Unfrosted Review

To generously take a bowl is half super approach, Jerry Seinfeld’s Unfrosted features stand-up Kyle Dunnigan doing a pretty killer Walter Cronkite impression. His anchor recounts the news with trademark authority followed by darkly amusing off the air grumblings about his love life and alcoholism. Later on, Dunnigan follows up with an impressive Johnny Carson takeoff. There’s lots of comedians and comedic performers in the legendary Mr. Seinfeld’s directorial debut for Netflix. Most of them don’t get the chance to nail their brief screen time like Mr. Dunnigan. A lot of Unfrosted, a mostly fictional account of how Pop-Tarts came to be, consists of stale humor with too many subplots competing against one another.

Even 96 minutes feels long since there’s barely enough witty material for the 22 minutes Jerry used to work in. He plays Bob Cabana, a high level exec at Kellogg’s in 1963. This is one of those screenplays (by Seinfeld and his frequent collaborators Spike Feresten, Andy Robin, and Barry Marder) that constantly reminds us it’s set during that decade in increasingly lame ways. Along with his boss Edsel Kellogg III (Jim Gaffigan) and Melissa McCarthy’s NASA scientist turned cereal conglomerate employee, they are in a race to produce the best toasted pastry treat. In Battle Creek, Michigan, the combat lines are drawn with their rival Post led by socialite Marjorie Post (Amy Schumer). Such lines are not so subtly tied to another race – the space one – of that era.

Rhythms of Unfrosted becomes familiar in short order – a joke or two that work about a given subplot (like the correlation with the nation’s trip to the moon) that get overused swiftly. There’s bursts of inspiration like Dunnigan’s grousing. Bill Burr’s take on JFK is also a delight. Most of the time I wasn’t blown away by what else the overfilled screenplay had to say.

Since this is Seinfeld we’re talking about, there’s lots of funny people popping in for a day or two on the set. Hugh Grant is the very real Thurl Ravenscroft, a true Shakespearean thespian who voiced Tony the Tiger. The Kellogg gang recruits a hodgepodge of kitschy historical figures including fitness guru Jack LaLanne (James Marsden), Sea Monkeys maker and maybe Nazi Harold von Braunhut (Thomas Lennon), and Chef Boy Ardee (Bobby Moynihan) to develop the product. I could go on and on. Mixing all these talents together is bound to produce some amusing highlights and it does on occasion, but not nearly enough. Sometimes the satire totally misses like when it attempts to connect a mascot uprising to January 6th.

A lot of Unfrosted probably sounded better while Seinfeld and crew were discussing it over Zoom. Most of it might produce more guffaws if its Cronkite impersonator were handling the delivery.

** (out of four)

Oscar Predictions: Unfrosted

You might be familiar with his TV work, but Jerry Seinfeld’s cinematic output is limited to the 2002 doc Comedian and 2007’s animated Bee Movie. He makes his directorial debut and stars in Unfrosted, which loosely tells the story of how Pop-Tarts came into our world. The cast is an impressive mix of comedic talents including Melissa McCarthy, Jim Gaffigan, Hugh Grant, Amy Schumer, and many more that are tagged in this write-up.

Premiering on Netflix this weekend, reviews are finally popping up. The late embargo is explained by the troubling 18% Rotten Tomatoes score. Indicating a rare misfire for the small screen legend, this big screen product origin tale (a popular of genre lately) was never seen as an Oscar player. Yet considering the talent onboard, Golden Globe possibilities in the Musical/Comedy derbies seemed possible. Those appear to be toast. My Oscar Prediction posts will continue…

Oscar Predictions: Rebel Moon – Part Two: The Scargiver

Critics are leaving their negative marks on Zack Snyder’s Rebel Moon – Part Two: The Scargiver. Out on Netflix today, the sci-fi epic follows up Part One: A Child of Fire. It debuted on the streamer right before Christmas last year. The sequel features returning cast members Sofia Boutella, Djimon Hounsou, Ed Skrein, Michel Huisman, Doona Bae, Ray Fisher, Staz Nair, Fra Fee, Cary Elwes, and Anthony Hopkins.

Reviews for Part One were pretty brutal at 22% on Rotten Tomatoes. Scargiver‘s score is even worse at 16%. Nevertheless Child of Fire did make the shortlist of ten for Visual Effects at the Academy Awards. When final nominations came out, it missed the cut of five.

I’m skeptical that Part Two will even make the shortlist at year’s end. There will a Part Two among the VE contenders. It’ll be of the Dune variety and probably not the Moon. My Oscar Prediction posts will continue…

Oscar Predictions: Scoop

No, Scoop is not a remake of the 2006 Woody Allen pic with Hugh Jackman and Scarlett Johansson, but it is centered on a controversial subject. This Scoop is out on Netflix today and focuses on a disastrous TV interview with Prince Andrew about his various scandals. Gillian Anderson plays journalist Emily Maitlis with Rufus Sewell as the aforementioned royalty. Billie Piper and Keely Hawes costar with Philip Martin, known for TV work in Prime Suspect and The Crown, directing.

Like Scoop from Mr. Allen, this Scoop has a mixed reception. At 76% on RT, even the more positive notices temper their plaudits. Here’s a new flash! This won’t a topic in the awards conversation. My Oscar Prediction posts will continue…

Oscar Predictions: The Beautiful Game

In 2022, veteran thespian Bill Nighy nabbed his first Oscar nomination for the period drama Living. He’s in coach mode with The Beautiful Game as the leader of a homeless squad of footballers. Thea Sharrock, also behind the camera for the just out Wicked Little Letters with Olivia Colman and Jessie Buckley, directs the sports drama. The supporting cast includes Micheal Ward from Empire of Light (where he romanced Ms. Colman), Valeria Golino of Rain Man and Hot Shots! fame, and Susan Wokoma.

Following a limited release, Game hit Netflix last weekend to generally pleasing notices (the RT score is 87%). While Nighy’s performance is predictably being praised, this doesn’t appear poised to generate awards buzz and that probably wasn’t the goal in the first place. My Oscar Prediction posts will continue…

Oscar Predictions: Shirley

In 2018, Regina King was a Supporting Actress victor at the Oscars for If Beale Street Could Talk. Her latest project, at least on paper, appears to be another hopeful. In the biographical drama Shirley (not to be confused with 2020’s same titled biographical drama with Elisabeth Moss), King portrays Shirley Chisholm, the first African-American woman to run for President in 1972. Depicting that time in her life, John Ridley (an Academy winner for penning 2013’s 12 Years a Slave) directs with a supporting cast including the late Lance Reddick, Terrence Howard, Lucas Hedges, Brian Stokes Mitchell, and André Holland. The film is out in limited release this weekend before its March 22nd Netflix premiere.

Early reviews are mostly complimentary while none are really raves. The RT score is 78%. Any thoughts of this being a BP contender can go away (the release date kind of clued us into that). Unsurprisingly, King is being highly praised. I just question whether this will be in the minds of voters several months down the road. Netflix will need to keep her busy on the campaign trail for any possibility of a second nom. My Oscar Prediction posts will continue…

Oscar Predictions: Damsel

As we await the final season of Stranger Things and a third Enola Holmes tale, Millie Bobby Brown’s Netflix adventures continue this weekend in Damsel. The fantasy comes from Juan Carlos Fresnadillo, best known for making zombie sequel 28 Weeks Later. Brown headlines with a supporting cast including Ray Winstone, Angela Bassett, Brooke Carter, Nick Robinson, Robin Wright, and Shohreh Aghdashloo voicing a dragon.

Reviews are of the mixed variety at 59% on RT. The genre can lead to certain tech nods. However, some of the criticism is directed toward the CGI and visual effects appears to be a non-starter. I doubt Netflix will stress Damsel in any awards campaign months down the road. My Oscar Prediction posts will continue…

Oscar Predictions: Spaceman

Johan Renck’s Spaceman is not – I repeat, not – about the doctor that Chris Parnell hilariously played on 30 Rock. The sci-fi drama does star a fellow SNL alumni in Adam Sandler as a Czech astronaut on a solo mission. It premiered at the Berlin Film Festival earlier this week, hits theaters in limited fashion this weekend, and premieres on Netflix March 1st. Costars include Carey Mulligan (currently vying for Best Actress in Maestro), Paul Dano (doing voiceover work), Kunal Nayyar, Lena Olin, and Isabella Rossellini.

Sandler’s serious work has probably come close to making the Academy’s cut with 2019’s Uncut Gems or 2022’s Hustle which earned him a SAG nod. I don’t think you’ll see Spaceman launch him into consideration. The RT score is a mixed 64% with some reviews calling it a bore. Others are far more complimentary, but not to the degree that I think that generates any awards buzz. The lone exception could be Visual Effects. I’m not confident in that. My Oscar Prediction posts will continue…

Oscars: The Case of Colman Domingo in Rustin

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second performer in Best Actor and that’s Colman Domingo as Rustin. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Colman Domingo:

As the principal organizer of the March for Freedom Rally, Domingo’s turn as Bayard Rustin in George C. Wolfe’s Netflix biopic was identified early on as Academy bait. He’s been nominated in all the key precursors: Globes, SAG, Critics Choice, and BAFTA. It’s been a year of significant exposure with this, his supporting turn in The Color Purple, and the lead in Sing Sing (which premiered at Toronto and could garner awards attention for him next year).

The Case Against Colman Domingo:

The film itself did not become a contender in other categories. Domingo’s nod marks its sole nomination and he’s the only hopeful in Actor from a movie not up for BP. Paul Giamatti (The Holdovers) and Cillian Murphy (Oppenheimer) have emerged in the forerunning contests.

The Verdict:

Given the fact that Rustin never really approached BP vying status, it’s impressive that Domingo checked off all the major ceremonies (leaving Leonardo DiCaprio in Killers of the Flower Moon on the outside looking in). Don’t expect a rally of support for a major upset win.

My Case Of posts will continue with Danielle Brooks in The Color Purple

Oscars: The Case of Bradley Cooper in Maestro

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Actor quintet and it starts with Bradley Cooper in Maestro. Let’s get to it!

Previous Oscar Acting Nominations:

Silver Linings Playbook (2012, Actor); American Hustle (2013, Supporting Actor); American Sniper (2014, Actor); A Star Is Born (2018, Actor)

The Case for Bradley Cooper:

For his portrayal of the legendary EGOT recipient Leonard Bernstein in the Netflix production, Mr. Cooper has been nominated for BAFTA, Critics Choice, SAG, and the Globes. There could also be the feeling that he’s overdue as this marks his fifth acting nod with no hardware to show for it (just like Annette Bening in Nyad per my previous post).

The Case Against Bradley Cooper:

He didn’t win the Globe or Critics Choice as Paul Giamatti (The Holdovers) and Cillian Murphy (Oppenheimer) have split the prizes so far. While Maestro had a decent nomination morning, Cooper was not recognized for his direction. That’s what happened in 2018 when he got the Actor mention for Star (he would lose to Rami Malek in Bohemian Rhapsody), but not his behind the camera work. Of all the BP contenders, this has the lowest RT rating and there’s a feeling among some that Cooper is trying too hard in Maestro for the gold.

The Verdict:

Cooper is third behind Murphy and Giamatti. I don’t think his victory is an impossibility. Yet it looks to be a long shot unless he scores an upset at SAG or BAFTA. In other words, the O in EGOT should still be unfulfilled.

My Case Of posts will continue with Emily Blunt in Oppenheimer