An animated tale based on Roald Dahl’s 45-year-old novel, The Twits is out on Netflix and its marks the solo directorial debut of Phil Johnston after co-directing Disney’s Ralph Breaks the Internet. The voice cast includes Margo Martindale, Johnny Vegas, Natalie Portman, Emilia Clarke, Maitreyi Ramakrishnan, Jason Mantozoukas, Timothy Simons, Alan Tudyk, and Nicole Byer.
The source material earned high praise for the author while the film adaptation has not. Rotten Tomatoes is at 53% with a 46 on Metacritic. It is fair to assume this won’t be getting the Animated Feature nomination that went to 2009’s Dahl based Fantastic Mr. Fox. My Oscar Prediction posts will continue…
Based on the 2016 novel by Ruth Ware, thriller The Woman in Cabin 10 is out on Netflix this weekend. Keira Knightley headlines as a journalist who stumbles upon a murder mystery on a luxury cruise ship. Simon Stone, maker of 2021’s The Dig, directs with a supporting cast including Guy Pearce, Art Malik, Gugu Mbatha-Raw, Kaya Scodelario, Daniel Ings and Hannah Waddingham.
Despite compliments about some performances, critics are generally not digging Cabin. The Rotten Tomatoes score is just 25% with 44 on Metacritic. In other words, there’s zero mystery about whether this will be an awards player. My Oscar Prediction posts will continue…
Just as she will on the music charts starting Friday, the biggest pop star in the universe seeks to dominate the box office rankings with Taylor Swift: The Official Release Party of a Showgirl. We also have Dwayne Johnson and Emily Blunt in the MMA biopic The Smashing Machine, the re-release of Avatar: The Way of Water and canine centric horror tale Good Boy out. You can peruse my detailed prediction posts on the newcomers here:
Coinciding with the release of her 12th studio album, Showgirl looks to kick up impressive earnings for its engagement lasting only this weekend. While it’s unlikely to approach the $93 million generated out of the gate by her Eras Tour doc in 2023, I believe it’ll surpass the $40 million forecasts and reach higher 40s. As a general rule, take the over when it comes to Taylor.
The Smashing Machine will compete for adult eyeballs with the second weekend of One Battle After Another. My low teens take would put it in third for a so-so showing.
While audiences await threequel James Cameron’s Avatar: Fire and Ash this December, I have the re-release of The Way of Water in mid single digits and rounding out the high five.
My lower single digits estimate at $2.8 million for Good Boy leaves it outside the top five.
As for holdovers, Battle came in at the lower end of its expected range (more on that below). However, awards buzz and the Cinemascore grade of A might mean a meager drop. Gabby’s Dollhouse: The Movie didn’t pack in family crowds, but lack of competition for kids (though plenty of them might see Ms. Swift) could mean a decline around 40% or less.
Here’s I have it all shaking out:
1. Taylor Swift: The Official Release Party of a Showgirl
Predicted Gross: $48.6 million
2. One Battle After Another
Predicted Gross: $14.5 million
3. The Smashing Machine
Predicted Gross: $13.7 million
4. Gabby’s Dollhouse: The Movie
Predicted Gross: $7.9 million
5. Avatar: The Way of Water re-release
Predicted Gross: $4.4 million
Box Office Results (September 26-28)
Paul Thomas Anderson’s acclaimed One Battle After Another certainly set a record for his openings. Yet the $22 million debut for Leonardo DiCaprio’s latest came in lower than my $27 million prediction. It will hope for (and should achieve) smallish dips in the coming weeks due to the aforementioned word-of-mouth.
Gabby’s Dollhouse: The Movie was second with an unimpressive $13.6 million, well under my $20.3 million call. Based on the Netflix TV show, plenty of viewers opted to stay home.
Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle was third in weekend #3 with $7.1 million and ahead of my $5.8 million projection. The anime record holder has amassed $118 million stateside.
The Conjuring: Last Rites was fourth in weekend #4 at $6.7 million (I said $6.4 million) as the sequel’s tally is $161 million.
The Strangers – Chapter 2 sputtered in fifth with $5.8 million, under my $6.7 million take. This scary sequel failed to approach the double digits that its predecessor last year managed.
Speaking of underwhelming fright fest performances, Him tumbled 73% in sixth with $3.5 million. I was more generous at $5.1 million as its two-week earnings are $20 million.
Leonardo DiCaprio looks to conquer all multiplex foes in Paul Thomas Anderson’s One Battle After Another, but faces competition from Gabby’s Dollhouse: The Movie and The Strangers – Chapter 2. You can peruse my detailed prediction posts on the newcomers here:
Battle is favored to come out ahead based on major Oscar buzz and star power. I’m projecting high 20s as it looks to leg out impressively in subsequent frames.
Dollhouse is more of a wildcard. Based on a popular Netflix kids show, the mix of live-action and animation could surpass my low 20s estimate and come in 1st under the best case scenario.
I’m not looking for much out of The Strangers. Last year’s predecessor managed to top $10 million out of the gate. I suspect the follow-up will not. It might even fall behind the fourth frame of The Conjuring though I’ll give it the slight benefit of the doubt.
The fresh trio should place 1-3. As for holdovers, The Conjuring: Last Rites may see a smaller decline than Demon Slayer – Kimetsu No Yaiba – The Movie: Infinity Castle or Him.
Here’s how I see the top 6 shaking out:
1. One Battle After Another
Predicted Gross: $27 million
2. Gabby’s Dollhouse: The Movie
Predicted Gross: $20.3 million
3. The Strangers – Chapter 2
Predicted Gross: $6.7 million
4. The Conjuring: Last Rites
Predicted Gross: $6.4 million
5. Demon Slayer – Kimetsu No Yaiba – The Movie: Infinity Castle
Predicted Gross: $5.8 million
6. Him
Predicted Gross: $5.1 million
Box Office Results (September 19-21)
After an explosive record setting premiere for an anime title, Demon Slayer managed to stay atop the charts for a second weekend despite a 75% plummet (not unexpected). It grossed $17.3 million and just topped my $16.2 million call for $104 million thus far.
Sports themed horror pic Him with Marlon Wayans underwhelmed (poor reviews didn’t help) in the runner-spot position with $13.2 million. I was more generous at $20.3 million and thought it would come out on top. Look for about a 60% or more ease in weekend #2.
The Conjuring: Last Rites was third with $12.2 million, on pace with my $12.4 million prediction. The three-week take is $150 million.
Downton Abbey: The Grand Finale was fourth with $6.4 million (I said $6.5 million) for $31 million in two weeks.
The Long Walk rounded out the top five in its sophomore outing with $6.2 million. My guesstimate? $6.2 million! The ten-day gross is $22 million.
A Big Bold Beautiful Journey with Margot Robbie and Colin Farrell, despite its magnetic leads, bombed in sixth with a bleak $3.2 million. I went a bit higher at $4.8 million.
Finally, The Senior from Angel Studios (with an inspiration football theme) was deflated in seventh with $2.6 million compared to my $3.3 million projection.
Based on the popular Netflix kids show that began in 2021, Gabby’s Dollhouse: The Movie hopes to welcome family audiences beginning September 26th. The fantasy comedy mix of live-action and animation is directed by Ryan Crego with Laila Lockhart Kraner reprising her leading role from the series. Costars include Gloria Estefan, Ego Nwodim, Kyle Mooney, Melissa Villaseñor, Fortune Feimster, and Kristen Wiig (lots of SNL alum). Thomas Lennon and Jason Mantzoukas provide voice work contributions.
Dollhouse could benefit by catering to a young female audience and the lack of competition from kid centric features. The rosiest of projections have this approaching $30 million and that could put it in contention for 1st place over One Battle After Another. I doubt it gets that high and I’ll say high teens low 20s is the likelier scenario.
Gabby’s Dollhouse: The Movie opening weekend prediction: $20.3 million
For my One Battle After Another prediction, click here:
Based on the late 19th century play, Nia DaCosta (Candyman, The Marvels) brings Hedda to the silver screen on October 22nd before its Amazon Prime debut a week later. The sultry drama stars Tessa Thompson in the title role with Imogen Poots, Tom Bateman, Nicholas Pinnock, Kathryn Hunter and Nina Hoss in the supporting cast.
Its premiere at the Toronto Film Festival yielded raves for Thompson and Hoss in particular. Reviews of the pic itself were more measured. Rotten Tomatoes is at 85% with 62 on Metacritic. The awards path for Hedda might follow a similar road to Passing (2021). That Netflix drama had stronger critical buzz and there was Oscar chatter for Thompson in Actress and Ruth Negga in supporting. Expect the same for Thompson and Hoss, but I suspect they might not end up making the final cut. My Oscar Prediction posts will continue…
As a teacher at a school for troubled youth, Cillian Murphy is the title character in Steve. It reunites the Oppenheimer Best Actor winner with the director of his previous effort – last year’s Small Things like These. The supporting ensemble includes Tracey Ullman, Jay Lycurgo, Simbi Ajikawo and Emily Watson. After a premiere at the Toronto Film Festival, it’s out in limited release September 19th before an October 3rd Netflix bow.
The streamer’s involvement should ensure plenty of views. With 70 on Metacritic and 65% on Rotten Tomatoes, the reviews probably aren’t strong enough to warrant a major awards push from Netflix. That’s despite some critics particularly championing Murphy and Lycurgo. My Oscar Prediction posts will continue…
Three years after winning Best Actor for his performance in The Whale (capping a remarkable career comeback), Brendan Fraser could find himself in contention again courtesy of Rental Family. Directed by Hikari (best known for making episodes of the acclaimed Netflix series Beef), the Japan set dramedy has premiered at the Toronto Film Festival prior to its November 21st domestic bow. The supporting cast includes Takehiro Hira, Mari Yamamoto, Shannon Mahina Gorman and Akira Emoto.
Canadian reaction indicates this a crowdpleaser with 100% on Rotten Tomatoes and a 72 Metacritic. This might be a trendy pick for the People’s Choice Award at TIFF which often correlates to a BP nod at the Academy Awards. Family could certainly snag one of the ten spots though I don’t see Hikari as a threat in director. His original screenplay with Stephen Blahut is more of a possibility.
In an Actor race that is starting to look crowded, Fraser will certainly be in the mix. In recent weeks, I have predicted Yamamoto in Supporting Actress and Emoto in Supporting Actor. Word-of-mouth suggests their inclusion (while not out of the question) could face tougher odds than Fraser (who I’ve yet to place in the Actor quintet). Let’s see if that changes in my next update that is coming soon. If his costars miss the cut, the new Casting race could be a place where this snags another mention. My Oscar Prediction posts will continue…
With Daniel Craig anchoring for the third time as eccentric sleuth Benoit Blanc, Wake Up Dead Man: A Knives Out Mystery continues the mystery franchise. It premiered at the Toronto Film Festival with a limited theatrical engagement slated for November 26th and Netflix release on December 12th. Rian Johnson returns as writer/director with the considerable supporting cast including Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.
2019’s Knives Out was up for Original Screenplay and 2022 follow-up Glass Onion vied for Adapted Screenplay. They respectively lost to Parasite and Women Talking. Several critics in Canada are making the case that Wake is the strongest overall of the three pictures. Rotten Tomatoes is at 92% with Metacritic at 82. It’s probably a safe bet that it’ll make the cut in Adapted Screenplay at the 98th ceremony. As for the cast, O’Connor and Close are being labeled as best in show. I’d say the latter, due to her infamous history of being nominated and not winning, stands a better chance with the Academy. Don’t be surprised if the sole nom for this is in its writing race.
The Golden Globes should should offer different opportunities. Both predecessors were nominated for Best Motion Picture – Musical/Comedy – with the original falling short to Once Upon a Time in Hollywood and The Banshees of Inisherin taking the prize over Glass. Craig was nominated for Best Actor in a Musical/Comedy for both. It was Taron Egerton (Rocketman) and Inisherin‘s Colin Farrell hearing their names called instead. I would suspect Craig will get in again (as will the film) and hope the third time is the charm. My Oscar Prediction posts will continue…
Netflix will have some decisions to make when it comes to campaigning for their various entries at the 98th Academy Awards. As expected, Kathryn Bigelow’s A House of Dynamite will be part of that process. The political thriller marks the director’s first effort behind the camera since 2017’s Detroit. While it didn’t generate any nominations eight years ago, her previous two (2009’s The Hurt Locker, 2012’s Zero Dark Thirty) scored a win and a nom, respectively, in Best Picture. For Locker, Bigelow became the first female to take the Best Director prize (two more have followed).
Dynamite premiered at Venice prior to its October 10th limited theatrical release and October 24th bow on the aforementioned streamer. The large ensemble cast includes Idris Elba, Rebecca Ferguson, Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram, Jonah Hauer-King, Greta Lee, Kaitlyn Dever, and Jason Clarke.
Reviews indicate this a return to form for the filmmaker. Rotten Tomatoes and Metacritic score are both 88 at press time. Best Picture and Director are certainly possibilities. As I mentioned, Netflix has some other potential Venice screening heavy hitters via Jay Kelly and Frankenstein.
The Hurt Locker‘s noms included Jeremy Renner in Actor while Jessica Chastain was up for Actress in Zero Dark Thirty. Word-of-mouth for Dynamite indicates unlikely possibilities for any of the cast. That said, the Academy could honor the whole group in the new Casting race. Other tech possibilities include Film Editing, Cinematography, Original Score and Sound. There’s a shot for Original Screenplay though that competition is already looking packed. My Oscar Prediction posts will continue…
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