Oscar Nominations: The Case of Elle Fanning in Sentimental Value

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender among the Supporting Actress nominees is Elle Fanning for Sentimental Value.

Previous Acting Nominations:

None

The Case for Elle Fanning:

The 27-year-old has amassed numerous nods for her TV work on The Great, but her appearance in Joachim Trier’s Norwegian drama is her first Oscar at bat. She was nominated at Critics Choice and by several regional critics groups. Value also had a slight overperformance with nine mentions from the Academy.

The Case Against Elle Fanning:

She is likely to vote split with her costar Inga Ibsdotter Lilleass. Fanning did not receive nominations from the Golden Globes, SAG Actor, and wasn’t even shortlisted at BAFTA. Teyana Taylor (One Battle After Another) and Amy Madigan (Weapons) have taken the Globe and Critics Choice, respectively. The best shot at a victory for this cast is in Supporting Actor with Stellan Skarsgård.

The Verdict:

Most prognosticators did not have Fanning in their quintet. I will give myself a pat on the back for predicting her, but I’m under no illusions that she is a threat to win.

My Case Of posts will continue with our first Supporting Actor write-up and that’s Benicio del Toro from One Battle After Another

Oscar Predictions: Wuthering Heights

Emerald Fennell’s loose interpretation of Emily Brontë’s nearly 180-year-old romance Wuthering Heights is out Friday and expected to do brisk business at the box office. Margot Robbie and Jacob Elordi (currently up for Supporting Actor in Frankenstein) headline with Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell costarring.

Critical reaction is of the mixed variety with 72% on Rotten Tomatoes and a 61 Metacritic. In 2020, Fennell’s debut Promising Young Woman landed five Oscar nominations – Picture, Director, Actress (Carey Mulligan), and Film Editing with a victory for the auteur in Original Screenplay. 2023 follow-up Saltburn drew reviews more in line with Heights and landed zero mentions by the Academy.

Fennell’s third feature might split the difference. I do not anticipate nods in the major races considering the more divisive word-of-mouth. It could, however, show up in down-the-line competitions like Costume Design (where inclusion seems likely), Production Design, or one of the original songs from Charli XCX. My Oscar Prediction posts will continue…

Oscar Nominations: The Case of Timothée Chalamet in Marty Supreme

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the Best Actor five is on the table and it’s Timothée Chalamet for Marty Supreme.

Previous Acting Nominations:

2017 – Actor (Call Me by Your Name) – lost to Gary Oldman for Darkest Hour; 2024 – Actor (A Complete Unknown) – lost to Adrien Brody for The Brutalist

The Case for Timothée Chalamet:

After likely being runner-up last year, Chalamet has drawn career best reviews as the singularly focused ping pong player in Josh Safdie’s sports drama. Precursor appreciation has followed with victories at the Golden Globes and Critics Choice while he awaits the BAFTAs and SAG Actor. While he’s only 30, Chalamet’s body of work in recent years is seen as worthy of recognition and Marty is a supreme vehicle for it.

The Case Against Timothée Chalamet:

The Academy left his costars out of contention including Odessa A’Zion (who I predicted for inclusion). A domino effect for either One Battle After Another or Sinners could create an opening for Leonardo DiCaprio or Michael B. Jordan, respectively.

The Verdict:

Unless one of the upcoming precursors provides an upset, it appears the third time is probably going to be the charm for Chalamet.

My Case Of posts will continue with the first hopeful in Supporting Actress and that’s Elle Fanning in Sentimental Value

Oscar Nominations: The Case of Jessie Buckley in Hamnet

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the Best Actress quintet is up for consideration and that’s Jessie Buckley in Hamnet.

Previous Acting Nominations:

2021 – Supporting Actress (The Lost Daughter) – lost to Ariana DeBose for West Side Story

The Case for Jessie Buckley:

As Agnes, the grief stricken spouse of William Shakespeare, Buckley’s weighty role has been seen as a major contender since the project was announced. The buzz intensified after its Telluride premiere in early fall. Buckley has already picked up hardware at the Golden Globes and Critics Choice and is awaiting word on potential victories at BAFTA and SAG Actor.

The Case Against Jessie Buckley:

Hamnet had a couple of unexpected misses on Oscar nomination morning including the omission of her costar Paul Mescal in Supporting Actor. Sentimental Value did slightly better than expected and its potential momentum could benefit Renate Reinsve.

The Verdict:

Of the four acting competitions, a Buckley win might be the easiest to call. Four years ago, she was a surprise nominee in supporting for The Lost Daughter. A loss for her first shot in lead would also be surprising unless there’s an upset at SAG or BAFTA.

My Case Of posts will continue with the first hopeful in Best Actor and that’s Timothée Chalamet in Marty Supreme

Oscar Nominations: The Case of Train Dreams

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:

The Case for Train Dreams:

Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.

The Case Against Train Dreams:

Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.

The Verdict:

Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.

My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet

78th DGA Awards Predictions

The 78th Directors Guild of America (DGA) Awards occur on Saturday evening and there’s some genuine intrigue in the biggest race of all. Their honoree for Feature Film has correlated with the Academy’s Best Director recipient 22 out of 25 times in the 21st century. The exceptions are 2002 when the DGA victor was Rob Marshall (Chicago) and the Oscar winner was Roman Polanski (The Pianist), 2012 – Ben Affleck, Argo (DGA) and Ang Lee, Life of Pi (Oscar), and 2019 – Sam Mendes, 1917 (DGA) and Bong Joon-ho (Parasite).

Why the drama? This DGA ceremony could provide a major clue as to what will be taking Best Picture in a few weeks. There are three film related competitions at DGA. Let’s walk through them one by one with a winner projection and a runner-up.

Feature Film

Nominees: Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme), Chloé Zhao (Hamnet)

Per usual, 4 of the 5 DGA hopefuls are included the Oscar quintet. The Academy nominated Joachim Trier (Sentimental Value) over del Toro. This is a two-man showdown between Anderson and Coogler. The thought process for some time is that Battle is a safe(ish) bet for Best Picture. However, the record shattering 16 nods that Sinners nabbed has shifted the narrative and it is seen as a legit possibility. That momentum could be kicked into a higher gear if Coogler emerges at DGA. It’s tempting to pick him. Yet Sinners has another shot at precursor love via the SAG Actor Awards where a Best Ensemble win seems even more realistic. I’m still going with the Directors Guild favoring PTA – not just for Battle but for a highly celebrated body of work over the past three decades. The Golden Globes and Critics Choice did the same. That said, if Coogler achieves the upset, Sinners will immediately become the frontrunner for BP at the Oscars.

Predicted Winner: Paul Thomas Anderson, One Battle After Another

Runner-Up: Ryan Coogler, Sinners

Documentary Film

Nominees: Mstyslav Chernov (2000 Meters to Andrivka), Geeta Gandbhir (The Perfect Neighbor), Sara Khaki and Mohammadreza Eyni (Cutting Through Rocks), Elizabeth Lo (Mistress Dispeller), Laura Poitras and Mark Obenhaus (Cover-Up)

While I wouldn’t totally discount Chernov or the team behind Cover-Up, The Perfect Neighbor is the most visible of the five docs thanks to widespread Netflix exposure. That should be enough for the W. It is worthy of mention that the DGA’s recipient often doesn’t match the Academy Documentary Feature Film awardee so this is more of a question mark than Feature Film.

Predicted Winner: Geeta Ghandbhir, The Perfect Neighbor

Runner-Up: Mstyslav Chernov (2000 Meters to Andrivka)

First-Time Feature Film

Nominees: Hasan Hadi (The President’s Cake), Harry Lighton (Pillion), Charlie Polinger (The Plague), Alex Russell (Lurker), Eva Victor (Sorry, Baby)

None of the pics here received any Academy attention though Sorry, Baby probably came closest. Many had it pegged for an Original Screenplay nom. While Lighton and Polinger are viable, I’d stick with Sorry.

Predicted Winner: Eva Victor, Sorry, Baby

Runner-Up: Harry Lighton, Pillion

Oscar Predictions: Dracula

Luc Besson’s take on Bram Stoker’s famed bloodsucking novel Dracula has been out in France since last summer, but it’s finally sinking into domestic venues this weekend. The gothic tale stars Caleb Landry Jones in the title role with Christoph Waltz, Zoë Bleu, and Matilda De Angelis providing support.

This version is not expected to make much box office impact stateside. Reviews are rather blasé with 52% on Rotten Tomatoes and a 45 Metacritic. Despite praise for Danny Elfman’s score and Jones in the lead, this is not wired to get awards attention like Guillermo del Toro’s Frankenstein.

In a best case scenario, awards voters might consider the Makeup and Hairstyling or Production Design categories. A likelier result is that Dracula is forgotten several months down the line. My Oscar Prediction posts will continue…

Oscar Nominations: The Case of Sinners

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the ninth candidate in BP and that’s Sinners from Ryan Coogler. If you missed my posts covering the previous nominees, you can find them here:

The Case for Sinners:

The 16 (yes, sixteen) nominations for the vampire saga set a record. Even if the Academy had not added the new Casting race, it still would’ve set the all-time high as the previous best was 14 in a three-way tie between All About Eve, Titanic, and La La Land. Besides Picture, it is up for Coogler’s direction and original screenplay, Actor (Michael B. Jordan), Supporting Actress (Wunmi Mosaku), Supporting Actor (Delroy Lindo), Casting, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Original Song, Production Design, Sound, and Visual Effects. Sinners has seen BP nods at all important precursors including the Globes, PGA, BAFTA, Critics Choice, and best ensemble at SAG Actor. At $280 million in domestic earnings, it is easily the largest grosser of the 10 nominees.

The Case Against Sinners:

The movie with the most nominations has only taken BP three out of the past 10 shows (2017’s The Shape of Water, 2022’s Everything Everywhere All at Once, and Oppenheimer in 2023). Sinners has yet to have a signature victory as Hamnet took Best Drama at the Globes and One Battle After Another was victorious at Critics Choice. The Academy has shown reluctance to honor horror flicks.

The Verdict:

The 16 nominations changed the dynamic from One Battle being seen as the fairly sturdy frontrunner to what’s now considered a legitimate showdown between Warner Bros properties. If Sinners takes this weekend’s DGA for its maker Coogler, look for this to become the favorite. If it doesn’t achieve that prize, it could still be honored with ensemble as SAG Actor and its momentum could result in Oscar glory. With all that said, Battle is still a strong competitor that may not be denied.

My Case Of posts will wrap up the BP hopefuls with Train Dreams

Oscar Nominations: The Case of Sentimental Value

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the eighth horse in the BP derby and that’s Joachim Trier’s Sentimental Value. If you missed my posts covering the previous nominees, you can find them here:

The Case for Sentimental Value:

The Norwegian drama has been on the Academy’s radar since it took home the Grand Prix (the prize for 2nd) at the Cannes Film Festival in May. It scored a better than anticipated nine nods including four of its cast members -Renate Reinsve in lead Actress, Elle Fanning and Inga Ibsdotter Lilleass in Supporting Actress, and Stellan Skarsgård in Supporting Actor plus Trier’s direction and original screenplay with Eskil Vogt. The other two mentions are for Film Editing and International Feature Film. It also nabbed BP noms at BAFTA, the Globes, and Critics Choice.

The Case Against Sentimental Value:

In addition to no BP victories at the already aired ceremonies, it has fallen short to The Secret Agent at the Globes and Critics Choice in the foreign field. Value also blanked at the SAG Actor awards. Only one Oscar winner (1995’s Braveheart) has been zeroed out by SAG previously.

The Verdict:

The overperformance of nine noms arguably makes it the favorite over Agent for International Feature Film and Skarsgård (fresh off a Globe win) is considered the frontrunner in his race. Though it could be in the top half of the 10 contenders, Value is not a real threat for the trophy.

My Case Of posts will continue with Sinners

Oscar Nominations: The Case of The Secret Agent

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the seventh movie in the big dance and that’s The Secret Agent from Kleber Mendonça Filho. If you missed my posts covering the previous nominees, you can find them here:

The Case for The Secret Agent:

Filho’s Brazilian political thriller has become a late bloomer in awards season even though it picked up traction last summer at Cannes where it won Actor (Wagner Moura) and director prizes. Agent was still seen as behind Sentimental Value and It Was Just An Accident in International Feature Film, but then it took the foreign prizes at Critics Choice and the Globes. In addition to BP and the International race, Moura is in for lead Actor and it is up for Casting.

The Case Against The Secret Agent:

Note that in the Case for, I never spoke of it being in serious contention for Best Picture. The four nominations are tied for the lowest of the BP hopefuls with three others. It missed key nods in director and screenplay and other tech categories that usually correlate to a victory. Agent underperformed at BAFTA with only two nominations.

The Verdict:

With Value having an impressive Oscar morning, Agent could fall short in IFF and come up empty-handed at the ceremony. It is not a threat for BP.

My Case Of posts will continue with Sentimental Value