The closeout of May and dawn of June at the box office will be even rougher than the Memorial Day weekend… and that weekend was rough at multiplexes (more on that below). The anime sports pic Haiyku!! The Dumpster Battle is the only significant new release as it aims for a top five showing where the #1 pic could struggle to top double digits. My detailed prediction post on the newcomer can be accessed here:
With my mid single digits projection (it could go higher), I have Dumpster placing fifth.
There could be a photo finish for #1 after a frame in which the new holiday pictures bombed. I have Furiosa: A Mad Max Saga falling in the high 50s after its poor performance and The Garfield Movie dipping over 50%. That might give the tabby cat the (not exactly) bragging rights in 1st.
IF should hold in third with a smaller decline than the sophomore weekend competitors. Heck, it could contend for the top spot if Furiosa and Garfield go downhill even more. Kingdom of the Planet of the Apes is likely to hold in fourth and here’s how I have it all playing out:
1. The Garfield Movie
Predicted Gross: $12 million
2. Furiosa: A Mad Max Saga
Predicted Gross: $11.3 million
3. IF
Predicted Gross: $10.1 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $8.5 million
5. Haiyku!! The Dumpster Battle
Predicted Gross: $3.9 million
Box Office Results (May 24-27)
And now to the dumpster fire that just happened. Furiosa: A Mad Max Saga managed to be first with $32.3 million over the Friday to Monday four-day expanded frame. That’s well below what predecessor Fury Road achieved some nine years ago and way under my $47.2 million prediction. **Please note that my percentage drops listed above are for the three-day Friday to Sunday portion of the weekend where this earned just $26.3 million.
The Garfield Movie also debuted on the lowest end of its anticipated range in second with $31.2 million compared to my $41.5 million take. Its B+ Cinemascore grade is subpar for a family feature (IF got an A) and I’m skeptical its legs will be sturdy.
IF fell to third in weekend #2 with $22.3 million, a tad ahead of my $20.6 million call. The two-week tally is $64 million.
Kingdom of the Planet of the Apes was fourth with $17.6 million (I said $18 million) as it inched up to $127 million. This is really the only significant success story of the summer thus far… or at least it’s generally performing in line with expectations.
The Fall Guy rounded out the top five with $7.9 million. I went lower at $5.8 million, but it’s only up to $74 million after four weeks.
The Strangers: Chapter 1 was sixth with $7 million (I said $5.6 million) as the low budget horror sequel is at $22 million.
Finally, Sight from Angel Studios struggled for eyeballs with $3.7 million in seventh. I thought it might get more with $5.3 million.
**Blogger’s Update (05/30): Since it is only playing on just over 1000 screens, I am lowering my prediction from $6.5M to $3.9M
Sony Pictures and Crunchyroll hope fans of Japan’s manga TV series dive into Haikyu!! The Dumpster Battle when it debuts this weekend. The animated sports tale stems from a show that ran from 2012 to 2020. Susumu Mitsunaka directs a voice cast that includes Ayumu Murase, Kaito Ishikawa, Yuki Kaji, and Yuichi Nakamura.
The distributor gets the most bang for its buck overseas as Battle is already the second highest grosser in Japan for 2024. Obviously stateside grosses will be considerably smaller. Crunchyroll’s titles have seen diminishing domestic unveilings as of late. It is also worth noting that they usually generate about 70% of their business in the first weekend.
In February of this year, Demon Slayer: Kimetsu no Yaiba – To the Hashira Training did bring in $11.5 million and that was just over 2023 predecessor To the Swordsmith Village at $10.1 million. Outside of that franchise, One Piece Film: Red premiered with $9.3 million in November ’23 while Spy x Family Code: White stalled with $4.8 million just last month.
I’ll give Haikyu!! a mid to higher single digits opening.
Haikyu!! The Dumpster Battle opening weekend prediction: $3.9 million
The Cannes Film Festival is complete and it has vaulted some pictures into contention while essentially eliminating others. Those on the others list include Francis Ford Coppola’s Megalopolis, Horizon: An American Saga – Chapter 1 from Kevin Costner, and Paul Schrader’s Oh, Canada.
On the other hand, Andrea Arnold’s Bird and Ali Abbasi’s The Apprentice still have life, but certainly are not sure things. Same goes for Kinds of Kindness from Yorgos Lanthimos and Jacques Audiard’s Emila Pérez (I’m pretty high on its chances though).
The film that did itself the most good is Sean Baker’s Anora which took the Palme d’Or over the long weekend. It now climbs into my Picture, Director, and Actress (Mikey Madison) fields.
While the Iranian drama The Seed of the Sacred Fig by Mohammad Rasoulof is unlikely to be submitted for International Feature Film, there’s a chance it contends in BP and you’ll see it listed here for the first time as a possibility.
Let’s get into all of it and you can anticipate the next update in a couple of weeks!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Sing Sing (PR: 4) (+1)
4. Conclave (PR: 3) (-1)
5. Queer (PR: 5) (E)
6. The End (PR: 6) (E)
7. Anora (PR: Not Ranked)
8. His Three Daughters (PR: 7) (-1)
9. Emilia Pérez (PR: 8) (-1)
10. The Piano Lesson (PR: 9) (-1)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. The Apprentice (PR: 10) (-2)
13. Kinds of Kindness (PR: 18) (+5)
14. Nightbitch (PR: 12) (-2)
15. The Fire Inside (PR: 17) (+2)
16. Furiosa: A Mad Max Saga (PR: 15) (-1)
17. Dìdi (PR: 14) (-3)
18. Hit Man (PR: 19) (+1)
19. Bird (PR: 13) (-6)
20. Maria (PR: 22) (+2)
21. Here (PR: 25) (+4)
22. The Seed of the Sacred Fig (PR: Not Ranked)
23. The Nickel Boys (PR: 24) (+1)
24. A Real Pain (PR: 20) (-4)
25. Civil War (PR: 21) (-4)
Dropped Out:
Horizon: An American Saga – Chapter 2
Gladiator II
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Joshua Oppenheimer, The End (PR: 5) (+1)
5. Sean Baker, Anora (PR: Not Ranked)
Other Possibilities:
6. Luca Guadagnino, Queer (PR: 4) (-2)
7. Azazel Jacobs, His Three Daughters (PR: 6) (-1)
8. Greg Kwedar, Sing Sing (PR: 7) (-1)
9. Jacques Audiard, Emila Pérez (PR: 8) (-1)
10. Todd Phillips, Joker: Folie à Deux (PR: 9) (-1)
11. Yorgos Lanthimos, Kinds of Kindness (PR: Not Ranked)
12. Malcolm Washington, The Piano Lesson (PR: 13) (+1)
13. Marielle Heller, Nightbitch (PR: 11) (-2)
14. George Miller, Furiosa: A Mad Max Saga (PR: 15) (+1)
15. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: Not Ranked)
Dropped Out:
Ali Abbasi, The Apprentice
Kevin Costner, Horizon: An American Saga – Chapter 2
Andrea Arnold, Bird
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 2) (E)
3. Mikey Madison, Anora (PR: Not Ranked)
4. Amy Adams, Nightbitch (PR: 4) (E)
5. Natasha Lyonne, His Three Daughters (PR: 3) (-2)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)
7. Zoe Saldaña, Emilia Pérez (PR: 5) (-2)
8. Tilda Swinton, The End (PR: 7) (-1)
9. Ryan Destiny, The Fire Inside (PR: 8) (-1)
10. Demi Moore, The Substance (PR: Not Ranked)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Marianne Jean-Baptiste, Hard Truths (PR: 10) (-2)
13. Zendaya, Challengers (PR: 9) (-4)
14. Jodie Comer, The Bikeriders (PR: Not Ranked) – moved from Supporting
15. Noemie Merlant, Emmanuelle (PR: 14) (-1)
Dropped Out:
Florence Pugh, We Live in Time
Anne Hathaway, Mother Mary
Emma Stone, Kinds of Kindness
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. André Holland, The Actor (PR: 5) (+1)
5. Glen Powell, Hit Man (PR: 6) (+1)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 5) (-1)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (E)
8. John David Washington, The Piano Lesson (PR: 8) (E)
9. George MacKay, The End (PR: 9) (E)
10. Jesse Plemons, Kinds of Kindness (PR: Not Ranked)
11. Kingsley Ben-Adir, Bob Marley: One Love (PR: 12) (+1)
12. Paul Bettany, The Collaboration (PR: 15) (+3)
13. Sebastian Stan, A Different Man (PR: Not Ranked)
14. Tom Hanks, Here (PR: 14) (E)
15. Paul Mescal, Gladiator II (PR: 10) (-5)
Dropped Out:
Kevin Costner, Horizon: An America Saga – Chapter 2
Andrew Garfield, We Live in Time
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Saoirse Ronan, Blitz (PR: 3) (+1)
3. Karla Sofia Gascón, Emilia Perez (PR: 2) (-1)
4. Carrie Coon, His Three Daughters (PR: 4) (E)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 5) (E)
Other Possibilities:
6. Danielle Deadwyler, The Piano Lesson (PR: 6) (E)
7. Joan Chen, Dídi (PR: 8) (+1)
8. Elizabeth Olsen, His Three Daughters (PR: 9) (+1)
9. Catherine Keener, Joker: Folie à Deux (PR: Not Ranked)
10. Lesley Manville, Queer (PR: 10) (E)
11. Valeria Golino, Maria (PR: Not Ranked)
12. Toni Collette, Juror No. 2 (PR: 13) (+1)
13. Robin Wright, Here (PR: 12) (-1)
14. Erin Kellyman, Blitz (PR: Not Ranked)
15. Naomi Watts, Emmanuelle (PR: 14) (-1)
Dropped Out:
Maria Bakalova, The Apprentice
Jodie Comer, The Bikeriders (moved to Actress)
Cailee Spaeny, Civil War
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 2) (+1)
2. Samuel L. Jackson, The Piano Lesson (PR: 3) (+1)
3. Stanley Tucci, Conclave (PR: 1) (-2)
4. Kieran Culkin, A Real Pain (PR: 5) (+1)
5. Brian Tyree Henry, The Fire Inside (PR: 7) (+2)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 4) (-2)
7. Drew Starkey, Queer (PR: 6) (-1)
8. John Lithgow, Conclave (PR: 10) (+2)
9. Harris Dickinson, Blitz (PR: 8) (-1)
10. Adam Pearson, A Different Man (PR: 11) (+1)
11. Barry Keoghan, Bird (PR: 9) (-2)
12. Michael Shannon, The End (PR: Not Ranked)
13. Brendan Gleeson, Joker: Folie à Deux (PR: Not Ranked)
Mohammad Rasoulof, an acclaimed Iranian filmmaker living in exile, is garnering acclaim for The Seed of the Sacred Fig at it Cannes unveiling. Neon has already picked up the distribution rights to the nearly three hour political thriller. It won a Special Jury prize at the festival. Soheila Golestani, Missagh Zareh, Mahsa Rostami, and Satereh Maleki star.
With a 100% Rotten Tomatoes score and a lengthy standing O in the French Riviera, Fig might be the type of International Feature Film that the Academy would honor with a nom. There’s a caveat. Iran will clearly not submit it as a contender. Just this month the nation sentenced Rasoulof to eight years in prison. However, he was able to flee to Germany and made the trek to France for his premiere. Either one of those European countries could theoretically put this up for consideration.
If so, Seed stands a chance at IFF but that’s unclear at press time. My Oscar Prediction posts will continue…
The Cannes Film Festival of 2024 is complete and, as always, it made the Oscar picture a little clearer with potential nominees as well as films that won’t be on the radar screen based on their French buzz.
One picture that did itself the most favors is Sean Baker’s Anora. The latest dramedy from The Florida Project drew raves and was named the Palme d’Or recipient (the highest Cannes prize). Three of the past four Palme winners (Parasite, Triangle of Sadness, Anatomy of a Fall) ended up with a BP nod from the Academy.
The film’s leading lady Mikey Madison did not take Best Actress. That instead went to a quartet of performers (Karla Sofia Gascón, Selena Gomez, Adriana Paz, Zoe Saldaña) from Jacques Audiard’s Emilia Pérez, which also entered the BP conversation. It is uncertain at this point whether Gascón or Saldaña, in particular, will be slotted in lead Actress or supporting come Oscar time. I currently have Gascón in the latter and Saldaña in the former and both have solid shots at inclusion.
In addition to Madison’s legit chances for an Actress recognition from the Academy, Demi Moore announced herself as a hopeful for her first nom in the heralded body horror tale The Substance from Coralie Fargeat. She is your Cannes honoree for Best Screenplay.
Anora‘s Sean Baker did not take Best Director (Cannes spreads the love). Miguel Gomes took that prize for the period drama Grand Tour. I wouldn’t pencil him in for a Director nom from the Academy. You have to go back to Pawel Pawlikowski and Cold War in 2018 for the previous Cannes winner who nabbed an Oscar mention. That is the only example in the 21st century.
Jesse Plemons is the Best Actor from Kinds of Kindness. Yorgos Lanthimos’s latest got its share of appreciative notices and I do believe it could contend for two or three Oscars. Plemons might be one of the benefactors.
As far as other acting possibilities, The Apprentice didn’t pick up any hardware. I do think Sebastian Stan (as Donald Trump in the 70s and 80s) and Jeremy Strong (as his mentor Roy Cohn) entered the Actor and Supporting Actor discussion. I also wouldn’t discount Nykiya Adams and Barry Keoghan in Actress and Supporting Actor for Andrea Arnold’s Bird.
Of course not all Cannes debuts lead to high praise. Francis Ford Coppola’s Megalopolis, Kevin Costner’s Horizon: An America Saga – Chapter 1, and Paul Schrader’s Oh, Canada all lessened their viability moving forward.
Keep an eye on the blog for new post Cannes projections in the six major races!
A cloud of subpar reviews hangs over Atlas, a sci-fi thriller about AI that begins streaming on Netflix this weekend. Jennifer Lopez headlines with Simu Liu, Sterling K. Brown (fresh off his first Oscar nod for American Fiction), and Mark Strong costarring. Brad Peyton, best known for the Dwayne Johnson trilogy of Journey 2: The Mysterious Island, San Andreas, and Rampage, directs.
Critical reaction to this is far from rock solid with a Rotten Tomatoes rating of 18%. The only awards play to be considered would be its Visual Effects and they are being commended more than other aspects. I doubt it ultimately contends in that competition. My Oscar Prediction posts will continue…
A fight between two elementary school boys leads to other drama in the Norwegian film Armand from first time director Halfdan Ullmann Tøndel. It has premiered at Cannes prior to its planned September bow in its native land. Domestic distribution is pending. Renate Reinsve, who wowed critics in 2021’s The Worst Person in the World, stars alongside Ellen Dorrit Petersen, Thea Lambrechts Vaulen, Endre Hellesveit, Øystein Røger, and Vera Veijovic.
There is praise for Reinsve’s work and the cinematography, but some of the reviews are tempered in their enthusiasm. The RT score is 75%. It wouldn’t surprise me if Norway goes with Armand as their selection for International Feature Film. The aforementioned Worst Person was a contender in the race three years back and lost to Drive My Car. Prior to that, you have to go back to 2012 and Kon-Tiki for the previous Norwegian nominee (they’re 0 for 6 total as far as wins).
Perhaps Armand can make the shortlist, but I don’t see it in the final quintet. My Oscar Prediction posts will continue…
Ahead of its May 31st bow on Disney+, Jim Henson Idea Man has premiered at Cannes. The high profile doc chronicles the life of the famed puppeteer including his creation of Sesame Street and the Muppets. Oscar winner Ron Howard directs.
It is a safe assumption that this will be one of the most viewed documentaries of 2024. Critical reaction is appreciative though some of the early reviews aren’t overly glowing. The RT score is 88%.
The voters in this particular branch of the Academy often don’t go for pics based on iconic figures. Two recent examples include Won’t You Be My Neighbor? from 2018 and Still: A Michael J. Fox Movie from last year. I suspect the story may play out the same for this. My Oscar Prediction posts will continue…
Italian filmmaker Paolo Sorrentino’s filmography has experienced success at the Oscars. In 2013, The Great Beauty took the prize for International Feature Film (then titled Best Foreign Language Film). 2021’s The Hand of God was up for IFF and ultimately fell short to Drive My Car. His latest is Parthenope which has premiered at Cannes.
The Naples set drama stars newcomer Celeste Dalla Porta in the title role alongside Stefenia Sandrelli, Gary Oldman, Silvio Orlando, Luisa Ranieri, and Isabella Ferrari.
Reviews from the Riviera aren’t pretty with many suggesting it’s the auteur’s darkest hour… or rather two hours and change. With a Rotten Tomatoes score of 15%, I doubt Italy will bother to submit this as their contender in the international competition. My Oscar Prediction posts will continue…
We all know Tom Cruise does his own stunts. He reminds us of that frequently and is the biggest artist handling the bulk of those duties himself. David Leitch’s The Fall Guy takes time to honor those performers doubling for the non-Cruisers and that’s a noble cause though it often plays like a long shaggy dog story.
Sort of based on the 1980s TV show with Lee Majors, Ryan Gosling is Colt Seavers. He’s Cliff Booth to Aaron Taylor-Johnson’s Rick Dalton… or rather Tom Ryder, who’s a mega action superstar with a penchant for hard partying. Seavers does the trickier work while Ryder takes all the credit. A prologue details a setup gone wrong that derails Colt’s career and his budding relationship with camerawoman Jody Moreno (Emily Blunt).
A year and a half later, Colt is parking cars instead of crashing them. He is summoned by producer Gail (Hannah Waddingham, kind of looking like 70s era Robert Evans in a wig) to set in Sydney. The selling point is the opportunity to make up with Jody, who is now directing the sci-fi saga Metalstorm with Ryder headlining. Upon his arrival down under, it turns out Jody has no idea what’s up or that he was joining the production.
The picture’s lead has mysteriously disappeared and Colt is tasked with tracking him down while also stunting by day. And, of course, there’s some serious and humorous tension with his ex.
I was reminded at times of 80s action comedies like Beverly Hills Cop or Fletch where the plot is inconsequential and where coasting on the above the title players’ charisma is enough. Obviously Gosling and Blunt have that level of appeal.
Somehow I didn’t fall for it despite their efforts. They have chemistry, but this fails to coast on their charms. The action scenes are well-choreographed. They should be given the subject matter and Leitch (John Wick, Atomic Blonde, Bullet Train) in charge. Yet there’s not one sequence that rivals, say, the antics of you know who in fill in the recent Mission: Impossible entry.
There are more references to Miami Vice or other 80s artifacts than the TV show it takes its name from. This includes Jody belting out “Against All Odds” by Phil Collins at a karaoke bar while Colt is engaged in an elaborate car chase. Blunt being more involved in the fights might have helped. Her one scene where she gets to do so is memorable.
The Fall Guy, given the personnel, is a minor disappointment especially with how convoluted it gets in the denouement. The occasionally on point self-referential jokes and the Barbenheimer cast mates provide the highlights. When they’re apart, it can feel like just an empty space.
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