Oscar Watch: Concussion

Last night at the AFI Film Festival, critics got their first look at Concussion – the eagerly awaited pic centering on the NFL’s policies regarding brain injuries. The film wasn’t ever really looked at as a major threat in Best Picture or Director (Peter Landesman) and that hasn’t changed. It’s so far received mixed notices and sits at 57% on Rotten Tomatoes. Supporting players like Alec Baldwin, Gugu Mbatha-Raw and Albert Brooks are also unlikely to be factors.

Where Concussion does stand a very real shot at a nod is for its lead actor, Will Smith. Critics have specifically singled him out and it could well mean a third nomination for Big Willie after 2001’s Ali and 2007’s The Pursuit of Happyness. It also helps that this year’s Actor race doesn’t seem quite as competitive compared to the last couple of years. Others in the mix include last year’s winner Eddie Redmayne for The Danish Girl, Michael Fassbender for box office flop Steve Jobs, Matt Damon in box office bonanza The Martian, Michael Caine for Youth, Johnny Depp in Black Mass, and Leonardo DiCaprio in the as yet unseen The Revenant.

Considering that crowd, it’s pretty easy to see Smith finding himself in the fold, especially if Concussion does well at the box office. He may find himself among my predicted nominees for the first time when my third round of predictions hits next week. Concussion arrives in theaters on Christmas.

Top 25 Best Movie Trailers (1990-2015): Nos. 20-16

We continue to day 2 of my personal favorite movie trailers of the last 25 years and this brings us to numbers 20-16.

Let’s go:

20. Mission: Impossible (1996)

For a budding film franchise starring the biggest movie star in the world at the time, the trailer for Mission: Impossible sets expectations very high with this electric spot and it’s delivered in the form of five pictures and counting.

19. Godzilla (1998)

I actually considered the very effective trailer for the superior 2014 version, but this true teaser doesn’t use a minute of footage from the eventual (highly disappointing) 1998 flick and it manages to be an example of expert marketing for getting an audience’s anticipation sky high.

18. The Girl with the Dragon Tattoo (2011)

Using Trent Reznor’s killer version of Led Zeppelin’s “Immigrant Song”, the teaser for David Fincher’s The Girl with the Dragon Tattoo promises the “feel bad” movie of Christmas in a glorious and fast paced ad that serves as one example of many wonderful Fincher trailers.

17. Jurassic Park (1993)

We may forget now after four entries in the franchises, but the trailer here gave us our first glimpse of Spielberg’s dinos in all their glory and that alone merits inclusion.

16. Superman Returns (2006)

I struggled with whether to include the fine trailer for the 2013 Man of Steel reboot instead, but this one hearkens brilliantly back to the 1978 Superman with its Marlon Brando voice-over and rich visuals.

And tomorrow – we’ll get to numbers 15-11!

Top 25 Best Movie Trailers (1990-2015): Nos. 25-21

This evening brings us to a new best of list covering the last 25 years of motion pictures. And this time, instead of the best movies, we’re covering my personal list of greatest movie trailers of the last generation.

Let’s be clear: making this particular list was quite difficult. There are lots of criteria for what makes a brilliant trailer. Frankly, it frequently has little to do nothing with whether or not the finished product is any good. There are movies contained in this list that I was no fan of, but that doesn’t mean its teaser or trailer wasn’t pretty sweet. And the teaser and trailer designation is key. I’m including both on this list. There are some teasers that actually had little to do with the eventual picture. And there are some full trailers that effectively captured how terrific the eventual picture turned out to be.

Obviously this list is all in the eye of the beholder (meaning me) and there are several spectacular ones left off. Here’s just a dozen of them: Spider-Man, Zero Dark Thirty, Man of Steel, The Dark Knight, The Day After Tomorrow, Star Trek, Heat, Guardians of the Galaxy, Pearl Harbor, Fight Club, Kill Bill – Vol. 1, and Suicide Squad. I’m also glad I limited myself to the past 25 years because there’s some of the best ever prior to that period – namely Psycho, Alien, and The Shining.

As is typical with these lists, I’ll count down from 25 to 1 in five part installments every day. Here we go:

25. Taken (2008)

It’s not often you can say that one trailer spawned a film franchise, but Taken did just that with its trailer focusing on that famous Liam Neeson speech to his daughter’s captors.

24. Black Mass (2015)

Johnny Depp had starred in a string of commercial and critical disappointments, but one look at this chilling dinner table trailer and you knew he was back in his element. A likely Oscar nomination may well follow early next year.

23. Unbreakable (2000)

It may be hard to recall now, but Unbreakable was M. Night Shyamalan’s supremely eagerly awaited follow-up to his phenomenon The Sixth Sense. This mysterious trailer raised the bar of expectations and though some would disagree with me, I believe the actual film delivered.

22. Red Eye (2005)

The late Wes Craven’s pic has one of the cleverest trailers on the list. The first portion of it makes it seems like a lame romantic comedy (with Rachel McAdams no less, making that prospect more believable). The sudden tone shift makes you realize what you’re really in for…

21. Mad Max: Fury Road (2015)

It had been 30 years since director George Miller was behind the camera for this franchise and legitimate doubts persisted whether his reboot that replaced Mel Gibson with Tom Hardy would work. Once the first trailer hit, there was little doubt at all in this visually breathtaking work.

We will get to numbers 20-16 tomorrow, folks!

Box Office Predictions: November 13-15

Three new movies populate the marketplace this weekend: Christmas comedy Love the Coopers, true life Chilean mining disaster pic The 33, and football drama My All-American. You can peruse my detailed prediction posts on each of them here:

Love the Coopers Box Office Prediction

The 33 Box Office Prediction

My All-American Box Office Prediction

I find it highly unlikely that any of them will challenge the box office domination of Spectre or The Peanuts Movie, which will both be entering their sophomore frames. In fact, while I see Coopers and The 33 battling for the third spot and My All-American opening outside the top five, the real drama could be between Bond vs. Snoopy for the #1 position.

That’s because Spectre opened below most expectations, including my own. The last two Bond flicks (Quantum of Solace and Skyfall) experienced 60 and 53 percent second week drops, respectively, and I anticipate this one sliding somewhere in between those two figures.

The Peanuts Movie should not dip near as precipitously in its follow-up frame. I believe it will lose around a third of its audience and my prediction has it within very close striking distance to 007.

Ridley Scott’s The Martian should round out the top five. My $3.8 million estimate for My All-American will likely put it at the #8 spot behind Goosebumps and Bridge of Spies.

And with that, my top five predictions for the weekend:

  1. Spectre

Predicted Gross: $30.4 million (representing a drop of 56%)

2. The Peanuts Movie

Predicted Gross: $28.9 million (representing a drop of 35%)

3. Love the Coopers

Predicted Gross: $11.3 million

4. The 33

Predicted Gross: $10 million

5. The Martian

Predicted Gross: $6.7 million (representing a drop of 25%)

Box Office Results (November 6-8)

While it’s been setting records overseas, Daniel Craig’s fourth Bond pic Spectre didn’t quite match expectations while still giving the franchise its second best start in history. With its mixed reviews, the film took in $70.4 million, well below my $91.3M forecast. The previous entry, the acclaimed Skyfall, still easily maintains its status as largest opener domestically with its $88M from three years. Spectre opened closer to 2008’s Quantum of Solace, which earned $67M.

The Peanuts Movie opened right in line with expectations with an encouraging $44.2 million, on pace with my $43.4M forecast. With its solid A Cinemascore grade, look for this to start a new family franchise and perform well in the coming weeks.

The rest of the top five was filled with holdovers as The Martian was third with $9 million (ahead of my $7.7M prediction) for a total of $196M. Goosebumps took fourth with $6.8 million (in line with my $6M projection) for an overall $66M gross. Bridge of Spies was fifth with $5.8 million (which is exactly what I predicted… pat on back). It’s made $54M so far.

And that’ll do it for now, folks! Until next time…

Guilty Pleasures: The Running Man

The former Governors of California and Minnesota, the original host of “Family Feud”, a Hall of Fame Cleveland Browns running back, the drummer of Fleetwood Mac, and the son of Frank Zappa in a movie based on a work of Stephen King? Yes, it exists and it’s the fun guilty pleasure that it sounds like. We’re talking about The Running Man from 1987 and it’s kind of the original down and dirty Hunger Games 25 years before Katniss and company graced the silver screen.

Released in the same year as his genuine classic Predator, Arnold Schwarzenegger stars in this science fiction entry set in the far off future year of 2017. The pic imagines that time as a police state where accused criminals are chased down for sport before a live TV audience on a show hosted by a nefarious character played by real life Feud host Richard Dawson. The supporting cast includes aforementioned folks like Jesse Ventura, Jim Brown, Mick Fleetwood, and Dweezil Zappa.

Let there be no mistake – this is strictly B movie stuff and it doesn’t deserve to mentioned in the same breath as true Arnold classics like The Terminator, Predator and Total Recall. Yet this cinematic junk food is a lot more of a good time than it ought to be and that’s why it easily qualifies as a true guilty pleasure.

Oscar Watch: By the Sea

Just last year, Angelina Jolie’s second directorial feature Unbroken was looked at as a potential major contender in the Picture and Director categories. However, when it screened for critics, its prospects dimmed and it ended up getting nominated in just three races with none of them being the high profile ones.

A year later, her third turn behind the camera is By the Sea and it hasn’t been talked about in the same terms that her last film was in terms of Oscar nods. Now we know why. The marital drama costars Jolie’s real life hubby Brad Pitt and Melanie Laurent and it debuted yesterday at the AFI Film Festival. Critical reaction has not been too kind, with most writers calling it a rather dull vanity project. It stands at just 38% on Rotten Tomatoes currently.

With the talent involved, By the Sea still stood at the outer edges to keep an eye on for awards attention. Now that it has been seen, that wave of possibility has dissipated.

Inside Out Movie Review

Disney/Pixar’s Inside Out is a return to form for the studio in the sense that adults will likely appreciate it just as much, if not more, than the children who will see it with them. It comes from Pete Docter, the man responsible for 2009’s Up, which I believe to be Pixar’s finest hour. Inside Out shares many of the same traits in that it focuses on human emotions in a mature manner that you don’t often find in this genre.

And when I say it focuses on emotions, I really mean it. The pic tells the life of Riley, an 11 year old girl who’s about to make a big move with her family from Minnesota (where the hockey loving tyke has settled into a comfortable and happy existence) to San Francisco. We witness the trials and tribulations of this uprooting quite literally from Riley’s head, where characters representing her emotions live. There’s Joy (voiced by Amy Poehler), who prides herself on the fact that most of Riley’s memories are positive ones. There’s Sadness (Phyllis Smith), who Joy doesn’t want to have too much of a role in their girl’s day to day happenings. And we have Fear (Bill Hader), Anger (Lewis Black in an expert casting move), and Disgust (Mindy Kaling).

The big move to San Fran really upsets the apple cart in Riley’s conscious mind and it forces both Joy and Sadness on a journey to save her soul. If this sounds like heady stuff (forgive the pun), well it kind of is in the same way Up was. That’s a major compliment. While the film is dealing with very real issues, it does so with the character of Joy at the helm and the feeling of joy in its heart.

Along the way, we meet Bing Bong (Richard Kind), Riley’s forgotten imaginary friend who is a strange elephant and possibly cat hybrid who cries candy. Bing Bong is a relic of her past and there are also moments set in the Memory Dump, where no longer necessary recollections are discarded.

Inside Out is a triumph of voice over work with Poehler’s always looking on the sunny side and Smith’s polar opposite approach providing many of the highlights. This is a truly innovative concept at work here and we also get occasional glimpses of the emotion characters at work in other people’s heads like Riley’s parents, voiced by Kyle MacLachlan and Diane Lane. The animation, as we’ve certainly come to expect from this studio, is gloriously impeccable.

This may not quite measure up to the best of Docter’s Up, in which that picture’s segment about its central character’s romance with his wife and her eventual death is possibly the most amazing thing I’ve seen in a Pixar effort. Still, Inside Out proves that Docter may be the studio’s most impressive auteur and he expertly is able to entertain kids while rewarding adults on a different level. You’ll feel a significant amount of joy here and you also may find some candy welling up in your eyes at other times.

***1/2 (out of four)

My All-American Box Office Prediction

Seems like there’s been a whole lot of sports dramas recently as this Friday’s My All-American is, well, another one. The independent college football 1970s period piece, based on a true story, focuses on University of Texas player Freddie Steinmark. It stars Finn Witrock, Sarah Bolger, Robin Tunney, and Aaron Eckhart.

Opening on a relatively low 1500 approximate screens, it’s hard to imagine this making a run at any sort of solid business. It is worth noting that its director, Angelo Pizzo, is the man responsible for the screenplays of two genre classics, Hoosiers and Rudy. Still, if this gets past $5 million I’d be fairly surprised and it’s more probable that the football drama people are really waiting for is this December’s Concussion with Will Smith.

My All-American opening weekend prediction: $3.8 million

For my Love the Coopers prediction, click here:

https://toddmthatcher.com/2015/11/06/love-the-coopers-box-office-prediction/

For my The 33 prediction, click here:

https://toddmthatcher.com/2015/11/06/the-33-box-office-prediction/

The 33 Box Office Prediction

Telling the true life story of the 2010 Chilean mining disaster, The 33 hits theaters next Friday and will attempt to jog moviegoers short term memory into a trip to the multiplex. The cast includes Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin, and Lou Diamond Phillips.

The pic isn’t subtitled and that’s likely a choice made to cater to American audiences. Will it work? I’m not so sure. Strong reviews could have helped yet they’ve been mixed with a current rating of 44% on Rotten Tomatoes.

As I see it, The 33 could struggle to reach double digits out of the gate but I’ll predict it just manages to get there.

The 33 opening weekend prediction: $10 million

For my Love the Coopers prediction, click here:

https://toddmthatcher.com/2015/11/06/love-the-coopers-box-office-prediction/

For my My All-American prediction, click here:

https://toddmthatcher.com/2015/11/07/my-all-american-box-office-prediction/

Love the Coopers Box Office Prediction

The Christmas season hits the box office in mid November as the holiday themed  Love the Coopers opens next Friday. With an all-star cast including John Goodman, Diane Keaton, Marisa Tomei, Olivia Wilde, Ed Helms, Anthony Mackie, June Squibb, Amanda Seyfried, and Alan Arkin, the family affair will look to cash in with audiences looking for some Xmas cheer.

Its prospects are a bit sketchy. Trailers and TV spots for Coopers have done little to make it look like another run of the mill big ensemble experience. Its best hope is to bring in a female audience looking for a diversion from James Bond, which should still be performing like gang busters in weekend #2.

That might be enough to help it reach double digits, though I don’t believe that’s guaranteed. I could actually see this debuting in line with The Family Stone, a similarly themed comedy which opened 10 years ago. Solid word of mouth could push it to perform in subsequent weekends yet that remains to be seen.

Love the Coopers opening weekend prediction: $11.3 million

For my The 33 prediction, click here:

https://toddmthatcher.com/2015/11/06/the-33-box-office-prediction/

For my My All-American prediction, click here:

https://toddmthatcher.com/2015/11/07/my-all-american-box-office-prediction/