Tim Robinson’s Netflix sketch series I Think You Should Leave with Tim Robinson has generated significant critical praise. His pic Friendship is following suit prior to its limited release on Friday and national expansion on Memorial Day weekend. Written and directed by Andrew DeYoung in his directorial debut, this was initially seen at the Toronto Film Festival last September. Robinson and Paul Rudd headline with Kate Mara, Jack Dylan Grazer, Josh Segarra, and Billy Bryk providing support.
Judging from the trailer, this looks like a comedy by way of A24 which picked up distribution following the Canadian premiere. The Rotten Tomatoes score is 93% with Metacritic at 77. Advertised as a more demented version of I Love You, Man, I don’t see this as an awards play. Despite the kudos, that notion likely extends to the Golden Globes in their Musical/Comedy races unless A24 goes all in with a campaign for Robinson. My Oscar Prediction posts will continue…
What does an astronomical $320 million budget get you in Hollywood these days? Apparently a mid-March Netflix release and a heap of critical derision. Meet The Electric State, a comedic sci-fi adventure hitting the streamer March 14th from Anthony and Joe Russo of Avengers: Infinity War and Endgame fame. The human cast for the ultra expensive flick includes Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci, Woody Norman, Giancarlo Esposito, and Jason Alexander. An equally impressive voice cast includes Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Alan Tudyk, Hank Azaria, Colman Domingo, and Rob Gronkowski.
It is worth noting that the Russo’s follow-ups to the Avengers juggernauts are the unimpressively reviewed Cherry and The Gray Man. Yet this appears to be receiving the worst of it with 23% on Rotten Tomatoes and 30 on Metacritic. The term “wasted potential” pops up more than once. Only the visual effects would be a possibility for awards attention and the Electric buzz might sink that. This has much more viability at the Razzies than with the Academy. My Oscar Prediction posts will continue…
The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.
That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.
At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.
Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!
Outstanding Performance by a Cast in a Motion Picture
Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.
PREDICTED WINNER: WICKED
Runner-Up: Anora
Outstanding Performance by Female Actor in a Leading Role
Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
Outstanding Performance by a Male Actor in a Leading Role
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)
Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.
PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN
Runner-Up: Adrien Brody, The Brutalist
Outstanding Performance by a Female Actor in a Supporting Role
Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
Outstanding Performance by a Male Actor in a Supporting Role
Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Actress and that’s Karla Sofia Gascón for Jacques Audiard’s Emilia Pérez. If you missed my post on Cynthia Erivo (Wicked), it’s linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Karla Sofia Gascón:
The Spanish actress has been nominated in the key quartet of precursors with the Golden Globes, SAG, Critics Choice, and BAFTA. Playing the title character in the most nominated picture, a Gascón victory would be history making as she’s the first transgender performer nominated in the category.
The Case Against Karla Sofia Gascón:
Well… it’s voluminous but let’s start with the non-obvious. There’s been no precursor wins of note and she lost to Demi Moore (The Substance) at the Globes and Critics Choice. While she may play the titular role, her costar Zoe Saldaña has been the focus of attention in Supporting Actress. Then there’s the headline making controversy. Last month, a number of Gascón’s social media posts from a few years back resurfaced containing troubling comments. The firestorm was enough for Netflix to essentially drop any campaign for her in Best Actress and refocus all attention on its other nominations.
The Verdict:
Gascón wasn’t a real threat to win before the scandal and is even less so now.
My Case Of posts will continue with the second contender in Best Actor and that’s Timothée Chalamet in A Complete Unknown…
Josh O’Connor is already an Emmy winner as a young Prince Charles from Netflix’s The Crown. He’s recently had acclaimed roles in La Chimera and Challengers and probably isn’t far away from his first silver screen awards bait role. Could that be Rebuilding?
Max Walker-Silverman’s drama casts O’Connor as a rancher displaced by wildfires. Costars include Meghann Fahy, Kali Reis, Lily LaTorre, and Amy Madigan. Reviews out of Sundance screenings are positive at 94% on RT and 76 on Metacritic. Some notices are strong enough that I wonder whether this could be an awards player with the right campaign. The timely nature of the subject matter should additionally be taken into consideration.
That chatter could extend to O’Connor and the lauded cinematography (a similar combo to Train Dreams which was also unveiled in Park City). My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first half of the BP contenders and if you missed them, they are linked at the bottom of the post. Next up is Jacques Audiard’s Emilia Pérez.
The Case for Emilia Pérez:
This multi-genre mashup of music and crime mixed with social commentary has been at the forefront of awards attention since it debuted at Cannes last summer and took the Jury Prize. That’s essentially second place to the Palme d’Or which went to Anora. Pérez landed an Academy ceremony leading 13 nominations including Director, Actress (Karla Sofia Gascón), Supporting Actress (Zoe Saldaña), Adapted Screenplay, International Feature Film, Cinematography, Film Editing, Makeup & Hairstyling, Original Score, two in Original Song, and Sound. Precursor nods have been in abundance for BP at Critics Choice, BAFTA, and PGA and Best Ensemble at SAG. Mr. Audiard is in contention at DGA. At the Golden Globes, Pérez beat a field in Best Motion Picture (Musical or Comedy) that included fellow BP nominees Anora, The Substance, and Wicked.
The Case Against Emilia Pérez:
While festival crowds have lauded it, general audiences have not. Pérez sports an 18% audience score on Rotten Tomatoes while the next lowest among the BP hopefuls is The Substance at 75%. If you’re not buying the Tomato measuring accuracy of that stat, the critics aren’t over the moon either. The RT score of 73% is the least of the bunch with the next lowest being A Complete Unknown at 80%. The 71 Metacritic rating is second to bottom with Unknown at 70. There’s also the Netflix factor. The distributor has yet to win Best Picture and that could be due to voter aversion to the giant streaming service. Some believe this was a major factor at the 91st Academy Awards when Green Book took top honors over Roma. The movie with the leading amount of nominations has failed to win BP more often than not in the 21st century (14 out of 24 times). Additionally, I’m Still Here (with its unexpected Pic nom) has emerged as serious competition in International Feature Film where Pérez was seen as the easy frontrunner. Then there’s the events of the last week where Karla Sofia Gascón’s troubling social media posts from a few years back resurfaced. The story has dominated headlines in the trades and beyond and could hinder the frontrunner status it has held with pundits.
The Verdict:
Obviously a lot to unpack here. I have never had Pérez 1st in my BP rankings, but it’s undeniably a major threat to win. I fully understand why many do have it above the others (especially after the Globe victory). Yet for the lengthy information contained above in Case Against, I’m highly hesitant to push the chips in for it.
My Case Of posts will continue with I’m Still Here…
Netflix is banking on Train Dreams logging some awards chatter after primarily positive reaction at Sundance. The period piece drama casts Joel Edgerton as a railroad worker traveling across the United States. Felicity Jones (currently vying for Supporting Actress in The Brutalist), Kerry Condon, and William H. Macy provide support.
Dreams is the latest screenplay from Clint Bentley and Greg Kwedar (based on a novella by Denis Johnson). Bentley last directed Jockey in 2021 which probably came close to nabbing a Best Actor nod for Clifton Collins Jr. (who also costars here). Kwedar was behind the camera for Sing Sing where Colman Domingo is contending this year for the lead slot.
With 90% on Rotten Tomatoes and an 83 Metacritic, Netflix quickly snatched up distribution rights in Utah. Based on the buzz, they might give this a spirited campaign. That holds true particularly for Edgerton (who’s never been nominated) and the cinematography that is consistently being singled out. If Adapted Screenplay can be in play, BP attention could come along for the ride. My Oscar Prediction posts will continue…
Prior to its February 23rd airdate on Netflix with host Kristen Bell, nominations for the 31st SAG Awards were unveiled this morning. The planned in-person event revealing the nominees was scuttled due to the wildfires in southern California and were delivered via press release instead.
Bottom line – I went 22 for 30 in my predictions and there were some genuine shockers (particularly in the supporting contests). Let’s walk through each race with how I did and some commentary.
Outstanding Performance by a Cast in a Motion Picture
Nominees: Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
How I Did: 5/5 (!)
Pretty happy about this result! Unlike most SAG years, all five contenders here should make the list of the 10 BP hopefuls at the Oscars. Considering that Wicked led all pictures in terms of nominations, it could be out front though I wouldn’t discount Pérez.
Outstanding Performance by a Female Actor in a Leading Role
Nominees: Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
How I Did: 4/5
Angelina Jolie (Maria) is having a tough season lately and her Oscar chances are in serious jeopardy. She didn’t make the BAFTA long list and fell short to Fernanda Torres (I’m Still Here) at the Golden Globes in the dramatic lead actress competition. Now she misses the cut with SAG and it’s Pamela Anderson (The Last Showgirl) getting in. Could Moore’s momentum after her Globes victory continue here or will it be Madison emerging victorious?
Outstanding Performance by a Male Actor in a Leading Role
Nominees: Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Clarence Domingo (Sing Sing), Ralph Fiennes (Conclave)
How I Did: 4/5
The core four (Brody, Chalamet, Domingo, Fiennes) are present but it is Daniel Craig getting the nod over my pick of Sebastian Stan in The Apprentice. That fifth slot is up for grabs at Oscar while Brody and Chalamet could compete for the ultimate prize.
Outstanding Performance by a Female Actor in a Supporting Role
Nominees: Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
How I Did: 3/5
The supporting races are where SAG really provide some surprises this time around with Barbaro and Curtis. They’re in over my forecasted nominees Selena Gomez (Emilia Pérez) and Isabella Rossellini (Conclave). I would’ve figured Margaret Qualley (The Substance) and Felicity Jones (The Brutalist) had better shots than Barbaro/Curtis so this is a bit out of left field. Expect this to be between Saldaña and Grande.
Outstanding Performance by a Male Actor in a Supporting Role
Nominees: Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
How I Did: 2/5 (oof)
And we’re even more in unanticipated territory with Supporting Actor as Bailey, Borisov, and Strong (who was my alternate) are in with Clarence Maclin (Sing Sing), Guy Pearce (The Brutalist), and Denzel Washington (Gladiator II) out. I genuinely am surprised that SAG left out Pearce and Washington. The former is considered Culkin’s main competitor this season. That may no longer be the case as Culkin could sweep the upcoming ceremonies. Side note – not a great morning for The Brutalist with Brody being the pic’s sole nominee.
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
Nominees: Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
How I Did: 4/5
I went with Furiosa: A Mad Max Saga over Wicked. I would think The Fall Guy, which is about stunt performers, could be the selection.
And there you have it, folks! Keep an eye on the blog for all Oscar precursor chatter…
I’m closing out 2024 on the blog by closing out my Top 50 SNL Cast Members of All Time series while the legendary program’s 50th season is currently underway. It’s been a hoot coming up with this list as we celebrate a half century of often brilliant comedy.
Before he was Buddy the Elf or Ron Burgundy or Ricky Bobby or a stepbrother, Will Ferrell’s seven years in what is now the middle of SNL’s run takes top honors. The Groundlings alum came to the show during a transitional period with a mostly all-new cast. He made his mark immediately with a seemingly endless parade of bizarre and uproarious sketches. This included him yelling (there is no better comedic yeller) at his kids to “get off the shed” and an uncomfortable family dinner where he sadly but boldly proclaims his ownership of a Dodge Stratus. There’s his Evil Boss terrorizing Pierce Brosnan and Chris Parnell, his doctor who flat out lost a baby, and a commercial where he humiliates his dog. Part of Ferrell’s appeal was his everyman look combined with his off-kilter instincts. It made for an irresistible combination.
Then there’s his takes on President George W. Bush, Harry Caray, Inside the Actors Studio host James Lipton, crooner Robert Goulet, Attorney General Janet Reno, and Alex Trebek, constantly suffering to the insults of Darrell Hammond’s Sean Connery. The Cheerleaders with Cheri Oteri. The Roxbury guys with Chris Kattan. His boutique employee with a tiny phone that caused Jimmy Fallon and Horatio Sanz to lose it. There’s the post 9/11 sketch with his overly patriotic employee that provided much needed humor at that time. And More Cowbell anyone?
And that’s just scratching the surface. Ferrell’s contributions are truly remarkable and I didn’t have to think too hard for this placement.
Focused on the sole predominantly black female battalion to serve overseas in WWII as postal clerks, Tyler Perry is behind the camera for The Six Triple Eight. Kerry Washington leads a cast that includes Ebony Obsidian, Milauna Jackson, Kylie Jefferson, Shanice Shantay, Susan Sarandon, Dean Norris, Sam Waterston, and Oprah Winfrey. The war drama is in limited release this weekend before a Netflix bow on December 20th.
This doesn’t sound like it will turn out to be Madea Goes to the Oscars. The Rotten Tomatoes score is 50% with Metacritic at 57. There is praise for some of the performances and highlighting an underreported true story. Yet reviews aren’t strong enough for this to be a contender… with one notable exception.
Diane Warren contributed “The Journey” to the soundtrack and it’s performed by H.E.R. As is the stuff of Oscar lore, Warren has 15 tunes that have been nominated for Best Original Song. These include “Nothing’s Gonna Stop Us Now” from Mannequin, “Because You Love Me” from Up Close & Personal, and “I Don’t Want to Miss a Thing” from Armageddon. Her 15th nod arrived last year courtesy of “The Fire Inside” from Flamin’ Hot. She’s 0 for 15 as far as victories. H.E.R., on the other hand, was victorious in Original Song at the 93rd ceremony courtesy of “Fight for You” from Judas and the Black Messiah. Don’t be surprised if “The Journey” makes the cut for Warren’s 16th recognition, but I don’t see it winning. My Oscar Prediction posts will continue…
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