Tag: Noèmie Merlant

97th Academy Awards Predictions: July 4th Edition

Hello America. As we celebrate our birthday today, perhaps the biggest awards news this week came from the Venice Film Festival. It kicks off in late August and the surprise announcement was that Tim Burton’s long in the works sequel Beetlejuice Beetlejuice will open the Italian competition prior to its September 6th domestic theatrical bow.

That caused some prognosticators’ to speculate whether the Warner Bros release will make a play for Oscar inclusion. I wouldn’t go that far. In the past decade and a half, some of the premiere gala pics at Venice have generated BP nods including Black Swan, Gravity, Birdman, and La La Land. There’s been more that haven’t such as The Ides of March, Everest, Downsizing, First Man, and White Noise. That’s why you won’t find Beetlejuice Beetlejuice in my 25 possibilities for BP though I would expect to see its name (twice) in races like Makeup and Hairstyling and Production Design when I expand the category predictions a few weeks from now.

The London Film Festival shared its own scheduling report that Steve McQueen’s WWII drama Blitz will kick off that event in October before its November 1st output on the big screen. It will then hit Apple TV on November 22nd. I am a little befuddled that it is skipping Venice and Toronto, but it still appears to be Apple’s most significant contender. The word is also out that Saoirse Ronan will contend in lead Actress and not supporting for Blitz. That may well put her in competition with herself considering the acclaimed The Outrun (which was first seen at Sundance) and should make its way to theaters later this fall. I’ve had Ronan’s performance in Blitz slotted in supporting, but she makes the move up and replaces her Outrun work in the lead quintet. The buzz also has Harris Dickinson as the main supporting play over costars like Stephen Graham and Leigh Gill. Same with Kathy Burke in Supporting Actress. We’ll see if that holds true when those Londoners get eyeballs on it.

Another note – you may notice that Sing Sing is still #1 in BP while its director Greg Kwedar is on the outside looking in at sixth. That may seem counterintuitive. While it is still rare for a potential BP recipient to not see its maker in the cut for Director, it’s happened twice very recently with 2018’s Green Book and 2021’s CODA. Kwedar’s picture seems like the type of emotional crowdpleaser that could go all the way with voters. However, Kwedar himself may not make the quintet for his behind the camera efforts. I do anticipate him being up for the Adapted Screenplay that he cowrote.

Nickel Boys is the most significant gainer this time around. It moves into the BP ten while Aunjanue Ellis-Taylor vaults to #1 in Supporting Actress. The pic also materializes for the first go-round in Adapted Screenplay.

Speaking of that writing competition, I’ve shifted Emilia Pérez from Original to Adapted though that has not been determined at press time. We also have a new #1 in Adapted with my aforementioned BP leader Sing Sing.

You can read all the movement below and I’ll have another update available in a couple of weeks!

Best Picture

Predicted Nominees:

1. Sing Sing (Previous Ranking: 1) (Even)

2. Blitz (PR: 3) (+1)

3. Dune: Part Two (PR: 2) (-1)

4. Conclave (PR: 4) (E)

5. Anora (PR: 5) (E)

6. Emilia Pérez (PR: 7) (+1)

7. Queer (PR: 6) (-1)

8. The Piano Lesson (PR: 9) (+1)

9. Nickel Boys (PR: 16) (+7)

10. The Seed of the Sacred Fig (PR: 8) (-2)

Other Possibilities:

11. Nightbitch (PR: 11) (E)

12. Joker: Folie à Deux (PR: 12) (E)

13. The End (PR: 10) (-3)

14. The Apprentice (PR: 13) (-1)

15. Gladiator II (PR: 24) (+9)

16. A Real Pain (PR: 14) (-2)

17. The Room Next Door (PR: 18) (+1)

18. Nosferatu (PR: 25) (+7)

19. Maria (PR: 19) (E)

20. All We Imagine as Light (PR: 21) (+1)

21. The Fire Inside (PR: 15) (-6)

22. His Three Daughters (PR: 17) (-5)

23. Dídi (PR: 23) (E)

24. We Live in Time (PR: Not Ranked)

25. Here (PR: 20) (-5)

Dropped Out:

Hit Man

Best Director

Predicted Nominees:

1. Denis Villeneuve, Dune: Part Two (PR: 1) (E)

2. Steve McQueen, Blitz (PR: 2) (E)

3. Edward Berger, Conclave (PR: 3) (E)

4. Jacques Audiard, Emilia Pérez (PR: 6) (+2)

5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)

Other Possibilities:

6. Greg Kwedar, Sing Sing (PR: 7) (+1)

7. Sean Baker, Anora (PR: 4) (-3)

8. Luca Guadagnino, Queer (PR: 8) (E)

9. RaMell Ross, Nickel Boys (PR: Not Ranked)

10. Marielle Heller, Nightbitch (PR: 10) (E)

11. Malcolm Washington, The Piano Lesson (PR: 12) (+1)

12. Ridley Scott, Gladiator II (PR: 15) (+3)

13. Payal Kapadia, All We Imagine as Light (PR: 13) (E)

14. Joshua Oppenheimer, The End (PR: 9) (-5)

15. Todd Phillips, Joker: Folie à Deux (PR: 11) (-4)

Dropped Out:

Pedro Almodóvar, The Room Next Door

Best Actress

Predicted Nominees:

1. Amy Adams, Nightbitch (PR: 1) (E)

2. Angelina Jolie, Maria (PR: 2) (E)

3. Mikey Madison, Anora (PR: 3) (E)

4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)

5. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Supporting

Other Possibilities:

6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)

7. Tilda Swinton, The Room Next Door (PR: 8) (+1)

8. Natasha Lyonne, His Three Daughters (PR: 7) (-1)

9. Marianne Jean-Baptiste, Hard Truths (PR: 11) (+2)

10. Saoirse Ronan, The Outrun (PR: 5) (-5)

11. Ryan Destiny, The Fire Inside (PR: 9) (-2)

12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)

13. Lily Gladstone, Fancy Dance (PR: Not Ranked)

14. Zendaya, Challengers (PR: 14) (E)

15. Noémie Merlant, Emmanuelle (PR: Not Ranked)

Dropped Out:

Tilda Swinton, The End

Tessa Thompson, Hedda

Florence Pugh, We Live in Time

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR: 3) (E)

4. André Holland, The Actor (PR: 4) (E)

5. Sebastian Stan, The Apprentice (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie á Deux (PR: 6) (E)

7. John David Washington, The Piano Lesson (PR: 7) (E)

8. Sebastian Stan, A Different Man (PR: 11) (+3)

9. Paul Bettany, The Collaboration (PR: 9) (E)

10. Glen Powell, Hit Man (PR: 10) (E)

11. Jesse Plemons, Kinds of Kindness (PR: 8) (-3)

12. Ethan Herisse, Nickel Boys (PR: Not Ranked)

13. Paul Mescal, Gladiator II (PR: 14) (+1)

14. Tom Hanks, Here (PR: 12) (-2)

15. Andrew Garfield, We Live in Time (PR: 13) (-2)

Dropped Out:

Jesse Eisenberg, A Real Pain

Best Supporting Actress

Predicted Nominees:

1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (+3)

2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)

3. Danielle Deadwyler, The Piano Lesson (PR: 3) (E)

4. Isabella Rossellini, Conclave (PR: 1) (-3)

5. Carrie Coon, His Three Daughters (PR: 6) (+1)

Other Possibilities:

6. Kathy Burke, Blitz (PR: Not Ranked)

7. Julianne Moore, The Room Next Door (PR: 9) (+2)

8. Joan Chen, Dídi (PR: 10) (+2)

9. Toni Collette, Juror No. 2 (PR: 14) (+5)

10. Erin Kellyman, Blitz (PR: 13) (+3)

11. Selena Gomez, Emilia Pérez (PR: 12) (+1)

12. Lesley Manville, Queer (PR: 7) (-5)

13. Elizabeth Olsen, His Three Daughters (PR: 11) (-2)

14. Valeria Golino, Maria (PR: 8) (-6)

15. Emily Watson, Small Things like These (PR: Not Ranked)

Dropped Out:

Saoirse Ronan, Blitz – moved to lead Actress

Catherine Keener, Joker: Folie à Deux

Best Supporting Actor

Predicted Nominees:

1. Clarence Maclin, Sing Sing (PR: 1) (E)

2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)

3. Kieran Culkin, A Real Pain (PR: 4) (+1)

4. Stanley Tucci, Conclave (PR: 3) (-1)

5. Harris Dickinson, Blitz (PR: 12) (+7)

Other Possibilities:

6. Jeremy Strong, The Apprentice (PR: 6) (E)

7. Drew Starkey, Queer (PR: 8) (+1)

8. Denzel Washington, Gladiator II (PR: 11) (+3)

9. Adam Pearson, A Different Man (PR: 9) (E)

10. Brian Tyree Henry, The Fire Inside (PR: 5) (-5)

11. John Lithgow, Conclave (PR: 7) (-4)

12. Stephen Graham, Blitz (PR: 14) (+2)

13. Scoot McNairy, Nightbitch (PR: 13) (-1)

14. Elliot Heffernan, Blitz (PR: Not Ranked)

15. Mark Eidelstein, Anora (PR: Not Ranked)

Dropped Out:

Michael Shannon, The End

Barry Keoghan, Bird

Best Original Screenplay

Predicted Nominees:

1. Anora (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. A Real Pain (PR: 5) (+2)

4. The Seed of the Sacred Fig (PR: 4) (E)

5. His Three Daughters (PR: 7) (+2)

Other Possibilities:

6. Hard Truths (PR: 9) (+3)

7. The Room Next Door (PR: 8) (+1)

8. The End (PR: 3) (-5)

9. The Apprentice (PR: 11) (+2)

10. Dídi (PR: 12) (+2)

11. Kinds of Kindness (PR: 10) (-1)

12. Juror No. 2 (PR: Not Ranked)

13. All We Imagine as Light (PR: 15) (+2)

14. Maria (PR: 13) (-1)

15. Challengers (PR: 14) (-1)

Dropped Out:

Emilia Pérez – moved to Adapted Screenplay

Best Adapted Screenplay

Predicted Nominees:

1. Sing Sing (PR: 2) (+1)

2. Conclave (PR: 1) (-1)

3. The Piano Lesson (PR: 4) (+1)

4. Nickel Boys (PR: 7) (+3)

5. Nightbitch (PR: 5) (E)

Other Possibilities:

6. Queer (PR: 3) (-3)

7. Emilia Pérez (PR: Not Ranked) – moved from Original Screenplay

8. Dune: Part Two (PR: 6) (-2)

9. Hit Man (PR: 8) (-1)

10. Joker: Folie à Deux (PR: 9) (-1)

11. Inside Out 2 (PR: 13) (+2)

12. Gladiator II (PR: 14) (+2)

13. The Collaboration (PR: 11) (-2)

14. The Fire Inside (PR: 10) (-4)

15. Here (PR: 12) (-3)

Dropped Out:

The Actor

Tár Box Office Prediction

Till with Danielle Deadwyler isn’t the only picture with a likely Best Actress nominee expanding this weekend. There’s also Tár in which Cate Blanchett will compete for her third gold statue. I’ve currently got her ranked #1 in that competition. Todd Field directs with a supporting cast including Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, and Mark Strong.

With its 95% rating on Rotten Tomatoes, the portrayal of a renowned composer whose world is riddled by scandal opened in limited release on October 7th. Early results were solid, but its performance this past weekend raises questions as to its broad appeal. On 141 screens, it made $500,000. That translates to just over $3500 per venue.

The film is expected to branch out to 1000 locations on Friday. History teaches us that the per theater average should drop and I’m projecting a gross of just under $2 million for the wider rollout.

Tár opening weekend prediction: $1.8 million

For my Prey for the Devil prediction, click here:

Prey for the Devil Box Office Prediction

For my Till prediction, click here:

Till Box Office Prediction

Tàr Review

Todd Field’s Tár is told from the myopic perspective of its title character played masterfully by Cate Blanchett. This is a disconcerting and wildly original choice and it’s a perfect one upon reflection. We as the audience, in a two hour and 40 minute burn, slowly discover more about a conductor’s conduct. We don’t really see it and that seems right because she doesn’t either. At least Lydia Tár won’t acknowledge it and doesn’t appear capable of doing so.

Being celebrated in a packed house interview by The New Yorker, Tár has climbed the composition ladder to the top. Now the chief conductor for the Berlin Philharmonic, she’s a rare EGOT recipient (Emmy, Grammy, Oscar, Tony). Having written a book grandly titled Tár On Tár, her orchestra and her scholars (she guest lectures at Juilliard on occasion) hang on her every motion and word. Almost. We catch an early glimpse of a student challenging her and it’s not a pretty sight. It’s surreptitiously filmed for social media consumption and that causes embarrassment (more for the team around her than the ambivalent lecturer).

This is nothing compared to what’s coming. Tár’s personal life is in a constant state of hinted perilousness. At first, her marriage to violin player Sharon (Nina Hoss) seems ideal with their young daughter and lush surroundings. However, the separate apartment that Tár keeps raises flags. Personal assistant Francesca (Noémie Merlant) is in line for a huge promotion from her boss. There’s unclear happenings from the past that keep her from elevating. Most disturbingly, a young colleague and perhaps former lover is alleging misdeeds from the grave.

Our window into Tár’s newsworthy liabilities are showcased mostly through her budding relationship with a gifted (at least as her mentor immediately sees it) Russian cellist (Sophie Kauer). There is a creeping feeling of the narcissism and transactional nature of all her interactions. When she’s performing her lauded work, a wave of the hand silences rehearsal. A figurative wave of the hand seems to flick away individuals who are no longer useful.

As her world starts to crumble, we witness it through Tár’s point of view. It is one in which there’s a refusal to tolerate increasing voices speaking up. Field, in his first picture in 16 years, trains his camera on Blanchett in nearly every frame. His screenplay has created a multifaceted character with potentially unforgivable shortcomings and undeniable gifts.

Blanchett’s transformation into this complicated figure is its own work of art. She’s mesmerizing and awards voters may grant landslide reactions. Hoss and Merlant provide impressive support as their characters hang on to the last remnants of assistance in their unbalanced bonds with The Maestro.

When the curtain finally falls on Tár, it does so surprisingly. It left me questioning what the film was trying to say about artistic genius and the lengths such a prodigy will go to maintain their control and image. This is a challenging, deliberative, and rewarding experience. You can’t dismiss the wave of the many strong hands involved, especially the lead.

***1/2 (out of four)