Once known as Flint Strong due to the protagonist’s Michigan hometown, the retitled The Fire Inside premiered at the Toronto Film Festival. Scheduled for a Christmas Day domestic bow, Rachel Morrison (an Oscar nominated cinematographer for Mudbound) makes her directorial debut. Ryan Destiny stars as Olympic boxer Claressa “T-Rex” Shields with Brian Tyree Henry as her coach. Barry Jenkins, the acclaimed maker of Best Picture winning Moonlight, wrote the script.
Reviews say the sports flick mostly lands its dramatic punches. The RT score is 91% with a 69 on Metacritic. Despite the pedigree, I doubt Amazon MGM enters the awards ring here. One potential exception is with Henry who was a bit of a surprise Supporting Actor hopeful for 2022’s Causeway. He would likely be an unexpected contender, but it’s a small possibility. My Oscar Prediction posts will continue…
I have been penning a number of posts in the past few days based on reactions to screenings from the Toronto Film Festival. Anand Tucker’s The Critic is another, but it premiered at last year’s TIFF and is finally hitting theaters in the UK this weekend. Ian McKellen headlines the thriller as the London theater title character engaged in a blackmail scheme. Gemma Arterton, Mark Strong, Ben Barnes, Alfred Enoch, and Lesley Manville costar.
The film has taken its time finding a release schedule. That’s probably because reaction was decidedly mixed upon its Canadian unveiling. The Rotten Tomatoes score is 45% with a Metacritic score of 53. Despite some expected compliments for Mr. McKellen, this Critic will not be considered by voters in awards season. My Oscar Prediction posts will continue…
If you see one biopic this year where the subject is primarily played by a CG monkey, some reviews are saying Better Man is that film. Michael Gracey’s follow-up to his smash hit musical The Greatest Showman premiered at Telluride before traveling to Toronto. It chronicles the life of Take That singer Robbie Williams and, yes, he’s portrayed as a motion-capture simian. Jonno Davies handles some voiceover work as the crooner with Alison Steadman and Steve Pemberton in the supporting cast.
Hitting theaters stateside in a limited fashion on Christmas Day, critics are claiming this is an unconventional and gimmicky genre piece. Most are also saying it kinda pulls it off as far as entertainment value goes. The RT score is 85%. Paramount could make a push for Better Man to be included in the Visual Effects derby thanks to that monkey. I doubt it contends anywhere else. This is likely a case where if it makes the shortlist of hopefuls in VE, it probably gets in. Getting there could be tricky. My Oscar Prediction posts will continue…
The last time the Transformers franchise went fully animated on the big screen, it was in 1986 in The Transformers: The Movie. It was a flop but has since developed a cult following and it awesomely featured the voices of everyone from Eric Idle to Judd Nelson to Leonard Nimoy to Casey Kasem to Orson Welles. Since then, Paramount and Hasbro have earned billions from their live-action robot mayhem movies. The franchise goes back to animation in Transformers One on September 20th. From Toy Story 4 director Josh Cooley, this might not have Casey Kasem or Charles Foster Kane. There are voiceover contributions from Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne, and Jon Hamm.
Early word-of-mouth is encouraging for the sci-fi action tale and that could help post Transformers: Rise of the Beasts. It came out last summer and ended up as the lowest grosser of the series with $157 million domestically. Expectations are not lofty for One and it could end up making less than Beasts. I’m pegging this for a mid 30s beginning.
Transformers One opening weekend prediction: $35.4 million
A24 has premiered Heretic at the Toronto Film Festival before it hits multiplexes on November 15th. The psychological horror pic casts Sophie Thatcher and Chloe East as Mormon missionaries who knock on Hugh Grant’s wrong door. Scott Beck and Bryan Woods co-direct. They are best known for penning the wildly successful A Quiet Place in 2018. On the flip side, they helmed and scripted Adam Driver’s dino adventure 65 last year. It was a box office and critical failure.
Early reaction from Canada indicates that Heretic mostly succeeds. The Rotten Tomatoes score is 89 with Metacritic at 67. Critics are certainly directing their applause to Grant in his creepy role. Despite four Golden Globe nominations for feature films (all in Musical/Comedy and he won for 1994’s Four Weddings and a Funeral), the Academy has yet to mention his name. That won’t change here as this genre rarely gets noticed by the voters. My Oscar Prediction posts will continue…
Blumhouse’s Speak No Evil has developed some consensus approaching its Friday the 13th release. The thriller from director James Watkins stars James McAvoy, Mackenzie Davis, Aisling Franciosi, and Scoot McNairy.
A remake of a well-regarded 2022 Danish effort by Christian Tafdrup, most reviews say the American version doesn’t match intensity or shock value of the original. Write-ups are still saying it’s effective as it sports an 88% Rotten Tomatoes rating and 63 Metacritic score.
Critics are lauding the work of McAvoy in this genre once again. That’s reminiscent of their praise for his work in 2017’s Split by M. Night Shyamalan. McAvoy managed to generate some awards buzz for that blockbuster. I doubt he’ll get that chatter for Speak. My Oscar Prediction posts will continue…
Psychological thriller Speak No Evil with James McAvoy and action comedy The Killer’s Game starring Dave Bautista hope to get lucky with audiences this weekend as Beetlejuice Beetlejuice looks to reign supreme for a second frame. You can peruse my detailed prediction posts on the newcomers here:
Evil appears poised for an easy second place start as I have the Blumhouse remake of a 2022 Danish flick in the low teens.
As for The Killer’s Game, I look for it to continue a tepid streak for distributor Lionsgate in the mid single digits. That could mean fourth place with holdovers Deadpool & Wolverine in third and Reagan in fifth.
Beetlejuice Beetlejuice impressed in its opening frame (more on that below). That business might be prove to be front loaded. A low to mid 60s sophomore slide is likely and understandable.
Here’s how I have it all shaking out:
1. Beetlejuice Beetlejuice
Predicted Gross: $40.9 million
2. Speak No Evil
Predicted Gross: $14.6 million
3. Deadpool & Wolverine
Predicted Gross: $4.4 million
4. The Killer’s Game
Predicted Gross: $3.7 million
5. Reagan
Predicted Gross: $3.1 million
Box Office Results (September 6-8)
Tim Burton’s long in the making sequel Beetlejuice Beetlejuice achieved the second best September start in box office history with $111 million. That puts it in between 2017’s It ($123 million) and its 2019 follow-up ($91 million). While it didn’t quite match my $115.7 million prediction, audiences were clearly primed for Michael Keaton and Winona Ryder’s returns to their iconic characters with Jenna Ortega joining the proceedings.
Deadpool & Wolverine was the runner-up with $7 million (I was higher at $9.8 million) for $613 million after seven weeks of slashing 2024 records.
Reagan held up well in third with $4.8 million. My projection? $4.8 million! In two weeks, the biopic has made $18 million.
Alien: Romulus was fourth at $3.9 million (I said $4.5 million) to bring the four-week tally to $97 million.
I incorrectly did not have It Ends with Us in the top five, but it managed fifth with $3.7 million. It has totaled $141 million in five weeks.
The 74th Academy Awards was the first year where Best Animated Feature was presented and DreamWorks Animation took that initial prize with Shrek. The studio has yet to win the race again as Disney has mostly dominated it. They are hoping for their second statue at the 97th ceremony courtesy of The Wild Robot.
Having premiered at the Toronto Film Festival prior to its September 27th domestic debut, Chris Sanders (co-director of How to Train Your Dragon and The Croods) made the sci-fi fantasy based on Peter Brown’s series of novels. Voiceover work comes from Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, and Ving Rhames.
Early word-of-mouth from our neighbor to the north is welcoming. With an 83% Metacritic score and no tomatoes at press time, The Wild Robot is a serious contender not only for a nomination (which appears to be a foregone conclusion), but a victory.
In order to do that, it will still need to surpass Inside Out 2 from you know who. In my view, that is not a foregone conclusion. Yet DreamWorks probably has its best shot since that green ogre. Beyond Animated Feature, Robot‘s Original Score from Kris Bowers is being heralded. There’s also a song from Maren Morris titled “Kiss the Sky” that looks to make that quintet. Either are possible as those competitions are just starting to take shape. My Oscar Prediction posts will continue…
True life sports drama Unstoppable made a stop at the Toronto Film Festival prior to its December stateside release. William Goldenberg, an Academy Award winning editor whose credits include Argo, Zero Dark Thirty, and The Imitation Game, makes his directorial debut. Jharrel Jerome, Emmy recipient for When They See Us, stars as national championship wrestler Anthony Robles with Jennifer Lopez as his mother. The supporting cast includes Bobby Cannavale, Michael Peña, Don Cheadle, and Shawn Hatosy.
Reaction from up north indicates this is an effective if formulaic experience. Its chances in BP seem unrealistic. Five years ago, Ms. Lopez was widely expected to nab her first nomination in Supporting Actress for Hustlers. She did not make the dance. Buzz about her performance suggests she could have a second at bat in the same race with a vigorous campaign. I feel less confident she gets in for this than I did about Hustlers, however. My Oscar Prediction posts will continue…
Like other prognosticators, the trailer for Marielle Heller’s Nightbitch tempered my expectations for its Oscar chances. Based on a 2021 novel by Rachel Yoder, it stars six-time nominee Amy Adams as a stay-at-home who starts believing she’s a dog. The Fox Searchlight production costars Scott McNairy, Arleigh Patrick Snowden, Emmett James Snowden, Zoë Chao, and Jessica Harper. It has premiered at the Toronto Film Festival and rolls out domestically December 6th.
The trailer was underwhelming. I have had Adams listed at #1 in my Actress possibilities for several weeks. After all, there’s an overdue factor at play too. Director Heller has seen her actors get nominated with Melissa McCarthy and Richard E. Grant in Can You Ever Forgive Me? and Tom Hanks for A Beautiful Day in the Neighborhood. Yet the preview alone had me questioning whether or not to drop her from my projected quintet.
Buzz coming out of Toronto indicates displacing Adams from the #1 slot is definitely the right decision. Nightbitch is garnering mixed notices (69 on Metacritic). Some have said it is stronger than that trailer. Praise for Adams, though, is across the board. I suspect she could still make the final five in Actress and that would stand as its only nom (Picture, Director, Adapted Screenplay seem unlikely).
Competition could be a hindrance for a seventh podium try. At best, Adams might be fourth or fifth in contention. She could also be sixth or seventh at press time. We’ll see how it shakes out in my next update. My Oscar Prediction posts will continue…
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