Well ahead of its scheduled late August debut stateside, Golda was unveiled this week at the Berlin Film Festival. From Guy Nativ (whose 2018 short film Skin won the Academy Award in that category), the biopic casts four-time nominee and one time winner Helen Mirren as Israeli Prime Minister Golda Meir. Costars include Camille Cottin, Ed Stoppard, and Liev Schreiber.
Mirren is, of course, no stranger to playing leaders of nations. For her work as Queen Elizabeth II in 2006’s The Queen, she was crowned Best Actress. The other nods are for Supporting Actress in 1995’s The Madness of King George and 2001’s Gosford Park and in lead for 2009’s The Last Station.
The handful of Golda reviews thus far are mixed and it holds just a 40% Rotten Tomatoes rating. That said, praise for Mirren is present. It is entirely possible that this is ignored altogether a few months down the road by awards voters.
Another potential path is one taken by 2021’s The Eyes of Tammy Faye. Despite its middling critical reaction, Chastain landed an Oscar nod and win. It also picked up a Makeup and Hairstyling victory. Golda is being heralded for its makeup work to make Mirren resemble the PM. Unlike Tammy, I don’t think this has a shot of winning either category. Nominations aren’t out of the question. My Oscar Prediction posts will continue…
Swedish satirist Ruben Östlund’s direction of Triangle of Sadness is next up in my Case Of posts for the directors vying for the Oscar.
The Case for Ruben Östlund:
After garnering acclaim for Force Majeure (2014) and 2017’s The Square (which nabbed a foreign language feature nod), his English-language debutcornered three noms in Picture, Director, and Original Screenplay. It generated buzz early when it took the Palme d’or at Cannes. The admiration for the film led to his surprise inclusion in the filmmaking quintet.
The Case Against Ruben Östlund:
In Best Director, there is usually a surprise nominee. That’s Östlund this time. The downside is that the surprise nominee doesn’t win. He wasn’t up in any of the key precursors like DGA, Golden Globes, or Critics Choice Awards.
Other Nominations:
None for direction
Foreign Language Film (The Square; 2017); Original Screenplay (Triangle of Sadness; 2022)
The Verdict:
Of the five hopefuls in the race, Östlund stands the fifth best (so… worst) chance at nabbing the statue.
My Case Of posts will continue with Michelle Williams in The Fabelmans!
The other entries for the Best Director contenders can be accessed here:
The past 24 hours have likely been impactful when it comes to figuring the puzzle that is Oscar prognosticating. The BAFTAs and the DGAs announced their winners. The latter went as expected. The Brits, on the other hand, showed they are still capable of surprises.
Across that pond, Edward Berger’s All Quiet on the Western Front made a lot of noise. The German WWI epic won 7 out of its 14 nominations. This includes Best Film and Director. I predicted those categories would go to The Banshees of Inisherin and the Daniels (Everything Everywhere All at Once). Side note – I went 13 for 22 overall on the BAFTA picks. Quiet also took Adapted Screenplay over my favored Living. The other four were Film Not in the English Language, Cinematography, Original Score, and Sound. I called 3 of those 4, but had Babylon listed in Score instead. Ironically I picked Quiet to take Production Design. That went to Babylon.
While this is a great BAFTA performance for Quiet, I don’t believe it dramatically changes its dynamic at the Oscars. I still don’t view it as a threat to emerge victorious in Best Picture. It’s important to remember that just 3 out of the past 10 BAFTA winners ended up nabbing the biggest race at the Academy Awards. Nomadland (from 2020) is the only match of the previous 8 ceremonies. And, of course, Berger isn’t even nominated in Director for the Oscars.
In the lead acting derbies, I correctly called the victors with Cate Blanchett (Tár) and Austin Butler (Elvis). This solidifies each as the frontrunners and it especially hurts Colin Farrell for Banshees. I would say he needed this to have any real shot at Best Actor on March 12th (unless he somehow manages an upset at SAG next weekend).
Banshees made up for the Best Film and Actor losses in the supporting fields. Kerry Condon is Supporting Actress which I projected. She has emerged as the alternative to Oscar favorite Angela Bassett in Black Panther: Wakanda Forever. One of the massive upsets is Barry Keoghan winning Supporting Actor over the heavily favored Ke Huy Quan for Everything Everywhere All at Once (who was sweeping until today). I still believe Quan is looking good for Oscar.
Further races I got right: Banshees in Original Screenplay; Guillermo del Toro’s Pinocchio as Animated Film (continuing its sweep); Elvis in Costume Design; Everything Everywhere for Editing; Avatar: The Way of Water‘s Visual Effects; Banshees for Outstanding British Film; and Aftersun for Outstanding Debut by a British Writer, Director, or Producer.
Where I went wrong: Navalny is Best Documentary over Fire of Love and Elvis took Casting instead of Everything Everywhere and won Make-Up & Hair over The Whale. That means Banshees and Elvis each earned 4 statues. Nothing else won more than one.
As I relayed in my DGA prediction, the directorial recipient there has matched the Oscar winning director 19 of 22 times in the 21st century. The Daniels were honorees for Everything Everywhere. Even though Everything won only Editing at BAFTA, I still think it’s the frontrunner for BP at the Oscars (as are the Daniels).
Bottom line: Quiet was loud at BAFTA. Yet the most significant storyline with Academy impact could be Butler and Blanchett firming up their standings.
For his brief but memorable appearance as an eccentric granduncle in Steven Spielberg’s The Fabelmans, Judd Hirsch is next up in my Case Of posts for the Supporting Actor nominees.
The Case for Judd Hirsch:
From TV shows Taxi and Dear John to movies including Ordinary People and Independence Day, Hirsch has been a fixture on screens small and large for decades. His inclusion here comes 42 years after a nod in the same category for Ordinary People and that stands as the longest gap between recognitions in Oscar history. Besides that cool storyline, he scored a Critics Choice mention and managed to get in over his more favored costar Paul Dano.
The Case Against Judd Hirsch:
Hirsch was omitted at the Golden Globes, SAG, and BAFTA for individual honors. He’s only in the film for about 10 minutes and that’s brought some gripes about whether he should be in the quintet at all. Most importantly, Ke Huy Quan (Everything Everywhere All at Once) is probably the sturdiest frontrunner in any of the acting competitions.
Previous Nominations:
Supporting Actor (Ordinary People; 1980)
The Verdict:
Hirsch was a real question mark to make the cut. There’s not much mystery about his chances to win as they’re basically non-existent.
My Case Of posts will continue with Ruben Östlund’s direction for Triangle of Sadness!
For my other posts covering the Supporting Actor contenders, click here:
As Colin Farrell’s kindly sibling in Martin McDonagh’s The Banshees of Inisherin, Kerry Condon is the next Supporting Actress hopeful for consideration in my Case Of posts.
The Case for Kerry Condon:
The stage and screen thespian stole some scenes in the main quartet of Banshees performers who were all nominated. Condon has landed precursor nods in all major ceremonies and picked up a few critics groups prizes.
The Case Against Kerry Condon:
Due to Angela Bassett’s performance in Black Panther: Wakanda Forever, Condon was not victorious at the Golden Globes or Critics Choice Awards. That leaves her, at best, in runner-up status.
Previous Nominations:
None
The Verdict:
I do believe Condon is second at the moment and she could manage to upset frontrunner Bassett. A BAFTA win tomorrow or SAG next weekend could make her more viable. If Bassett continues to run the table, the gold might be out of reach.
My Case Of posts will continue with Judd Hirsch in The Fabelmans!
Write-ups for the other Supporting Actress contenders can be accessed here:
Liam Neeson has a reprieve from interchangeable action flicks this weekend with Marlowe. The neo-noir crime pic reunites the lead (playing the title character detective created by Raymond Chandler) with his Michael Collins director Neil Jordan (Oscar winner for his screenplay for The Crying Game 30 years ago). William Monahan, himself an Academy recipient for his The Departed script, handles writing duties. The supporting cast includes Diane Kruger, Jessica Lange, Adewale Akinnuoye-Agbaje, Alan Cumming, Danny Huston, and Colm Meaney.
Despite the pedigree, Marlowe isn’t turning up many positive reviews. The Rotten Tomatoes score is an underwhelming 24% and early box office returns are meager. Set in 1939 L.A., it was feasible that categories such as Production Design or Costume Design would be in the mix. However, based on initial reactions, this should be long forgotten come nominations time. My Oscar Predictions posts will continue…
As a morbidly obese English teacher attempting to reconnect with his daughter, Brendan Fraser’s performance in The Whale is next up in my Case Of posts.
The Case for Brendan Fraser:
After a three decade career with films as varied as Encino Man, George of the Jungle, Gods and Monsters, The Mummy, and Crash, Darren Aronofsky’s latest gave Fraser an acclaimed comeback narrative. Since the premiere in Venice, he’s been at the forefront of Best Actor chatter. This resulted in pending noms at SAG and BAFTA and a victory at the Critics Choice Awards.
The Case Against Brendan Fraser:
Reaction to the film itself has been as varied as the lead’s filmography. It missed a Best Picture and Adapted Screenplay nomination. The last Best Actor winner whose movie missed the BP cut is Jeff Bridges from Crazy Heart in 2009. Austin Butler (Elvis) and Colin Farrell (The Banshees of Inisherin), who each took the respective lead Actor competitions at the Golden Globes, don’t have that problem.
Previous Nominations:
None
The Verdict:
The narrative of a Fraser podium trip might be too enticing for voters to pass up. However, The Whale‘s divisive reaction throws real doubt as to whether he goes all the way.
My Case Of posts will continue with Kerry Condon in The Banshees of Inisherin!
If you missed the previous posts for the Actor hopefuls, you can peruse them here:
How reliable is the Director Guild of America (DGA) recipient as it pertains to the eventual Oscar winner for Best Director? In the 21st century, the match has been 19 of 22 times. In 2000, Ang Lee (Crouching Tiger, Hidden Dragon) took DGA and the Academy Award went to Steven Soderbergh for Traffic. Ben Affleck was the DGA recipient in 2012 for Argo though he didn’t get an Oscar nod. Ang Lee, for Life of Pi, took the gold instead. Sam Mendes (1917) was DGA in 2019, but Bong Joon-ho (Parasite) was the Academy’s choice. All others years corresponded in the century corresponded.
The DGA Award is revealed tomorrow night and here’s your nominees:
Daniels, Everything Everywhere All at Once
Todd Field, Tár
Joseph Kosinski, Top Gun: Maverick
Martin McDonagh, The Banshees of Inisherin
Steven Spielberg, The Fabelmans
There’s a 4/5 correlation with the Oscar nominees (par for the course). Kosinski is not in the Academy’s quintet while Ruben Ostlund (Triangle of Sadness) is. Therefore it’s safe to rule the Maverick maker out.
Neither Field nor McDonagh have taken any major precursors. The Daniels and Spielberg have. For the Daniels, they were the Critics Choice victors. At the Golden Globes, it was Spielberg. To call this is a two-person (or three technically) race seems accurate. Anyone else winning would be a considerable upset.
A little less than a month before the Oscar ceremony, I do believe Everything stands as your soft Oscar frontrunner. Spielberg saw a surprising omission at the BAFTAs where he didn’t even make their shortlist. Due to his legendary status, it would be foolish to discount him. However, I believe the momentum lies with Dan Kwan and Daniel Scheinert so…
Predicted DGA Winner(s):
The Daniels, Everything Everywhere All at Once
I’ll make my DGA commentary part of my recap post for the BAFTAs on Sunday evening. Stay tuned!
As a down on her luck lottery winner who blew through the cash, Andrea Riseborough’s much discussed Best Actress nomination for To Leslie is next up in my Case Of posts.
The Case for Andrea Riseborough:
Even a week before Oscar nods came out, Riseborough (known for roles in mainstream and indie fare including Oblivion, Battle of the Sexes, and Mandy) was on no one’s radar screen for this small budget drama. Then a grassroots campaign emerged with shout-outs from fellow competitor Cate Blanchett and others. Most didn’t think she’d manage to get in, but lo and behold it happened. So it that can happen… why not a victory?
The Case Against Andrea Riseborough:
Well, there’s plenty of reasons why there probably won’t be a win. She was mentioned in zero precursors. The unconventional campaign for her to make the quintet – fairly or unfairly – has been criticized. And Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) appear to be in a two-person race for the gold.
Previous Nominations:
None
The Verdict:
The biggest surprise of the 20 contestants in the four acting derbies, Riseborough’s inclusion could lead to changes in the Academy’s campaign rules or could revolutionize how small distributors mount their campaigns. It’s doubtful the end result of the nomination itself is a win.
My Case Of posts will continue with Brendan Fraser in The Whale!
For my write-ups on Riseborough’s fellow nominees, click here:
Martin McDonagh’s direction of The Banshees of Inisherin is next up for the quintet in that category in my Case Of posts.
The Case for Martin McDonagh:
When a movie has a legit shot at winning Best Picture and the filmmaker is nominated, he’s got a chance. That’s the case here. For the tragicomedy, the acclaimed director/playwright has been nominated in the key precursors DGA, Golden Globes, BAFTA, and Critics Choice.
The Case Against Martin McDonagh:
At Critics Choice, the Daniels (Everything Everywhere All at Once) won. At the Globes, it was Steven Spielberg (The Fabelmans). McDonagh’s victory at the Globes came in screenplay and that could occur with the Academy (where he’s been nominated twice before for written works In Bruges and Three Billboards Outside Ebbing, Missouri).
Previous Nominations:
None for direction
Six other nominations for Live-Action Short Film (Six Shooter, 2005, WON); Original Screenplay (In Bruges, 2008); Picture and Original Screenplay (Three Billboards Outside Ebbing, Missouri), Picture and Original Screenplay (The Banshees of Inisherin)
The Verdict:
A sweeping Banshees night still could leave McDonagh out in director in favor of the Daniels or Spielberg. He could take screenplay instead under that scenario.
My Case Of posts will continue with Andrea Riseborough in To Leslie!
If you missed my other Director write-ups, they can accessed here:
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