Tag: movies

Oscar Predictions: Hard Truths

Marianne Jean-Baptiste was up for Supporting Actress 28 years ago in Mike Leigh’s Secrets & Lies, which received five total nominations including Best Picture, Director, Actress (Brenda Blethyn) and Original Screenplay. Leigh and Jean-Baptiste have collaborated again for Hard Truths which was unveiled at the Toronto Film Festival before its December 6th stateside bow. Costars include Michele Austin, David Webber, and Tuwaine Barrett. It could certainly put Jean-Baptiste in the mix again and this time for lead Actress.

The Metacritic score for the drama is 86 while some reviews say it’s not top-tier Leigh. The British filmmaker is a five-time hopeful for Original Screenplay (he’s never won). In addition to his Lies mention, the other nominated screenplays are Topsy-Turvy, Vera Drake, Happy-Go-Lucky, and Another Year. He could still make the Academy’s cut for Truths, but it’s no guarantee given the slightly more mixed reaction.

Based on buzz alone, Jean-Baptiste would be a slam dunk for Best Actress inclusion. Yet there’s the competition to consider. That includes a growing list that includes Angelina Jolie (Maria), Mikey Madison (Anora), Saoirse Ronan (The Outrun), Karla Sofia Gascón (Emilia Pérez), Nicole Kidman (Babygirl), and, yes, Amy Adams (Nightbitch). I also question whether distributor Bleecker Street is equipped to run an effective campaign. That said, she is certainly in the top 10 of competitors and likely close to making the quintet. My Oscar Prediction posts will continue…

Oscar Predictions: We Live in Time

John Crowley’s Brooklyn nabbed three Oscar nods at the 88th Academy Awards for Picture, Actress (Saoirse Ronan), and Adapted Screenplay. His 2019 follow-up The Goldfinch was expected to be an across-the-board contender but underwhelmed with critics and audiences. So where do we stand with his latest We Live in Time?

The rom dramedy stars Andrew Garfield (a previous nominee for Hacksaw Ridge) and Florence Pugh (who was up for Little Women). It has premiered at the Toronto Film Festival prior to an October 11th stateside output. Initial word-of-mouth puts it somewhere in between Crowley’s previous projects.

Reviews are complimentary of the two leads while also saying it doesn’t bring much new to the genre. The RT score is 77%. Prior to its screening, Time had gotten most of its attention from an odd looking carousel horse from a publicity still. I invite you to Google it if you have no clue what I speak of. As for the picture, I doubt it enters the Academy’s conversation as distributor A24 has larger competitors in the horserace. My Oscar Prediction posts will continue…

Oscar Predictions – Horizon: An American Saga – Chapter 2

Horizon: An American Saga – Chapter 1 was a critical and commercial disappointment when it opened in late June following its Cannes premiere in May. Kevin Costner’s epic western underwhelmed enough so that part 2’s release plan is undetermined (though it’s still expected to be out by year’s end). The second chapter of a planned four (part 3’s principal photography is underway) has also debuted in Europe via the Venice fest. The director/cowriter headlines a cast that includes Sienna Miller, Sam Worthington, Giovanni Ribisi, Danny Huston, Jena Malone, Ella Hunt, Will Patton, Luke Wilson, Isabelle Fuhrman, Thomas Haden Church, Glynn Turman, and Kathleen Quinlan.

Initial word-of-mouth is that while Chapter 2 is a slight improvement, don’t get your hopes too high. In other words, awards voters are not likely to get their sights on either 2024 Horizon. My Oscar Prediction posts will continue…

Venice Makes Room for Next Door

The 2024 Venice Film Festival has wrapped production with a bit of a surprise ending. Pedro Almodóvar’s English language debut The Room Next Door has taken the Golden Lion (equivalent to Best Picture) in Italy. The relationship drama starring Julianne Moore and Tilda Swinton has received positive reviews (95% RT), but the general consensus is they might not have been strong enough for this particular prize.

What does that mean for its Oscar chances? Well, it certainly helps exposure prior to its December 20th limited stateside start and nationwide expansion in January. Five of the past seven Golden Lion recipients have ended up nabbing BP nods – The Shape of Water (winner), Roma, Joker, Nomadland (winner), and Poor Things.

Venice spreads the wealth when it comes to the victors. The Silver Lion designation (equivalent to Best Director) was bestowed to Brady Corbet for The Brutalist. The Holocaust survivor epic was the breakout of the fest with its awards possibilities going through the roof. It could become a major player at the 97th Academy Awards and Corbet’s inclusion here proves it. On the other hand, this was probably the betting odds favorite for the Lion and didn’t get there.

The Volpi Cups go to Actor and Actress. The former went to Vincent Lindon for The Quiet Son. It’s doubtful that he’ll be a factor in the Academy’s race. In the past decade, two Volpi Actor winners have garnered Oscar nods (Willem Dafoe for At Eternity’s Gate and Colin Farrell in The Banshees of Inisherin).

In Best Actress, the story could be different with Nicole Kidman being named for Babygirl. Seeking her sixth Academy nom, she was unable to accept the Venice award due to her mother’s passing. At the Oscars, Best Actress is starting to look crowded. Yet A24 is likely to mount a spirited campaign for the performer. Half of the previous the Actress honorees have made the Academy’s cut: winners Emma Stone (La La Land) and Olivia Colman (The Favourite) in addition to Vanessa Kirby (Pieces of a Woman), Penélope Cruz (Parallel Mothers), and Cate Blanchett (Tár).

Keep checking the blog for rolling awards coverage!

Oscar Predictions: The Last Showgirl

The Last Showgirl has hit the Toronto Film Festival with an iconic Canadian actress in the limelight. From director Gia Coppola (granddaughter of Francis, niece of Sofia), Baywatch star Pamela Anderson headlines as an aging Vegas performer. The supporting cast includes Jamie Lee Curtis, Dave Bautista, Brenda Song, Billie Lourd, and Kiernan Shipka.

Early word-of-mouth indicates Anderson nails her leading role. It’s safe to say she’s come a long way since Barb Wire nearly 30 years ago. Showgirl has yet to find a stateside buyer so there’s no guarantee that it’s out by the end of 2024. Assuming it does make the domestic cut this year, Anderson’s viability in Best Actress could depend on who picks up distribution. A spirited campaign could put her in the mix. Curtis is also being called a scene stealer. However, her win only two ceremonies back for Everything Everywhere All at Once might hinder her exposure.

Reviews for the picture itself are more mixed. Anderson is probably on the outside looking in, but let’s see how this plays out before passing final judgment. My Oscar Prediction posts will continue…

Beetlejuice Beetlejuice Review

Beetlejuice Beetlejuice, the 36 years in the making sequel to the inventive original, finds ways to capture the spirit of what long ago preceded it. On the other hand, Tim Burton’s follow-up is just 12 minutes longer than the first. Unfortunately it feels about 30 minutes longer as it’s packed with too many characters and storylines. Busier is not better in this paranormal case.

Speaking of the paranormal, Lydia Deetz (Winona Ryder) was last seen as the death obsessed teen back in ’88 who was able to see the ghosts of the dearly departed couple who owned the house she moved into. Now she hosts a popular talk show where she helps guests conjure lost loved ones. Lydia has a conniving boyfriend who’s also her producer (a delightfully smarmy Justin Theroux) and an estranged daughter Astrid (Jenna Ortega) at boarding school. She also has visions of the demented “bio-exorcist” squared title character (Michael Keaton) who tried to marry her way back when.

When Lydia’s father Charles (Jeffrey Jones, not in the film but his character cleverly is) passes, Lydia and her unorthodox posse travel back to quaint Winter River, Connecticut for the funeral. That includes oddly artistic stepmom Delia (Catherine O’Hara). Astrid, who doesn’t believe in ghosts despite the Deetz history but shares mom’s downbeat worldview, meets an intriguing outcast and potential love interest Jeremy (Arthur Conti). She is additionally primed for introduction for Mr. Juice if his name is iconically uttered three times.

Beetlejuice has his own familial issues. Ex-wife Delores (Monica Bellucci) is stalking him in the afterlife so he’s desperately looking to join the physical world and wed Lydia after their first ceremony was indefinitely postponed. Willem Dafoe turns up as a detective in the hereafter. His qualifications to be a sleuth? He’s a former B actor who played one on TV!

There’s a lot going on in Beetlejuice Beetlejuice and the first act is a slight slog to establish all the subplots. Once that occurs, I thought one in particular could’ve been jettisoned completely and that’s the ‘Juice/Delores angle. Dafoe is having a ball but his screen time feels superfluous.

Some of what going on is reminiscent of the darkly amusing pleasures that Beetlejuice brought. Ryder and O’Hara (who’s always a joy) slip effortlessly into their characters and Ortega is a fine addition (she’s had her practice on Netflix’s Wednesday which Burton is a creative force behind). There’s plenty of fun PG-13 level gross visual effects and of course Keaton is reliable for some highlights.

So where are Barbara (Geena Davis) and Richard (Alec Baldwin) – the Maitlands from part 1? The sequel cheekily explains their absence in a flippant manner. I kind of appreciated that this backstory isn’t delved into. After all, this film is plenty crowded. That said, the Maitlands were the audience’s conduit to the bizarro world that Burton and company constructed. It’s an aspect that is missing here. Beetlejuice Beetlejuice is on track intermittently even if its soul can feel departed.

**1/2 (out of four)

The Killer’s Game Box Office Prediction

Lionsgate is looking for heavy multiplex play for The Killer’s Game when it opens September 13th. The action comedy from director J.J. Perry stars Dave Bautista as an assassin fending off competitors. Sofia Boutella, Terry Crews, Bautista’s Guardians of the Galaxy costar Pom Klementieff, Scott Adkins, Marko Zaror, and Ben Kingsley costar.

It’s been a rough go for Lionsgate recently. In August, the studio had two of the summer’s biggest busts with Borderlands and The Crow. I don’t see Game reversing their fortunes in early autumn. Out on approximately 2500 screens, mid single digits seems likely.

The Killer’s Game opening weekend prediction: $3.7 million

For my Speak No Evil prediction, click here:

Speak No Evil Box Office Prediction

Oscar Predictions: The Friend

The Friend played Telluride and is about to hit Toronto and the dramedy has found some allies already. Based on the novel by Sigrid Nunez, the team known as Siegel & McGehee direct. They are known for indie pics such as The Deep End, What Maisie Knew, and Montana Story. Naomi Watts is a writer caring for her late mentor’s dog. Supporting work comes from Bill Murray (as said mentor), Sarah Pidgeon, Constance Wu, Ann Dowd, Owen Teague, and Carla Gugino. There’s also what’s said to be a terrific performance by Great Dane Bing as Apollo.

Several critics, while saying The Friend is formulaic, also say it often rises above similar doggie tales. Early buzz indicates it earns the tears of audience members. The Rotten Tomatoes score is 100% with Metacritic at 70.

Still seeking domestic distribution, it remains to be seen whether this makes the 2024 cut. If so, Watts is getting plenty of applause. She’s a two-time nominee for 2003’s 21 Grams and 2012’s The Impossible. Becoming a contender isn’t an impossibility, but it is a stretch. There’s no Best Canine category so Bing doesn’t need his tux pressed. My Oscar Prediction posts will continue…

Oscar Predictions: Nutcrackers

The wildly unpredictable career of David Gordon Green stays wildly unpredictable with Nutcrackers, a family dramedy that opened the Toronto Film Festival yesterday. Mr. Green first captured the admiration of critics with the 2000 indie George Washington. He eventually moved onto stoner comedies like Pineapple Express and Your Highness and then some well-regarded grounded dramas like Joe and Stronger. As of late, he’s made sequels to horror classics in the newest Halloween trilogy and The Exorcist: Believer.

His latest is another genre u-turn with Ben Stiller as a career man who travels to Ohio to care for his four orphaned nephews. It marks Stiller’s first headlining role since The Meyerowitz Stories in 2017. Linda Cardellini, Tim Heidecker, and Edi Patterson costar.

Last year, TIFF’s premiere picture The Boy and the Heron started an Oscar journey that culminated in a Best Animated Feature victory. Obviously Nutcrackers won’t be eligible for that race. However, its chances of making any others are about as realistic. The Metacritic score is a ho-hum 55 at press time. That’s not going to lead to awards chatter. My Oscar Prediction posts will continue…

Speak No Evil Box Office Prediction

Blumhouse hopes for lucky results over the Friday the 13th weekend with Speak No Evil. The psychological thriller is a remake of an acclaimed 2022 Danish production. James Watkins, who helmed 2012’s The Woman in Black, directs with James McAvoy, Mackenzie Davis, Aisling Franciosi, and Scott McNairy starring.

Evil‘s opening weekend could be good due to lack of competition. Beetlejuice Beetlejuice will be in its sophomore frame and should easily be the reigning champ. However, Evil looks to appeal to genre fans in the teens for a second place start.

Whether that opening is low or higher teens is a question mark. Perhaps McAvoy’s previous successful psycho work (see Split) will help. A gross of $15 million or over is certainly doable, but I’ll put it just under.

Speak No Evil opening weekend prediction: $14.6 million

For my The Killer’s Game prediction, click here:

The Killer’s Game Box Office Prediction