Tag: Murder on the Orient Express

September 15-17 Box Office Predictions

Sequel heavy September chugs along this weekend as Kenneth Branagh’s A Haunting in Venice continues his Hercule Poirot series and seeks a #1 start. You can peruse my detailed prediction post on it here:

A Haunting in Venice Box Office Prediction

The follow-up to 2017’s Murder on the Orient Express and last year’s Death on the Nile is actually receiving some of the best reviews of the trio. I suspect it may manage to top what Nile did while only reaching about half of what Express grossed out of the gate.

After a solid if unspectacular start, The Nun II may see a high 60s plummet that’s fairly normal for its genre. That would mean a second place showing barely in the double digits.

Holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3 will likely populate the 3-4 slots with drops in the low to mid 40s while Barbie should round out the top five. I figure the year’s biggest hit will remain in the high five as I look for Jawan to have a hefty decline after its impressive premiere (more on that below).

Here’s how I envision that top five:

1. A Haunting in Venice

Predicted Gross: $14.6 million

2. The Nun II

Predicted Gross: $10.9 million

3. The Equalizer 3

Predicted Gross: $7 million

4. My Big Fat Greek Wedding 3

Predicted Gross: $5.9 million

5. Barbie

Predicted Gross: $3.6 million

Box Office Results (September 8-10)

The Nun II didn’t come anywhere near the franchise Conjuring Universe peak $53 million that its predecessor made in 2018. It still scared up a respectable $32.6 million, under my $38.7 million prognosis.

The Equalizer 3 tumbled in the mid 60s during its sophomore frame with $12 million, below my $15.4 million call. The two-week total is $61 million as it hopes to hit $100 million like parts 1 and 2. It’s a legit question mark as to whether it gets there.

My Big Fat Greek Wedding 3 debuted in line with my expectations with a meh $10 million (I said $10.3 million). That is slightly better than other estimates though it’s well under the $16 million of part 2 from 2016.

Acclaimed Hindi action flick Jawan admittedly was not on my radar screen like it should’ve been. The $6.1 million haul put it in fourth place with the second strongest per theater average after The Nun II.

Barbie rounded out the top five with $5.7 million (I went with $6.4 million) as its eight week total rose to a massive $620 million.

I incorrectly had Blue Beetle in the top five, but it was sixth with $3.8 million. I was right on pace with $3.9 million. The DCU disappointment made $63 million in four weeks.

And that does it for now, folks! Until next time…

Oscar Predictions: A Haunting in Venice

Nearly half a century ago, Sidney Lumet’s cinematic adaptation of Agatha Christie’s Murder on the Orient Express tracked down six nominations. This included a Supporting Actress victory for Ingrid Bergman.

Kenneth Branagh’s 2017 version of the mystery found decent box office success and a Production Design nom at Critics Choice. Academy voters didn’t honor it anywhere and the same holds true for follow-up Death on the Nile from last year.

The third feature in the series is A Haunting in Venice (out September 15th), based on Christie’s Hallowe’en Party. Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, Michelle Yeoh, and Branagh’s Hercule Poirot make up the cast. With more horror elements than the previous pics, it hopes to scare up decent business. With the review embargo lifted, it holds the best Rotten Tomatoes score among the trio. Orient‘s is 61%, Nile is similar with 62%, and Haunting is posting 81% at this early stage (of course it could go down when more reaction comes in).

That said, Production Design and Costume Design are really the only feasible inclusions. I deduce the Academy will look to others for their final five. My Oscar Prediction posts will continue…

A Haunting in Venice Box Office Prediction

Kenneth Branagh’s grandly mustachioed master sleuth Hercule Poirot is back in cinemas on September 15th with A Haunting in Venice. Based on Agatha Christie’s 1969 work Hallowe’en Party, this is the third mystery in the franchise that began with Branagh’s 2017 version of Murder on the Orient Express and continued last year with Death on the Nile. In addition to its director/star, the cast includes Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, and current Best Actress winner Michelle Yeoh.

The first trailer for Haunting definitely leaned on the horror elements of its story and not the fact that it’s a continuation of the Express and Nile series. That’s not surprising when you consider that Nile came in well under its predecessor. While the Orient remake made $28 million out of the gate and $102 million overall domestically, the oft delayed Nile only earned $12.9 million for its start and $45 million overall a year and a half ago.

That horror angle might be a smart one for 20th Century Studios, but genre fans might be satiated with The Nun II (out the weekend prior). I do think this manages to top Death though not by much.

A Haunting in Venice opening weekend prediction: $14.6 million

See How They Run Review

You know a genre has made a real comeback when the passably forgettable entries pop up. That’s an apt description for Tom George’s See How They Run which features lovely production design, a few humorous bits, and a murder mystery that’s hard to get invested in. The 2017 remake of Murder on the Orient Express and 2019’s Knives Out made whodunits a valuable commodity again as Run catches up with the trend.

This one is a little meta (very much of the times) as the killing occurs in London’s West End circa 1953. The Mousetrap, a play written by Agatha Christie, is celebrating its 100th performance. Side note: for some fun research, look up how long the actual play ran. American film director Leo Köpernick (Adrien Brody), a drunken louse, is slated to make the film adaptation. His inappropriate behavior puts him at odds with the stage performance’s lead Dickie Attenborough (Harris Dickinson), producers John Woolf (Reece Shearsmith) and Petula Spencer (Ruth Wilson), and screenwriter Mervyn Cocker-Norris (David Oyelowo). Another side note as my 90s kid upbringing only left me slightly distracted that Dickie Attenborough would become a famed director who also happens to be John Hammond from Jurassic Park.

Moving on, Leo’s early narration correctly surmises that the most contemptible character in these stories usually gets offed. Therefore his time is short-lived and everyone onscreen seems to have a motive. Another drunken louse is in charge of the crime solving when Inspector Stoppard (Sam Rockwell) is assigned the case. Shadowing him is the eager but inexperienced Constable Stalker (Saoirse Ronan).

The chemistry between the two investigators is meant to carry the load for most of the snappy runtime (98 minutes). This is where the screenplay from Mark Chappell isn’t quite up to snuff. Rockwell speaks his lines in a woozy register that recalls Johnny Depp’s Jack Sparrow. Lady Bird‘s Ronan (like the rookie she’s portraying) gives it her all. Unfortunately the material is pretty thin. It might be considered a lesser tome from Christie, who factors into the plot in numerous ways. To put it simply, the case that Stoppard and his trusty Stalker are looking into isn’t that compelling.

See How They Run goes by quickly and there are a handful of inspired bits. When the action reaches a snowed in mansion in the third act, I wished the whole picture could’ve been set there. Much of it is as disposable as the victim.

**1/2 (out of four)

See How They Run Box Office Prediction

**Blogger’s Note (09/14): I am revising down estimate down from $4.8 million to $3.2 million.

Shades of Agatha Christie are said to inspire See How They Run, a whodunit slated to hit approximately 2200 venues on September 16th. Marking the directorial debut of Tom George, the cast includes Saoirse Ronan, Sam Rockwell, Adrien Brody, Ruth Wilson, Harris Dickinson, and David Oyelowo.

The Searchlight production has generated mostly positive reactions thus far (it opens in UK cinemas a week prior to the North American start). The Rotten Tomatoes score is 75%. Run‘s existence is likely due to the success of recent genre fare like Murder on the Orient Express and especially Knives Out. 

Without significant star power and with buzz muted, I do believe this could struggle to find an audience. Murder mystery aficionados may wait to get their fix with the forthcoming Glass Onion: A Knives Out Mystery. An opening in double digits would be surprising. I think the range is more $4-6 million and my estimate  is at the middle of it.

See How They Run opening weekend prediction: $3.2 million

For my The Woman King prediction, click here:

The Woman King Box Office Prediction

For my Pearl prediction, click here:

Pearl Box Office Prediction

February 18-21 Box Office Predictions

The video game adaptation Uncharted with Tom Holland and Mark Wahlberg looks to rule the #1 spot over the four-day President’s Day weekend while Channing Tatum’s directorial debut Dog hopes for a solid second place showing. They’re the newbies coming on Friday and you can peruse my detailed prediction posts on both of them here:

Uncharted Box Office Prediction

Dog Box Office Prediction

While reviews are mixed (50% currently on Rotten Tomatoes) for Uncharted, it should easily take a commanding lead for the POTUS frame. My low to mid 30s take puts it at about two and half times the gross of Dog, which finds Mr. Tatum in his first starring role in nearly half a decade.

As for holdovers, the long weekend should allow for smallish drop-offs. We’ve seen that play out previously during the mid February time period. Death on the Nile, following its mediocre start, might flirt with staying in double digits (I have it just under) with Spider-Man: No Way Home (that other Holland pic), Marry Me, and Jackass Forever filling out the rest of the chart.

Here’s how I envision the top 6 and these are estimates over the Friday to Monday holiday:

1. Uncharted

Predicted Gross: $33.7 million

2. Dog

Predicted Gross: $13.3 million

3. Death on the Nile

Predicted Gross: $9.8 million

4. Spider-Man: No Way Home

Predicted Gross: $7.3 million

5. Marry Me

Predicted Gross: $6 million

6. Jackass Forever

Predicted Gross: $5.7 million

Box Office Results (February 11-13)

As mentioned, Kenneth Branagh’s Death on the Nile (his follow-up to 2017’s Murder on the Orient Express) went a bit off the tracks with $12.8 million. That’s shy of my $14.3 million projection and it’s less than half of what Orient accomplished out of the gate.

Jackass Forever dropped to second with $8 million. The 65% drop was the largest of the five picture franchise and under my prediction of $11.3 million. The prankster sequel stands at $37 million after ten days.

Jennifer Lopez and Owen Wilson couldn’t get audiences to fall for them as Marry Me debuted in third with $7.9 million. That didn’t match my expectation of $11.2 million. Its simultaneous Peacock streaming start might have caused many couples to simply view from home.

Spider-Man: No Way Home was fourth with $7.5 million (I said $7.1 million) for $759 million overall. The MCU smash is just $1 million away from Avatar and becoming the third largest domestic earner of all-time (obviously it will hit that mark this week).

Liam Neeson’s latest revenge thriller Blacklight performed in line with his other COVID genre tales Honest Thief and The Marksman. The fifth place tally was $3.5 million, in range with my $3.8 million estimate.

Finally, Moonfall took a giant step down to #8 and fell 70% with $2.9 million in its sophomore outing (I was a little more generous with $3.5 million). Sing 2 and Scream managed to leap it for the sixth and seventh spots. The putrid gross is just $15 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Death on the Nile

Tomorrow morning, Kenneth Branagh appears poised to land nominations for Best Picture, Director, and Original Screenplay for his passion project Belfast. Before he made that Oscar contender, he shot Death on the Nile. A follow-up to 2017’s Murder on the Orient Express, the pic has faced a turbulent journey to the big screen (it opens Friday).

Originally slated for October 2020, Nile experienced numerous COVID related delays. Then there was the matter of its costar Armie Hammer having a massive public relations fallout due to revelations about his personal life.

Four Oscars ago, I actually predicted Orient would receive a Costume Design nomination and it was certainly in the running for Production Design. It came up empty handed. The review embargo for Nile lapsed today and it currently stands at 71% on Rotten Tomatoes. That’s better than the 60% that its predecessor garnered and many critics are claiming that this is an improvement.

That said, I don’t envision any nods (even the aforementioned tech races) materializing for this. It will probably be long forgotten in voters minds a year from now. Branagh, on the glass full side, should be pleased with the forthcoming Belfast love. My Oscar Prediction posts will continue…

February 11-13 Box Office Predictions

It’s been pretty easy to predict each weekend’s #1 film for a while – a lot of Spidey, a one-week interruption by Scream, and Johnny Knoxville and his pranksters in Jackass Forever. That gets a little more complicated this time around as three new pics enter the marketplace: Kenneth Branagh’s Murder on the Orient Express follow-up Death on the Nile, the Jennifer Lopez/Owen Wilson musical rom com Marry Me, and the latest Liam Neeson revenge saga Blacklight. You can peruse my detailed prediction posts on the trio right here:

Death on the Nile Box Office Prediction

Marry Me Box Office Prediction

Blacklight Box Office Prediction

Let’s start with Blacklight. Had this Neeson led tale (his granddaughter gets taken in it) come out in February a decade ago, we might be having a different conversation. However, grosses for these genre exercises with the actor have dwindled over the past couple of years (see Honest Thief and The Marksman). Therefore my $3.8 million estimate puts it at the tail end of the top five.

Then there’s Marry Me. It’s shrewdly placed during Valentine’s Day weekend where couples could be searching out something to view on date night. They will have the opportunity to do so with Marry Me in the theater and on Peacock and that could eat into the earnings. I have it barely topping double digits, but will admit that it could over perform and even snatch the #1 spot.

Jackass Forever is the fifth feature in the 20-year-old franchise and the fifth to open at #1. Looking over previous sophomore frame dips for earlier pics, I was surprised at their low drops. For 2002’s Jackass: The Movie, it was 44%.  2006’s Jackass: Number Two fell 49% while 2010’s Jackass 3D was the steepest at 57% (it was coming off a massive $50 million premiere). Spinoff Bad Grandpa in 2013 only had a 37% decline. I’ll say Forever loses about 50% That could be good enough for anywhere from the 1-3 slot depending on how Nile and Marry pan out. There could be a photo finish for that two spot.

Murder on the Orient Express tracked a solid $28 million haul just over four years ago. Yet it didn’t leg out particularly well and I question whether audiences are truly excited for another dose of Hercule Poirot and his many suspects. I suspect it should still make around half of what its predecessor took in. That would get it to #1, but we’re in a situation where we could have three genuine contenders for the top spot.

Spider-Man should stay in the top five with Moonfall potentially dropping out. The Roland Emmerich disaster tale managed just a C+ Cinemascore grade to go with its weak opening. A sophomore fall in the 60% range appears likely.

It’s also worth noting that there’s a certain game between the Bengals and Rams taking place Sunday. We usually don’t see three high-profile releases on Super Bowl weekend and it’s fair to assume grosses will take a hit on that date.

Here’s how I see it shaking out for your top 6:

1. Death on the Nile

Predicted Gross: $14.3 million

2. Jackass Forever

Predicted Gross: $11.3 million

3. Marry Me

Predicted Gross: $11.2 million

4. Spider-Man: No Way Home

Predicted Gross: $7.1 million

5. Blacklight

Predicted Gross: $3.8 million

6. Moonfall

Predicted Gross: $3.5 million

Box Office Results (February 4-6)

The Jackass franchise is five for five when it comes to opening #1 at the box office. Jackass Forever performed in line with estimates at $23.1 million, a touch ahead of my $21.8 million projection. It ranks fourth in terms of the quintet of debuts (just ahead of the original), but it’s certainly an impressive number given the circumstances.

As for Roland Emmerich’s disaster pic Moonfall… not so much. The big budget ($140 million) lunar saga cratered with only $9.8 million (I went higher with $12.8 million). As mentioned above, expect a precipitous drop in its sophomore frame.

Spider-Man: No Way Home was third with $9.5 million, swinging a bit above my $8.1 million take. The total has reached $748 million as it inches ever closer to 3rd domestically all-time (currently held by Avatar with $760 million).

Scream was fourth with $4.7 million (I said $4.4 million) and it’s scared up an overall tally of $68 million.

Sing 2 rounded out the top five with $4.2 million compared to my $3.6 million estimate. Total is $139 million.

And that does it for now, folks! Until next time…

Death on the Nile Box Office Prediction

Hercule Poirot is back in mystery solving form (quite a while after he was supposed to be) when Death on the Nile sets sail in theaters on February 11th. The follow-up to 2017’s Murder on the Orient Express finds Kenneth Branagh back as the famed Agatha Christie sleuth. As he did with Express, the star directs himself. Tom Bateman reprises his role from the predecessor. The supporting cast includes Annette Bening, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer (the pic was shot was shot prior to troubling details about his personal life surfaced), Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders, and Letitia Wright.

Budgeted at a reported $90 million, Nile was originally slated for multiplexes in December 2020 before numerous COVID delays. In that time, Branagh made Belfast and it’s become one of the favorites to win Best Picture at the Oscars.

Back in 2017, Orient debuted to a better than anticipated $28 million. It stalled a bit in subsequent weekends, but eventually hit just over $100 million domestically. At that time, audiences gave it a B Cinemascore grade – not bad though certainly not impressive.

That calls into question whether moviegoers will be excited for another dose of Poirot and his suspects. Furthermore, Nile will attempt to skew towards a female crowd. Some could be distracted with the release of the Jennifer Lopez rom com Marry Me. There’s also a football game on Sunday that could eat into the grosses.

I deduce that this might make about half of what Express accomplished for its start.

Death on the Nile opening weekend prediction: $14.3 million

For my Marry Me prediction, click here:

Marry Me Box Office Prediction

For my Blacklight prediction, click here:

Blacklight Box Office Prediction

Belfast Box Office Prediction

Kenneth Branagh has had a varied directorial output over the last three decades plus from his Shakespearian works (Henry V, Much Ado About Nothing, Hamlet) to franchise entries (Thor, Jack Ryan: Shadow Recruit) to adaptations of beloved novels like Mary Shelley’s Frankenstein and Murder on the Orient Express. His latest is Belfast and the coming-of-age tale (which Branagh also wrote) is said to be his most personal pic as it focuses on a young boy growing up in Northern Island during the 1960s. The black and white drama is also a serious Oscar contender and it’s currently the frontrunner for Best Picture. Newcomer Jude Hill stars with a supporting cast (who could all be Academy nominated) featuring Caitriona Balfe, Jamie Dornan, Judi Dench, and Ciaran Hinds.

The Academy hopeful hits 600 screens on November 12th with plans for a lengthy play over the awards season. The Oscar buzz should get it off to a solid start on the relatively low number of screens. Assuming a per screen average in the $4000-4500 range, we could be talking $2-3 million as it’s likely to perform steadily over the next several weeks.

Belfast opening weekend prediction: $2.3 million

For my Clifford the Big Red Dog prediction (which is not the Best Picture frontrunner), click here:

Clifford the Big Red Dog Box Office Prediction