywood doesn’t quite reach that high 30s threshold. I think it gets there with a just a few hundred thousand to spare.

Once Upon a Time in Hollywood opening weekend prediction: $38.7 million

2019 Midyear Oscar Report

We are officially at the midpoint of this thing called 2019 and that means a midyear Oscar report is before you today on the blog. First things first: as awards watchers already know, the bulk of the eventual nominees will come your way in the second half of the year. It will likely be festivals such as Toronto and Venice that produce their initial screenings.

We have, however, already had Cannes and Sundance producing first looks at some contenders. The most high profile is Quentin Tarantino’s Once Upon a Time in Hollywood, which is out July 26 but debuted in the French Riviera. The celebrated auteur’s ninth feature immediately became a player in Best Picture, Director, Original Screenplay, Leonardo DiCaprio (Actor), Brad Pitt (probably Supporting Actor), and Margot Robbie (Supporting Actress), as well as down the line tech races.

Cannes also served as the launching point for two contenders in the newly termed Best International Feature Film. They are Pedro Almodovar’s Pain and Glory and Bong Joon-ho’s Parasite, which won the Palme d’Or. With Glory, expect lots of chatter for its star Antonio Banderas to receive his first nod in Actor.

As for other possibilities in the lead Actor derby, we have Taron Egerton’s portrayal of Elton John in Rocketman. If Rami Malek could take home the gold last year for Bohemian Rhapsody, it’s certainly feasible that Egerton will have his supporters. Cannes also debuted  the horror pic The Lighthouse with raves for Willem Dafoe. And though it’s a reach, there could be a push for Robert Downey Jr. to garner recognition for his decade plus embodiment of Tony Stark/Iron Man in Avengers: Endgame.

When it comes to Endgame, I would anticipate talk for a Picture nod, especially after Black Panther became the first comic book pic to get one last year. At this juncture, I’ll say it gets plenty of chatter and no nomination. Yet that paradigm could shift.

Sundance gave us the true life political drama The Report. That pic features both Adam Driver and Annette Bening in roles that drew acclaim. It’s out stateside in late September and is one to keep an eye on.

2019 has produced numerous female lead performances that could all be classified as dark horse contenders. The list includes Lupita Nyong’o (Us), Julianne Moore (Gloria Bell), Awkwafina (The Farewell), Elisabeth Moss (Her Smell), Elle Fanning (Teen Spirit), Florence Pugh (Midsommar), and Jessie Buckley (Wild Rose).

Despite its disappointing box office grosses, Olivia Wilde’s coming of age comedy Booksmart might be considered in Original Screenplay. Same goes for The Farewell ahead of its release in a couple weeks.

For Best Animated Feature, Toy Story 4 looks to be a slam dunk for a nomination and that also holds true for How to Train Your Dragon: The Hidden World. Already released titles such as Missing Link and The Secret Life of Pets 2 are likely on the outside looking in.

As for documentaries, keep an eye on Apollo 11, The Biggest Little Farm, and Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese. I would say Apollo is a strong contender for inclusion.

And that’s your report, ladies and gentlemen! Get ready for a whole bunch of Oscar speculation in the second half of the year…

Oscar Watch: Pain and Glory

It’s been over three decades since Spanish director Pedro Almodóvar was first on the radar screen of Oscar voters. In 1988, Women on the Verge of a Nervous Breakdown nabbed a nod for Foreign Language Film. Eleven years later, All About My Mother won the award. In 2002, Almodóvar won for his original screenplay for Talk to Her.

This year’s Cannes Film Festival has provided further chances for the auteur to garner favor from the Academy. Pain and Glory casts Antonio Banderas as an aging director focused on his past. The drama has earned praise from critics as it stands at 88% on Rotten Tomatoes. If the pic turns out to be Spain’s selection for the newly termed Best International Feature Film, it could definitely get in. An inclusion for Almodóvar’s script is also possible.

Another opportunity lies with Banderas. The veteran actor has never been nominated and he’s earning kudos here (he won Best Actor at Cannes). The French festival has given us three other contenders in the lead actor space: Taron Egerton as Elton John in Rocketman and Leonardo DiCaprio and Brad Pitt in Quentin Tarantino’s Once Upon a Time in Hollywood.

Bottom line: it’s been some time since Almodóvar has been a factor come Oscar time, but Pain and Glory could change that. My Oscar Watch posts will continue…

Oscar Watch: Once Upon a Time in Hollywood

25 years ago today, Quentin Tarantino’s second feature Pulp Fiction held its premiere at the Cannes Film Festival. Today saw the Riviera unveiling of his ninth – Once Upon a Time in Hollywood. The black comedy casts Leonardo DiCaprio and Brad Pitt as a movie star and his stunt double, respectively. Set in 1969, Hollywood also focuses on the Manson murders with Margot Robbie as Sharon Tate. The sprawling supporting cast includes Kurt Russell, Timothy Olyphant, Dakota Fanning, the late Luke Perry, Margaret Qualley, Damian Lewis, Bruce Dern, Emile Hirsch, and Al Pacino.

Slated to hit screens stateside on July 26, it’s fair to say this is the most eagerly anticipated Cannes debut of 2019. Some reviews from the festival are glowing and that’s not unexpected when it comes to Mr. Tarantino. Others, while positive, indicate it’s not quite the masterpiece that Pulp Fiction or Inglourious Basterds are. Both of those pics (and 2012’s Django Unchained) nabbed Best Picture nods.

Based on early buzz, I expect Hollywood to do the same with a strong possibility that its director gets a nomination as well. He will almost certainly be honored for his Original Screenplay. As for performances, both DiCaprio and Pitt are being lauded. I’m not certain at this point whether both will be campaigned for in lead Actor. A split (meaning Pitt in Supporting Actor) could increase the chances of both getting in. Margot Robbie is also getting raves and could certainly factor into Supporting Actress.

Bottom line: Once Upon a Time in Hollywood has been looked at as a contender since it was announced. Today’s happenings in France confirm it. My Oscar Watch posts will continue…