Not to be confused with The Pope’s Sous-Chef or The Pope’s Orthopedic Surgeon, Sony Pictures gives us The Pope’s Exorcist on April 14th. Julius Avery (Overlord, Samaritan) directs the supernatural horror tale with Russell Crowe as the Pontiff’s chosen demon extractor. Costars include Daniel Zovatto, Alex Essoe, Ralph Ineson, and Franco Nero. ‘
This particular genre subsection has conjured up its share of pics in recent years. Titles like 2018’s The Possession of Hannah Grace and last fall’s Prey for the Devil managed $6.5 million and $7.2 million for their respective starts. 2014’s Deliver Us from Evil made just under $10 million. Meanwhile 2012’s The Possession and 2011’s The Rite hit $17 million and $14 million out of their gates.
Exorcist has competition from Renfield, the vampiric comedy with Nicolas Cage and Nicholas Hoult, premiering directly against it. Evil Dead Rises drops a week later. I think Crowe and company can gross north of $10 million, but I’ll say it falls under.
The Pope’s Exorcist opening weekend prediction: $7.4 million
Blogger’s Note (08/07): My prediction has increased from $10.7 million to $14.3 million
Based on a series of Alvin Schwartz horror novels geared towards children, ScaryStoriestoTellintheDark opens in theaters next weekend. Co-produced by Guillermo del Toro, the film comes from director André Øvredal who mostly recently made the critically appreciated TheAutopsyofJaneDoe. Cast members include Zoe Colletti, Michael Garza, Gabriel Rush, Austin Abrams, Dean Norris, Gil Bellows, and Lorraine Toussaint.
The concoction of the horror genre marketing to a young audience is a risky one. I’m not confident this mix will result in pleasing box office earnings and I wouldn’t expect the “Stranger Things” crowd to turn out. Even though we’re talking PG-13 here vs. an R rating, I’ll project this performs similarly to what Overlord (which boasted its own known producer J.J. Abrams) did last year.
ScaryStoriestoTellintheDark opening weekend prediction: $14.3 million
For my DoraandtheLostCityofGold prediction, click here:
A trio of newbies enter the marketplace in the pre-Thanksgiving weekend as J.K. Rowling’s latest wizard tale FantasticBeasts: TheCrimesofGrindelwald, Mark Wahlberg family comedy InstantFamily, and critically hailed ensemble heist drama Widows debut. You can peruse my detailed prediction posts on each of them here:
There’s little doubt that Beasts will easily take its perch atop the charts, as every Rowling based pic has going back to HarryPotterandtheSorcerer’sStone seventeen years ago. I’ve got it premiering just under its predecessor FantasticBeastsandWheretoFindThem in November 2016.
After it solid start, TheGrinch should drop to second place. The direct competition from Beasts could mean a drop in the low to possibly mid 40s.
The rest of the top 5 gets interesting as BohemianRhapsody enters its third frame and battles with the newcomers. I’ve become a bit more convinced that Family will manage to outdo Widows out of the gate. If we take the Freddie Mercury biopic down about 40%, it could slightly edge Family.
Here’s my take on the weekend’s high five:
1. FantasticBeasts: TheCrimesofGrindelwald
Predicted Gross: $70.1 million
2. TheGrinch
Predicted Gross: $38.6 million
3. BohemianRhapsody
Predicted Gross: $19.5 million
4. InstantFamily
Predicted Gross: $19.4 million
5. Widows
Predicted Gross: $15.8 million
BoxOfficeResults (November9–11)
It was sturdy holiday greetings for TheGrinch as the animated Christmas flick took in $67.5 million, a bit ahead of my $63.4 million projection. There’s plenty of competition in the pipeline, but this should still play well throughout the upcoming season.
BohemianRhapsody was second in its sophomore weekend at $31.2 million (I said $29.8 million). In just ten days, it’s hit the $100 million mark.
Zombie war pic Overlord opened in third with a so-so $10.2 million, chomping past my $8.2 million estimate. It wasn’t expected to be this weekend’s #2 newcomer, but that has more to do with another film coming up in the recap.
TheNutcrackerandtheFourRealms dropped to fourth with $10 million, on pace with my $10.2 million prediction. The Disney disappointment has made $35 million in two weeks.
AStarIsBorn was fifth with $8.1 million (I said $8 million) to bring its haul to $178 million.
Opening in sixth place was TheGirlintheSpider’sWeb with a meager $7.8 million compared to my $9.4 million take. The soft reboot of the franchise could not connect with audiences seven years following the successful TheGirlwiththeDragonTattoo.
Lastly, today we lost an icon who created many of the heroes and villains that have dominated pop culture and our 21st century cinematic universe. RIP Stan Lee and thank you.
Illumination Entertainment’s animated The Grinch looks to steal the box office crown from Bohemian Rhapsody after its killer opening this past weekend. We also have The Girl in the Spider’s Web and Overlord debuting and vying for some of the same audience members. You can find my detailed estimates on the trio of newbies right here:
My mid 60s start for The Grinch easily places it in the top spot as it looks like to play well into the holiday season, even with plenty of family related competition coming soon.
Bohemian, despite very mixed reviews, played well with the masses and I don’t see it dropping more than mid 40s in its sophomore frame. The runner-up spot should be no problem for it.
As for the other newcomers, I have soured on Spider’s Web. My initial projection of $13.7 million has dwindled to $9.4 million. Depending on how Disney’s The Nutcracker and the Four Realms (after a muted opening) drops in weekend #2, it could find itself in a battle for third place.
Despite positive critical notices, I’m skeptical that Overlord reaches its intended audience and I have it placing fifth with a sub double digits debut. If it opens much under that, it could be in danger of being sixth behind A Star Is Born.
And with that, my top 6 projections for the weekend ahead:
1. The Grinch
Predicted Gross: $63.4 million
2. Bohemian Rhapsody
Predicted Gross: $29.8 million
3. The Nutcracker and the Four Realms
Predicted Gross: $10.2 million
4. TheGirlintheSpider’sWeb
Predicted Gross: $9.4 million
5. Overlord
Predicted Gross: $8.2 million
6. A Star Is Born
Predicted Gross: $8 million
Box Office Results (November 2-4)
Bohemian Rhapsody rocked out to a tremendous start with $51 million, easily outpacing my $41.8 million forecast. The Freddie Mercury biopic managed to outdo October’s debut for A Star Is Born. It’s likely to continue to play well throughout the month.
Disney experienced a rare letdown with The Nutcracker and the Four Realms as it opened in second to an unremarkable $20.3 million. It did manage to just top my $19.4 million estimate. The film will hope for smallish declines in the coming weeks, but competition for families and little ones is significant in November.
Tyler Perry’s comedy Nobody’s Fool starring Tiffany Haddish had a so-so premiere in third with $13.7 million, in range with my $14.5 million projection. That’s roughly half of what Haddish’s September pic Night School accomplished out of the gate.
A Star Is Born was fourth with $11 million (I said $9.7 million) to brings its total to $165 million.
Now that its namesake holiday has passed, Halloween took a tumble in weekend #3 to fifth with $10.8 million (I was higher at $14.1 million). Nevertheless the $10 million production has amassed a fantastic $150 million thus far.
Horror audiences have been treated to lots of zombies over the past few years on the big and small screen. Yet in Overlord, we get to witness the undead in World War II! That’s the basic premise of the J.J. Abrams produced genre pic out next weekend from director Julius Ray. The cast includes Jovan Adepo, Wyatt Russell, Mathilde Ollivier, Pilou Asbaek, Jacob Anderson, and Bokeem Woodine.
Reviews for this exercise have been strong since it premiered at Fantastic Fest last month and it currently holds an 88% score on Rotten Tomatoes. The opportunity for this to be a cult hit is very real, but its initial box office earnings might be just fair. The Girl in the Spider’s Web presents some direct competition while casual horror enthusiasts may have had their fill with Halloween. A decent comp could be both 28 Days Later and 28 Weeks Later, which respectively made $10 million and $9.8 million for their starts. I’ll put this a bit under those.
Blogger’s Note (11/08/18): And another revision down to $9.4 million
Blogger’s Note (11/05/18): I am revising my estimate down to $11.7 million from original estimate of $13.7 million
The Girl in the Spider’s Web makes its way to stateside multiplexes next weekend nearly seven years after David Fincher’s The Girl with the Dragon Tattoo. Mr. Fincher is nowhere to be found nor is Rooney Mara as computer hacking heroine Lisbeth. Claire Foy takes over the title role with Don’t Breathe maker Fede Alvarez directing. Costars include Sverrir Gudnason, LaKeith Stanfield, Sylvia Hoeks, Stephen Merchant, and Vicky Krieps.
It’s based on the wildly popular series of novels began by the late Stieg Larsson. This one in particular is adapted from the 2015 book by David Lagercrantz. The long layoff and different personnel involved could present some box office challenges. Reviews are mixed thus far as it stands at 73% on Rotten Tomatoes. There’s also direct competition in the form of Overlord, which will be vying for much of the same audience.
Comparing numbers with Tattoo is a tricky proposition. That eagerly awaited pic’s traditional opening weekend number was $12.7 million, but that’s with a huge asterisk. It opened Christmas weekend of 2011 when the holiday fell on a Sunday. Tattoo rolled out on Wednesday and Monday was counted as part of a long weekend. So its six-day earnings totaled out to $27.8 million. At the end of its run, it made $102 million.
Web is highly unlikely to approach those earnings. While it certainly could technically match Tattoo‘s traditional Friday to Sunday debut, there will be none of that extra holiday dough. I actually think a fair comp is September’s Peppermint with Jennifer Garner at $13.4 million and that’s right in the range of where I have Spider landing.
The Girl in the Spider’s Web opening weekend prediction: $9.4 million
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