Marvel’s Shang-Chi and the Legend of the Ten Rings looks to make it a clean sweep at #1 for the month of September this weekend. The only competitor standing in its way is Dear Evan Hansen, the adaptation of the hit Broadway musical. You can peruse my detailed prediction post on it here:
The fact that Hansen is garnering mixed reviews has me questioning whether it reaches double digits. I’m guessing no and that should put it in the runner-up position behind Rings, which may only drop in the low 30s.
Holdovers will populate the rest of the five as we await some potential October behemoths starting with Venom: Let There Be Carnage and continuing with No Time to Die, Halloween Kills, and Dune.
Until then, expect a rather quiet end to this month at multiplexes. Here’s how I envision the top five:
1. Shang-Chi and the Legend of the Ten Rings
Predicted Gross: $14.9 million
2. Dear Evan Hansen
Predicted Gross: $8.6 million
3. Free Guy
Predicted Gross: $4.5 million
4. Cry Macho
Predicted Gross: $2.8 million
5. Candyman
Predicted Gross: $2.5 million
Box Office Results (September 17-19)
Shang-Chi steamrolled the rest of the weak competition in its third frame with $21.6 million. That’s just above my $20.1 million projection as the MCU juggernaut has amassed $176 million thus far with $200 million easily in its sights.
Free Guy dipped a scant 9% for second place in its sixth weekend with $5 million (I said $4.2 million). It has crossed the nine digit mark at $108 million.
The weekend’s top newcomer was Clint Eastwood’s Cry Macho with a ho-hum $4.4 million compared to my more generous $6.4 million estimate. Perhaps its intended older demographic opted to view it on HBO Max or, with its mixed reviews, not at all.
Candyman was fourth with $3.5 million, holding up better than my $2.6 million take. Total is $53 million.
Keeping with the horror theme, Malignant dropped 50% in its sophomore weekend with $2.7 million. That’s decent for its genre and it’s generated plenty of chatter (good and bad) that might have assisted in a curiosity factor. In two weeks, it’s made $9 million. I incorrectly had it outside the top five.
That’s because Gerard Butler’s latest action thriller Copshop (despite a decent critical response) tanked with only $2.3 million in sixth. I went with $4.5 million.
Thanks to the Toronto Film Festival, we have a new #1 atop the charts in Best Picture and it’s Kenneth Branagh’s Belfast.
The coming-of-age drama won the festival’s People’s Choice Award and that is no minor development. 12 of the past 13 victors have received a BP nod. Five of them have won. And that’s enough to allow Belfast the designation of soft frontrunner (with lots of time to go and lots yet to be seen). However, the fact of the matter is, you have to go back to 2006’s The Departed to find a BP winner that didn’t screen at one of the higher profile festivals.
The Power of the Dog was a runner-up for the People’s Choice prize and it slides just one spot. Director Jane Campion maintains top billing in her category.
There are further developments to point out:
King Richard is back in my top 10 BP projections edging out The Humans. The Will Smith sports drama also enters Original Screenplay over C’Mon C’Mon.
Paul Thomas Anderson (Licorice Pizza) is in for Best Director over Ridley Scott for House of Gucci.
The praise for Jessica Chastain in The Eyes of Tammy Faye is enough to put her at #2 in Actress. It’s not enough to dislodge Kristen Stewart (Spencer) from her ruling perch. I will admit that the subpar box office grosses for Faye this weekend doesn’t help, but I’m relatively confident at this juncture that she’s in.
The revolving door that is slot #5 in Best Actor lands on Joaquin Phoenix (C’Mon C’Mon) over Bradley Cooper (Nightmare Alley).
Big changes in Supporting Actor as Jamie Dornan (Belfast) and Jared Leto (House of Gucci) are in. Dropping are Dornan’s costar Ciaran Hinds and Kodi Smit-McPhee (The Power of the Dog).
While the Supporting Actress five stays intact, I’ve vaulted Ann Dowd (Mass) back to the top spot.
By this time next Sunday, we will know the buzz for Joel Coen’s The Tragedy of Macbeth as it opens the New York Film Festival this Friday. Stay tuned for my Oscar Predictions post on that next weekend.
You can peruse all the action below and the forecasts will be updated next Sunday!
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 4) (+3)
2. The Power of the Dog (PR: 1) (-1)
3. Nightmare Alley (PR: 2) (-1)
4. Dune (PR: 5) (+1)
5. House of Gucci (PR: 3) (-2)
6. Licorice Pizza (PR: 7) (+1)
7. The Tragedy of Macbeth (PR: 6) (-1)
8. West Side Story (PR: 8) (E)
9. Don’t Look Up (PR: 9) (E)
10. King Richard (PR: 12) (+2)
Other Possibilities:
11. The Humans (PR: 10) (-1)
12. Spencer (PR: 15) (+3)
13. CODA (PR: 11) (-2)
14. Mass (PR: 14) (E)
15. The Hand of God (PR: 13) (-2)
16. Flee (PR: 17) (+1)
17. The French Dispatch (PR: 16) (-1)
18. Tick, Tick… Boom! (PR: 19) (+1)
19. A Hero (PR: 18) (-1)
20. The Lost Daughter (PR: 20) (E)
21. C’Mon C’Mon (PR: 24) (+3)
22. Being the Ricardos (PR: 22) (E)
23. Cyrano (PR: 23) (E)
24. Passing (PR: 21) (-3)
25. Parallel Mothers (PR: 25) (E)
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Guillermo del Toro, Nightmare Alley (PR: 2) (E)
3. Kenneth Branagh, Belfast (PR: 4) (+1)
4. Denis Villeneuve, Dune (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 6) (+1)
Other Possibilities:
6. Ridley Scott, House of Gucci (PR: 5) (-1)
7. Joel Coen, The Tragedy of Macbeth (PR: 7) (E)
8. Steven Spielberg, West Side Story (PR: 8) (E)
9. Adam McKay, Don’t Look Up (PR: 9) (E)
10. Pablo Larrain, Spencer (PR: 11) (+1)
11. Paolo Sorrentino, The Hand of God (PR: 10) (-1)
12. Jonas Poher Rasmussen, Flee (PR: 13) (+1)
13. Reinaldo Marcus Green, King Richard (PR: Not Ranked)
14. Asghar Farhadi, A Hero (PR: 14) (E)
15. Stephen Karam, The Humans (PR: 12) (-3)
Dropped Out:
Wes Anderson, The French Dispatch
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)
3. Lady Gaga, House of Gucci (PR: 2) (-1)
4. Penelope Cruz, Parallel Mothers (PR: 4) (E)
5. Olivia Colman, The Lost Daughter (PR: 5) (E)
Other Possibilities:
6. Jennifer Hudson, Respect (PR: 6) (E)
7. Cate Blanchett, Nightmare Alley (PR: 7) (E)
8. Rachel Zegler, West Side Story (PR: 9) (+1)
9. Nicole Kidman, Being the Ricardos (PR: 8) (-1)
10. Renate Reinsve, The Worst Person in the World (PR: 13) (+3)
11. Jennifer Lawrence, Don’t Look Up (PR: 12) (+1)
12. Emilia Jones, CODA (PR: 10) (-2)
13. Jodie Comer, The Last Duel (PR: 11) (-2)
14. Halle Berry, Bruised (PR: 15) (+1)
15. Tessa Thompson, Passing (PR: 14) (-1)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)
4. Peter Dinklage, Cyrano (PR: 4) (E)
5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Bradley Cooper, Nightmare Alley (PR: 5) (-1)
7. Adam Driver, House of Gucci (PR: 7) (E)
8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)
9. Andrew Garfield, Tick, Tick… Boom! (PR: 10) (+1)
10. Clifton Collins, Jr., Jockey (PR: 9) (-1)
11. Nicolas Cage, Pig (PR: 11) (E)
12. Ben Foster, The Survivor (PR: Not Ranked)
13. Jude Hill, Belfast (PR: Not Ranked)
14. Cooper Hoffman, Licorice Pizza (PR: Not Ranked)
15. Amir Jadidi, A Hero (PR: 12) (-3)
Dropped Out:
Adam Driver, Annette
Filippo Scott, The Hand of God
Simon Rex, Red Rocket
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 2) (+1)
2. Caitriona Balfe, Belfast (PR: 3) (+1)
3. Kirsten Dunst, The Power of the Dog (PR: 1) (-2)
4. Ariana DeBose, West Side Story (PR: 5) (+1)
5. Jayne Houdyshell, The Humans (PR: 4) (-1)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: 6) (E)
7. Aunjanue Ellis, King Richard (PR: 8) (+1)
8. Rooney Mara, Nightmare Alley (PR: 10) (+2)
9. Toni Collette, Nightmare Alley (PR: 9) (E)
10. Judi Dench, Belfast (PR: 11) (+1)
11. Marlee Matlin, CODA (PR: 7) (-4)
12. Meryl Streep, Don’t Look Up (PR: 12) (E)
13. Martha Plimpton, Mass (PR: 14) (+1)
14. Ruth Negga, Passing (PR: 13) (-1)
15. Dakota Johnson, The Lost Daughter (PR: 15) (E)
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1) (E)
2. Richard Jenkins, The Humans (PR: 2) (E)
3. Jamie Dornan, Belfast (PR: 7) (+4)
4. Jason Isaacs, Mass (PR: 5) (+1)
5. Jared Leto, House of Gucci (PR: 6) (+1)
Other Possibilities:
6. Kodi Smit-McPhee, The Power of the Dog (PR: 4) (-2)
7. Corey Hawkins, The Tragedy of Macbeth (PR: 8) (+1)
8. Ciaran Hinds, Belfast (PR: 3) (-5)
9. Mark Rylance, Don’t Look Up (PR: 10) (+1)
10. Jesse Plemons, The Power of the Dog (PR: 9) (-1)
11. Willem Dafoe, Nightmare Alley (PR: 12) (+1)
12. David Alvarez, West Side Story (PR: 13) (+1)
13. Troy Kotsur, CODA (PR: 11) (-2)
14. Andrew Garfield, The Eyes of Tammy Faye (PR: Not Ranked)
It’s a wrap for the Toronto Film Festival as prognosticators awaited the naming of the People’s Choice Award. Why? It has become one of the most reliable indicators for a movie nabbing a Best Picture nomination from the Academy.
As in – 12 of the latest 13 victors have done so. Five have gone onto win the big prize: 2008’s Slumdog Millionaire, 2010’s The King’s Speech, 2013’s 12 Years a Slave, 2018’s Green Book, and last year’s Nomadland. That’s one heckuva track record.
When Kenneth Branagh’s black and white coming-of-age drama Belfast premiered at Telluride and reached Toronto, it became somewhat of a surprise awards contender. Yet coming into today, it was not an unexpected development for it to take the People’s trophy.
Belfast was listed at #4 in my BP possibilities last Sunday. I can guarantee it will rank higher when I update my projections tomorrow. Simply put, Belfast can be written in pen with your ten nominees in the BP derby.
Toronto also has runners-up. They were the Canadian drama Scarborough (which shouldn’t factor into Oscar chatter) and Jane Campion’s The Power of the Dog (which certainly will). Campion already took directing honors at Cannes for Dog and the Toronto appreciation solidifies her latest as a major player. Don’t be shocked if Belfast and Dog are listed at 1-2 tomorrow and perhaps not in that order.
Bottom line: Belfast has been moving up the charts and what occurred this evening keeps it moving in the right direction.
In 2018, documentary filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin had a breakout hit with the climbing tale Free Solo. It took gold for Best Documentary Feature at the Oscars. The duo has debuted their latest true life saga The Rescue at Telluride and Toronto.
This story goes below ground in recounting the Tham Luang cave rescue in the summer of 2018. Early reviews from the festival circuit indicate they have made another stunner (100% on Rotten Tomatoes). Based on these reactions, I think it’s safe to assume The Rescue will make one of the five slots in the race that the directors triumphed in three years ago. The only caveat is that the documentary branch of the Academy is sometimes known for shocking snubs.
That said, there’s no doubt that The Rescue is not only in line for a nod, but it is a serious threat to win.
Stateside audiences may know Melanie Laurent best as Shosanna in Quentin Tarantino’s Inglourious Basterds, but the French actress has been directing in her native county for a decade now. Following Adopted (2011) and Respire (2014), her latest is The Mad Women’s Ball and it is streaming on Amazon Prime as of yesterday.
Laurent costars in the thriller that premiered days ago in Toronto. Costarring Lou de Laage and Emmanuelle Bercot, Ball currently has a 77% Rotten Tomatoes score. That’s under her predecessor Respire (93%). I’m not so sure France will even submit this for the Academy’s consideration in International Feature Film and this appears unlikely to find its way on ballots in any other categories.
My Oscar Prediction posts for the films of 2021 will continue…
Michael Caine, the legendary 88-year-old Brit, has had a unique Oscar history. He’s 2 for 2 with victories when nominated for Supporting Actor (1986’s Hannah and Her Sisters, 1999’s The Cider House Rules). Yet Caine is 0 for 4 when up for Best Actor (1966’s Alfie, 1972’s Sleuth, 1983’s Educating Rita, 2002’s The Quiet American).
This weekend, his dramedy Best Sellers is out via streaming services. It casts him as a cantankerous author adapting to the industry in the 21st century. Lina Roessler directs with a supporting cast including Aubrey Plaza, Scott Speedman, and Cary Elwes.
While Caine is receiving solid notices for his performance, the picture itself is garnering mixed takes. The Rotten Tomatoes meter stands at 61%. Due to this, it’s a safe bet that the star won’t be contending for a 7th nod with the Academy. I suppose the Golden Globes (if they happen this year) are a slight possibility in the Musical/Comedy race, but that could also be a crowded field due to a high number of genre selections in the former. My Oscar Predictions posts for the films of 2021 will continue…
M. Night Shyamalan’s latest is Old and it plays like a long Twilight Zone episode which rapidly puts its subjects in that time frame of their lives. If you’ve seen the trailer or TV spots, what you see is essentially what you get. The writer/director is responsible for putting this uninteresting group on a gorgeous beach. That’s in the figurative sense since he created them. It’s also in the literal way because Shyamalan casts himself as the driver who takes them there.
Guy (Gael Garcia Bernal) and Prisca Cappa (Vicky Krieps) are on the verge of splitting up and they take their 6-year-old boy and 11-year-old daughter on a tropical excursion before they break the news. They know this is meant to be a short-lived paradise, but they get more than they bargained for. You know how parents say their youngsters act like teenagers before they should? It happens here.
The Cappas are taken to a secluded area of the island for R & R. Joining them are a surgeon (Rufus Sewell) and his snotty wife (Abbey Lee) and their 6-year-old going on 11…13…15 (eventually played by Eliza Scanlen). There’s a nurse (Ken Leung) and his wife (Nikki Amuka-Bird) that’s prone to seizures. In the latest example of eye rolling character choices, we also have a hemophiliac rapper (Aaron Pierre) who goes by the name of Mid-Sized Sedan. This might an even more cringe worthy use of a hip hop reference than James McAvoy’s MC skills in Split.
Once placed in the breathtaking locale, all the vacationers discover they’re aging approximately one year every half hour. This is, of course, first noticed with the children. The Cappa kids morph into Thomasin McKenzie and Alex Wolff. Their elders fall prey to the typical signs of advanced age – disease, Alzheimers, low calcium content. Poor Mid-Sized Sedan never gets the chance to trade in for a cooler sounding vehicle name.
In Shyamalan’s best features (The Sixth Sense, Unbreakable, Signs), the auteur created pretty interesting characters to place in his twisty tales. That is just not the case with this group. Even a coasting Shyamalan is reliable for a few thrills, but they don’t roll in too often.
Too much of Old is filled with his clunky dialogue. The kids talk like adults before they actually are a few hours later. The surprise developments toward the end (which aren’t all that shocking) hint at a larger picture. They may have been engrossing had we not been subjected to an hour and a half of watching this dull lot waste away. This could have made a nifty Twilight Zone episode because that program ran 30 minutes. In Shyamalan’s labored production, it feels closer to a year.
The Good House, from directors Maya Forbes and Wally Wolodarsky, has premiered in Toronto and it marks the third cinematic pairing of Sigourney Weaver and Kevin Kline. The two starred in the 1993 political comedy Dave and Ang Lee’s 1997 acclaimed drama The Ice Storm.
House combines both genres and initial reviews specifically praise Weaver’s work. The three time Oscar nominee received all her nods in the 1980s with Aliens, Working Girl, and Gorillas in the Mist. A consistent fixture in leading and supporting roles for over 40 years, she could be a part away from more serious awards consideration.
I doubt The Good House lays the foundation for that. Best Actress simply looks too crowded for that occur despite the critical appreciation. My Oscar Prediction posts will continue…
For about a decade starting in the early 80s, the films of Barry Levinson were a magnet for awards nominations. 1988’s Rain Man won Best Picture and Levinson took directing honors. 1991’s Bugsy scored numerous nods including the aforementioned big races. The Natural and Good Morning, Vietnam earned acting mentions. Levinson received screenplay nominations for Diner and Avalon.
Over the past decade or so, the filmmaker’s most acclaimed titles have come on the small screen with several HBO movies. His previous big screen offering was the panned 2015 Bill Murray vehicle Rock the Kasbah.
Those fortunes could change with The Survivor, which has screened in Toronto. The black and white Holocaust drama tells the true life story of Harry Haft (Ben Foster). During his captivity at Auschwitz, he was forced to box fellow prisoners in order to survive. Costars include Billy Magnussen, Danny DeVito, Vicky Krieps, Peter Sarsgaard, and John Leguizamo.
Reviews from our neighbor up north have resulted in an 88% Rotten Tomatoes score. Not all the generally positive reaction are raves, but there’s one consistency. Foster is being heralded for his role. Despite praised performances in Hell or High Water and Leave No Trace, Foster has yet to capture the attention of Oscar voters. The actor reportedly lost a tremendous amount of weight for the part. That has been a recipe for making the ballot for plenty of winners and contenders including Matthew McConaughey (Dallas Buyers Club) and Joaquin Phoenix (Joker) to name just two. The Best Actor race probably has two slots filled already with Will Smith (King Richard) and Benedict Cumberbatch (The Power of the Dog). Hopefuls are waiting in the wings like Denzel Washington (The Tragedy of Macbeth), Bradley Cooper (Nightmare Alley), and Leonardo DiCaprio (Don’t Look Up). There’s other performances from the fest circuit such as Phoenix (C’Mon C’Mon), Peter Dinklage (Cyrano), and Clifton Collins Jr. (Jockey) in the mix.
First things first. The Survivor needs to find a distributor and a 2021 release date to qualify. It will likely do so. The next question is how hard its eventual studio/streamer pushes for Foster. The Survivor is also a possibility in Cinematography, Makeup and Hairstyling, and maybe even Picture and Director if its gets the right push.
Bottom line: I’ve yet to even mention The Survivor in my weekly Oscar predictions. I doubt I’ll be projecting it yet for inclusion in the aforementioned categories, but I do suspect it will bubble up for the first time in other possibilities. My Oscar Prediction posts for the films of 2021 will continue…
The film adaptation of the Tony Award winning musical drama Dear Evan Hansen hits theaters September 24. Directed by Stephen Chbosky (who made the 2012’s acclaimed indie The Perks of Being a Wallflower and 2017’s blockbuster Wonder), Hansen recasts Ben Platt in the title role. The supporting cast features Amy Adams, Julianne Moore, Kaitlyn Dever, and Amandla Stenberg.
Premiering at the Toronto Film Festival, the cinematic version has not garnered the same kudos that it did on Broadway. The Rotten Tomatoes score is 47% and many are griping about Platt (now in his late 20s) portraying a high schooler.
I might be a little more optimistic if Hansen had Oscar vibes going for it, but that’s been silenced by the critics. That said, there is a built-in audience familiar with the play and that could help. The same could have been said for this summer’s In the Heights, which majorly underperformed.
My projection is that this doesn’t quite reach double digits.
Dear Evan Hansen opening weekend prediction: $8.6 million
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