Arriving the week before Easter, the Christian themed drama Miracles from Heaven is out on Wednesday and hopes to bring in a faith based audience. Based on a true story and bestselling novel by Christy Beam, Jennifer Garner stars as a mom whose young daughter suffering from a rare disorder experiences a miraculous cure. Costars include Kylie Rogers, Martin Henderson, and Queen Latifah.
Miracles arrived amidst a series of Christian dramas that includes Risen, The Young Messiah, and God’s Not Dead 2 on April 1. There are signs that this could be the best performer. The novel has a following and this seeks to capitalize on its pre Easter release date.
I’ll predict Heaven achieves a mid teens gross over the traditional weekend and could reach above $20M over the five day rollout.
Miracles from Heaven opening weekend prediction: $15.8 million (Friday to Sunday), $20.8 million (Wednesday to Sunday)
For my The Divergent Series: Allegiant prediction, click here:
Shailene Woodley and company are back next weekend in The Divergent Series: Allegiant, the third entry in the YA adaptations from author Veronica Roth. The dystopian sci fi pic arrives in the same March slot as its predecessors, 2014’s Divergent and last year’s Insurgent. Director Robert Schwentke is back behind the camera and costars include Theo James, Miles Teller, Ansel Elgort, Naomi Watts, Jeff Daniels, Octavia Spencer, and Zoe Kravitz.
Second installment Insurgent saw a slight dip from the first entry. While Divergent debuted to $54 million and eventually grossed $150M domestic, Insurgent opened at $52 million with an overall $130M tally. Reviews for Allegiant haven’t been kind… it sits at 0% currently on Rotten Tomaotes and I look for its returns to continue diminishing. Even the third and fourth Hunger Games pics saw dips from the first two and this should follow suit.
I’ll say this first Allegiant (the second part arrives in March 2017) will be the first of the series to fall below the $50M mark out of the gate with low to mid 40s being more probable.
The Divergent Series: Allegiant opening weekend prediction: $43.7 million
For my Miracles from Heaven prediction, click here:
For decades, the Charles Schulz comic strip Peanuts and the many TV specials it begat has inspired generations of children. While Mr. Schulz passed away just a month into the 21st century, his creation gets the 21st century treatment with spruced up 3D animation in The Peanuts Movie, with a script credit that includes one of his children and a grandchild.
The gang is all here, led by the insecure but lovable Charlie Brown and his trusty dog Snoopy. The plot hearkens back to some classic storylines as our yellow and black shirted protagonist is trying to work up the guts to impress the Little Red Haired Girl. Separately, Snoopy (with sidekick Woodstock alongside) pens a tale about being a world famous pilot rescuing his love interest Fifi from the dangerous Red Baron. Schroeder plays the piano, Linus offers sound advice, Lucy continues her love/hate relationship with our hero and dishes out 5 cent advice, and Peppermint Patty continues her supervisory role with dutiful Marcie. Kites and footballs are present.
The upgrade to 3D isn’t completely necessary but it looks just fine. The Christophe Beck score thankfully pays homage to wonderful music of Vince Guaraldi and his work in the holiday specials. There are a couple contemporary pop tunes needlessly present, but it’s not enough to serve as a major distraction.
Charlie Brown’s universal and long standing appeal is simple. We see ourselves in him with the self doubting and hopefully, with his enduring willingness to keep trying. It’s something that Schulz mastered and it is something the makers of this version also understand. Pixar has truly excelled at combining some films that satisfy the hearts and minds of kids and adults alike. While The Peanuts Movie knowingly and successfully taps the nostalgia feels of its older crowd, this isn’t in the same league. The subplot with adorable Snoopy has its moments, but occasionally feels like filler in a pic with a running time of less than 90 minutes. That said, this is a worthy addition in the Peanuts world as we continue to root for Charlie overcoming his obstacles.
Nearly a quarter century after the wildly popular R.L. Stine’s children’s books were first published, Goosebumps finally makes its way to the silver screen. After dozens of the novels and a TV show, it’s a bit surprising it took so long to get this adaptation off the ground. Tim Burton was attached to helm in the late 90s when Goosebumps was considerably more popular.
Yet here we are and the long gestating Goosebumps has arrived with a simple and sometimes clever concept. Jack Black plays Mr. Stine himself, who lives in a quiet Delaware town with his teenage daughter Hannah (Odeya Rush). When new kid in town Zach (Dylan Minnette) arrives from New York City, he strikes up a friendship with next door neighbor Hannah while Dad strenuously disapproves and doesn’t even want him crossing the fence to visit. We soon find out why. It turns out that Stine’s original manuscripts for his works are locked down and if they’re opened, the many monsters he wrote about escape. This, of course, occurs. For fans of the series, this means a treasure trove of familiar creatures including zombies and werewolves and giant insects and so forth. Leading them is Slappy the Ventriloquist Dummy (don’t call him a dummy though), voiced by Black. It also means a lot of CGI that is decent, but nothing special.
While Tim Burton didn’t direct (Rob Letterman did), this sure sounds like one of his pictures with its Danny Elfman score. Black seems to be having a good time and hams it up a bit. Other performances are adequate (though Minnette is a bit bland). The exception is Jillian Bell as Zach’s love seeking aunt. She seems to stand out lately in everything she does. Amy Ryan has little to do as his mom and Ryan Lee has a couple funny moments as his girl crazy new best bud.
Kids should eat this up and there’s enough fun to keep the adults from checking out. Goosebumps eventually wears a little thin and runs out of interesting situations to put all these dastardly creations (a ho hum sequence with a werewolf terrorizing a mostly empty supermarket doesn’t really cut it). Lovers of these books that have sold 400 million copies have waited quite a while to see Stine’s imagination on the big screen. The results are neither frighteningly good or howlingly bad.
Four new titles debut this weekend at the box office to try and challenge Zootopia after its record breaking debut. They are: semi-sequel 10 Cloverfield Lane, Sacha Baron Cohen comedy The Brothers Grimsby, Biblical drama The Young Messiah, and rom com The Perfect Match. You can read my detailed prediction posts on each here:
As I see it, Disney’s Zootopia should fairly easily control the #1 spot for the second weekend in a row, unless Cloverfield significantly exceeds my prognosis. The real battle among the newcomers could be for the #3 slot and I have Messiah slightly edging Grimsby. The number five position could be a battle between holdovers London Has Fallen and Deadpool as I believe the former will have a higher percentage dropoff than the latter. Opening on a limited number of screens, my $4.1M prediction for The Perfect Match should keep it outside the top six.
And with that, my top 6 predictions for this weekend:
Zootopia
Predicted Gross: $41.6 million (representing a drop of 44%)
2. 10 Cloverfield Lane
Predicted Gross: $28.3 million
3. The Young Messiah
Predicted Gross: $12.7 million
4. The Brothers Grimsby
Predicted Gross: $11.4 million
5. London Has Fallen
Predicted Gross: $9.9 million (representing a drop of 54%)
6. Deadpool
Predicted Gross: $9.4 million (representing a drop of 44%)
Box Office Results (March 4-6)
Disney had a banner weekend as Zootopia had the largest traditional animation opening ever for the studio at a blazing $75 million, soaring past my meager $54.4M projection. The animal tale can also claim highest animated debut for the month of March. As mentioned, it should easily stampede its competitors and remain in first next weekend.
Action sequel London Has Fallen couldn’t match its predecessor Olympus Has Fallen‘s $30M premiere from three years ago. The badly reviewed follow-up earned $21.6 million, under my $24.6M prediction and I look for it to lose over half its audience in its sophomore frame.
Deadpool dropped to third with $16.7 million (in line with my $16.9M estimate) for an incredible tally of $311M.
Tina Fey’s so-so reviewed war comedy Whiskey Tango Foxtrot had a soft opening for fourth with $7.4 million, a tad below my $8.4M projection.
In fifth, box office dud Gods of Egypt took a nosedive from its dismal debut last weekend with $5.1 million (I was slightly kinder with $5.8M) for a total of $23M.
Finally, British horror offering The Other Side of the Door opened in limited fashion with only $1.2 million (compared to my $2.1M estimate) for just 16th place.
And that’ll do it for now, friends! Until next time…
Rom com The Perfect Match hopes to line up moviegoers when it debuts next weekend. Music video director and Honey maker Bille Woodruff is behind the camera with Terrence J, Cassie Ventura, Donald Faison, Paula Patton, Lauren London, Joe Pantoliano, and Brandy Norwood among the cast members.
Lionsgate is hopeful the flick will reach its intended African American audience and these movies often do significantly exceed expectations. Having said that, Match does seem to have a limited footprint in its marketing campaign and I’m not sure this half of the $9 million that Baggage Claim, a similarly themed pic, did three years ago. It also doesn’t that it’s opening on only a reported 850 screens that must be accounted for as well.
The Perfect Match opening weekend prediction: $4.1 million
For my 10 Cloverfield Lane prediction, click here:
Two weeks before the Easter holiday, faith based drama The Young Messiah rises in theaters next weekend hoping to take advantage of the season. Produced by Home Alone and Harry Potter helmer Chris Columbus, Messiah features Adam Greaves-Neal as a young Jesus with Sean Bean costarring.
Shot for a reported small budget of $16.8 million, this shouldn’t have much trouble recouping costs and then some (especially if it experiences meager declines in weekends two and three, which seems feasible). These Christian themed pics are typically tough to project and often do open larger than expected. Just in mid February, Risen (a similarly themed tale appealing to the same audience) took in $11.8 million. That seems a reasonable range for Messiah.
I’ll say it reaches just beyond that and, in doing so, I have it debuting even higher than Sacha Baron Cohen’s The Brothers Grimsby opening against it.
The Young Messiah opening weekend prediction: $12.7 million
For my 10 Cloverfield Lane prediction, click here:
Sacha Baron Cohen is back in his first starring role in nearly four years with action comedy The Brothers Grimsby and the effort looks to be a real test of his drawing power. From Now You See Me director Louis Leterrier and costarring Mark Strong, Penelope Cruz, Rebel Wilson, Ian McShane, Isla Fisher, and Gabourey Sidibe – Grimsby may represent a low mark for Cohen’s headlining output.
He burst onto the film scene in 2006 with Borat to the tune of a $26 million opening and improved those numbers with Bruno‘s $30 million premiere three years. His last vehicle, 2012’s The Dictator, managed $17 million out of the gate. That number would probably be on the higher end of expectations for this, which is managing an OK 50% on Rotten Tomaotes and looks unlikely to be a breakout hit like he’s experienced in years past.
While Grimsby should reach double digits, I believe it may not get much beyond that for a disappointing haul.
The Brothers Grimsby opening weekend prediction: $11.4 million
For my 10 Cloverfield Lane prediction, click here:
Is it a sequel? Is it not a sequel? Audiences will find out next Friday when the mysterious 10 Cloverfield Lane debuts. Producer J.J. Abrams (you may have heard of him) describes the picture as a “blood relative” to 2008’s Cloverfield, the sci fi found footage monster flick which scored with audiences to the tune of a $40 million opening. Its final domestic gross was $80M.
This kind of, sort of sequel is as steeped in mystery as its predecessor was eight years ago. Mary Elizabeth Winstead and John Goodman star and the effective survivalist bunker trailer and TV spots (including a Super Bowl ad) have genre lovers quite curious.
How that interest generates to its debut is a bit up in the air. As shown above, the original had a splashy opening but fell quickly (it’s not often a film’s opening weekend is responsible for half its overall take). 10 Cloverfield Lane is not expected to match what the 2008 iteration made, but it could still make a tidy sum.
My suspicion is that this will at least make half of the $40 million Cloverfield did out of the gate and could even threaten to top $30 million. I’ll predict it doesn’t quite get there and an opening in the mid to higher 20s seems more probable.
10 Cloverfield Lane opening weekend prediction: $28.3 million
For my The Brothers Grimsby prediction, click here:
A quartet of new releases start out the month of March at the box office this weekend. They are Disney Animation’s Zootopia, action sequel London Has Fallen, Tina Fey war comedy Whiskey Tango Foxtrot, and British horror entry The Other Side of the Door. You can read my detailed prediction posts on each here:
Zootopia should have no trouble ending the three week domination of Deadpool atop the charts while I expect London to hit the #2 spot, putting Ryan Reynolds’ vulgar superhero in the three spot with Whiskey placing fourth. Box office dud Gods of Egypt should be fifth in its second weekend, as long as its anticipated hefty decline doesn’t allow Kung Fu Panda 3 to remain in the top five. As for The Other Side of the Door, it’s only opening on around 500 screens and my $2.1 million prediction for it leaves it far outside the top five.
And with that, my predictions for the weekend:
Zootopia
Predicted Gross: $54.4 million
2. London Has Fallen
Predicted Gross: $24.6 million
3. Deadpool
Predicted Gross: $16.9 million (representing a drop of 45%)
4. Whiskey Tango Foxtrot
Predicted Gross: $8.4 million
5. Gods of Egypt
Predicted Gross: $5.8 million (representing a drop of 58%)
Box Office Results (February 26-28)
As anticipated, Deadpool maintained the #1 position for the third weekend in a row. The three new entries were, as Donald Trump might say, “low energy”. Ryan Reynolds’ phenomenon took in $31.1 million (compared to my $28M forecast) for a total of $285M.
Gods of Egypt proved to be the first massive bomb of the year as the inexplicably budgeted $140 million action fantasy grossed just $14.1 million, which was on pace with my $13.9M estimate.
Animated sequel Kung Fu Panda 3 was third in weekend #5 with $8.8 million, in line with my $8.2M projection for a total gross of $128M.
Biblical drama Risen was fourth in its sophomore frame with $6.8 million, right there with my $7.1M prediction for a ten day total of $22M.
Two newcomers had soft debuts for the fifth and sixth slots. Heist thriller Triple 9 earned $6.1 million (just below my prediction of $6.9M) for fifth while Olympic drama Eddie the Eagle was iced in sixth with only $6 million (I was much kinder with an $11.2M estimate).
And that’ll do it for now. folks! Until next time…
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