The Warner Animation Group sets the Legos aside momentarily when Smallfoot debuts next weekend. The 3D computer animated comedic musical (a twist on the Bigfoot story) comes from director Karey Kirkpatrick. He made the well-received Over the Hedge over a decade ago and the not so well-received live-action Eddie Murphy pic Imagine That in 2009. Channing Tatum, James Corden, LeBron James, Zendaya, Common, Danny DeVito, and Gina Rodriguez are among the voices heard here.
As mentioned, the current animation department at Warner Bros has mostly been giving us Lego titles as of late. One exception was 2016’s Storks. It also opened in September and made $21.3 million for its start. That is likely a far better comparison that anything involving those famous blocks.
A low 20s to mid gross should put this in second place next weekend behind the Kevin Hart/Tiffany Haddish comedy Night School.
**Blogger’s Update (09/27/18): My estimate has risen to $27.6 million to $31.6 million
One of the most dependable comedic actors at the box office teams with one of the hottest newer names when Night School opens next weekend. Kevin Hart and Tiffany Haddish headline the pic about a group trying to pass their GED exam. Malcolm D. Lee (who just directed Haddish in her breakout Girls Trip) is behind the camera. The supporting cast includes Rob Riggle, Mary Lynn Rajskub, Taran Killam, Romany Malco, and Keith David.
Hart has been a model of consistency in recent years when it comes to high earners. In addition to just coming off the massive blockbuster Jumanji Welcome to the Jungle, he’s had a handful of $30 million plus openers including Think Like a Man, both Ride Along features, Get Hard, and Central Intelligence. The Think Like a Man sequel almost reached $30 million while About Last Night made $25.6 million for its start. The low-end of the spectrum is The Wedding Ringer with $20.6 million. As for Lee and Haddish’s Trip, it took in $31.2 million.
The collaboration of these talents should yield pleasing results and the likely #1 spot over its made competitor – the animated Smallfoot. I’m a little skeptical this reaches $30 million, though it certainly could. A gross in the mid to high 20s seems more probable.
Night School opening weekend prediction: $31.6 million
The family fantasy film The House with a Clock in Its Walls looks to get its hands on the #1 spot at the box office this weekend as it opens alongside the Michael Moore political doc Fahrenheit 11/9 and ensemble drama Life Itself. If you missed my detailed prediction posts on that trio, you can find them here:
My low to mid 20s forecast for Clock should be more than enough for it to top the charts. The rest of the top 5 could be a bit more interesting. The Predator had a so-so debut and I look for it to experience a pretty hefty drop. Same goes for The Nun in its third weekend. A Simple Favor, on the other hand, could experience a solid hold in its sophomore frame.
As for the newcomers, my measly $3.8 million projection for Life Itself leaves it outside the top 5 while Fahrenheit ($5 million estimate) could battle for Crazy Rich Asians for that five-spot. And with that, my take on the weekend ahead:
1. The House with a Clock In Its Walls
Predicted Gross: $23.2 million
2. A Simple Favor
Predicted Gross: $10.6 million
3. The Predator
Predicted Gross: $10 million
4. The Nun
Predicted Gross: $8.4 million
5. Crazy Rich Asians
Predicted Gross: $5.9 million
Box Office Results (September 14-16)
The Predator opening in first place was never really in doubt, but its $24.6 million debut didn’t impress much. It came in a bit under my $27.4 million estimate. Mostly negative reviews didn’t help and I look for this to experience a decline of over 50% this coming weekend.
After posting a franchise best haul for the Conjuring Cinematic Universe, The Nun saw the largest second weekend drop (66%) to $18.2 million (I was a little higher at $19.8 million). The two-week tally stands at $85 million.
Returns were decent for A Simple Favor as it opened in third with $16 million (a bit under my $17.9 million prediction). I see it experiencing the best hold for next weekend and having a real chance at rising to second place (considering the potential dips for The Predator and The Nun).
White Boy Rick premiered in fourth place with an unremarkable $8.8 million, on pace with my $8.7 million estimate. The crime drama also suffered from mixed reviews and it couldn’t manage to get older moviegoers interested.
Crazy Rich Asians rounded out the top five with $8.6 million (I said $8.2 million) to bring its total to $149 million.
Finally, faith-based sequel Unbroken: Path to Redemption gained no traction with audiences earning just $2.2 million for 10th place (I said $2.5 million).
**It is difficult to write a proper review of Hereditary without some light spoilers, so proceed with caution if you have yet to see it.
The real unsettling nature of Ari Aster’s debut feature Hereditary comes after the credits roll and not necessarily from heads rolling off bodies (though that happens too). The film is about grieving and the realization of not being able to control fate. Not until fade to black does it set in how truly powerless the people here are.
We begin with the text of an obituary. Ellen is the just deceased mother of Annie Graham (Toni Collette), an artist who specializes in miniature designs for doll houses. She’s married to a kindly therapist (Gabriel Byrne) with high school aged son Peter (Alex Wolff) and middle school aged daughter Charlie (Milly Shapiro). Annie doesn’t seem too distraught over her loss and her eulogy for mom hints at a secretive existence before dementia took over her final years. Only Charlie seemed to have a real connection with the late matriarch and we sense something is a bit off with her.
A second tragedy breaks the Graham unit apart. The history of Annie’s upbringing that she wants to ignore at first becomes inescapable. Every family has its demons. In Hereditary, we witness the literal meaning behind that phrase. The supernatural happenings that follow manifest themselves on Annie and Peter primarily. Collette and Wolff both are convincing at being scared out of their wits most of the time. For Collette especially (who has a bit of experience in the genre with TheSixthSense), her performance is a terrified tour de force. The Graham clan are typically the only humans on-screen. Ann Dowd appears as a woman also grieving a recent loss who convinces Annie to engage in seance.
Hereditary has a conjuring, but it’s not as preoccupied with jump scares and sound effects wizardry for its frights like the successful franchise (not that they’re totally absent). Comparisons to Rosemary’sBaby are far more appropriate. Much of the movie leaves you in a state of confusion and you might need to do a Google or Wiki search after to digest what happened. Writer/director Aster announces himself as an exciting voice in the horror game and one who seems most influenced by genre tales of the late 60s and 70s. While this doesn’t rise to the level of the Roman Polanski classic from a half century ago, I found myself feeling rewarded after everything was over. The Graham family, on the other hand, doesn’t get that lucky.
The ensemble drama LifeItself opens next weekend and it likely faces an uphill battle for eyeballs. Dan Fogelman, best known as creator of NBC’s hit series “This Is Us”, directs. The cast includes Oscar Isaac, Olivia Wilde, Mandy Patinkin, Olivia Cooke, Annette Bening, Antonio Banderas, and Samuel L. Jackson.
Life premiered at the Toronto Film Festival last week to poor reviews and word of mouth. It stands at just 20% on Rotten Tomatoes and the marketing campaign has been lackluster.
Add all that up and this is looking like a major flop that could struggle to hit $5 million.
LifeItself opening weekend prediction: $3.8 million
For my TheHousewithaClockinItsWalls prediction, click here:
Fourteen years after making the highest grossing documentary in box office history, Michael Moore is back next weekend with the politically charged Fahrenheit11/9. The film is the director’s commentary on the current administration and it comes after a banner summer for documentaries which saw hits such as RBG and Won’tYouBeMyNeighbor?
The title of Moore’s latest is a flip on the aforementioned Fahrenheit9/11. That picture, which focused on the War on Terror in 2004, shocked prognosticators with a $23.9 million opening and eventual $119 million domestic haul. That easily puts it on the top spot in its genre. Apart from that, Moore has made two $20 million plus earners with 2002’s BowlingforColumbine ($21 million) and 2007’s Sicko ($24 million). In the last few years, he hasn’t had as much success on the big screen. 2016’s WheretoInvadeNext grossed just under $4 million total.
11/9 is slated to debut on approximately 1500 screens. I’m not so sure audiences will rush out this time around for a doc in which the subject matter plays out 24/7 on cable news. There could also be a significant difference in how the pic plays on the coasts compared to middle America.
I will predict that this makes about a fourth of what the first Fahrenheit accomplished nearly a decade and a half ago.
Fahrenheit11/9 opening weekend prediction: $5 million
For my TheHousewithaClockinItsWalls prediction, click here:
In a Best Actress race that is growing crowded, the Toronto Film Festival gave us yet another possibility with Rosamund Pike in APrivateWar. The film focuses on the true life story of Marie Colvin, a war journalist killed in Syria in 2012. Matthew Heineman directs and he’s best known for his documentaries, including the Oscar nominated CartelLand and last year’s CityofGhosts. Jamie Dornan and Stanley Tucci costar.
The picture itself is getting mixed to positive reviews, but critics are heaping praise on Pike’s work. Four years ago, she was nominated for GoneGirl. Its distributor will need to mount a serious campaign for Pike to nab her second nod. That could be a tall order with more high-profile projects in the mix.
Bottom line: Pike could find herself in the mix, but it’s a bit of a long shot.
APrivateWar opens domestically on November 2. My Oscar Watch posts will continue…
My weekly Oscar predictions in the major categories, as expected, has seen some significant shifting. This is mostly due to the Toronto Film Festival and the screenings of several major contenders.
Here are some quick notes on the movement that’s taken place in the past seven days:
The addiction drama Beautiful Boy has taken a hit in the standings, due to a mixed Toronto reaction. It falls from #5 all the way to #21 in the Best Picture derby. Additionally, I have taken it out the 5 predicted nominees in Best Actor (Steve Carell) and Adapted Screenplay. However, Timothee Chalamet is still looking good for Supporting Actor.
If Beale Street Could Talk had its much awaited debut up north. I basically had it as a place holder pick at #1 in both Picture and Director, but it’s fallen in both races to #5 and #4, respectively. This vaults A Star Is Born to the #1 slot in BP with Alfonso Cuaron’s direction of Roma currently topping Best Director.
The elimination of the Best Popular Film category could be a good thing for Black Panther. For the first time, I have it included in my nine predicted BP nominees.
Peter Farrelly’s Green Book seemed to be a crowd favorite in Toronto. While I have it just outside my BP rankings, it’s now included in Best Original Screenplay and Mahershala Ali is predicted for Supporting Actor. It’s not entirely certain yet whether he will be placed in that category or go co-lead with Viggo Mortensen.
Speaking of category placement, we’re still not sure where Olivia Colman, Emma Stone, and Rachel Weisz will end up for The Favourite. Right now, I’m assuming Colman in Actress and both Stone and Weisz for Supporting Actress. I’ve now got Stone getting a nod for the first time.
The Dick Cheney biopic starring Christian Bale has apparently switched its working title name Backseat to Vice.
My current Best Actor predictions now include Ryan Gosling (First Man) and Robert Redford (The Old Man & The Gun) with the aforementioned Carell and Hugh Jackman (The Front Runner) out.
In Best Actress, solid Toronto chatter for the work of Viola Davis (Widows) puts her in the mix with Nicole Kidman (Destroyer) taken out.
Widows also shined a light on Daniel Kaluuya as he’s said to have a terrific part in it. He is now included in Supporting Actor along with Green Book‘s Ali. Sam Rockwell (Vice) and Russell Crowe (Boy Erased) have been moved out of the predicted nominees.
In Supporting Actress, Emma Stone has replaced Vera Farmiga (The Front Runner).
Yorgos Lanthimos has been included in my 5 director nominees and that means Spike Lee (BlacKkKlansman) is on the outside looking in currently.
Here’s the whole breakdown for this week!
Best Picture
1. A Star Is Born (PR: 2)
2. Roma (PR: 3)
3. First Man (PR: 4)
4. The Favourite (PR: 6)
5. If Beale Street Could Talk (PR 1)
6. BlacKkKlansman (PR: 7)
7. Boy Erased (PR: 8)
8. Vice (PR: 9 – previously known as Backseat)
9. Black Panther (PR: 11)
Other Possibilities:
10. Green Book (PR: 18)
11. Can You Ever Forgive Me? (PR: 15)
12. Widows (PR: 14)
13. The Front Runner (PR: 10)
14. The Ballad of Buster Scruggs (PR: 25)
15. The Sisters Brothers (PR: 24)
16. Mary Queen of Scots (PR: 13)
17. At Eternity’s Gate (PR: 21)
18. Mary Poppins Returns (PR: 17)
19. Crazy Rich Asians (PR: 16)
20. Ben Is Back (PR: Not Ranked)
21. Beautiful Boy (PR: 5)
22. Cold War (PR: 20)
23. Bohemian Rhapsody (PR: 23)
24. On the Basis of Sex (PR: 19)
25. Peterloo (PR: 12)
Dropped Out:
July 22
Best Director
1. Alfonso Cuaron, Roma (PR: 2)
2. Bradley Cooper, A Star Is Born (PR: 3)
3. Damien Chazelle, First Man (PR: 4)
4. Barry Jenkins, If Beale Street Could Talk (PR: 1)
5. Yorgos Lanthimos, The Favourite (PR: 6)
Other Possibilities:
6. Spike Lee, BlacKkKlansman (PR: 5)
7. Adam McKay, Vice (PR: 8)
8. Joel Edgerton, Boy Erased (PR: 9)
9. Marielle Heller, Can You Ever Forgive Me? (PR: 12)
10. Ryan Coogler, Black Panther (PR: 13)
11. Steve McQueen, Widows (PR: 15)
12. Peter Farrelly, Green Book (PR: Not Ranked)
13. Jacques Audiard, The Sisters Brothers (PR: Not Ranked)
14. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: Not Ranked)
15. Jason Reitman, The Front Runner (PR: 10)
Dropped Out:
Felix Van Groeningen, Beautiful Boy
Mike Leigh, Peterloo
Josie Rourke, Mary Queen of Scots
Best Actor
1. Bradley Cooper, A Star Is Born (PR: 1)
2. Willem Dafoe, At Eternity’s Gate (PR: 2)
3. Ryan Gosling, First Man (PR: 6)
4. Christian Bale, Vice (PR: 4)
5. Robert Redford, The Old Man & The Gun (PR: 7)
Other Possibilities:
6. Lucas Hedges, Boy Erased (PR: 8)
7. Steve Carell, Beautiful Boy (PR: 3)
8. Viggo Mortensen, Green Book (PR: 10)
9. Hugh Jackman, The Front Runner (PR: 5)
10. John C. Reilly, The Sisters Brothers (PR: 14)
11. John David Washington, BlacKkKlansman (PR: 9)
12. Rami Malek, Bohemian Rhapsody (PR: 12)
13. Ethan Hawke, First Reformed (PR: 15)
14. Joaquin Phoenix, You Were Never Really Here (PR: 13)
15. Stephan James, If Beale Street Could Talk (PR: 11)
Best Actress
1. Lady Gaga, A Star Is Born (PR: 1)
2. Glenn Close, The Wife (PR: 2)
3. Olivia Colman, The Favourite (PR: 4)
4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 5)
5. Viola Davis, Widows (PR: 8)
Other Possibilities:
6. Yalitza Aparicio, Roma (PR: 12)
7. Toni Collette, Hereditary (PR: 7)
8. Natalie Portman, Vox Lux (PR: 9)
9. Nicole Kidman, Destroyer (PR: 3)
10. Julia Roberts, Ben Is Back (PR: Not Ranked)
11. Kiki Layne, If Beale Street Could Talk (PR: 6)
12. Saoirse Ronan, Mary Queen of Scots (PR: 10)
13. Felicity Jones, On the Basis of Sex (PR: 11)
14. Emily Blunt, Mary Poppins Returns (PR: 13)
15. Elsie Fisher, Eighth Grade (PR: 14)
Dropped Out:
Joanna Kulig, Cold War
Best Supporting Actor
1. Timothee Chalamet, Beautiful Boy (PR: 1)
2. Sam Elliot, A Star Is Born (PR: 4)
3. Richard E. Grant, Can You Ever Forgive Me? (PR: 2)
4. Daniel Kaluuya, Widows (PR: Not Ranked)
5. Mahershala Ali, Green Book (PR: 9)
Other Possibilities:
6. Sam Rockwell, Vice (PR: 3)
7. Russell Crowe, Boy Erased (PR: 5)
8. Adam Driver, BlacKkKlansman (PR: 7)
9. Michael B. Jordan, Black Panther (PR: 8)
10. Oscar Isaac, At Eternity’s Gate (PR: 6)
11. Armie Hammer, On the Basis of Sex (PR: 10)
12. Ben Foster, Leave No Trace (PR: Not Ranked)
13. Nicholas Hoult, The Favourite (PR: Not Ranked)
14. Jason Clarke, First Man (PR: 12)
15. Joel Edgerton, Boy Erased (PR: 11)
Dropped Out:
Matthew McConaughey, White Boy Rick
J.K. Simmons, The Front Runner
Best Supporting Actress
1. Claire Foy, First Man (PR: 1)
2. Regina King, If Beale Street Could Talk (PR: 2)
3. Emma Stone, The Favourite (PR: 7)
4. Amy Adams, Vice (PR: 3)
5. Nicole Kidman, Boy Erased (PR: 5)
Other Possibilities:
6. Sissy Spacek, The Old Man & The Gun (PR: 14)
7. Rachel Weisz, The Favourite (PR: 11)
8. Elizabeth Debicki, Widows (PR: Not Ranked)
9. Maura Tierney, Beautiful Boy (PR: 6)
10. Michelle Yeoh, Crazy Rich Asians (PR: 9)
11. Marina de Tavira, Roma (PR: Not Ranked)
12. Vera Farmiga, The Front Runner (PR: 4)
13. Kathy Bates, On the Basis of Sex (PR: Not Ranked)
If the name Peter Farrelly rings a bell, it’s likely because you usually hear it as part of the Farrelly Brothers. They’re the comedy team responsible for directing such massive hits as DumbandDumber and There’sSomethingAboutMary. At the Toronto Film Festival, Peter has made his first solo venture and it’s a more serious effort in the form of GreenBook.
The true life pic tells the story of an Italian American bouncer (Viggo Mortensen) chauffeuring jazz pianist Don Shirley (Mahershala Ali) through the Deep South in 1962. Critical reaction is out and the term crowd pleaser is a common one in the notices. There’s even been some comparisons to DrivingMiss Daisy, based on its themes. That won Best Picture nearly three decades ago.
GreenBook would really need to turn into a major hit to get Best Picture attention. As for Mortensen and Ali, their work has been praised. There is some confusion which categories they’ll be placed in, but buzz up north suggests they’re both unquestionably leads. If that holds true for the Oscar campaign, they enter into a crowded race with the risk of splitting one another’s votes. Both men are no stranger to Academy attention. Mortensen is a two-time nominee for 2007’s EasternPromises and 2016’s CaptainFantastic. Ali took the Supporting Actor statue two years ago with Moonlight.
On the brighter side, the Original Screenplay category is looking a little light right now. That could be the perfect place for this to be recognized.
Bottom line: if things go really well for GreenBook, it could be a factor in more than one big race. Original Screenplay looks more possible.
The film debuts November 21. My Oscar Watch posts will continue…
Director Eli Roth is known for his very R rated violent tales, including Hostel and the Death Wish remake earlier this year. He changes it up next weekend with the release of The House with a Clock in Its Walls, a fantasy pic geared towards family crowds. Jack Black (fresh off the massive hit Jumanji: Welcome to the Jungle) stars alongside Cate Blanchett, Sunny Suljic, Kyle MacLachlan, Owen Vaccaro, and Renee Elise Goldsberry. Its based on a 1973 novel by John Bellairs.
Looking at comps in the same genre based on books, 2016 saw Miss Peregrine’s Home for Peculiar Children debut to $28.8 million in September. Going back further, 2007’s The Golden Compass made $25.7 million for its start. The former had the benefit of Tim Burton’s involvement. The latter came out in the midst of the holiday season.
While competition for a younger audience is light, I’m not convinced this will quite match those grosses. Unrelated fun fact: the IMAX screenings of Walls will include a 3D version of the iconic Michael Jackson video “Thriller”.
I’ll predict a low to mid 20s gross is what we’ll see here. If so, that should be enough for this to get its hands on the #1 spot.
The House with a Clock in Its Walls opening weekend prediction: $23.2 million
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