After venturing into superhero territory with Shazam! and its sequel, David F. Sandberg reenters horror territory with Until Dawn on April 25th. Inspired by the 2015 PlayStation game, Ella Rubin, Michael Cimino (not the late Deer Hunter and Heaven’s Gate director), Odessa A’Zion, Ji-young Yoo, Belmont Cameli, and Peter Stormare star.
This survival scare fest from the filmmaker behind Lights Out and Annabelle: Creation is a test of Sony’s marketing muscle. The PS game did well and that could bleed over to cinematic sales. However, reaction to the trailer has been rather weak. Unless I’m grossly underestimating the draw of its source material, this may fail to reach $10 million.
Until Dawn opening weekend prediction: $7.8 million
The trash heap of movie history is littered with a significant share of video game adaptations. It’s a genre devoid of well-regarded titles as evidenced by Double Dragon, Street Fighter, Wing Commander, Doom, and Max Payne, to name a few. That list also includes 1993’s Super Mario Bros., which tanked at the box office and drew the ire of critics.
30 years later, the tide seems to have shifted and that’s why the Video Game Movie is my second entry for trends and performers that popped in 2023. If you missed my first post on the phenomenon that was Barbenheimer, you can find it here:
Mario and Luigi returned to multiplexes this year. This time around, it was in the form of Illumination animating the Nintendo legends. The results? The second biggest worldwide hit of the year behind Barbie ($1.3 billion across the globe and $574 million stateside). That easily makes it the largest grossing video game adaptation of all time and opens the door for projects to follow. You can count on sequels and spin-offs to this and The Legend of Zelda is already in development.
The successes didn’t stop with the heroic plumbers. Five Nights at Freddy’s, based on the game series with demonic bears in a Chuck E. Cheese type setting, wasn’t a hit with reviewers. It did bring out its fan base and then some to the tune of $137 million domestically with another $156 million elsewhere. Like Mario, a follow-up is in the pipeline.
HBO’s The Last of Us was one of TV’s significant successes of ’23 and the post-apocalyptic PlayStation adaptation has the Globe and Emmy nods (and a greenlit second season) to show for it.
Not every version of a cartridge title was a smash. Gran Turismo only managed to rev up $44 million in North America. However, Mario, Freddy’s, and The Last of Us made 2023 the most notable frame for VG product yet in the box office game. My Year Of posts will continue…
Denzel Washington hopes for a fruitful holiday weekend at the box office with The Equalizer 3. It aims to have the second best Labor Day debut of all time as the only newcomer of the frame. You can peruse my detailed prediction post on it here:
The third feature in the action trilogy should have little trouble achieving that 2nd best mark. Labor Day weekend is normally one where studios avoid breaking out the big guns. In 2021, Marvel ignored that tradition with Shang-Chi and the Legend of the Ten Rings and its $94 million beginning. The runner-up opening belongs to 2007’s Halloween remake at $30 million and I’ve got Equalizer a shade under $40 million.
With an extra day of grosses, the weekend should see meager declines and even some increases for holdovers. I believe this should allow Barbie to stay put in second for the third week in a row while current champ Gran Turismo drops to third. The four to six slots should be a combination of Blue Beetle, Oppenheimer, and Teenage Mutant Ninja Turtles: Mutant Mayhem. I have that trio separated by just over a million so their positions could fluctuate.
Here’s how I envision that top six and keep in mind these estimates are for the four-day:
1. The Equalizer 3
Predicted Gross: $39.2 million
2. Barbie
Predicted Gross: $16.2 million
3. Gran Turismo
Predicted Gross: $12.1 million
4. Blue Beetle
Predicted Gross: $9.5 million
5. Oppenheimer
Predicted Gross: $9.1 million
6. Teenage Mutant Ninja Turtles: Mutant Mayhem
Predicted Gross: $8.4 million
Box Office Results (August 25-27)
National Cinema Day on Sunday helped some pics post small declines, but it wasn’t enough to prevent the Playstation based Gran Turismo from a so-so start. The racing drama took in $17.4 million, a tad below my $19.3 million projection. That’s good enough for first, but hardly provides Sony with bragging rights. With an A Cinemascore, it’ll hope for legs over Labor Day and could be successful as I only have it falling around 15%.
Barbie was second with $15.1 million compared to my $16.5 million take. The year’s largest hit is up to $592 million in six weeks.
Blue Beetle went from 1st to 3rd with $12.1 million, a shade under my $13.2 million prediction. The DCU flop stands at only $45 million after ten days.
Oppenheimer was fourth with $8.2 million (I said $8.1 million) as the epic has amassed $299 million thus far.
Teenage Mutant Ninja Turtles: Mutant Mayhem rounded out the top five with $7.2 million, in range with my $6.8 million estimate. The four-week total is $99 million.
Finally, two newcomers failed to find a crowd. Liam Neeson’s Retribution opened in line with the star’s recent action flicks with $3.5 million for eighth position. That is better than my call of $2.4 million. The nine slot went to sports drama The Hill with $2.3 million as it couldn’t climb to my $3.3 million guesstimate.
That does it for now, folks! Catch my podcast by searching Movies at the Speed of Speculation wherever you prefer to stream. Until next time…
Blogger’s Update (08/23): I’ve downgraded my Turismo prediction from $24.3M to $19.3M.
The month of August closes out with a trio of new titles and National Cinema Day happening on Sunday with ticket prices at $4 in thousands of theaters. The Playstation based racing drama Gran Turismo, faith-based baseball drama The Hill, and Liam Neeson’s action thriller Retribution premiere and you can access my detailed prediction posts on them here:
With high familiarity for the video game source material and decent enough reviews, Gran Turismo should place first with a mid 20s haul. The National Cinema Day bargain prices on Sunday could push this to grosses similar to what Blue Beetle made in its opening.
Speaking of Beetle, it may drop from first to third in its sophomore frame after a poor start (more on that below). That’s because Barbie should see a smaller decline and remain in second.
As for other holdovers, Oppenheimer and Teenage Mutant Ninja Turtles: Mutant Mayhem should each ease a spot to fourth and fifth.
That’s because I don’t envision The Hill or Retribution hitting the top five. The former could exceed my forecast if it breaks through with Christian audiences. I have it at $3.3 million. With Retribution, I see no compelling reason why it wouldn’t open on pace with recent Neeson pics and that’d mean an opening of just over $3 million. I’ll go a tad less with $2.4 million.
Here’s how I see that high five playing out:
1. Gran Turismo
Predicted Gross: $19.3 million
2. Barbie
Predicted Gross: $16.5 million
3. Blue Beetle
Predicted Gross: $13.2 million
4. Oppenheimer
Predicted Gross: $8.1 million
5. Teenage Mutant Ninja Turtles: Mutant Mayhem
Predicted Gross: $6.8 million
Box Office Results (August 18-20)
Good news and bad news for Warner Bros as Barbie became the studio’s largest domestic earner of all time over 2008’s The Dark Knight. Obviously that’s the good news.
WB saw Barbie‘s four-week reign atop the charts by the WB’s Blue Beetle. Yet that’s kinda the bad news because its $25 million beginning is the lowest in the decade plus history of the DCU. It did manage to barely top my $23.7 million take, but it’s still a subpar start.
As for Barbie, it was second with $21 million. That’s just under my $22.5 million projection as its $566 million total set for the aforementioned record.
Oppenheimer was third with $10.7 million compared to my $12.7 million estimate for a five-week tally of $285 million.
Fourth place belonged to Teenage Mutant Ninja Turtles: Mutant Mayhem with $8.5 million (I said $9.2 million) for $88 million in three weeks.
Rounding out the top five in disappointing fashion was Strays. The R rated comedy featuring Will Ferrell and Jamie Foxx voicing dirty dogs tanked with $8.2 million. I was kinder at $13.5 million.
And that does it for now, folks! Catch my podcast by searching Movies at the Speed of Speculation on your preferred streaming platform. Until next time…
Blogger’s Update (08/23): I’m downgrading my prediction from $24.3M to $19.3M
Sony hopes viewers are game for Gran Turismo when it opens August 25th. Neill Blomkamp, best known for 2009’s Best Picture nominee District 9, directs the racing sports drama based on the Playstation property. Archie Madekwe stars as a real life Turismo player who became an actual driver. The supporting cast includes David Harbour, Orlando Bloom, Darren Barnet, Djimon Hounsou, Geri Haliwell Horner, and Thomas Kretschmann.
While it’s generating mixed reviews (59% on Rotten Tomatoes), the audience score is an impressive 98% based on limited previews over the preceding two weekends. It was originally slated for August 11th before the studio pushed it back. The decent buzz should manage to get this past $20 million, but I’m not sure it gets much beyond that. That number should allow it to close out August as the strongest finisher on the charts.
Gran Turismo opening weekend prediction: $19.3 million
Gran Turismo was originally supposed to release wide today, but was pushed to August 25th for the grand rollout. There’s a limited release this weekend for the PlayStation game generated pic. It’s based on a true story (hence the longer title Gran Turismo: Based on a True Story) of Turismo player Jann Mardenborough (Archie Mardekwe) who became a professional driver. Neill Blomkamp, whose acclaimed 2009 sci-fi effort District 9 earned a Best Picture nod, directs. The supporting cast includes David Harbour, Orlando Bloom, Darren Barnet, Djimon Hounsou, Gerri Halliwell Horner, and Thomas Kretschmann.
Some reviews are calling this is a crowd pleaser while others are considerably less impressed. This is evidenced by the current 54% Rotten Tomatoes score. Blomkamp might have seen his 14-year-old debut in the BP mix, but it’s been a series of disappointments (Elysium, Chappie, Demonic) since.
That said, there is plenty of praise for Turismo‘s sound team. A nod in that race isn’t out of the question. Yet there’s already a spot reserved for Oppenheimer and Dune: Part Two (as long as it’s out in 2023). This may not simply be on the Academy’s radar at all come early next year. My Oscar Prediction posts will continue…
One of the big fights in Uncharted takes place at a Papa John’s in Barcelona. We know this because Mark Wahlberg announces he’s in a Papa John’s with more emotion than 90% of his other line deliveries. I’m sorry to say that a bored looking Wahlberg, a Tom Holland without quality Spidey material, and a screenplay borrowing heavily from superior franchises are not the better ingredients to make this a better slice of entertainment.
Directed by Ruben Fleischer (Venom), Uncharted raids the Indiana Jones, Pirates of the Caribbean, and National Treasure pics as did the PlayStation games it is based on. I won’t pretend to be an expert on its source material as I’ve never played it. I read that Holland and Wahlberg wouldn’t be the casting choices of its fanbase majority. All I can say is that their chemistry is rather nonexistent. The film only bails itself out a little in the third act with some impressive set pieces.
Nathan Drake (Holland) works nights bartending in New York City while pickpocketing his unsuspecting imbibers. 15 years prior (as we witness in the prologue), he and his brother Sam attempted to steal a map purportedly leading to Magellan’s 16th century gold. Sam gets kicked out of the orphanage they inhabit with a vow to Nathan to return. A decade and a half later, that hasn’t occurred but little bro does get an occasional postcard. Enter Sully (Wahlberg), a treasure seeker who enlists Nathan’s assistance when he reveals Sam is missing. The two team up to find fortune and family and are soon globetrotting along with Chloe (Sophie Ali), Sully’s distrustful colleague and potential love interest to Nathan.
The trio aren’t the only ones looking for Magellan’s ships filled with shiny bars. There’s Moncada (Antonio Banderas), whose lineage stems from the famed explorer’s funders. He believes the gold is his birthright and he’s got ruthless henchwoman Braddock (Tati Gabrielle) helping.
The treasure seeking brings us to Barcelona where key clues are buried beneath that aforementioned pizza franchise and its mediocre at best pizza with decent enough breadsticks if you get a double order of cheese sauce (that’s my P.J. review). It’s not until we reach the Philippines towards the final act that Uncharted‘s pulse is detected. The action sequences in that region and on the plane getting there (a definite standout) are well choreographed and offer more excitement than anything in the first two-thirds.
There’s not really a performance that stands out, but I will reiterate that Wahlberg doesn’t seem much into the mission or movie. You have to wade through a lot of dusty material to find scenes worth keeping in Uncharted. In Papa John’s terms, there’s not enough cheese sauce to go around.
A popular series of PlayStation games comes to life when Uncharted opens on February 18th. The adventures tale from Zombieland and Venom director Ruben Fleischer features Tom Holland and Mark Wahlberg headlining. Costars include Sophia Ali, Tati Gabrielle, and Antonio Banderas.
Budgeted at a reported $120 million, this should pretty easily top the charts over the long President’s Day weekend. Per usual, it’s undergone a few release date changes in the pandemic era. This time around, the pushback may have helped.
Arriving just two months after Holland’s work as Spider-Man in No Way Home got the box office to unprecedented COVID time levels, audiences may wish to check out his latest potential blockbuster. It doesn’t hurt that gamers could show up too (thought it’s worth mentioning that video game adaptations have a troubled history at multiplexes).
The range for Uncharted is wide. A best case scenario for scenario could be in the $50 million range from Friday to Monday. The floor could be about half of that. I’ll say low to mid 30s is where this ends up.
Uncharted opening weekend prediction: $33.7 million (Friday to Monday estimate)
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