Tag: movies

2018 Weekly Oscar Predictions: October 4th Edition

My first Oscar predictions of October are here as the new month has brought in some important scheduling announcements!

First, it has been confirmed that Clint Eastwood’s The Mule will indeed be released in 2018. While some reports suggest it’s more of a commercial play for Warner Bros than an awards one… its release means I’m including it for the first time in a number of categories as a possibility (Picture, Director, Actor, Supporting Actress, Adapted Screenplay). You just can’t discount Eastwood from the awards derby.

We also learned that Mike Leigh’s Peterloo and the sci-fi tale Alita: Battle Angel have been moved to 2019. While neither of them were considered players in the major categories, both could have been contenders in down the line tech races. Not anymore.

In other developments:

  • Timothee Chalamet (Beautiful Boy) has been ranked #1 since late August in Supporting Actor, but that now changes to Mahershala Ali in Green Book.
  • The first trailer for Vice is out. It maintains its spot at #9 on my Best Picture possibilities, but I’ve now moved Sam Rockwell into the five predicted nominees for Supporting Actor. I’m also vaulting Christian Bale from the 5 spot in Best Actor to second.

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. First Man (PR: 3)

4. The Favourite (PR: 5)

5. Green Book (PR: 4)

6. BlacKkKlansman (PR: 6)

7. If Beale Street Could Talk (PR: 7)

8. Black Panther (PR: 8)

9. Vice (PR: 9)

Other Possibilities:

10. Can You Ever Forgive Me? (PR: 10)

11. Widows (PR: 11)

12. Boy Erased (PR: 12)

13. Mary Queen of Scots (PR: 15)

14. Crazy Rich Asians (PR: 13)

15. The Mule (PR: Not Ranked)

16. The Ballad of Buster Scruggs (PR: 14)

17. On the Basis of Sex (PR: 19)

18. Bohemian Rhapsody (PR: 16)

19. Mary Poppins Returns (PR: 20)

20. At Eternity’s Gate (PR: 18)

21. The Sisters Brothers (PR: 17)

22. Beautiful Boy (PR: 23)

23. Leave No Trace (PR: 21)

24. The Front Runner (PR: 24)

25. Eighth Grade (PR: 22)

Dropped Out:

Stan and Ollie

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 3)

3. Damien Chazelle, First Man (PR: 2)

4. Spike Lee, BlacKkKlansman (PR: 5)

5. Yorgos Lanthimos, The Favourite (PR: 4)

Other Possibilities:

6. Barry Jenkins, If Beale Street Could Talk (PR: 6)

7. Peter Farrelly, Green Book (PR: 7)

8. Adam McKay, Vice (PR: 9)

9. Ryan Coogler, Black Panther (PR: 8)

10. Marielle Heller, Can You Ever Forgive Me? (PR: 10)

11. Steve McQueen, Widows (PR: 11)

12. Josie Rourke, Mary Queen of Scots (PR: 15)

13. Clint Eastwood, The Mule (PR: Not Ranked)

14. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: 14)

15. Joel Edgerton, Boy Erased (PR: 13)

Dropped Out:

Jacques Audiard, The Sisters Brothers 

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 5)

3. Willem Dafoe, At Eternity’s Gate (PR: 3)

4. Ryan Gosling, First Man (PR: 2)

5. Viggo Mortensen, Green Book (PR: 4)

Other Possibilities:

6. Rami Malek, Bohemian Rhapsody (PR: 6)

7. Robert Redford, The Old Man & The Gun (PR: 7)

8. Clint Eastwood, The Mule (PR: Not Ranked)

9. Lucas Hedges, Boy Erased (PR: 8)

10. Ethan Hawke, First Reformed (PR: 10)

11. Steve Carell, Beautiful Boy (PR: 9)

12. Ben Foster, Leave No Trace (PR: 11)

13. John David Washington, BlacKkKlansman (PR: 13)

14. Hugh Jackman, The Front Runner (PR: 14)

15. John C. Reilly, The Sisters Brothers (PR: 12)

Dropped Out:

Chadwick Boseman, Black Panther

Best Actress

1. Glenn Close, The Wife (PR: 1)

2. Lady Gaga, A Star Is Born (PR: 2)

3. Olivia Colman, The Favourite (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Yalitza Aparicio, Roma (PR: 5)

Other Possibilities:

6. Viola Davis, Widows (PR: 6)

7. Felicity Jones, On the Basis of Sex (PR: 7)

8. Saoirse Ronan, Mary Queen of Scots (PR: 8)

9. Nicole Kidman, Destroyer (PR: 9)

10. Toni Collette, Hereditary (PR: 11)

11. Julia Roberts, Ben Is Back (PR: 10)

12. Keira Knightley, Colette (PR: 15)

13. Emily Blunt, Mary Poppins Returns (PR: 12)

14. Carey Mulligan, Wildlife (PR: 14)

15. Kiki Layne, If Beale Street Could Talk (PR: 13)

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 2)

2. Timothee Chalamet, Beautiful Boy (PR: 1)

3. Sam Elliot, A Star Is Born (PR: 4)

4. Richard E. Grant, Can You Ever Forgive Me? (PR: 3)

5. Sam Rockwell, Vice (PR: 8)

Other Possibilities:

6. Daniel Kaluuya, Widows (PR: 5)

7. Adam Driver, BlacKkKlansman (PR: 6)

8. Michael B. Jordan, Black Panther (PR: 8)

9. Steve Carell, Vice (PR: 14)

10. Russell Crowe, Boy Erased (PR: 11)

11. John C. Reilly, Stan and Ollie (PR: 10)

12. Nicholas Hoult, The Favourite (PR: 9)

13. Armie Hammer, On the Basis of Sex (PR: 12)

14. Jason Clarke, First Man (PR: 13)

15. David Tennant, Mary Queen of Scots (PR: Not Ranked)

Dropped Out:

Oscar Isaac, At Eternity’s Gate

Best Supporting Actress

1. Claire Foy, First Man (PR: 1)

2. Regina King, If Beale Street Could Talk (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Amy Adams, Vice (PR: 5)

Other Possibilities:

6. Natalie Portman, Vox Lux (PR: 7)

7. Nicole Kidman, Boy Erased (PR: 6)

8. Michelle Yeoh, Crazy Rich Asians (PR: 9)

9. Sissy Spacek, The Old Man & The Gun (PR: 8)

10. Marina de Tavira, Roma (PR: 11)

11. Margot Robbie, Mary Queen of Scots (PR: 10)

12. Rachel McAdams, Disobedience (PR: Not Ranked)

13. Thomasin McKenzie, Leave No Trace (PR: 13)

14. Kathy Bates, On the Basis of Sex (PR: 14)

15. Dianne Wiest, The Mule (PR: Not Ranked)

Dropped Out:

Elizabeth Debicki, Widows

Linda Cardellini, Green Book

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. If Beale Street Could Talk (PR: 2)

3. A Star Is Born (PR: 3)

4. First Man (PR: 4)

5. Can You Ever Forgive Me? (PR: 5)

Other Possibilities:

6. Widows (PR: 7)

7. Leave No Trace (PR: 6)

8. Crazy Rich Asians (PR: 8)

9. Boy Erased (PR: 9)

10. Black Panther (PR: 10)

11. Mary Queen of Scots (PR: 11)

12. Disobedience (PR: 13)

13. Beautiful Boy (PR: 15)

14. The Sisters Brothers (PR: 12)

15. The Mule (PR: Not Ranked)

Dropped Out:

The Front Runner

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 3)

3. Green Book (PR: 2)

4. Vice (PR: 5)

5. Eighth Grade (PR: 4)

Other Possibilities:

6. The Ballad of Buster Scruggs (PR: 9)

7. First Reformed (PR: 6)

8. At Eternity’s Gate (PR: 12)

9. On the Basis of Sex (PR: 7)

10. A Quiet Place (PR: 8)

11. Private Life (PR: Not Ranked)

12. Hereditary (PR: 14)

13. Bohemian Rhapsody (PR: 13)

14. Ben Is Back (PR: 10)

15. Stan and Ollie (PR: 11)

Dropped Out:

Sorry to Bother You 

Oscar Watch: Private Life

This Friday on Netflix, Private Life debuts. The comedic drama marks the first directorial effort from Tamara Jenkins in over a decade since her acclaimed The Savages in 2007. Paul Giamatti and Kathryn Hahn star as a couple dealing with infertility. Costars include Kayli Carter, Molly Shannon, Denis O’Hare, and John Carroll Lynch.

Life premiered at Sundance way back in January and warm reviews followed. It currently stands at 88% on Rotten Tomatoes. I don’t expect this to be a player in Best Picture or any of the acting races. However, it stands at least a shot at Best Original Screenplay. It could, however, be a long shot.

That category currently has three near sure things (The Favourite, Roma, Green Book), an unseen possibility on the horizon (Vice), and other contenders like Eighth Grade and The Ballad of Buster Scruggs. In its favor is that Jenkins was recognized here before for The Savages.

Bottom line: the only chance at a nod for Private Life is Original Screenplay. It’s unlikely, but not out of the realm of possibility.

My Oscar Watch posts will continue…

Bad Times at the El Royale Box Office Prediction

Director Drew Goddard follows up his cult hit The Cabin in the Woods next weekend with the thriller Bad Times at the El Royale. Set at a novelty hotel in the late 1960s that occupies space in California and Nevada, the cast includes Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Nick Offerman, Cailee Spaeny, and Chris Hemsworth.

Early reviews for Royale have been mostly positive and it currently occupies a 77% rating on Rotten Tomatoes. Box office estimates I’ve seen have a wide range from low double digits to high ones.

While this is a project that cinephiles are excited for, I question whether this can break out with a mainstream audience. For starters, there’s competition in the form of the second weekend of Venom and A Star Is Born and the debut of First Man. Trailers and TV spots are a little murky as to what this is actually about. While there’s plenty of famous faces in the cast, I’m not sure any of them will help much in filling seats (even Thor himself).

Taking all that into account, I believe El Royale will premiere on the low-end of expectations and may even struggle to reach double digits.

Bad Times at the El Royale opening weekend prediction: $8 million

For my First Man prediction, click here:

https://toddmthatcher.com/2018/10/02/first-man-box-office-prediction/

For my Goosebumps 2: Haunted Halloween prediction, click here:

https://toddmthatcher.com/2018/10/03/goosebumps-2-haunted-halloween/

Goosebumps 2: Haunted Halloween Box Office Prediction

R.L. Stine’s bestselling series of books gets its sequel next weekend as Goosebumps 2: Haunted Halloween scares its way into multiplexes. This is the follow-up to the 2015 original that managed a $23.6 million opening and $80 million overall gross. Ari Sandel takes over directorial duties with a cast including Wendi McLendon-Covey, Madison Iseman, Jeremy Ray Taylor, Ken Jeong, and Chris Parnell. Jack Black does reprise his role as Stine, though it’s unclear whether it’s more of a cameo this time around.

The release date close to the holiday it’s named after should help and there’s also little in the way of direct family competition as The House with a Clock in Its Walls (starring Black) is winding down. Venom will be in its second weekend of release, however.

I’ll predict this doesn’t quite manage to match the earnings of its predecessor and it may come in with about 25% less. That would give the second helping of Goosebumps a debut in the high teens.

Goosebumps 2: Haunted Halloween opening weekend prediction: $17.3 million

For my First Man prediction, click here:

https://toddmthatcher.com/2018/10/02/first-man-box-office-prediction/

For my Bad Times at the El Royale prediction, click here:

https://toddmthatcher.com/2018/10/03/bad-times-at-the-el-royale-box-office-prediction/

First Man Box Office Prediction

With awards buzz lifting its potential box office prospects, Damien Chazelle’s First Man debuts next weekend. Ryan Gosling headlines as Neil Armstrong in the story of the journey that led him to walk on the moon. Costars include Claire Foy (in a role garnering Oscar chatter), Jason Clarke, Kyle Chandler, Corey Stoll, Ciarán Hinds, Christopher Abbott, Patrick Fugit, and Lukas Haas.

Since premiering at the Venice Film Festival, First Man has received positive word of mouth with a current Rotten Tomatoes score of 88%. Like Chazelle’s last two pictures (Whiplash and La La Land), a Best Picture nomination is expected. Older audiences should turn out (and Gosling fans), but it could be a film that plays well for weeks as opposed to a huge opening.

October has been kind to space flicks, most notably Gravity and The Martian. They both launched to over $50 million out of the gate. First Man is not expected to achieve those numbers. Competition is serious with the second weekends of Venom and A Star Is Born in particular.

I’ll say this manages a low to likely mid 20s start with solid grosses continuing beyond.

First Man opening weekend prediction: $23.5 million

For my Goosebumps 2, Haunted Halloween prediction, click here:

https://toddmthatcher.com/2018/10/03/goosebumps-2-haunted-halloween/

For my Bad Times at the El Royale prediction, click here:

https://toddmthatcher.com/2018/10/03/bad-times-at-the-el-royale-box-office-prediction/

Ant-Man and the Wasp Movie Review

Size matters in the Marvel Cinematic Universe and the decade old multi-billion franchise reached its most epic heights in Avengers: Infinity War. The only superhero who’s had their own stand-alone pic not to appear in that gargantuan production was Ant-Man, the character brought to life by Paul Rudd in the summer of 2015. Sequel Ant–Man and the Wasp follows a traditional Avengers tale like the original did. To say it feels smaller in scope is an understatement. Part one often failed to strike a satisfying mix and surprisingly struggled to make Rudd’s title character a memorable one. Whereas Robert Downey Jr.’s Iron Man and Chris Pratt’s Star-Lord were instantly iconic heroes, it didn’t work that way in Ant–Man. That’s despite its star’s well-known ability to mix comedy and drama and some nifty visuals that made the third act a treat.

Rarely do we find an MCU effort without parental issues involved and they’re here. Scott Lang/Ant-Man is nearing the end of a two-year house arrest bid based on the events from Captain America: Civil War. His former love interest Hope/heroine Wasp (Evangeline Lilly) and science wiz dad Hank (Michael Douglas) are hiding out as well while conducting experiments to find their mom and wife Janet (Michelle Pfeiffer). She’s been stuck for three decades in the quantum realm that Ant-Man briefly visited in the original. His experience there leads Hope and Hank to believe she’s alive and the search is on. The technology that leads to that mystical place is sought by a low life criminal (Walton Goggins) and his crew. The FBI is curious about it, including the main agent (Randall Park in amusing turn) tasked with monitoring Scott. And then there’s Ghost (Hannah John-Kamen), a molecular challenged young lady who has her own reasons to gain powers. She teams up with a former colleague of Hank’s played by Laurence Fishburne.

If you’re thinking that’s a lot of characters to follow, I haven’t even mentioned Scott’s returning daughter (Abby Ryder Fortson), ex-wife (Judy Greer), and current husband (Bobby Cannavale). There’s also his business partners and occasional fellow crime fighters including Michael Pena and T.I. So while there’s plenty of action to follow, the MCU knows how to make it easy to follow. Compared to Infinity War, the amount of subplots seems practically minuscule.

Wasp finds Rudd settling more comfortably in the role and more humorously. That’s an aspect that was oddly not around much in 2015. Finding Scott with Pfeiffer’s character in his head in one scene provides some genuine laughs. Like in the original, Mr. Douglas appears to be having a ball. He gets his own chance to save the day at one point while his counterparts are engaged in a visually impressive car chase in the streets of San Francisco. Lilly doesn’t just share title credit here. She does have more to do.

Ant–Man and the Wasp is an improvement over the first. That’s a trait shared by other MCU sequels, especially in the Captain America and Thor series. Peyton Reed returns as director and the whole production feels more confident. It also doesn’t have the burden of being an origin story… something we go through a lot with this constantly growing genre. Like many of its subjects, the importance of what happens in these two hours feels small compared to the grand scale of other stories in this universe. More so than in 2015, however, Ant-Man’s existence in it feels welcome.

*** (out of four)

Box Office Predictions: October 5-7

The October box office gets underway this weekend with a strong likelihood that the month’s record will be broken as the comic book adaptation Venom and Bradley Cooper/Lady Gaga Oscar hopeful and musical drama A Star Is Born open. You can peruse my individual detailed prediction posts on them here:

https://toddmthatcher.com/2018/09/25/venom-box-office-prediction/

https://toddmthatcher.com/2018/09/25/a-star-is-born-box-office-prediction/

Both are expected to post impressive debuts. The current October record holder is from five years ago when Gravity made $55.7 million out of the gate. Venom is tracking to open between $60-$70 million. I believe it will match expectations and premiere on the lower end of that range, taking the all-time monthly debut with it.

While Venom could always fail to meet projections, I believe the real wild card here is A Star Is Born. Ever since it screened on the film festival circuit, praise and awards buzz has been loud for Bradley Cooper’s directorial debut and third remake of a tale that began in the 1930s. My initial estimate last week was $37.6 million and it has now risen to $48.6 million. It’s not out of the question that the projection could continue to rise during the week.

The two newcomers will easily take the top spots. As for holdovers, Smallfoot seems destined to experience a smaller drop than current champ Night School. I expect them to place 3rd and 4th, respectively, with The House with a Clock in Its Walls rounding out the top five.

And with that, my top five take on the big record-breaking weekend ahead:

1. Venom

Predicted Gross: $62.5 million

2. A Star Is Born

Predicted Gross: $48.6 million

3. Smallfoot

Predicted Gross: $13.6 million

4. Night School

Predicted Gross: $12.7 million

5. The House with a Clock in Its Walls

Predicted Gross: $7 million

Box Office Results (September 28-30)

As expected, the Kevin Hart/Tiffany Haddish comedy Night School opened in first place with $27.2 million, a bit under my $31.6 million prediction. While not reaching the heights of some other Hart laughers, it’s still a solid start. I do expect a fairly large drop this weekend.

Warner Bros animated Smallfoot premiered in line with expectations at $23 million. My prediction? $23 million! I foresee a second weekend drop around 35-40 percent.

The House with a Clock in Its Walls dropped to third with $12.6 million, falling further than my second weekend estimate of $15.3 million. It’s made $44 million thus far.

A Simple Favor was fourth with $6.5 million (I said $7 million) for a three-week tally of $43 million.

The Nun rounded out the top five with $5.4 million (I said $5.5 million) for an overall gross of $109 million.

Halloween themed horror pic Hell Fest yielded unimpressive results in sixth place with $5.1 million, in line with my $5.6 million projection.

Finally, the Pure Flix version of Little Women was a total bust this weekend with just $705,000 for 16th place. I was more generous at $1.1 million.

And that does it for now, folks! Until next time…

The Mule Charges Into Oscar Contention

A bit of an awards season surprise turned up today when Warner Bros announced that Clint Eastwood’s The Mule will be out on December 14. The film casts Eastwood in the true story of a World War II vet who becomes a courier for Mexican drug cartels at age 80.

The Mule marks Eastwood’s first turn in front of the camera since 2012’s Trouble with the Curve. It’s the first time he’s directed himself since 2008’s hit Gran Torino. While it’s been a little while since he’s acted, he has been churning out directorial efforts every year. It’s no accident that every time he does, Oscar chatter follows.

Over the past quarter century plus, Eastwood has seen a number of his pictures win and be nominated. In 1992, Unforgiven won Best Picture and Director. Twelve years later, Million Dollar Baby was a surprise late addition to the awards season calendar (as this is). It also won Picture and Director. Additionally, Mystic River, Letters from Iwo Jima, and American Sniper all received nods in the big race.

Just last year, The 15:17 to Paris was assumed to be another possibility for inclusion for consideration. It ended up coming out in February of this year and was a commercial and critical failure. Paris is nowhere on the radar screen for Academy chatter this year.

Will The Mule be a different story? Another Million Dollar Baby that alters the Oscar race? While we’ll have to wait for buzz and reviews (there’s not even a trailer yet), some signs point to no.

There’s already rumors that Warner Bros is looking at this as more of a commercial venture  than one they will focus on for awards campaigning. The studio already has a very serious contender on its docket with A Star Is Born. Speaking of, Eastwood’s costars here include Bradley Cooper (director and star of Born) as well as Dianne Wiest, Michael Pena, Laurence Fishburne, Taissa Farmiga, and Alison Eastwood.

Even if Warner doesn’t see this as their largest Academy player, we will see if critics and audiences feel differently. One thing is for sure – we have another movie to keep an eye on in 2018.

2018 Weekly Oscar Predictions: September 27th Edition

As my weekly Oscar predictions roll along, I finally had a week not loaded with festival news and screenings. As you can see, placements in the major categories don’t have quite as much volatility this week.

That said, there was news. Of the few contenders that haven’t screened, it was announced that On the Basis of Sex will open this year’s AFI Fest in November and that Mary Queen of Scots will close it. Their inclusion in the fest bumps their stock up a bit in my rankings this time around. Of course, it won’t be until they screen that we know the real story.

In other developments related to my rankings:

  • Yalitza Aparicio (Roma) overtakes Viola Davis (Widows) for the five-spot in Best Actress.
  • Additionally in Best Actress, Glenn Close (The Wife) now holds the #1 predicted slot over Lady Gaga (A Star Is Born).
  • In Best Adapted Screenplay, the five predicted pictures remain the same. However, BlackKlansman and If Beale Street Could Talk now hold the 1-2 spots over A Star Is Born and First Man.
  • Ben Foster (Leave No Trace) will apparently be campaigned for in lead Actor and not Supporting so that change has been reflected in my estimates.

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. First Man (PR: 3)

4. Green Book (PR: 5)

5. The Favourite (PR: 4)

6. BlacKkKlansman (PR: 7)

7. If Beale Street Could Talk (PR: 6)

8. Black Panther (PR: 8)

9. Vice (PR: 9)

Other Possibilities:

10. Can You Ever Forgive Me? (PR: 10)

11. Widows (PR: 12)

12. Boy Erased (PR: 11)

13. Crazy Rich Asians (PR: 18)

14. The Ballad of Buster Scruggs (PR: 13)

15. Mary Queen of Scots (PR: 14)

16. Bohemian Rhapsody (PR: 17)

17. The Sisters Brothers (PR: 15)

18. At Eternity’s Gate (PR: 19)

19. On the Basis of Sex (PR: 23)

20. Mary Poppins Returns (PR: 21)

21. Leave No Trace (PR: 25)

22. Eighth Grade (PR: 24)

23. Beautiful Boy (PR: 20)

24. The Front Runner (PR: 16)

25. Stan and Ollie (PR: 22)

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Damien Chazelle, First Man (PR: 3)

3. Bradley Cooper, A Star Is Born (PR: 2)

4. Yorgos Lanthimos, The Favourite (PR: 4)

5. Spike Lee, BlacKkKlansman (PR: 5)

Other Possibilities:

6. Barry Jenkins, If Beale Street Could Talk (PR: 6)

7. Peter Farrelly, Green Book (PR: 7)

8. Ryan Coogler, Black Panther (PR: 8)

9. Adam McKay, Vice (PR: 9)

10. Marielle Heller, Can You Ever Forgive Me? (PR: 10)

11. Steve McQueen, Widows (PR: 12)

12. Jacques Audiard, The Sisters Brothers (PR: 11)

13. Joel Edgerton, Boy Erased (PR: 14)

14. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: 13)

15. Josie Rourke, Mary Queen of Scots (PR: 15)

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Ryan Gosling, First Man (PR: 2)

3. Willem Dafoe, At Eternity’s Gate (PR: 3)

4. Viggo Mortensen, Green Book (PR: 4)

5. Christian Bale, Vice (PR: 5)

Other Possibilities:

6. Rami Malek, Bohemian Rhapsody (PR: 8)

7. Robert Redford, The Old Man & The Gun (PR: 6)

8. Lucas Hedges, Boy Erased (PR: 10)

9. Steve Carell, Beautiful Boy (PR: 7)

10. Ethan Hawke, First Reformed (PR: 11)

11. Ben Foster, Leave No Trace (PR: Not Ranked – moved from Supporting Actor)

12. John C. Reilly, The Sisters Brothers (PR: 13)

13. John David Washington, BlacKkKlansman (PR: 12)

14. Hugh Jackman, The Front Runner (PR: 9)

15. Chadwick Boseman, Black Panther (PR: 14)

Dropped Out:

Joaquin Phoenix, You Were Never Really Here

Best Actress

1. Glenn Close, The Wife (PR: 2)

2. Lady Gaga, A Star Is Born (PR: 1)

3. Olivia Colman, The Favourite (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Yalitza Aparicio, Roma (PR: 6)

Other Possibilities:

6. Viola Davis, Widows (PR: 5)

7. Felicity Jones, On the Basis of Sex (PR: 10)

8. Saoirse Ronan, Mary Queen of Scots (PR: 11)

9. Nicole Kidman, Destroyer (PR: 7)

10. Julia Roberts, Ben Is Back (PR: 9)

11. Toni Collette, Hereditary (PR: 8)

12. Emily Blunt, Mary Poppins Returns (PR: 13)

13. Kiki Layne, If Beale Street Could Talk (PR: 12)

14. Carey Mulligan, Wildlife (PR: Not Ranked)

15. Keira Knightley, Colette (PR: 15)

Dropped Out:

Elsie Fisher, Eighth Grade

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy (PR: 1)

2. Mahershala Ali, Green Book (PR: 2)

3. Richard E. Grant, Can You Ever Forgive Me? (PR: 4)

4. Sam Elliot, A Star Is Born (PR: 3)

5. Daniel Kaluuya, Widows (PR: 5)

Other Possibilities:

6. Adam Driver, BlacKkKlansman (PR: 7)

7. Michael B. Jordan, Black Panther (PR: 9)

8. Sam Rockwell, Vice (PR: 8)

9. Nicholas Hoult, The Favourite (PR: 6)

10. John C. Reilly, Stan and Ollie (PR: 11)

11. Russell Crowe, Boy Erased (PR: 10)

12. Armie Hammer, On the Basis of Sex (PR: 12)

13. Jason Clarke, First Man (PR: 14)

14. Steve Carell, Vice (PR: Not Ranked)

15. Oscar Isaac, At Eternity’s Gate (PR: 15)

Dropped Out:

Ben Foster, Leave No Trace (moved to Lead Actor)

Best Supporting Actress

1. Claire Foy, First Man (PR: 1)

2. Regina King, If Beale Street Could Talk (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Amy Adams, Vice (PR: 5)

Other Possibilities:

6. Nicole Kidman, Boy Erased (PR: 6)

7. Natalie Portman, Vox Lux (PR: 8)

8. Sissy Spacek, The Old Man & The Gun (PR: 9)

9. Michelle Yeoh, Crazy Rich Asians (PR: 7)

10. Margot Robbie, Mary Queen of Scots (PR: 13)

11. Marina de Tavira, Roma (PR: 11)

12. Elizabeth Debicki, Widows (PR: 10)

13. Thomasin McKenzie, Leave No Trace (PR: 14)

14. Kathy Bates, On the Basis of Sex (PR: Not Ranked)

15. Linda Cardellini, Green Book (PR: 12)

Dropped Out:

Maura Tierney, Beautiful Boy

Best Adapted Screenplay

1. BlacKkKlansman (PR: 3)

2. If Beale Street Could Talk (PR: 4)

3. A Star Is Born (PR: 1)

4. First Man (PR: 2)

5. Can You Ever Forgive Me? (PR: 5)

Other Possibilities:

6. Leave No Trace (PR: 15)

7. Widows (PR: 6)

8. Crazy Rich Asians (PR: 8)

9. Boy Erased (PR: 7)

10. Black Panther (PR: 9)

11. Mary Queen of Scots (PR: 14)

12. The Sisters Brothers (PR: 12)

13. Disobedience (PR: 13)

14. The Front Runner (PR: 10)

15. Beautiful Boy (PR: 11)

Best Original Screenplay

1. The Favourite (PR: 1)

2. Green Book (PR: 3)

3. Roma (PR: 2)

4. Eighth Grade (PR: 5)

5. Vice (PR: 4)

Other Possibilities:

6. First Reformed (PR: 6)

7. On the Basis of Sex (PR: 14)

8. A Quiet Place (PR: 8)

9. The Ballad of Buster Scruggs (PR: 7)

10. Ben Is Back (PR: 12)

11. Stan and Ollie (PR: 9)

12. At Eternity’s Gate (PR: 10)

13. Bohemian Rhapsody (PR: 11)

14. Hereditary (PR: 13)

15. Sorry to Bother You (PR: 15)

Oscar Watch: Capernaum

I recently did an Oscar Watch post for Shoplifters, the Japanese drama that won the Palme d’Or at this year’s Cannes Film Festival. It stands an excellent shot at a nomination for Best Foreign Language Film at the Oscars.

So, too, does the Cannes winner for the Jury Prize and that is Capernaum. This Lebanese tearjerker from director Nadine Labaki is said to be an audience favorite. It recently played at the Toronto Film Festival and buzz continued to increase. The Jury Prize recipient in 2017 was Russia’s Loveless and it went on to score an Academy nod.

The category is beginning to look crowded with such titles as Roma, Cold War, Shoplifters, and Sunset (among others) as contenders. If Capernaum makes it in, it would be only the second picture from Lebanon to do so. Yet it would also be two in a row as last year’s The Insult was the first.

Bottom line: Capernaum stands a solid shot among the five movies to be recognized in the Foreign Language Film race.

My Oscar Watch posts will continue…