Arriving 15 years after the acclaimed TV series that have now spawned three feature films, Downton Abbey: The Grand Finale is out September 12th. Simon Curtis, who directed 2022’s Downton Abbey: A New Era, returns with franchise creator Julian Fellowes scripting. Returning cast members from the small and big screen include Hugh Bonneville, Laura Carmichael, Jim Carter, Raquel Cassidy, Paul Copley, Brendan Coyle, Michelle Dockery, Paul Giamatti, Elizabeth McGovern, Dominic West, and Penelope Wilton. Newcomers to the proceedings are Joely Richardson, Alessandro Nivola, Simon Russell Beale, and Arty Froushan.
Fans of the series were anxious to go Downton in 2019 when the first movie premiered four years after the show went off air. The domestic opening was $31 million with a $96 million eventual gross. In 2022, the figures for New Era dwindled to a $16 million start and $44 million overall.
Grand could potentially benefit from its Finale moniker, but I’m not counting on it. I think it’ll open in range with its predecessor and maybe a touch higher.
Downton Abbey: The Grand Finale opening weekend prediction: $18.1 million
For my Demon Slayer: Kimestu no Yaiba – The Movie: Infinity Castle prediction, click here:
As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.
What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?
For the 96th Academy Awards, we know Christopher Nolan’s Oppenheimer would have been one of them. It dominated the show by winning Best Picture, Director, Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr.), Cinematography, Film Editing, and Original Score.
Picking the other 4 of 9 for the final five is less obvious. And I really mean it this time because, with one exception, selecting the others was tough. Here’s my best speculation.
American Fiction
Cord Jefferson’s dramedy performed better than anticipated with five nominations including a win in Adapted Screenplay over heavy hitters Barbie, Oppenheimer, Poor Things, and The Zone of Interest. Other nods were Jeffrey Wright in Actor, Sterling K. Brown for supporting, and Original Score.
Does It Make the Final Five?
Yes, but I went back and forth on this one and came very close to saying no. Gods and Monsters from 1998 is the last Adapted Screenplay winner to not be nominated for BP so that’s what gives this a slight edge.
Anatomy of a Fall
The French legal drama was inexplicably not selected for International Feature Film, but nabbed a quintet of nods that included Director (Justine Triet), Actress (Sandra Hüller), Film Editing, and a victory in Original Screenplay (over The Holdovers and Past Lives).
Does It Make the Final Five?
No, but I went back and forth on this one and came very close to saying yes. Like with Fiction, there’s a screenplay component at play. Eternal Sunshine of the Spotless Mind from 2004 was the previous Original Screenplay winner to not be nominated for BP. In this case, the case for some other pics was just a tad stronger.
Barbie
Greta Gerwig’s smash hit had six other nods in Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, 2 Original Songs, and Production Design. The sole victory was for Billie Eilish’s ballad “What Was I Made For?”.
Does It Make the Final Five?
I went back and forth on this one… you get the idea. I’m going with no with its glaring omission for Gerwig’s direction and Margot Robbie’s snub to a lesser degree. That said, it is certainly feasible that AMPAS could’ve made room had this been a quintet.
The Holdovers
Alexander Payne’s dramedy was a winner in Supporting Actress for Da’Vine Joy Randolph with Paul Giamatti nominated in Actor and nods for Film Editing and Original Screenplay.
Does It Make the Final Five?
No. If Giamatti had taken lead actor or the screenplay been victorious, this would be a tougher choice. I think it’d be on the outside looking in.
Killers of the Flower Moon
Martin Scorsese’s historial epic had ten overall nominations behind Oppenheimer and Poor Things – directing, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. It went 0 for 10 on the night.
Does It Make the Final Five?
Yes, but I don’t think it’s automatic. No nods for the adapted screenplay or Leonardo DiCaprio in Actor make me questions its inclusion. So do the zero trophies. Yet Scorsese’s clout causes me to grant it a spot.
Maestro
Bradley Cooper’s biopic of Leonard Bernstein is a seven-time nominee for Actor (Cooper), Actress (Carey Mulligan), Original Screenplay, Cinematography, Makeup and Hairstyling, and Sound. It did not pick up any of the hardware.
Does It Make the Final Five?
No, but it did perform quite well as far as nods. Cooper’s exclusion from Best Director was my deciding factor.
Past Lives
Celine Song’s romance was the least nominated of the BP contestants with Original Screenplay as its only other nom.
Does It Make the Final Five?
No and this was the easiest of the five to decide considering the amount of nominations.
Poor Things
The multi-genre experience from Yorgos Lanthimos was second only to Oppenheimer in terms of mentions with 11 including wins for Emma Stone in Actress, Costume Design, Makeup and Hairstyling, and Production Design. Other nods: director, Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Film Editing, and Original Score.
Does It Make the Final Five?
Yes and this was the easiest of the nine to leave in due to its volume of noms and victories.
The Zone of Interest
The wartime drama from Jonathan Glazer, with Anatomy of a Fall out of competition, easily took International Feature Film while also grabbing a Sound win and noms for direction and Adapted Screenplay.
Does It Make the Final Five?
I don’t think it is automatic, but yes. I nudged it just past Fall considering the IFF gold.
And that means my final 2023 five would be:
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things
The Zone of Interest
I plan to post my selection for 2024 in the near future!
Previously on the blog, I wrote a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 in recently years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned numerous posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them! Also – I still need to write these posts for 2023 and 2024. They’re coming.**
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five movies that I believe would’ve gotten in. I’ve already covered 2005-08 and you can peruse my posts on them here:
We move to 2004. There’s an obvious five pictures that would’ve made the cut and that’s the group that were nominated. It begins with Clint Eastwood’s Million Dollar Baby. That boxing drama made a late surge 21 years back and took four trophies – Picture, Director, Actress (Hilary Swank), and Supporting Actor and was nominated for three more.
Martin Scorsese’s The Aviator scored a ceremony high 11 nods and won five – Cate Blanchett in Supporting Actress, Art Direction, Cinematography, Costume Design, and Film Editing. Finding Neverland from Marc Forster landed 7 nominations with a victory in Original Score. Taylor Hackford’s musical biopic Ray made Jamie Foxx a Best Actor victor and won Sound Editing in addition to nods in BP, Director, and two tech races. Alexander Payne’s Sideways was also up for Director, two acting races (though notably not Paul Giamatti in lead actor), and was the recipient of Adapted Screenplay.
That’s the quintet we know. Now we can speculate. And that begins with an unlikely contender in Michael Moore’s Fahrenheit 9/11. Moviegoers of a certain younger age may not recall. but the documentarian’s critical look at George W. Bush’s presidency and the Iraq War was a Palme d’Or winner at Cannes, a critical smash, and became the highest grossing documentary of all time in the summer of 2004. However, Moore chose not to submit Fahrenheit for consideration in Documentary Feature where it probably would’ve been a lock to win that prize.
Fahrenheit was, however, eligible for BP. And this is the rare place on the blog where I will speak of politics coming into play. Had President Bush lost reelection in 2004, Fahrenheit might’ve been seen as a contributing factor. And in Hollywood, that might’ve been enough to earn it a spot among the theoretical 10 nominees. That did not happen and I’m therefore not including it among the expanded contenders.
While Fahrenheit is a question mark, there are some features that I feel strongly would have made the longer list. Mike Leigh’s Vera Drake was up for Director, Actress (Imelda Staunton), and Original Screenplay. Michel Gondry’s Eternal Sunshine of the Spotless Mind was the winner in Original Screenplay while Kate Winslet was up in Actress (though Jim Carrey was notably snubbed in Actor). Hotel Rwanda was also nominated in Original Screenplay along with performers Don Cheadle and Sophie Okenedo.
In previous posts covering2007-2008, Ratatouille and Wall-E made the expanded 10. For 2004, same goes for The Incredibles. The Pixar property was the Animated Feature and Sound Editing honoree and it had nominations in (you guessed it) Original Screenplay and Sound Mixing.
That leaves one spot and there’s lots of contenders. Mel Gibson’s The Passion of the Christ was a box office smash that was up for Original Score, Cinematography, and Makeup. Yet I question whether the Academy would’ve gone for it even with five added possibilities.
Collateral from Michael Mann saw Jamie Foxx as a double nominee in Supporting Actor and a Film Editing nod. Closer had supporting nominations for Clive Owen and Natalie Portman. If it had managed a Screenplay nomination, I might’ve included it. Various tech nominations were bestowed upon Harry Potter and the Prisoner of Azkaban, Lemony Snicket’s A Series of Unfortunate Events, The Phantom of the Opera, Spider-Man 2, and A Very Long Engagement. If this were a do-over list, Azkaban probably would get in considering many believe it’s the best of the franchise. I don’t believe you’d see it at the time. Same goes for the second Spidey adventure.
For the tenth spot (and it’s admittedly a tricky one), I’m settling on The Motorcycle Diaries from Walter Salles. Diaries was subject to controversy at the Oscars in the Best Foreign Language Film (now International Feature Film) competition. The Academy ruled it ineligible in that race because “it didn’t have sufficient elements from any of the countries to qualify” (huh?). It still picked up nods in Adapted Screenplay and won Original Song. With a doubling of nominees, I think voters would’ve found room for it. That’s especially since it should have been a lock in the foreign derby.
And here we go! We are about four weeks removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days. I already posted my first takes on the supporting derbies and they can be perused here:
We now move to Actor. When I did my first picks on the competition in 2023, it yielded two nominees: winner Cillian Murphy as Oppenheimer and Bradley Cooper in Maestro. Under the 10 other possibilities, I named Colman Domingo in Rustin and Paul Giamatti for The Holdovers I did not identify Jeffrey Wright (American Fiction) at the early juncture.
Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actors listed here could end up being campaigned for in supporting actor.
My first projections give Colman Domingo a second shot in a row in this competition. Cillian Murphy could be back as well. They also open up the possibility of Joaquin Phoenix’s return as Joker giving him another statue in the role. In 2023, I listed Kingsley Ben-Adir in Bob Marley: One Love as one of my predicted quintet. Now he’s an Other Possibility (and a somewhat remote one at that).
Here’s the first snapshot:
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTOR AT THE 97TH ACADEMY AWARDS
After scores of Oscar Prediction posts, 35 Case Of write-ups making the argument for and against winners in BP, Director, and the four acting derbies, and numerous articles covering the key precursors – we have arrived at my final winner predictions for the 96th Academy Awards. The ceremony airs Sunday night with Jimmy Kimmel back hosting (remember: it starts an hour earlier than normal at 7PM EST).
Truth be told, some of the major races come with little to zero suspense and you’ll read about that below. On the other hand, there are a handful of competitions that are quite unpredictable with the most visible being Best Actress.
As I do each year, I’ll give you the nominees, brief analysis, and a winner and runner-up pick for all the feature-length categories. Let’s get to it!
BEST PICTURE
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s keep this simple. Oppenheimer is the easiest BP selection to predict in quite some time and there’s been some obvious ones recently (including Everything Everywhere All at Once last year). It has taken all the precursors it needs to including the Globes, BAFTA, SAG and Critics Choice. Frankly, the more difficult call is runner-up (and it doesn’t really matter). I’ll go with Poor Things since it had the second most noms and showed up in all the major races where it was expected to contend.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST DIRECTOR
Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)
You could literally copy and paste everything about Picture for Director with the man who made Oppenheimer and throw in the fact that he took DGA as well. Another no brainer.
Prediction: Christopher Nolan, Oppenheimer
Runner-Up: Jonathan Glazer, The Zone of Interest (I guess)
BEST ACTRESS
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)
And now it gets complicated. Of the four acting races, this is by far the hardest one. Why? It appears to be a coin flip between Stone and Gladstone. They split the Golden Globes as anticipated. Stone received BAFTA and Critics Choice and appeared to be out front. And then Gladstone swooped in for SAG. That recency factor could serve as a boost. Additionally, Gladstone’s victory would be historic. For Stone, it would be her second statue in seven years after her La La Land prize. Stone could absolutely make the podium trip and it wouldn’t be unexpected at all. Yet for the reasons above…
Prediction: Lily Gladstone, Killers of the Flower Moon
Runner-Up: Emma Stone, Poor Things
BEST ACTOR
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Best Actor also looked like a pick ’em for a bit between Murphy and Giamatti. They split the Globes and then Giamatti was your Critics Choice choice. Murphy, however, regained momentum with BAFTA and SAG. A Giamatti win could occur, but it seems unlikelier now.
Prediction: Cillian Murphy, Oppenheimer
Runner-Up: Paul Giamatti, The Holdovers
BEST SUPPORTING ACTRESS
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
There was some thought that this race could become interesting at some point with an Emily Blunt upset at SAG or maybe even Brooks scoring a shocking victory. It never happened and Randolph has emerged everywhere. This is one of the easiest categories to call.
Prediction: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
BEST SUPPORTING ACTOR
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)
This quintet of performers all come from BP nominees, but the winner will be from the BP recipient. Downey Jr. has swept this season thus far and that’ll continue.
Prediction: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
BEST ORIGINAL SCREENPLAY
Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives
You’ll notice a common theme with both Screenplay derbies. It looked like each would difficult to figure out, but precursors have had consistency. In Original, that’s been Anatomy of a Fall and this should mark its sole Oscar since France inexplicably didn’t make it their International Feature Film submission.
Prediction: Anatomy of a Fall
Runner-Up: The Holdovers
BEST ADAPTED SCREENPLAY
Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest
There is a little more intrigue here with Barbie in the mix and a potential Oppenheimer juggernaut being rewarded even here. That said, Fiction kept racking up precursors and I can’t bet against it for its solo prize.
Prediction: American Fiction
Runner-Up: Oppenheimer
BEST INTERNATIONAL FEATURE FILM
Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest
As mentioned, with Anatomy left out, this becomes easy. Zone is the only BP nominee listed in this group.
Prediction: The Zone of Interest
Runner-Up: Society of the Snow
BEST ANIMATED FEATURE
Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse
We’ve got real drama here as Heron took the Globe and BAFTA while Spidey is the Annie and Critics Choice selection. I’m leaning toward the latter, but Heron could fly away with the minor upset.
Prediction: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
BEST DOCUMENTARY FEATURE
Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol
Doc Feature can be a head scratcher from time to time and I’m tempted to go with Daughters or even something else to shake it up. Mariupol, though, has collected the bulk of notable precursors. It’s the safe pick.
Prediction: 20 Days in Mariupol
Runner-Up: Four Daughters
BEST CINEMATOGRAPHY
Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
Sometimes brevity is appreciated. There are some of these tech races where Oppenheimer is way out front. This would be one.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST COSTUME DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Here’s one where Oppenheimer isn’t really expected to win. Instead, like Production Design, this should be between Barbie and Poor Things and it’s 50/50 in my view. I have a strange feeling that Barbie will win more than 1 Oscar (there’s one coming below where it’s basically a slam dunk). This could mark that second trophy.
Prediction: Barbie
Runner-Up: Poor Things
BEST FILM EDITING
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
A very easy call for Oppenheimer.
Prediction: Oppenheimer
Runner-Up: Anatomy of a Fall
BEST MAKEUP AND HAIRSTYLING
Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow
Poor Things is a genuine threat, but I’ll say this is Maestro‘s only victory.
Prediction: Maestro
Runner-Up: Poor Things
BEST ORIGINAL SCORE
Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things
It is Oppenheimer‘s destiny to take this one.
Prediction: Oppenheimer
Runner-Up: Killers of the Flower Moon
BEST ORIGINAL SONG
Nominees: “The Fire Inside” from Flamin’ Hot; “I’m Just Ken” from Barbie; “It Never Went Away” from American Symphony; “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon; “What Was I Made For?” from Barbie
Here’s where Barbie is the safe pick with either tune. “Ken” nabbed a Critics Choice prize, but Billie Eilish’s ballad scored at the Globes and Grammys.
Prediction: “What Was I Made For?” from Barbie
Runner-Up: “I’m Just Ken” from Barbie
BEST PRODUCTION DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Per Costume Design, a showdown between Barbie and Bella of Poor Things. Unlike Costume Design, my coin is flipped to Poor Things for what I’m projecting is its only Academy Award.
Prediction: Poor Things
Runner-Up: Barbie
BEST SOUND
Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
This looked like a no thinking pick for Oppenheimer until Zone managed the BAFTA. I could see that repeating, but I’m not confident enough to bet against Oppenheimer.
Prediction: Oppenheimer
Runner-Up: The Zone of Interst
BEST VISUAL EFFECTS
Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon
Along with Actress, this is where I’ve struggled the most. VE is kinda wild this year with Oppenheimer not listed (it won Critics Choice), Dune: Part Two having been pushed to 2024, and Poor Things (which won BAFTA) not in the quintet. So… your guess is as good as mine. I’m really tempted to go with Godzilla. Guardians and Napoleon are possible (I really don’t see Mission as the pick). Yet I’ll say The Creator edges them out as it just took some Visual Effects Society awards. Confidence level? Nada.
Prediction: The Creator
Runner-Up: Godzilla Minus One
That means I’m speculating that every BP nominee except Past Lives will win an Oscar… and that Barbie is the only other picture with more than one trophy other than Oppenheimer.
Here’s the projected breakdown for victories:
8 Wins
Oppenheimer
2 Wins
Barbie
1 Win
American Fiction, Anatomy of a Fall, The Creator, The Holdovers, Killers of the Flower Moon,Maestro, Poor Things, Spider-Man: Across the Spider-Verse, 20 Days in Mariupol, The Zone of Interest
And there you have it! I’ll have a recap up Sunday evening with how I did and general takeaways…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth performer in Best Supporting Actress and that’s Da’Vine Joy Randolph in The Holdovers . Let’s get to it!
Previous Oscar Acting Nominations:
None
The Case for Da’Vine Joy Randolph:
It’s significant. After capturing the attention of many critics and moviegoers in 2019’s Dolemite Is My Name, Randolph has had a sterling precursor season by sweeping at the Globes, SAG, BAFTA, and Critics Choice. Heck, she even picked up the Indie Spirit Award for good measure in Alexander Payne’s acclaimed dramedy.
The Case Against Da’Vine Joy Randolph:
I’m struggling to come up with one. Randolph has won everywhere she needs to and no other rival emerged as a threat. I suppose if Oppenheimer greatly exceeds expectations, Emily Blunt could benefit from it. However, that hasn’t played out anywhere including BAFTA (where some suspected she could be a surprise recipient).
The Verdict:
Randolph will be holding an Oscar in the building come March 10th.
My Case Of posts will continue with Mark Ruffalo in Poor Things…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth performer in Best Actor and that’s Jeffrey Wright in American Fiction. Let’s get to it!
Previous Oscar Acting Nominations:
None
The Case for Jeffrey Wright:
The veteran thespian and Tony and Emmy winner for Angels in America finally gets into the Academy’s mix with Cord Jefferson’s dramedy. The Globes, SAG, and Critics Choice all included him. The film itself easily matched expectations with 5 nods (including for Wright’s costar Sterling K. Brown) and it could get honored somewhere.
The Case Against Jeffrey Wright:
That somewhere is likely to be in Adapted Screenplay and not Best Actor where Cillian Murphy (Oppenheimer) is favored with Paul Giamatti (The Holdovers) as runner-up. BAFTA didn’t bite and he won none of the precursors.
The Verdict:
You’d be wrong to bet on Wright.
My Case Of posts will continue with Da’Vine Joy Randolph in The Holdovers…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actor and that’s Cillian Murphy in Oppenheimer.
Previous Oscar Acting Nominations:
None
The Case for Cillian Murphy:
Mr. Murphy’s sixth collaboration with Christopher Nolan earned him his first Academy nod. Oppenheimer is far and away the BP frontrunner and he is the title character. Already the victor at the Globes and BAFTA, Murphy picked up a key award last night at SAG. 17 out of the past 20 SAG recipients went on to take Actor at the Oscars.
The Case Against Cillian Murphy:
Paul Giamatti (The Holdovers) was named in Musical/Comedy at the Globes and he took Critics Choice where 16 of the last 20 winners have won Oscar.
The Verdict:
SAG has put Murphy out front in the competition. Giamatti is still viable, but the star of the future BP winner is now the likely winner.
My Case Of posts will continue with Jodie Foster in Nyad…
There were no shockers in the film races at the 30th SAG Awards as I went for 4 for 6. And indeed… four of the categories were fairly easy to predict while Actress and Actor were tossups. They went the other way from my forecasts.
Oppenheimer is your Outstanding Performance by a Cast in a Motion Picture as it seems destined for the Academy’s BP prize in a couple of weeks. Simply put, it has swept all the precursors it needs to.
Christopher Nolan’s epic won half the cinematic derbies this evening as Cillian Murphy took lead Actor. I had Paul Giamatti in The Holdovers getting this one. The general feeling (and I believe the correct one) is that if Murphy managed SAG, that makes it difficult to bet against him for Oscar. The race moves from Tossup between Murphy and Giamatti to Likely Murphy. As expected, Robert Downey Jr. continued his dominance in Supporting Actor.
In non-Oppenheimer news, Lily Gladstone was honored as lead Actress in Killers of the Flower Moon over Emma Stone in Poor Things (who I predicted). Had Stone made the podium trip, this Oscar category would be Likely Stone. Now I’d say it’s a tossup as both performers have essentially split the precursors.
Da’Vine Joy Randolph put another notch in the anticipated sweep in Supporting Actress for The Holdovers.
Finally, Mission: Impossible – Dead Reckoning is the first feature in that long running franchise to win Stunt Ensemble. I called that one.
Bottom line: SAG gave a huge boost to Gladstone giving Stone steady competition in two weeks. Meanwhile the Oppenheimer momentum keeps rolling along.
The 30th SAG Awards air this Saturday and they are rightly viewed as an often reliable barometer for the Oscars, especially in the acting derbies. The biggest prize honors the strongest ensemble and that’s a less reliable match with Best Picture. Over the past 10 ceremonies, the correlation has been 5 out of 10 and that includes the last two shows with CODA and Everything Everywhere All at Once.
On the other hand, it was four for four in Actress, Actor, and the supporting competitions last year. That also holds true for 2021.
Sunday’s program could solidify frontrunner statuses for Actress/Actor hopefuls and further potential sweeps for the supporting players. Let’s walk through all 6 categories with a winner and runner-up selection.
Outstanding Performance by a Cast in a Motion Picture
Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer
You have to go back to the second SAG Awards and The Birdcage to find a nominee that wasn’t an Oscar BP nominee so you can cross The Color Purple out immediately. My hunch is this comes down to Barbenheimer. We know that Oppenheimer is the overwhelming favorite for the Academy’s BP. However, Barbie could legitimately pick this up. This is a close call and I wouldn’t totally rule out Fiction. Yet the fact is that Oppenheimer might be strong enough to nab this one in addition to all the other precursors.
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Performance by a Female Actor in a Leading Role
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)
This is where Gladstone could make the Oscar race a nail biter. Stone has taken Critics Choice and BAFTA. If she gets the victory at SAG, she’ll become the easy favorite. Arguably a coin flip, but I’m sensing Stone gets it.
Predicted Winner: Emma Stone, Poor Things
Runner-Up: Lily Gladstone, Killers of the Flower Moon
Outstanding Performance by a Male Actor in a Leading Role
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Read what I said about Female Actor in a Leading Role. In this race, Cillian Murphy is Emma Stone. Paul Giamatti is Lily Gladstone (except Giamatti took Critics Choice). Murphy could achieve frontrunner status or Giamatti could make it a jump ball. I’m projecting the latter.
Predicted Winner: Paul Giamatti, The Holdovers
Runner-Up: Cillian Murphy, Oppenheimer
Outstanding Performance by a Female Actor in a Supporting Role
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penélope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
Randolph has been the victor everywhere important and I don’t see SAG interrupting her sweep.
Predicted Winner: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
Outstanding Performance by a Male Actor in a Supporting Role
Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)
Read what I said about Female Actor in a Supporting Role. Robert Downey Jr. is Da’Vine Joy Randolph.
Predicted Winner: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning
The sequel heavy lineup marks the first nomination for a John Wick pic. Some prognosticators are going with it, but I’m forecasting the Mission series (in its third try) pulls through.
Predicted Winner: Mission: Impossible – Dead Reckoning
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