The nation of India has seen only one of their features (2001’s Lagaan) nominated for Best International Feature Film in the 21st century. Prior to that, you have to go back to 1988 and Salaam Bombay! Some prognosticators (including this one) thought they had a great shot at inclusion this year via All We Imagine as Light. Payal Kapadia’s acclaimed drama has a 100% on Rotten Tomatoes, 93 on Metacritic, and took the Grand Prix (essentially first runner-up) at the Cannes Film Festival behind Anora. There was some suspicion, however, that India might not go with it as their pick due to controversial subject matter.
That was proven correct today as the selection body went with Laapataa Ladies. From Kiran Rao, the dramedy originally was seen at the 2023 Toronto Film Festival. It came out in April on Netflix. The cast includes Nitanshi Goel, Pratibha Ranta, Sparsh Shrivastava, Chhaya Kadam, and Ravi Kishan.
Like Light, the Ladies Tomato meter is also perfect. While certainly positive, the reviews are not near as effusive. Last year, France was seen as dropping the ball by choosing The Taste of Things instead of Anatomy of a Fall. If India’s pick ends up making the shortlist, I’ll be singing a different tune. This does potentially appear to be their unforced error for the 97th Academy Awards. It is reminiscent of the 95th ceremony when India inexplicably decided against RRR and it probably would have made the nominated quintet. My Oscar Prediction posts will continue…
The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.
In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.
All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.
First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.
Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.
Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.
Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.
Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.
Beetlejuice Beetlejuice, the 36 years in the making sequel to the inventive original, finds ways to capture the spirit of what long ago preceded it. On the other hand, Tim Burton’s follow-up is just 12 minutes longer than the first. Unfortunately it feels about 30 minutes longer as it’s packed with too many characters and storylines. Busier is not better in this paranormal case.
Speaking of the paranormal, Lydia Deetz (Winona Ryder) was last seen as the death obsessed teen back in ’88 who was able to see the ghosts of the dearly departed couple who owned the house she moved into. Now she hosts a popular talk show where she helps guests conjure lost loved ones. Lydia has a conniving boyfriend who’s also her producer (a delightfully smarmy Justin Theroux) and an estranged daughter Astrid (Jenna Ortega) at boarding school. She also has visions of the demented “bio-exorcist” squared title character (Michael Keaton) who tried to marry her way back when.
When Lydia’s father Charles (Jeffrey Jones, not in the film but his character cleverly is) passes, Lydia and her unorthodox posse travel back to quaint Winter River, Connecticut for the funeral. That includes oddly artistic stepmom Delia (Catherine O’Hara). Astrid, who doesn’t believe in ghosts despite the Deetz history but shares mom’s downbeat worldview, meets an intriguing outcast and potential love interest Jeremy (Arthur Conti). She is additionally primed for introduction for Mr. Juice if his name is iconically uttered three times.
Beetlejuice has his own familial issues. Ex-wife Delores (Monica Bellucci) is stalking him in the afterlife so he’s desperately looking to join the physical world and wed Lydia after their first ceremony was indefinitely postponed. Willem Dafoe turns up as a detective in the hereafter. His qualifications to be a sleuth? He’s a former B actor who played one on TV!
There’s a lot going on in Beetlejuice Beetlejuice and the first act is a slight slog to establish all the subplots. Once that occurs, I thought one in particular could’ve been jettisoned completely and that’s the ‘Juice/Delores angle. Dafoe is having a ball but his screen time feels superfluous.
Some of what going on is reminiscent of the darkly amusing pleasures that Beetlejuice brought. Ryder and O’Hara (who’s always a joy) slip effortlessly into their characters and Ortega is a fine addition (she’s had her practice on Netflix’s Wednesday which Burton is a creative force behind). There’s plenty of fun PG-13 level gross visual effects and of course Keaton is reliable for some highlights.
So where are Barbara (Geena Davis) and Richard (Alec Baldwin) – the Maitlands from part 1? The sequel cheekily explains their absence in a flippant manner. I kind of appreciated that this backstory isn’t delved into. After all, this film is plenty crowded. That said, the Maitlands were the audience’s conduit to the bizarro world that Burton and company constructed. It’s an aspect that is missing here. Beetlejuice Beetlejuice is on track intermittently even if its soul can feel departed.
Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.
The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.
This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.
Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.
Beetlejuice Beetlejuice opening weekend prediction: $115.7 million
Anna Kendrick, a Supporting Actress nominee for 2009’s Up in the Air, makes her directorial debut with Woman of the Hour. The late 70s set crime thriller tells the true life tale of a struggling actress (played by Kendrick) who appears on The Dating Game and ends up selecting serial killer Rodney Alcala (Daniel Zovatto). Costars include Tony Hale and Nicolette Robinson.
Hour first drew eyeballs nearly a year ago at the Toronto Film Festival. The Rotten Tomatoes score is 90% with critics calling it an assured debut from the Pitch Perfect performer. Reviews are also praising Zovatto’s performance. Netflix quickly snatched up the rights and they’ve taken their time picking their own date. It finally streams beginning October 18th.
Despite high marks, Netflix should have their hands full with other campaigns including Emilia Pérez, The Piano Lesson, and Maria. This is unlikely to be a priority. My Oscar Prediction posts will continue…
It was surprising when the Venice organizers announced that Beetlejuice Beetlejuice (out September 6th) would open their film festival which kicked off today. The long-in-development sequel (as in 36 years) brings Tim Burton back in the director’s chair with Michael Keaton reprising his iconic role as the ghost with the most. Winona Ryder and Catherine O’Hara return with Jenna Ortega (who stars in Netflix’s Wednesday from Burton), Justin Theroux, Monica Bellucci, and Willem Dafoe entering the macabre universe.
Projections have Beetlejuice squared circling big numbers at the box office. The Italian premiere announcement has prognosticators pondering the awards viability. The 1988 original earned a sole Oscar nod and it won Best Makeup (before it was Makeup and Hairstyling), beating out a worthy competitor in Coming to America.
Most of the reviews for the follow-up are in the plus column with 21 out of the current 27 sporting red on Rotten Tomatoes. Many are saying it’s a welcome return to form for Burton. It could certainly land another Makeup mention though defeating Dune: Part Two won’t be an easy chore. I wouldn’t totally rule out Production Design or Visual Effects as possibilities.
Anything beyond that is unlikely as the same probably holds true for its Golden Globes chances in Musical/Comedy. My Oscar Prediction posts will continue with frequency now that Venice is underway…
Lee Daniels is in horror mode for the first time with The Deliverance, out in limited theatrical release this weekend before an August 30th Netflix streaming bow. The supernatural tale is inspired by real events with a cast led by Andra Day and Glenn Close. Costars include Rob Morgan, Caleb McLaughlin, Aunjanue Ellis-Taylor, Tasha Smith, Omar Epps, and Mo’Nique.
Fifteen years ago, Daniels had an awards breakout when Precious landed six Oscar nods including a Supporting Actress victory for Mo’Nique. 2021’s The United States vs. Billie Holiday saw Day contending for lead Actress. Yet any chatter among this acting troupe in The Deliverance has not centered on them. Same goes for Ellis-Taylor, recently up in supporting for King Richard. Her role here is said to be smaller and she is far likelier to be in the mix with the upcoming Nickel Boys.
This brings us to Glenn Close. The eight-time Academy nominee has infamously come up short eight times. Some early write-ups have said her performance is impressive. However, the 47% Rotten Tomatoes score and its genre should rule out a ninth at bat. My Oscar Prediction posts will continue…
Greg Kwedar’s Sing Sing is already out in limited release and the A24 title is doing pretty impressive business in its four venues before a planned August expansion. Is it doing well enough to warrant a #1 spot in the BP rankings where I’ve had it for weeks?
That is a legit question and one that I’m struggling with in this particular update. With heralded performances from Colman Domingo and Clarence Maclin, it certainly seems like the type of crowdpleaser that could take the top prize. This could be without Kwedar landing a directing nod as I’ve yet to have him in the top five. If that plays out, it would be a similar situation to 2021 and the CODA victory despite Sian Heder missing the directorial quintet.
The bottom line is this: the #1 position in BP for Sing Sing is tenuous. I’ve got it clinging to that number though I considered Steve McQueen’s Blitz, Denis Villeneuve’s Dune: Part Two, and Edward Berger’s Conclave (the first trailer for it dropped this week). Of course, we are only a month and change away from festival season kicking off with Venice, Telluride, and Toronto. Those events always assist in clearing up the picture.
There was speculation that Clint Eastwood’s Juror No. 2 may not make the 2024 calendar for Warner Bros. Even when I thought it was likely to release this fall, I didn’t have it pegged as a BP player. I did have Toni Collette listed as a potential Supporting Actress hopeful along with Nicholas Hoult in Actor and at the bottom of the listed 15 in Original Screenplay. I am dropping Juror for now and would certainly adjust if it does materialize on the schedule.
Speaking of Supporting Actress, we got our first glimpse of The Deliverance from Lee Daniels this week. The supernatural horror flick (out on Netflix in late August) is not your typical awards fare. However, I am listing Glenn Close as a possibility. It is Glenn Close after all and she managed an Oscar nod recently for the critically panned Hillbilly Elegy (where she also was up for a Razzie).
In other news, my constant speculation on category placement continues. Saoirse Ronan is now back to being a double nominee in my view for lead Actress with The Outrun and Supporting Actress for Blitz (I can’t wait until this is cleared up). Ronan’s inclusion back in the supporting derby displaces Conclave‘s Isabella Rossellini. Another unclear item is the screenplay placement for Emilia Pérez. It could be considered Adapted and that’s where I had it a few days ago, but now I’m putting it in Original Screenplay (and just barely missing a nom).
We have two significant alterations in Best Actor. While the top 3 remain the same, I am now elevating Sebastian Stan’s performance in A Different Man over Sebastian Stan’s work in The Apprentice. John David Washington (The Piano Lesson) also enters the high five for the first time. André Holland (The Actor) drops out of the quintet.
In Supporting Actor, Adam Pearson in A Different Man enters the five over Denzel Washington in Gladiator II.
You can read all the movement below for these feature length categories!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Conclave (PR: 4) (E)
5. Emilia Pérez (PR: 6) (+1)
6. Anora (PR: 5) (-1)
7. The Piano Lesson (PR: 8) (+1)
8. Queer (PR: 7) (-1)
9. Nickel Boys (PR: 9) (E)
10. The Seed of the Sacred Fig (PR: 10) (E)
Other Possibilities:
11. Gladiator II (PR: 12) (+1)
12. Nightbitch (PR: 11) (-1)
13. Joker: Folie à Deux (PR: 13) (E)
14. Nosferatu (PR: 20) (+6)
15. A Real Pain (PR: 19) (+4)
16. The Apprentice (PR: 14) (-2)
17. The Room Next Door (PR: 17) (E)
18. Maria (PR: 16) (-2)
19. The End (PR: 15) (-4)
20. The Fire Inside (PR: 22) (+2)
21. ADifferent Man (PR: Not Ranked)
22. Hard Truths (PR: 21) (-1)
23. Dídi (PR: 25) (+2)
24. Wicked (PR: Not Ranked)
25. His Three Daughters (PR: 23) (-2)
Dropped Out:
All We Imagine as Light
Here
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)
2. Steve McQueen, Blitz (PR: 1) (-2)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 7) (+2)
Other Possibilities:
6. Sean Baker, Anora (PR: 5) (-1)
7. Greg Kwedar, Sing Sing (PR: 6) (-1)
8. Luca Guadagnino, Queer (PR: 8) (E)
9. Ridley Scott, Gladiator II (PR: 10) (+1)
10. Marielle Heller, Nightbitch (PR: 9) (-1)
11. Robert Eggers, Nosferatu (PR: Not Ranked)
12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)
13. RaMell Ross, Nickel Boys (PR: 12) (-1)
14. Todd Phillips, Joker: Folie à Deux (PR: 14) (E)
15. Payal Kapadia, All We Imagine as Light (PR: 13) (-2)
Dropped Out:
Joshua Oppenheimer, The End
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 6) (+2)
5. Karla Sofia Gascón, Emilia Pérez (PR: 4) (-1)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 7) (+1)
7. Marianne Jean-Baptiste, Hard Truths (PR: 8) (+1)
8. Tilda Swinton, The Room Next Door (PR: 9) (+1)
9. Carrie Coon, His Three Daughters (PR: 10) (+1)
10. June Squibb, Thelma (PR: 11) (+1)
11. Ryan Destiny, The Fire Inside (PR: 12) (+1)
12. Demi Moore, The Substance (PR: Not Ranked)
13. Pamela Anderson, The Last Showgirl (PR: Not Ranked)
14. Florence Pugh, We Live in Time (PR: 14) (E)
15. Cynthia Erivo, Wicked (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, Blitz (moved to Supporting Actress)
Zendaya, Challengers
Jessica Lange, Long Day’s Journey Into Night
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. John David Washington, The Piano Lesson (PR: 7) (+3)
5. Sebastian Stan, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 5) (-1)
7. André Holland, The Actor (PR: 4) (-3)
8. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-2)
9. Glen Powell, Hit Man (PR: 10) (+1)
10. Jesse Plemons, Kinds of Kindness (PR: 12) (+2)
11. Paul Bettany, The Collaboration (PR: 8) (-3)
12. Paul Mescal, Gladiator II (PR: 11) (-1)
13. Ethan Herisse, Nickel Boys (PR: 13) (E)
14. Jesse Eisenberg, A Real Pain (PR: Not Ranked)
15. Andrew Garfield, We Live in Time (PR: 14) (-1)
Dropped Out:
Nicholas Hoult, Juror No. 2
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)
2. Danielle Deadwyler, The Piano Lesson (PR: 3) (+1)
3. Zoe Saldaña, Emilia Pérez (PR: 2) (-1)
4. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Actress
5. Natasha Lyonne, His Three Daughters (PR: 4) (-1)
Other Possibilities:
6. Isabella Rossellini, Conclave (PR: 5) (-1)
7. Julianne Moore, The Room Next Door (PR: 7) (E)
8. Selena Gomez, Emilia Pérez (PR: 10) (+2)
9. Joan Chen, Dídi (PR: 6) (-3)
10. Lesley Manville, Queer (PR: 12) (+2)
11. Elizabeth Olsen, His Three Daughters (PR: 9) (-2)
12. Kathy Burke, Blitz (PR: 8) (-4)
13. Glenn Close, The Deliverance (PR: Not Ranked)
14. Valeria Golino, Maria (PR: 14) (E)
15. Erin Kellyman, Blitz (PR: 11) (-4)
Dropped Out:
Toni Collette, Juror No. 2
Emily Watson, Small Things like These
Best Supporting Actor
Predicted Nominees:
1. Samuel L. Jackson, The Piano Lesson (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Stanley Tucci, Conclave (PR: 4) (+1)
4. Kieran Culkin, A Real Pain (PR: 3) (-1)
5. Adam Pearson, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Denzel Washington, Gladiator II (PR: 5) (-1)
7. Jeremy Strong, The Apprentice (PR: 6) (-1)
8. Harris Dickinson, Blitz (PR: 6) (-1)
9. Drew Starkey, Queer (PR: 8) (-1)
10. John Lithgow, Conclave (PR: 10) (E)
11. Brian Tyree Henry, The Fire Inside (PR: 11) (E)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Mark Eidelstein, Anora (PR: 13) (E)
14. Elliot Heffernan, Blitz (PR: 12) (-2)
15. Scoot McNairy, Nightbitch (PR: 15) (E)
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. A Real Pain (PR: 3) (E)
4. The Seed of the Sacred Fig (PR: 4) (E)
5. Hard Truths (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: Not Ranked) – moved from Adapted
7. The Room Next Door (PR: 6) (-1)
8. His Three Daughters (PR: 7) (-1)
9. Dídi (PR: 9) (E)
10. Kinds of Kindness (PR: 10) (E)
11. The End (PR: 8) (-3)
12. All We Imagine as Light (PR: 13) (+1)
13. The Apprentice (PR: 11) (-2)
14. A Different Man (PR: Not Ranked)
15. Challengers (PR: 12) (-3)
Dropped Out:
I Saw the TV Glow
Juror No. 2
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 1) (E)
2. Conclave (PR: 2) (E)
3. Queer (PR: 5) (+2)
4. Nickel Boys (PR: 3) (-1)
5. Nightbitch (PR: 8) (+3)
Other Possibilities:
6. The Piano Lesson (PR: 4) (-2)
7. Dune: Part Two (PR: 7) (E)
8. Hit Man (PR: 9) (+1)
9. Gladiator II (PR: 12) (+3)
10. Inside Out 2 (PR: 10) (E)
11. The Collaboration (PR: 14) (+3)
12. Joker: Folie à Deux (PR: 11) (-1)
13. The Fire Inside (PR: 13) (E)
14. Nosferatu (PR: Not Ranked)
15. Here (PR: 15) (E)
Dropped Out:
Emilia Pérez – moved to Original
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. I’m Still Here (PR: 2) (E)
3. The Count of Monte Cristo (PR: 3) (E)
4. All We Imagine as Light (PR: Not Ranked)
5. Grand Tour (PR: 5) (E)
Other Possibilities:
6. Uprising (PR: 4) (-2)
7. Evil Does Not Exist (PR: 7) (E)
8. Kneecap (PR: 9) (+1)
9. Emmanuelle (PR: 8) (-1)
10. Simon of the Mountain (PR: 6) (-4)
Dropped Out:
The Girl with the Needle
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 4) (+1)
4. Memoir of a Snail (PR: 5) (+1)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 3) (-2)
Other Possibilities:
6. Moana 2 (PR: 6) (E)
7. Savages (PR: 7) (E)
8. Orion and the Dark (PR: 10) (+2)
9. The Most Precious of Cargoes (PR: 8) (-1)
10. The Lord of the Rings: The War of the Rohirrim (PR: 9) (-1)
Best Documentary Feature
Predicted Nominees:
1. Black Box Diaries (PR: 1) (E)
2. Daughters (PR: 2) (E)
3. Sugarcane (PR: 3) (E)
4. Soundtrack to a Coup D’Etat (PR: 7) (+3)
5. Will & Harper (PR: 5) (E)
Other Possibilities:
6. Super/Man: A Christopher Reeve Story (PR: 6) (E)
7. No Other Land (PR: 4) (-3)
8. Gaucho Gaucho (PR: 8) (E)
9. Union (PR: 9) (E)
10. Frida (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Nosferatu (PR: 3) (E)
4. Conclave (PR: 7) (+3)
5. Anora (PR: 4) (-1)
Other Possibilities:
6. Gladiator II (PR: 5) (-1)
7. Emilia Pérez (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 8) (E)
9. Queer (PR: 9) (E)
10. Maria (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 2) (+1)
2. Wicked (PR: 1) (-1)
3. Gladiator II (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. Maria (PR: 7) (+2)
Other Possibilities:
6. Joker: Folie à Deux (PR: Not Ranked)
7. Blitz (PR: 5) (-2)
8. Furiosa: A Mad Max Story (PR: 6) (-2)
9. Beetlejuice Beetlejuice (PR: 10) (+1)
10. Megalopolis (PR: 8) (-2)
Dropped Out:
Conclave
Best Film Editing
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Sing Sing (PR: 3) (E)
4. Anora (PR: 4) (E)
5. Conclave (PR: 6) (+1)
Other Possibilities:
6. Emilia Pérez (PR: 5) (-1)
7. Gladiator II (PR: 8) (+1)
8. Challengers (PR: 9) (+1)
9. Furiosa: A Mad Max Story (PR: 7) (-2)
10. Joker: Folie à Deux (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. Furiosa: A Mad Max Saga (PR: 4) (+1)
4. A Different Man (PR: 3) (-1)
5. Wicked (PR: Not Ranked)
Other Possibilities:
6. Joker: Folie à Deux (PR: 7) (+1)
7. Beetlejuice Beetlejuice (PR: 6) (-1)
8. Maria (PR: 5) (-3)
9. Sasquatch Sunset (PR: 8) (-1)
10. Gladiator II (PR: Not Ranked)
Dropped Out:
Longlegs
Nightbitch
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Emilia Pérez (PR: 5) (+3)
3. Gladiator II (PR: 7) (+4)
4. Sing Sing (PR: 3) (-1)
5. Joker: Folie à Deux (PR: 2) (-3)
Other Possibilities:
6. Conclave (PR: Not Ranked)
7. Queer (PR: 4) (-3)
8. Challengers (PR: 10) (+2)
9. Blitz (PR: 6) (-3)
10. Here (PR: Not Ranked)
Dropped Out:
Nickel Boys
Nosferatu
Best Original Song
Predicted Nominees:
1. TBD from Emilia Pérez (PR: 1) (E)
2. TBD from Sing Sing (PR: 2) (E)
3. TBD from Joker: Folie à Deux (PR: 6) (+3)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. TBD from Wicked (PR: Not Ranked)
Other Possibilities:
6. “Harper and Will Go West” from Will & Harper (PR: 7) (+1)
7. TBD from Mufasa: The Lion King (PR: 3) (-4)
8. TBD from Moana 2 (PR: 5) (-3)
9. “Ain’t No Love in Oklahoma” from Twisters (PR: Not Ranked)
10. “Compress/Repress” from Challengers (PR: 8) (-2)
Dropped Out:
“Claw Machine” from I Saw the TV Glow
“Release” from Trap
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Gladiator II (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Nosferatu (PR: 4) (E)
5. Wicked (PR: 5) (E)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 6) (E)
7. Joker: Folie à Deux (PR: 7) (E)
8. Conclave (PR: 8) (E)
9. Maria (PR: Not Ranked)
10. Beetlejuice Beetlejuice (PR: 9) (-1)
Dropped Out:
Queer
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 4) (+2)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 3) (-1)
5. Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 6) (E)
7. Wicked (PR: 7) (E)
8. Joker: Folie à Deux (PR: Not Ranked)
9. Sing Sing (PR: Not Ranked)
10. Civil War (PR: 9) (-1)
Dropped Out:
A Quiet Place: Day One
Nosferatu
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 3) (+1)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 6) (+2)
5. Here (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 8) (+2)
7. Mufasa: The Lion King (PR: 4) (-3)
8. Blitz (PR: 7) (-1)
9. Deadpool & Wolverine (PR: Not Ranked)
10. Godzilla x Kong: The New Empire (PR: 10) (E)
Dropped Out:
Nosferatu
And that adds up to these movies generating these numbers in terms of nods:
10 Nominations
Dune: Part Two
8 Nominations
Blitz, Emilia Pérez
7 Nominations
Conclave, Sing Sing
5 Nominations
Anora, Gladiator II
4 Nominations
Nosferatu, The Piano Lesson, Wicked
3 Nominations
A Different Man, Furiosa: A Mad Max Story, Nickel Boys, Queer, The Seed of the Sacred Fig
2 Nominations
Joker: Folie à Deux, Maria, Nightbitch, A Real Pain
1 Nomination
All We Imagine as Light, Black Box Diaries, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, Grand Tour, Hard Truths, Here, His Three Daughters, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, The Outrun, Soundtrack to a Coup D’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper
No, Skywalkers: A Love Story is not a movie that advances the in hindsight uncomfortable smooch between Luke (Mark Hamill) and Leia (Carrie Fisher) in The Empire Strikes Back. Instead this documentary, which premiered on Netflix over the weekend, covers a Russian daredevil couple and their exploits atop a skyscraper. Jeff Zimbalist (whose 2005 environmental doc Favela Rising was shortlisted for Best Feature in its genre at the Oscars) and Maria Bukhonina co-direct. The pic originally premiered at Sundance back in January.
The Tomato meter currently sits at 73%. That mixed reaction is unlikely to put it in contention with the Academy. I didn’t have Skywalkers listed in my 10 possibilities for Doc Feature in my initial projections last weekend and wouldn’t count on it climbing up. My Oscar Prediction posts will continue…
Beverly Hills Cop: Axel F is frequently an amusing ride of overt nostalgia mining. It works better than the other two sequels to the 1984 original, especially 1994’s embarrassing III set at an amusement park. Is it good? That might hinge on your generosity level any given moment or reverence for what happened four decades ago. Eddie Murphy is certainly trying harder than he did 30 years ago (and in several mediocre titles between now and then). This is also a notch above Coming 2 America, his other recent long gestating legacy follow-up. Having this premiere on Netflix kinda makes sense. You can check out from time to time and it might not disrupt your overall experience. Does it try too hard to capture a 40-year-old vibe? I guess. Was I still watching? Yes and with more attentiveness than when Axel Foley donned an elephant costume in BHC III (never forget).
The role of renegade Detroit cop Axel Foley is the one that turned Murphy from a movie star to iconic superstar. Part one additionally blended action and comedy in ways that many copiedand still do. Beverly Hills Cop II, despite some guilty pleasure high gloss moments courtesy of Tony Scott, couldn’t think of much more to do with the concept. III, despite reuniting its star and Trading Places and Coming to America director John Landis… well we’ve covered that already. Seeing him slide on his Detroit Lions jacket again could’ve been yet another big-budget letdown. Yet just as that team has recently shown signs of life, this series does in part IV.
Foley returns to the West Coast for family business after a cool Motor City prologue set at a Red Wings game (this allows for Paul Reiser to reprise his role as our protagonist’s former partner). His estranged daughter Jane (Taylour Paige) is an attorney representing an innocent man for killing a cop. The dirty police captain (Kevin Bacon) responsible for the murder may need to off the Foley offspring to cover his tracks. So Axel’s ole pal Billy (Judge Reinhold) sends up the 90210 signal before he gets kidnapped himself. His old partner Taggart (John Ashton) is now the Chief. Side note – he was nowhere to be found in III because he probably read the screenplay.
Some of the script allows time for Axel to attempt rekindling a strained relationship with Jane. He also acquaints himself with Detective Abbott (Joseph Gordon-Levitt), his main partner in property destruction and Jane’s ex-flame. Both Gordon-Levitt and Paige are serviceable additions to the proceedings.
I can’t say the same for everyone else. Bronson Pinchot is back as the flamboyant Serge. An art gallery employee in Beverly Hills Cop, he stole two hilarious minutes from Murphy 40 years back. By III (I’m sorry to keep returning to that disaster), he was inexplicably a weapons dealer whose cameo was as unfunny as everything else in the runtime. Now he’s a bleach blonde real estate agent whose appearance feels tacked on. Same goes for Luis Guzman’s eccentric gang leader. Their parts could’ve been eliminated and we would’ve been better off without their 80s vibes.
Perhaps the shameless callbacks to the best franchise moments will leave you cold. I must admit the Pointer Sisters and Harold Faltermeyer and Bob Seger and Glenn Frey needle drops provided joy. Additionally the scaled down nature of the action sequences felt retro positive. Director Mark Molloy often succeeds in making this feel like it could’ve been produced in the era it celebrates. Never mind that everyone looks older and sorer with the notable exception of the seemingly ageless Murphy. This is not an action comedy for the ages. Despite Kevin Bacon as the chief baddie, all four Cop‘s share forgettable villains.
The series that made “Shakedown” an Oscar nominated track doesn’t attempt anything close to a shakeup. Thankfully its megawatt star is in his groove enough that it warrants going back to Cali.
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