Tag: Mubi

Oscar Predictions: Minotaur

This year’s Grand Prix prize at the Cannes Film Festival is the political drama Minotaur. Set against the backdrop of the Russo-Ukrainian war, Andrey Zvyagintsev’s latest looks to join previous features Leviathan (2014) and Loveless (2017) as an International Feature Film nominee at the Oscars. The cast includes Iris Lebedeva, Dmitriy Mazurov, Varvara Shmykova, and Juris Zagars.

The reviews are impressive with 96% on Rotten Tomatoes and 90 on Metacritic. Essentially marking second place at the French festival, two of the last three Grand Prix victors have scored Best Picture nominations (The Zone of Interest and Sentimental Value). Minotaur is a co-production between France, Latvia, and Germany and any of them could submit it for IFF. The filmmaker’s previously nominated pics were Russian submissions and that won’t be the case this time around. With Mubi handling distribution, I would expect a spirited campaign with a solid likelihood of inclusion in the final quintet for foreign feature. Best Picture is possible, but perhaps more of a reach unless this starts to be seen as a frontrunner to win the international race. My Oscar Prediction posts will continue…

Oscar Predictions: Teenage Sex and Death at Camp Miasma

Teenage Sex and Death at Camp Miasma marks Jane Schoenbrun’s follow-up to their acclaimed 2024 effort I Saw the TV Glow. Serving as the premiere feature for the Un Certain Regard section at the Cannes Film Festival, the satirical sendup of 80s slashers is shaping up to be another critical darling. Hannah Einbinder (of Hacks fame) and Gillian Anderson star with a supporting cast including Amanda Fix, Sarah Sherman, Patrick Fischler, Dylan Baker, Jasmin Savoy Brown, Eva Victor, and Jack Haven.

Reviews are strong with 100% on Rotten Tomatoes and perhaps an even more notable 91 Metacritic. The mainstream appeal for Miasma could be limited, but distributor Mubi has shown their campaigning prowess previously through The Substance. Under a best case scenario, the Academy could notice Anderson’s lauded supporting work and/or the original screenplay. I think this is more likely to resonate with the Gotham Awards or Indie Spirits where Glow shined two years back. My Oscar Prediction posts will continue…

Oscar Predictions: Fatherland

Pawel Pawlikowski’s Fatherland is one of the most anticipated titles playing Cannes and its French screening today indicates it lives up the hype. Set post-WWII, the black & white historical drama casts Sandra Hüller as novelist Erika Mann on a road trip with renowned father Thomas (Hanns Zischler). Costars include August Diehl, David Striesow, and Anna Madeley.

This is the Polish filmmaker’s first feature since 2018’s Cold War which picked up Academy nods for Best Director, International Feature Film, and Łukasz Żal’s cinematography. Prior to that, 2014’s Ida was the International Feature Film winner and also made cut in cinematography for Żal.

Reviews for the Mubi distributed title (which runs a brisk 82 minutes) stand at 100% on Rotten Tomatoes with 92 on Metacritic. Those numbers solidify its awards viability. Assuming Poland submits it as their horse in IFF (and it’s safe to assume that), this should mark the auteur’s third shot in that race in a row. Żal’s camerawork is also being singled out and he could make the quintet there.

While Ida and Cold War didn’t get into the BP ten, Fatherland certainly is a possibility and Pawlikowski is once again a contender for his direction and his original screenplay with Hendrik Handloegten. As far as the leads, Hüller is generating raves. Her potential inclusion in Best Actress is high though not a given. Due to a fresh Academy rules change, she might even compete against herself when factoring her heralded turn in Rose (where she took top prize at the Berlin fest). The vote splitting between both roles will be something to keep in mind. Zischler is more of a question mark. His costar could overshadow the campaign. On paper, Best Actor looks awfully crowded. Could Mubi go supporting instead? However, momentum for the pic could sweep him in under a best case scenario. My Oscar Prediction posts will continue…

Oscar Predictions: The Mastermind

Kelly Reichardt, acclaimed director of Night Moves, Certain Women, and First Cow, has premiered The Mastermind at Cannes. Dubbed as a heist movie where most of the story takes place post heist, Josh O’Connor is an art thief circa 1970. The supporting cast includes Alana Haim, John Magaro, Hope Davis, Bill Camp, Gaby Hoffman, and Amanda Plummer.

With distribution from Mubi, this is generating approving notices in France with 91% on Rotten Tomatoes and a 73 Metacritic. That said, Reichardt has yet to enter into the Academy’s consciousness and I doubt The Mastermind will change that. Unless Mubi mounts an amazing Best Actor campaign for O’Connor, my takeaway is that this won’t be a contender despite the good natured reactions (especially for him). My Oscar Prediction posts will continue…