As the Christmas season approaches, four high profile pictures enter the marketplace with another five scheduled on Christmas Day. This weekend it’s Anchorman 2: The Legend Continues, American Hustle, Saving Mr. Banks, and Walking with Dinosaurs.
You can read my individual prediction posts on each here:
If Anchorman 2 were to come in quite a bit below my projection, it could potentially face a battle with this weekend’s champ The Hobbit: The Desolation of Smaug for the #1 spot. However, I do believe Ron Burgundy and company will prevail. Last year in this same weekend, The Hobbit: An Unexpected Journey fell 56% from weekend #1 to #2 and I expect the roughly the same result for Smaug. As for the other three new entries, you’ll notice there’s only a $3.5 million difference between what I believe they’ll debut at. Therefore, these films could easily fluctuate between spots 3-5. Also if any of these newbies were to come in below my projections, it could allow Disney’s Frozen to remain in the top five. Got all that? We shall see how it shakes out, but here’s my predictions for this weekend’s top five:
1. Anchorman 2: The Legend Continues
Predicted Gross: $41.9 million ($61.2 million Wednesday to Sunday)
2. The Hobbit: The Desolation of Smaug
Predicted Gross: $31.5 million (representing a drop of 57%)
3. American Hustle
Predicted Gross: $20.5 million
4. Walking with Dinosaurs
Predicted Gross: $18.9 million
5. Saving Mr. Banks
Predicted Gross: $17.1 million
As always, I’ll have an update on the blog’s Facebook page Saturday with final results on the blog Sunday.
If Anchorman: The Legend Continues fails to have a solid opening, it certainly won’t be due to lack of exposure. Will Ferrell has been everywhere as title character Ron Burgundy over the past several weeks from Dodge Durango commercials to local North Dakota newscasts to the MTV Video Music Awards and more.
As you will recall, Anchorman: The Legend of Ron Burgundy came out in the summer of 2004 and grossed a very respectable $85 million. Since then, the film has taken on a life of its own becoming arguably the most quoted comedy of the past decade or two. It’s already earned a (deserved) reputation as a comedy classic.
For years, rumors of a sequel came and went. And now we’re here – with Ferrell, Steve Carell, Paul Rudd, David Koechner, and Christina Applegate back in the mix. There are also expected to be cameos galore – from Kanye West to Jim Carrey to Harrison Ford.
Simply put – Anchorman 2 is expected to be kind of a big deal. How big of a deal is the question. Anchorman 2 opens on Wednesday so I’ll be making a three and five day projection. It stands to reason that many fans of the original of which there’s many should be anxious to rush out and see the sequel.
What’s the opening weekend range we’re talking about? It’s tough to say. The absolute high mark I could foresee is a five-day gross in the neighborhood of $80 million. That would be an absolutely astonishing debut. I also can’t imagine the five-day haul being lower than $40 million, which would be considered pretty disappointing. As you can see, that’s a rather large range between potential grosses.
You also need to factor in the pre-Christmas weekend that Anchorman 2 is being released in. For many pictures released at this time, the opening weekend can be relatively lower than you might expect with subsequently smaller than normal drop-offs over the Christmas and New Year’s weekend. However, unlike American Hustle and Saving Mr. Banks which open Friday, I expect a large portion of Ron Burgundy’s business to be front loaded.
With all that explanation – here’s the deal: this is not an easy prediction to make. It’s difficult to judge just how eagerly anticipated moviegoers really are for it. Media saturation has been high, the trailers have been effective, and the original is beloved.
Ultimately I am predicting Anchorman 2 falls in between the highs and lows I presented as possibilities.
Anchorman 2: The Legend Continues opening weekend prediction: $41.9 million (Friday-to-Sunday), $61.2 million (Wednesday-to-Sunday)
In 1976, Martin Scorsese’s Taxi Driver was seen as a strong possibility to win Best Picture at the Oscars until a boxing movie unexpectedly captured audiences attention and took the prize. That would, of course, be Rocky. Fast forward to 2004 where Scorsese’s Howard Hughes biopic The Aviator seemed to be the odds-on favorite for Best Pic until, yet again, a pugilistic tale surprised moviegoers late in the awards season.
Clint Eastwood’s Million Dollar Baby wasn’t even talked about much as an awards contender during 2004’s calendar year. It was released very late in the year, but it turned out to be great timing.
Baby would win the top award over The Aviator, as well as Marc Forster’s Finding Neverland, Taylor Hackford’s Ray, and Alexander Payne’s Sideways.
As for other contenders not recognized, the Academy would ignore Quentin Tarantino’s fantastic Kill Bill and its Volume II after snubbing the first installment the year prior. It’s also worth noting that the greatest Harry Potter flick in the franchise (in my view) Prisoner of Azkaban could have been honored too. And there’s Michel Gondry’s highly original critical favorite Eternal Sunshine of the Spotless Mind. And a favorite of audiences – Mel Gibson’s mega-blockbuster Passion of the Christ. Any of one of these pics should have at least replaced Finding Neverland, which was decent but doesn’t belong in the category.
The Baby boom would extend to Eastwood, who won Best Director exactly a dozen years after winning the same award for Unforgiven. This prevented Scorsese from winning his first Oscar. Other nominees included Hackford, Payne, and Mike Leigh for Vera Drake.
Once again – Gondry, Tarantino, and Gibson are names worth mentioning that didn’t get in the mix.
Jamie Foxx would take Best Actor for his dead-on portrayal of the legendary singer Ray Charles in Ray, winning out over Leonardo DiCaprio in The Aviator, Don Cheadle in Hotel Rwanda, Eastwood in Million Dollar Baby, and Johnny Depp in Finding Neverland.
One major snub was Paul Giamatti for his fine work in Sideways. The Academy yet again snubbed Jim Carrey in Eternal Sunshine.
Hilary Swank won her second Best Actress award in five years for Baby (in 1999, she was victorious in Boys Don’t Cry). Other nominees: Annette Bening in Being Julia, Catalina Sandino Moreno in Maria Full of Grace, Imelda Staunton in Vera Drake, and Kate Winslet for Eternal Sunshine.
Once again, it was Uma Thurman left out for her work in the Kill Bill franchise.
Morgan Freeman would win his first Oscar in the Supporting Actor race for Million Dollar Baby over Alan Alda in The Aviator, Thomas Haden Church for Sideways, Jamie Foxx in Collateral, and Clive Owen in Closer.
Not to keep bringing up Kill Bill, but the late David Carradine should have been nominated.
The Aviator would finally receive some Academy recognition with Cate Blanchett winning Supporting Actress with her portrayal as Katherine Hepburn. Other nominees: Laura Linney in Kinsey, Virginia Madsen for Sideways, Sophie Okonedo in Hotel Rwanda, and Natalie Portman for Closer.
After all my mentions for Kill Bill and Eternal Sunshine receiving snubs, there’s one other 2004 pic that demonstrates the Academy’s constant ability to ignore comedies. So I give you the following snubs –
Best Actor – Will Ferrell, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – Steve Carell, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – Paul Rudd, Anchorman: The Legend of Ron Burgundy
Best Supporting Actor – David Koechner, Anchorman: The Legend of Ron Burgundy
Best Scene Involving a Cannonball – Anchorman: The Legend of Ron Burgundy
Best Scene With a Dog Being Punted – Anchorman: The Legend of Ron Burgundy
Best Rendition of “Afternoon Delight” In a Movie: Anchorman: The Legend of Ron Burgundy
I’ll be back with Oscar History: 2005 soon, my friends!
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