When J.A. Bayona’s A Monster Calls debuted in September at the Toronto Film Festival, it did so to solid buzz and even some awards chatter. Much of that talk seems to have dissipated from nearly four months ago and the pic may struggle to find an audience when it opens wide next weekend.
Based on an acclaimed 2011 novel by Patrick Ness, Calls mixes science fiction elements with tearjerker family drama in this tale of a monstrous creature helping a young boy deal with his grief. Sigourney Weaver, Felicity Jones, Lewis MacDougall, and Liam Neeson (voicing the title character) star.
As mentioned, most reviews have been encouraging (it’s at 89% on Rotten Tomatoes). Yet I wonder what segment of the movie going public will turn out for this. The film was originally scheduled for an October stateside debut before being pushed back. Sci-fi genre fans have had plenty to feast on lately and Underworld: Blood Wars opens against it. A female crowd that might get drawn in by the family drama angle could be put off with the mystical elements. The early January release date doesn’t inspire much hope that Focus Features has tremendous confidence in it.
Festival word-of-mouth aside, I’ll predict A Monster Calls struggles to reach a mid single digits reception. At least director Bayona can take comfort that his next feature, 2018’s Jurassic World sequel, will likely gross at least 50 times what this might in its opening weekend.
A Monster Calls opening weekend prediction: $3.4 million
For my Underworld: Blood Wars prediction, click here:
An Oscar hopeful expands to wide release next Friday when Hidden Figures rolls out across the country. The true tale of three women (Taraji P. Henson, Octavia Spencer, Janelle Monae) who were instrumental in the NASA space program in the 1960s has garnered critical praise (92% on Rotten Tomatoes) and is said to be quite the crowd pleaser. Theodore Melfi directs with Kevin Costner, Kirsten Dunst, Jim Parsons, and Mahershala Ali in the supporting cast.
Over the Christmas weekend, Figures figured an impressive $838,000 gross on just 25 screens. That’s a strong $33K per screen average. The pic stands a decent shot at a Best Picture nomination come Oscar announcement time and Octavia Spencer could also receive a Supporting Actress nod.
As I see it, the chances for this to over perform are mathematically greater than the alternative. 20th Century Fox is hoping to attract a sizable female and African American audience and they’ll likely be successful. I believe Figures could even outdo Underworld: Blood Wars, which opens the same day. I’ve got that one pegged at $17.6M. I’ll put this one over it for what would be a #2 debut.
Hidden Figures opening weekend prediction: $19.3 million
For my Underworld: Blood Wars prediction, click here:
Tom Ford’s NocturnalAnimals is centered on a woman living in a fancy world surrounded by her own boredom and regret at certain life choices. The film is an often fascinating mash-up of Hitchcock, a little De Palma inspired Hitchcock, and most surprisingly, a West Texas crime tale that looks and feels like this year’s earlier HellorHighWater. We also have a more conventional tale of a romance gone astray and the emotions involved with that. It’s a concoction that sometimes is a little messy, a tad campy at moments, veers in tone shifts, and is also directed a fashion designer who seems to know exactly what he wishes to fashion.
L.A. art gallery owner Susan Morrow (Amy Adams) is living a wealthy life in an unhappy marriage and a career she’s grown to believe is purposeless. One day, she receives a manuscript. It’s from her ex-husband Edward (Jake Gyllenhaal) that she was only married to for a couple years around college. The novel grabs her. It’s the aforementioned HighWater looking story of a remarried Edward on a West Texas road trip with his wife and daughter when they are terrorized by bad guys led by a disheveled and effectively menacing Aaron Taylor-Johnson. Their encounter takes a dark and tragic turn and soon Edward is teaming up with a ranger (Michael Shannon, in a terrific performance) to deal with its aftermath.
The story cuts back and forth between the actions of Susan’s ex-flame’s West Texas narrative (is it real or not?) and her unhappy life on the West Coast. We also witness the courtship of them in college. This juxtaposition creates an often dream like quality (a little David Lynch thrown in for good measure) and it’s rather intoxicating. We basically get to know everything we need to know about Susan’s character in a great short scene with Laura Linney as her debutante mom. Other key characters and their motivations don’t become clear until later.
NocturnalAnimals looks gorgeous as you might expect from a designer that Jay-Z made a song about. The cinematography is stunning and the musical score is often reminiscent of something we’d hear in an old Hitch pic or perhaps De Palma homage. There are moments that recall Nicolas Winding Refn’s TheNeonDemon in plot had that movie actually succeeded. Tom Ford wears his influences proudly and unabashedly in his sophomore effort. It’s anything but boring.
It’s the fifth film in a franchise that began over 13 years ago and Underworld: Blood Wars also has the distinction of being the first new wide release of 2017. Kate Beckinsale returns in the role of Selene in this latest chapter of these vampire diaries with Theo James, Tobias Menzies, and Charles Dance among the supporting cast.
Reviews haven’t been strong and it currently stands at just 11% on Rotten Tomatoes. Not that it really matters. The 2003 original posted a franchise best 31% on the aggregator site and yet every entry in the series has debuted to over $20 million. Let’s take a trip down Underworld premiere lane, shall we?
Underworld (2003) – $21.7 million
Underworld: Evolution (2006) – $26.8 million
Underworld: Rise of the Lycans (2009) – $20.8 million
Underworld Awakening (2012) – $25.3 million
Note that all the previous flicks opened within three years of one another and that there’s been a five-year gap for Blood Wars. That delay may not bode well for it continuing the plus $20M streak alive. While the franchise clearly has a following, I’ll predict the lay-off gives Underworld #5 a mid to high teens debut for a series low.
Underworld: Blood Wars opening weekend prediction: $17.6 million
Well, it’s both the final box office weekend of 2016 and first one of 2017 and that means four-day holiday estimates once again. There are no new titles premiering over the New Years frame as Christmas holdovers look to dominate the charts.
During the last two years where we saw New Years Day fall on a Sunday (2005, 2011), returning films routinely saw increases compared to the three-day portion of the Christmas weekend. While many may not match the four-day takes of the previous weekend, I wouldn’t look for any precipitous drops for anything.
Bottom line – this weekend should look a whole lot like the one that just concluded with RogueOne and Sing easily in the one and two spots, some Oscar hopefuls continuing their stellar runs, and some Christmas disappointments (more on that below) hoping for a soft cushion in their sophomore frames.
With that, we’ll do a top 10 Estimates for the Friday to Monday weekend ahead:
1. RogueOne: AStarWarsStory
Predicted Gross: $79.9 million
2. Sing
Predicted Gross: $56.6 million
3. Passengers
Predicted Gross: $18.3 million
4. WhyHim?
Predicted Gross: $16.1 million
5. Moana
Predicted Gross: $12.7 million
6. Assassin’sCreed
Predicted Gross: $12.2 million
7. LaLaLand
Predicted Gross: $10 million
8. Fences
Predicted Gross: $9.8 million
9. OfficeChristmasParty
Predicted Gross: $5.8 million
10. CollateralBeauty
Predicted Gross: $5.2 million
BoxOfficeResults (December23–26)
As expected, RogueOne ruled the holiday box office, bringing in $96.1 million over the Friday to Monday Christmas weekend. This is just over my $92.8M prediction to bring its total to a merry $318 million.
Illumination Entertainment’s animated Sing posted a strong second place debut to the tune of $55.8 million from Friday to Monday and $75.5 million since its Wednesday opening (in line with my respective estimates of $55.3M and $74.1M).
The news was not quite as jolly for the Jennifer Lawrence/Chris Pratt sci-fi thriller Passengers. Met with generally mediocre reviews, the pic made $30 million since its Wednesday premiere and $22.6 million over the weekend. My prognoses were higher at $42M and $31.4M.
James Franco/Bryan Cranston comedy WhyHim? had a decent opening with $15.5 million, a bit above my $13.2M prediction. It could enjoy a nice hold this weekend.
Video game adaptation Assassin’sCreed posted unimpressive results with $14.8 million from Friday to Monday and $22.2 million since Wednesday, not reaching my predictions of $19.8M and $28.1M.
Disney’s Moana earned $12.5 million (compared to my $10.1M forecast) for a $185 million haul.
Denzel Washington’s Fences took in a healthy $11.6 million (I was lower at $8.6M) in just two days as it opened on Christmas.
Another strong Oscar hopeful, LaLaLand, also expanded on the holiday and brought in $9.2 million. I was lower again with a $7.5M estimate.
OfficeChristmasParty made $7 million (I said $6.2M) to bring its gross to $44M.
Finally, Will Smith flop CollateralBeauty rounded out the top ten with $6.3 million (I said $5.3M) for an underwhelming tally of $17M.
**On a personal note and as a movie lover, I do want to mention the sad news of the day and simply say Rest In Peace to the great and iconic Carrie Fisher.
After a number of smaller film roles in some notable pictures ranging from Out of Sight to Far From Heaven to Syriana, it was another smaller role that catapulted Viola Davis to the attention of moviegoers in 2008. Her one scene in Doubt alongside Meryl Streep and Amy Adams earned the actress a Supporting Actress Oscar nomination. She didn’t win, yet it furthered some more substantive roles including 2011’s The Help for which she received a Lead Actress Academy nod (losing to Streep in The Iron Lady).
Yet in 2016, the third time could well be the charm for Davis for her supporting work in Fences, in which she reprises her Broadway role with director/star Denzel Washington. It’s all part of a remarkable couple of years for Davis in which she deservedly gets a mention in my Year Of posts. Her work in Fences and expected Oscar win would come just a year after becoming the first African-American actress to win Lead Actress in a Drama Series at the Emmys for ABC’s “How to Get Away with Murder”. Davis also had a prominent role in this summer’s blockbuster Suicide Squad, portraying the government agent responsible for getting all those bad guys together.
Film and TV lovers have been noticing Viola Davis for some time now and 2016 may well prove to be the year where Oscar voters finally do.
Before this year, Margot Robbie was primarily known as Leonardo DiCaprio’s stunning wife in 2013’s TheWolfofWallStreet and, to a lesser degree, costar to Will Smith in 2015’s Focus.
Yet it was in 2016 that she blew up big time, as the Aussie actress was perhaps the best thing in two summer flicks – TheLegendofTarzan and especially SuicideSquad, in which she teamed up with the Fresh Prince once again. Her Harley Quinn character in Squad was a bright spot in a mixed bag of an experience.
Robbie’s considerably larger star power has led to her being attached to a slew of upcoming roles. She will eventually reprise her Harley role in GothamCitySirens, which will pair her with other notable female DC super villains such as Poison Ivy and Catwoman. She’s also signed to portray notorious figure skater Tonya Harding in biopic I, Tonya.
No doubt about it – this screen bad girl had a very good 2016.
Now that this latest iteration of the StarTrek film series has reached its third entry, the creative forces behind it are free to just let Beyond be a two-hour episode upon itself. In other words, JJ Abrams was quite successful directing the first two features in 2009 and 2013 and establishing a new cast playing iconic roles. By part III, those objectives have already been met and Abrams leaves his successor Justin Lin the opportunity to make this one an action packed sci-fi spectacle. We also have the hallmarks of the 50-year-old franchise that include celebrating the camaraderie of the Enterprise crew and injecting well-placed humor.
In a way, StarTrekBeyond reminded me of the previous 007 pic, Spectre. How so? Spectre arrived three movies after Daniel Craig had put his stamp on another half century old institution. By the time part 4 rolled around, I was ready for something that needn’t burden itself with continually reshaping itself. Spectre didn’t and was mostly successful. Beyond doesn’t either and is even more satisfying.
We begin in year 3 of the USS Enterprise’s five-year voyage that they embarked on at the conclusion of StarTrekIntoDarkness. Not all is well. Captain Kirk (Chris Pine, grown and confident in the role) is struggling with the endless journey. Trusty Spock (Zachary Quinto) is having girl troubles with Uhura (Zoe Saldana) and mourning the reveal that Ambassador Spock (Leonard Nimoy) has passed. This, of course, holds special meaning to the audience due to Nimoy’s passing in between pics.
Everything perks up for the crew when the ship is invaded by Krall (Idris Elba), a ruthless extraterrestrial tracking a relic that Kirk has in his possession. This attack leaves the crew splintered for a decent portion of the running time, allowing many of the members their moments to shine. That includes Karl Urban as McCoy and Simon Pegg’s Scotty, who both continue to provide sturdy comic relief. Sofia Boutella is a fine addition as an alien who joins Team Enterprise. Both Saldana and Anton Yelchin’s Chekov are a bit more relegated to the sideline in terms of the overall story (tragically, Yelchin died just a month before the film’s release). John Cho’s Sulu is given a previously not revealed character development. And when it comes to the main villain, Elba is quite menacing and effective.
Without having to set up anything new, Beyond gets right to the fun stuff and doesn’t let up. Lin is no stranger to elaborate action sequences, having helmed four FastandFurious flicks. Yet enough time is set aside to explore the strong bonds of the team. It’s about family… to borrow a theme that FastandFurious characters endlessly beat into our skulls. So while this might be the simplest of the trio of new StarTrek’s we’ve witnessed, it also manages to be the most purely entertaining.
We are moving closer and closer to Oscar nominations being out and there’s plenty of precursor action happening, etc…
Some of the categories, including Best Foreign Language Film (with its list whittled down to nine), Makeup and Hairstyling (seven possibles) and Visual Effects (ten possibilities). All in all, this last predictions posts before Christmas gives my take on where all the races stand as things (sort of) become a bit clearer.
Let’s get to it, shall we?
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Moonlight (PR: 2)
3. Manchester by the Sea (PR: 3)
4. Lion (PR: 6)
5. Silence (PR: 4)
6. Fences (PR: 5)
7. Arrival (PR: 7)
8. Hacksaw Ridge (PR: 8)
9. Hidden Figures (PR: 9)
Other Possibilities
10. Hell or High Water (PR: 10)
11. Loving (PR: 11)
12. Sully (PR: 13)
13. Jackie (PR: 12)
14. Nocturnal Animals (PR: 14)
15. 20th Century Women (PR: 15)
16. Patriots Day (PR: 16)
17. Florence Foster Jenkins (PR: 17)
18. The Jungle Book (PR: 19)
19. Captain Fantastic (PR: Not Ranked)
20. Gold (PR: 20)
Dropped Out:
Live by Night
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Barry Jenkins, Moonlight (PR: 2)
3. Kenneth Lonergan, Manchester by the Sea (PR: 3)
4. Martin Scorsese, Silence (PR: 4)
5. Denis Villeneuve, Arrival (PR: 5)
Other Possibilities
6. Garth Davis, Lion (PR: 8)
7. Mel Gibson, Hacksaw Ridge (PR: 6)
8. Denzel Washington, Fences (PR: 7)
9. David Mackenzie, Hell or High Water (PR: 9)
10. Tom Ford, Nocturnal Animals (PR: Not Ranked)
Dropped Out:
Jeff Nichols, Loving
Best Actor
Predicted Nominees
1. Casey Affleck, Manchester by the Sea (PR: 1)
2. Denzel Washington, Fences (PR: 2)
3. Ryan Gosling, La La Land (PR: 3)
4. Andrew Garfield, Hacksaw Ridge (PR: 4)
5. Tom Hanks, Sully (PR: 5)
Other Possibilities
6. Viggo Mortensen, Captain Fantastic (PR: 7)
7. Joel Edgerton, Loving (PR: 6)
8. Michael Keaton, The Founder (PR: 8)
9. Adam Driver, Paterson (PR: Not Ranked)
10. Andrew Garfield, Silence (PR: 9)
Dropped Out:
Matthew McConaughey, Gold
Best Actress
Predicted Nominees
1. Emma Stone, La La Land (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Amy Adams, Arrival (PR: 4)
4. Annette Bening, 20th Century Women (PR: 3)
5. Ruth Negga, Loving (PR: 7)
Other Possibilities
6. Meryl Streep, Florence Foster Jenkins (PR: 6)
7. Isabelle Huppert, Elle (PR: 5)
8. Jessica Chastain, Miss Sloane (PR: 8)
9. Taraji P. Henson, Hidden Figures (PR: 9)
10. Hailee Steinfeld, The Edge of Seventeen (PR: Not Ranked)
Dropped Out:
Rebecca Hall, Christine
Best Supporting Actor
Predicted Nominees
1. Mahershala Ali, Moonlight (PR: 1)
2. Dev Patel, Lion (PR: 2)
3. Lucas Hedges, Manchester by the Sea (PR: 3)
4. Jeff Bridges, Hell or High Water (PR: 4)
5. Michael Shannon, Nocturnal Animals (PR: 5)
Other Possibilities
6. Ben Foster, Hell or High Water (PR: 10)
7. Hugh Grant, Florence Foster Jenkins (PR: 6)
8. Issey Ogata, Silence (PR: 8)
9. Mykelti Williamson, Fences (PR: 7)
10. Kevin Costner, Hidden Figures (PR: 9)
Best Supporting Actress
Predicted Nominees
1. Viola Davis, Fences (PR: 1)
2. Naomie Harris, Moonlight (PR: 2)
3. Michelle Williams, Manchester by the Sea (PR: 3)
4. Nicole Kidman, Lion (PR: 4)
5. Octavia Spencer, Hidden Figures (PR: 5)
Other Possibilities
6. Janelle Monae, Hidden Figures (PR: 8)
7. Greta Gerwig, 20th Century Women (PR: 6)
8. Helen Mirren, Eye in the Sky (PR: 7)
9. Molly Shannon, Other People (PR: 10)
10. Felicity Jones, A Monster Calls (PR: 9)
Best Adapted Screenplay
Predicted Nominees
1. Moonlight (PR: 1)
2. Fences (PR: 2)
3. Lion (PR: 3)
4. Arrival (PR: 5)
5. Silence (PR: 4)
Other Possibilities
6. Hacksaw Ridge (PR: 6)
7. Nocturnal Animals (PR: 7)
8. Hidden Figures (PR: 9)
9. Loving (PR: 8)
10. Sully (PR: 10)
Best Original Screenplay
Predicted Nominees
1. Manchester by the Sea (PR: 1)
2. La La Land (PR: 2)
3. Hell or High Water (PR: 3)
4. Captain Fantastic (PR: 4)
5. 20th Century Women (PR: 5)
Other Possibilities
6. The Lobster (PR: 6)
7. Jackie (PR: 7)
8. Zootopia (PR: Not Ranked)
9. Eye in the Sky (PR: 8)
10. Florence Foster Jenkins (PR: 9)
Dropped Out:
I, Daniel Blake
Best Animated Feature
Predicted Nominees
1. Zootopia (PR: 1)
2. Kubo and the Two Strings (PR: 2)
3. Moana (PR: 3)
4. The Red Turtle (PR: 4)
5. Finding Dory (PR: 5)
Other Possibilities
6. My Life as a Zucchini (PR: 7)
7. The Little Prince (PR: 6)
8. April and the Extraordinary World (PR: 8)
9. Sausage Party (PR: 10)
10. Your Name (PR: Not Ranked)
Dropped Out:
Trolls
Best Documentary Feature
Predicted Nominees
1. I Am Not Your Negro (PR: 2)
2. 13th (PR: 1)
3. O.J.: Made in America (PR: 3)
4. Cameraperson (PR: 6)
5. Gleason (PR: 4)
Other Possibilties
6. Life, Animated (PR: 5)
7. Fire at Sea (PR: 9)
8. The Eagle Huntress (PR: 8)
9. Weiner (PR: 7)
10. The Ivory Game (PR: 10)
Best Foreign Language Film
Predicted Nominees
1. Toni Erdmann (PR: 1)
2. The Salesman (PR: 3)
3. Land of Mine (PR: 4)
4. My Life as a Zucchini (PR: Not Ranked)
5. A Man Called Ove (PR: Not Ranked)
Other Possibilities
6. The King’s Choice (PR: Not Ranked)
7. Tanna (PR: Not Ranked)
8. Paradise (PR: Not Ranked)
9. It’s the Only the End of the World (PR: Not Ranked)
Dropped Out:
Elle
Neruda
The Happiest Day in the Life of Olli Maki
Julieta
Ma’Rosa
The Ardennes
Best Cinematography
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 2)
3. Silence (PR: 3)
4. Arrival (PR: 4)
5. Lion (PR: 7)
Other Possibilities
6. Hacksaw Ridge (PR: 9)
7. Nocturnal Animals (PR: 6)
8. Jackie (PR: 5)
9. Hell or High Water (PR: 8)
10. Rogue One: A Star Wars Story (PR: Not Ranked)
Dropped Out:
Live by Night
Best Costume Design
Predicted Nominees
1. Jackie (PR: 1)
2. La La Land (PR: 2)
3. Love & Friendship (PR: 4)
4. Allied (PR: 3)
5. Florence Foster Jenkins (PR: 7)
Other Possibilities
6. Live by Night (PR: 6)
7. Fantastic Beasts and Where to Find Them (PR: 5)
8. Silence (PR: 8)
9. Rules Don’t Apply (PR: 9)
10. Hidden Figures (PR: Not Ranked)
Dropped Out:
Fences
Best Editing
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 2)
3. Arrival (PR: 4)
4. Hacksaw Ridge (PR: 5)
5. Lion (PR: 7)
Other Possibilities
6. Silence (PR: 3)
7. Sully (PR: 6)
8. Hell or High Water (PR: Not Ranked)
9. Jackie (PR: 10)
10. Manchester by the Sea (PR: 8)
Dropped Out:
Fences
Best Makeup and Hairstyling
Predicted Nominees
1. Florence Foster Jenkins (PR: 7)
2. Star Trek Beyond (PR: 2)
3. Suicide Squad (PR: 6)
Other Possibilities
4. Deadpool (PR: 5)
5. The Dressmaker (PR: Not Ranked)
6. Hail, Caesar! (PR: Not Ranked)
7. A Man Called Ove (PR: Not Ranked)
Dropped Out:
Jackie
Fantastic Beasts and Where to Find Them
Hacksaw Ridge
Love & Friendship
Doctor Strange
Rogue One: A Star Wars Story
Nocturnal Animals
Best Original Score
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 7)
3. Florence Foster Jenkins (PR: 9)
4. Lion (PR: 2)
5. Rogue One: A Star Wars Story (PR: 6)
Other Possibilities
6. Jackie (PR: 3)
7. Hacksaw Ridge (PR: Not Ranked)
8. Moana (PR: 4)
9. The BFG (PR: 10)
10. The Jungle Book (PR: 8)
Dropped Out:
Nocturnal Animals
Best Original Song
Predicted Nominees
1. “City of Stars” from La La Land (PR: 3)
2. “We Know the Way” from Moana (PR: 2)
3. “Letters to the Free” from 13th (PR: 4)
4. “Audition (The Fools Who Dream)” from La La Land (PR: 1)
5. “Runnin” from Hidden Figures (PR: Not Ranked)
Other Possibilities
6. “Rules Don’t Apply” from Rules Don’t Apply (PR: 5)
7. “Can’t Stop The Feeling!” from Trolls (PR: 6)
8. “Drive It Like You Stole It” from Sing Street (PR: 7)
9. “I’m Still Here” from Miss Sharon Jones (PR: 10)
10. “The Great Beyond” from Sausage Party (PR: Not Ranked)
Dropped Out:
“Dancing with Your Shadow” from Po
“I See Victory” from Hidden Figures
Best Production Design
Predicted Nominees
1. La La Land (PR: 1)
2. Jackie (PR: 2)
3. Arrival (PR: 4)
4. Silence (PR: 3)
5. Hacksaw Ridge (PR: 8)
Other Possibilities
6. Live by Night (PR: 5)
7. Fantastic Beasts and Where to Find Them (PR: Not Ranked)
8. The Jungle Book (PR: Not Ranked)
9. Rules Don’t Apply (PR: 9)
10. Rogue One: A Star Wars Story (PR: Not Ranked)
Dropped Out:
Fences
Allied
Love & Friendship
Best Sound Editing
Predicted Nominees
1. Hacksaw Ridge (PR: 1)
2. Rogue One: A Star Wars Story (PR: 3)
3. La La Land (PR: 2)
4. Sully (PR: 4)
5. The Jungle Book (PR: 5)
Other Possibilities
6. Deepwater Horizon (PR: 6)
7. Arrival (PR: 7)
8. Patriots Day (PR: 8)
9. Deadpool (PR: Not Ranked)
10. Doctor Strange (PR: Not Ranked)
Dropped Out:
Passengers
Allied
Best Sound Mixing
Predicted Nominees
1. La La Land (PR: 1)
2. Hacksaw Ridge (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Deepwater Horizon (PR: 4)
5. Arrival (PR: 5)
Other Possibilities
6. The Jungle Book (PR: 6)
7. Sully (PR: 7)
8. Allied (PR: Not Ranked)
9. Patriots Day (PR: 8)
10. Deadpool (PR: 9)
Dropped Out:
Passengers
Best Visual Effects
Predicted Nominees
1. The Jungle Book (PR: 1)
2. Rogue One: A Star Wars Story (PR: 2)
3. Arrival (PR: 3)
4. Doctor Strange (PR: 4)
5. Fantastic Beasts and Where to Find Them (PR: 5)
Other Possibilities
6. The BFG (PR: 6)
7. Kubo and the Two Strings (PR: Not Ranked)
8. Captain America: Civil War (PR: Not Ranked)
9. Deepwater Horizon (PR: Not Ranked)
10. Passengers (PR: Not Ranked)
Dropped Out:
Sully
Star Trek Beyond
Deadpool
A Monster Calls
That gives you a current nomination breakdown as follows:
14 Nominations
La La Land
9 Nominations
Arrival
8 Nominations
Moonlight
7 Nominations
Lion
6 Nominations
Manchester by the Sea, Hacksaw Ridge
5 Nominations
Silence
4 Nominations
Fences, Rogue One: A Star Wars Story
3 Nominations
Jackie, Hidden Figures, Florence Foster Jenkins
2 Nominations
Sully, 20th Century Women, Hell or High Water, Moana, 13th, The Jungle Book
1 Nomination
Loving, Nocturnal Animals, Captain Fantastic, Zootopia, Kubo and the Two Strings, The Red Turtle, Finding Dory, I Am Not Your Negro, O.J.: Made in America, Cameraperson, Gleason, Toni Erdmann, The Salesman, Land of Mine, My Life as a Zucchini, A Man Called Ove, Love & Friendship, Fantastic Beasts and Where to Find Them, Allied, Star Trek Beyond, Suicide Squad, Deepwater Horizon, Doctor Strange.
And there you have it! I’ll be back at it again next Thursday with my final predictions of the year!
Over the years, Ryan Reynolds has seen his share of hits in multiples genres from rom coms (The Proposal) to action flicks (Safe House). He’s also earned the kudos of critics for appearing in acclaimed indie product such as Woman in Gold, Buried, and Definitely, Maybe.
Reynolds has also had his share of flops, from R.I.P.D. to Self/less to name some recent ones. And while they weren’t necessarily big financial disappointments, he also had the distinction of appearing in two comic book adaptations that aren’t well-regarded: 2009’s X-Men Origins: Wolverine and Green Lantern. It was in Wolverine where he costarred with Hugh Jackman as Wade Wilson, better known as raunchy superhero Deadpool. Again, this wasn’t met with much approval from comic book lovers.
For years, Reynolds fought hard to make a version of Deadpool the way he wanted to and finally got his wish in 2016. The result? Well, the aftermath easily earns him a place among performers who had a sterling year. Deadpool opened in February to an astonishing $132 million and an eventual $363 million domestic haul. The pic is easily the actor’s largest grosser ever. It had the largest opening ever for an R rated feature and is second all-time for pictures with that rating (just behind The Passion of the Christ). Additionally, it is 2016’s current #5 earner. And he earned a Golden Globe nomination for his work.
So… yeah, the gamble paid off for Reynolds in a way that was unimaginable just a year ago. Naturally, we will see a sequel in 2018 yet Mr. Reynolds will have a busy 2017 as well. In March, he costars with Jake Gyllenhaal in the outer space thriller Life and in August he headlines action comedy The Hitman’s Bodyguard with Samuel L. Jackson and Gary Oldman.
For 2016, the massive Deadpool juggernaut gave Reynolds his likely signature role and a different kind of superhero tale that was tremendous fun.
