Tag: Pedro Pascal

June 20-22 Box Office Predictions

Zombie threequel 28 Years Later from Danny Boyle and Disney/Pixar’s sci-fi adventure Elio debut this weekend and look to challenge How to Train Your Dragon from a second weekend atop the charts. You can peruse my detailed prediction posts on the newcomers here:

28 Years Later Box Office Prediction
Elio Box Office Prediction

28 Years could over perform and challenge Dragon for box office bragging rights. $40M+ isn’t out of the question, but I’m projecting low to mid 30s.

The Dragon competition could be detrimental to Elio. Pixar has had luck with recent sequels like Inside Out 2. However, original content such as Elemental has struggled out of the gate. I’m estimating Elio premieres in the mid 20s and that would probably mean third place.

If Dragon declines around 50%, low 40s is where it would land and that would mean hitting #1 again after its fiery debut (more on that below).

Lilo & Stitch should be fourth while fifth could be a photo finish between the sophomore frame of Materialists and fifth frame of Mission: Impossible – The Final Reckoning.

Here’s how I see the top 6 playing out:

1. How to Train Your Dragon

Predicted Gross: $41.6 million

2. 28 Years Later

Predicted Gross: $33.7 million

3. Elio

Predicted Gross: $24.5 million

4. Lilo & Stitch

Predicted Gross: $8.1 million

5. Materialists

Predicted Gross: $6.6 million

6. Mission: Impossible – The Final Reckoning

Predicted Gross: $6.5 million

Box Office Predictions (June 13-15)

Friday the 13th certainly wasn’t unlucky for the live-action version of 2010’s How to Train Your Dragon. With mostly solid reviews and an A Cinemascore grade, the fourth flick in the series easily set a franchise high with $84.6 million. That’s right on track with my $84.3 million prediction and it is the fourth largest domestic kickoff of 2025. A sequel was already in the works.

Lilo & Stitch slipped to second after three weeks in 1st with $15.7 million, on pace with my $15.6 million call. The four-week tally is $366 million.

Celine Song’s Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans slightly exceeded expectations with $12 million in third. That’s right in the neighborhood of my $11.4 million estimate as the rom com hopes to play well throughout the coming weeks. The B- Cinemascore could be cause for concern.

Mission: Impossible – The Final Reckoning was fourth with $10.5 million (I went lower at $9 million) for $166 million in four weeks.

At $9.7 million, John Wick spinoff Ballerina sputtered in weekend #2 with a 60% plummet for fifth. I was slightly more generous at $10.5 million.

And that does it for now, folks! Until next time…

June 13-15 Box Office Predictions

A live-action remake of an animated hit looks to replace another live-action remake of an animated hit for box office supremacy this weekend as How to Train Your Dragon debuts. We also have the rom com Materialists entering the marketplace. You can peruse my detailed prediction posts on the newcomers at these links:

How to Train Your Dragon Box Office Prediction
Materialists Box Office Prediction

Dragon, which updates DreamWorks Animation’s 2010 original, is expected to have a fiery start. At best, it could approach $100 million. I’m playing it a little safe and projecting mid 80s for what would easily be a franchise best kickoff after three previous animated offerings.

Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans could reach $10M+ and I’ve got it just over that for third place. It could debut anywhere between 3-5 as it’ll hope to leg out well in subsequent weekends based on solid reviews.

As for holdovers, Disney’s Lilo & Stitch will relinquish its crown after three weeks atop the charts. The Dragon competition could mean a 50% range drop.

Ballerina didn’t impress in its opening (more on that below) and I’m guesstimating a mid to high 50s slide in its sophomore frame. Mission: Impossible – The Final Reckoning should remain in the high five.

Here’s how I envision it playing out:

1. How to Train Your Dragon

Predicted Gross: $84.3 million

2. Lilo & Stitch

Predicted Gross: $15.6 million

3. Materialists

Predicted Gross: $11.4 million

4. Ballerina

Predicted Gross: $10.5 million

5. Mission: Impossible – The Final Reckoning

Predicted Gross: $9 million

Box Office Results (June 6-8)

Lilo & Stitch once again held bragging rights as the family tale held in first with $32.3 million, in line with my $31.9 million call. The Mouse House hit has amassed $335 million after three weeks.

That means my prediction that John Wick spinoff Ballerina would be #1 was off base. The action extravaganza with Ana de Armas stalled in second with $24.5 million, well under my $36.8 million take. It’s a rare financial misstep for a series that had yet to experience such a thing.

Mission: Impossible – The Final Reckoning was third with $14.8 million, nearly matching my $15 million forecast as Tom Cruise’s eighth appearance as Ethan Hunt has made $149 million after its third outing.

Karate Kid: Legends was fourth with $8.5 million. My guess? $8.5 million! The 58% decline in its second weekend means the sequel has kicked up an unimpressive $35 million.

Final Destination Bloodlines rounded out the top five with $6.4 million and I incorrectly didn’t have it there. The four-week tally is $123 million.

That’s because I had Wes Anderson’s The Phoenician Scheme performing better. The auteur’s latest was sixth at $6.2 million. I went higher for the national expansion with $8.7 million. Counting its coastal release the previous weekend, Scheme stands at $7 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Materialists

Celine Song’s 2023 debut Past Lives was a Best Picture and Original Screenplay nominee and her sophomore feature Materialists arrives in theaters this weekend. A rom com with considerable emotional heft according to reviews, it stars Dakota Johnson, Pedro Pascal, and Chris Evans.

The word-of-mouth for the A24 release indicates there’s no sophomore slump for Song with 88% on Rotten Tomatoes and a 73 Metacritic. If the Academy considers Materialists their material, Original Screenplay is a possibility. Chris Evans is also getting some of the best notices of his career.

Yet I suspect its distributor could focus more on its fall slate, namely Marty Supreme. If A24 slots this into the Musical/Comedy competitions at the Golden Globes, it could contend in that Best Picture race with Johnson as a Best Actress hopeful. My Oscar Prediction posts will continue…

Materialists Box Office Prediction

A24 rom com Materialists is writer/director Celine Song’s follow-up to 2023 Best Picture nominee Past Lives. Dakota Johnson, Chris Evans, and Pedro Pascal headline the summer counter programming offering that looks to bring in a respectable female crowd.

While official reviews aren’t yet released, early word-of-mouth from screenings indicates this could be a winner. Audience familiarity with its trilogy of leads could assist. Tracking currently has this at high single digits. I think this could slightly outdo that range and reach low double digits.

Materialists opening weekend prediction: $11.4 million

For my How to Train Your Dragon prediction, click here:

How to Train Your Dragon Box Office Prediction

Oscar Predictions: Eddington

A contemporary Western set during the early days of COVID, Eddington is Ari Aster’s fourth feature which has premiered at Cannes prior to its July 18th stateside release. A24’s topical tale reunites Aster with his Beau Is Afraid lead Joaquin Phoenix along with Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.

The auteur’s career kicked off with Hereditary and Midsommar, two horror experiences that are among the genre’s best reviewed in recent years. Beau had a considerably more polarizing reaction and Eddington appears to be doing the same. Early reviews have this at 59% on Rotten Tomatoes with a 67 Metacritic.

While the strongest reviews are quite strong, the varied buzz from France likely means this won’t be a serious awards contender. My Oscar Prediction posts will continue…

Gladiator II Review

Denzel Washington’s work in Gladiator II is so strong and he is so entertaining to watch that it’s a bit distracting. There are other distractions that are undoubtedly negatives like subpar CG baboons and the choice to fill the Colosseum with frickin sharks. With the two-time Oscar winner having a ball as an ambitious former slave turned gladiator manager, it made me want the movie to be trained more on him. Instead his Macrinus is trapped in a long gestating sequel to the 2000 Best Picture recipient that might not work much at all without him. It’s like if Denzel’s Alonzo Harris character in Training Day was dropped into a Fast and Furious flick. There’s plenty of fun to be had thanks to him, but it stalls when he’s not around.

Ridley Scott returns to the director’s chair for this follow-up set 16 years after Maximus (Russell Crowe) drew his brave last breath in Rome. The city is not in great shape although the expansive wide shots make it look breathtaking. Co-emperors Geta (Joseph Quinn) and Caracella (Fred Hechinger) are unstable rulers with a thirst for overpowering more territories. Caracella is also a syphilitic lunatic with a pet monkey he eventually empowers so that’s good for a couple of bonkers moments. The boys’ chief general is Acadius (Pedro Pascal) who’s married to Lucilla (Connie Nielsen). As you’ll recall, she is the sister to Gladiator‘s Commodus (Joaquin Phoenix) and former lover to Crowe’s Maximus. Acadius conquers, but he conquers with compassion (awww). He has plans to depose Geta and Caracella (and maybe that monkey) and return Rome to its former glory.

It’s not, I realize, an accident that it’s taken until paragraph 3 to mention the star of the movie. That would be Lucius (Paul Mescal). Introduced to us as Hanno, he’s living a seemingly pleasant laundry hanging life with his wife in the province of Numidia when Acadius and his army come a’conquering. His wife’s screen time is short-lived (just like Maximus’s in the original) and he’s soon vowing revenge on the Roman power structure. Lucius was a boy in the first film played by Spencer Treat Clark – son of Maximus and Lucilla who was sent away for his own protection. Maybe I should have said spoiler alert with the lineage reveal, but it’s right there in the trailer.

When Denzel’s Macrinus offers him a chance to achieve vengeance, Lucius is booked for battle in the same Colosseum like his departed dad. That brings us back to dodgy computer generated baboons and filling the iconic arena with sharks. Apparently water logged events did occur at that venue historically though the participation of the finned feeders was unlikely. The fights are more effective in Gladiator II on the human scale when they don’t involve aquatic or jungle creatures.

The film’s biggest flaw is that Mescal’s Lucius doesn’t have the screen presence that Crowe did. He’s not helped by the screenplay where he’s a bit of a blank slate. Maximus struck fear onscreen when he was unmasked and revealed as a super warrior. I didn’t buy it as much with his offspring when he comes out and plays.

Washington, though, is a blast as he schemes for power (and probably his 10th Oscar nomination). I’d offer that Gladiator II is worth watching for him. Yes, there’s plenty of impressive technical work and sometimes it elevates beyond a rehash of part 1’s beats (though often it doesn’t). Without Macrinus in attendance, the Colosseum would feel considerably emptier.

*** (out of four)

Gladiator II Box Office Prediction

Nearly 25 years after Ridley Scott’s original epic stormed the box office and the Academy Awards, Gladiator II enters cinematic arenas on November 22nd. Paul Mescal stars as Lucius, son of Russell Crowe’s Maximus with Scott back in the director’s chair. Costars include Pedro Pascal, Joseph Quinn, Fred Hechinger, Derek Jacobi, Connie Nielsen (back as the sister to Joaquin Phoenix’s departed Commodus), and Denzel Washington (generating Oscar buzz for his role).

With a reported budget north of $200 million, the long-in-development sequel should capitalize on a quarter century of goodwill from the Best Picture winning part 1. Reviews are decent with 75% on Rotten Tomatoes and 67 on Metacritic.

The $60-$75 million forecast for its debut sounds about right. I am hesitant to take the over as some viewers may wait until the following Thanksgiving frame to make the multiplex trek. I’ll put it in the upper end of that range for a second place showing to Wicked.

Gladiator II opening weekend prediction: $69.8 million

For my Wicked prediction, click here:

Wicked Box Office Prediction

For my Bonhoeffer prediction, click here:

Bonhoeffer Box Office Prediction

Oscar Predictions: Gladiator II

At the dawn of the 21st century, Ridley Scott’s epic Gladiator scored a colossal 12 Oscar nominations and won a handful including Best Picture, Actor (Russell Crowe), Costume Design, Sound, and Visual Effects. Other nods included Scott’s direction (he lost to Steven Soderbergh for Traffic), Supporting Actor (Joaquin Phoenix), and Original Screenplay.

Nearly a quarter century later, Gladiator II is in multiplexes November 22nd. Its battle for Academy recognition could be more challenging. Scott returns behind the camera with Paul Mescal leading a cast that includes Pedro Pascal, Joseph Quinn, Fred Hechinger, Connie Nielsen (reprising her role from part 1), and Denzel Washington.

As can sometimes be the case, initial screening reactions from the long-in-development sequel might have been a tad hyperbolic. The review embargo lifted today paints a clearer picture. The Rotten Tomatoes score is 78% with Metacritic at 67. Somewhat surprisingly, that’s in line with its predecessor’s numbers. Yet most critics say this doesn’t measure up to the original.

A Best Picture nom is not out of the question, but I’m currently projecting it won’t make the cut. Its strongest shot in BP will come if voters feel the need to throw at least a couple massive blockbusters in the mix. Dune: Part Two and Wicked (which opens the same day) could fit the bill. Mr. Scott’s direction and the screenplay are long shots. As for the down the line competitions, it could land mentions in Costume Design, Production Design, Sound, and Visual Effects. Original Score is possible but unlikely and I’d say the same for Cinematography. When it comes to wins in those tech derbies, it’ll have to contend with Dune which is in a better position for victories.

While Crowe and nemesis Joaquin Phoenix were both up for their performances at the 73rd ceremony, only Denzel Washington seems to be viable at the 97th. He’s being singled out for his work and could be headed toward nomination #10 in Supporting Actor. If he makes the final quintet, a win is probably not in the cards as I’d certainly put him behind Guy Pearce (The Brutalist) and Kieran Culkin (A Real Pain) at press time. My Oscar Prediction posts will continue…


The Wild Robot Box Office Prediction

DreamWorks Animation hopes families turn up in droves for The Wild Robot when it debuts September 27th. The sci-fi pic is based on a book series by Peter Brown and directed by How to Train Your Dragon and The Croods maker Chris Sanders. Voiceover work comes courtesy of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Matt Berry, and Ving Rhames.

Robot was unveiled days ago at the Toronto Film Festival to satisfying results. The Rotten Tomatoes score is 100% and it could be a frontrunner for Best Animated Feature at the 97th Academy Awards. DreamWorks is putting this out while Transformers One is only in its sophomore outing. That could slightly limit the opening weekend crowd, but Robot will likely leg out impressively over the next several frames.

I still wouldn’t be surprised if this slightly exceeds tracking and that should mean low to mid 30s.

The Wild Robot opening weekend prediction: $33.8 million

For my Megalopolis prediction, click here:

Megalopolis Box Office Prediction

Oscar Predictions: The Wild Robot

The 74th Academy Awards was the first year where Best Animated Feature was presented and DreamWorks Animation took that initial prize with Shrek. The studio has yet to win the race again as Disney has mostly dominated it. They are hoping for their second statue at the 97th ceremony courtesy of The Wild Robot.

Having premiered at the Toronto Film Festival prior to its September 27th domestic debut, Chris Sanders (co-director of How to Train Your Dragon and The Croods) made the sci-fi fantasy based on Peter Brown’s series of novels. Voiceover work comes from Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, and Ving Rhames.

Early word-of-mouth from our neighbor to the north is welcoming. With an 83% Metacritic score and no tomatoes at press time, The Wild Robot is a serious contender not only for a nomination (which appears to be a foregone conclusion), but a victory.

In order to do that, it will still need to surpass Inside Out 2 from you know who. In my view, that is not a foregone conclusion. Yet DreamWorks probably has its best shot since that green ogre. Beyond Animated Feature, Robot‘s Original Score from Kris Bowers is being heralded. There’s also a song from Maren Morris titled “Kiss the Sky” that looks to make that quintet. Either are possible as those competitions are just starting to take shape. My Oscar Prediction posts will continue…